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Long Island Museum

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Front row, from left, Wendy Feinberg, co-director PJDS; Honey Katz, board member PJDS; Lyn Boland, co-director PJDS; Allan Varela, chairman, Greater Port Jefferson Arts Council; Barbara Sverd, co-director PJDS; and PJDS board members Phyllis Ross and Lynn Rein; back row, from left, Doug Quattrock, director of development, group sales and special events coordinator at Theatre Three; Vivian Koutrakos, managing director at Theatre Three; Julie Diamond, director of communications at the Long Island Museum; and Jeffrey Sanzel, executive artistic director at Theatre Three. Photo by Heidi Sutton

By Heidi Sutton

It’s official! Bethpage Federal Credit Union and the Long Island Press recently announced the 2017 winners of their Best of Long Island survey, now in its 11th year. Among the elite few was The Port Jefferson Documentary Series, which won for Best Film Festival.

“We were surprised and delighted when we were nominated in the early fall of last year. We had never been nominated before and the other nominees were all big names on the film festival scene. We never expected to actually win!” said Lyn Boland, co-director of the Port Jefferson Documentary Series, adding “This award means so much because it tells us that people appreciate what we are trying to create — a way to enjoy great, new documentaries, on the big screen, in our community. A big thank you to everyone who voted for us!”

Sponsored by the Greater Port Jefferson Arts Council, the Suffolk County Office of Film and Cultural Affairs and the New York State Council on the Arts, the series has presentend award-winning documentaries in the fall and spring for 11 years, with screenings most recently held at Theatre Three in Port Jefferson and The Long Island Museum in Stony Brook.

“The series has made an extraordinary contribution to the arts community for over thirty years. It has been our honor at Theatre Three to even be a small part of this vital institution,” said Jeffrey Sanzel, executive artistic director at Theatre Three.

Neil Watson, executive director at the LIM, concurred, stating “The museum is thrilled to partner with the Port Jefferson Documentary Series on these ongoing presentations. This collaboration strengthens and expands our connection to the community, and offers another rich layer of programming for our growing audience.”

The series kicks-off its Spring 2017 line-up on Monday, March 13 at Theatre Three with a screening of “Marathon: The Patriots Day Bombing.” For more information and the full schedule of films, visit www.portjeffdocumentaryseries.com.

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A watermelon-shaped minaudiére with crystal rhinestones and onyx details by Judith Leiber, 1991. Image from LIM

By Ellen Barcel

The Long Island Museum in Stony Brook is busy putting the final touches on a stunning new exhibit, “Brilliant Partners: Judith Leiber’s Handbags and the Art of Gerson Leiber,” which will be on view from Feb. 24 to June 4.

Julie Diamond, director of communications said, “One of things we wanted to stress is that this was a real partnership, right from the beginning.” Diamond noted that of the nearly 200 items on display, the purses “have been paired with the paintings, not matching, but you can see the inspiration there.”

The museum is known for its large costume collection, so the exhibit was a logical choice. “We’ve been thinking about doing an exhibition about the Leibers for a couple of years now. It’s such a fascinating and multilayered story, and I think it was an interesting challenge … not simply to explore two very different creative figures, but to consider their influences upon one another over the course of their marriage and their careers,” said Joshua Ruff, museum director of interpretations and collections and exhibit curator.

Tiffany-inspired minaudiére with dragonfly pattern and sodalite lock, 1992, by Judith Leiber. Image from LIM

The Liebers have been married over 70 years, having met while he was a solider in World War II, she having avoided Nazi persecution in Europe. Judith’s early training in making handbags was the result of her having a traineeship at a handbag company in Europe.

After the couple married and moved to the U.S. Judith Leiber began her designing career working for Nettie Rosenstein (1913-1975), fashion designer, in New York City. Rosenstein was known for the famous “little black dress,” a fashion piece that every woman must have. An award-winning designer, she was often copied and, as a result, had a major impact on women’s fashion in the first half of the 20th century. In addition to dresses, she was known for designing accessories, such as purses.

In 1963 Judith Leiber started her own company. Her handbags — 130 of them — will be part of the Brilliant Partners exhibit. Some are referred to as chatelaines, small purses usually hanging at the waist from a belt or sash. Some are minaudiéres, small decorative handbags without handles or a strap, essentially clutch bags. Her elegant bags have been carried by many stars, first ladies and have walked the “red carpet.”

Many of her works are fashioned after animals — a polar bear, a penguin, an elephant’s head. Some are inspired by natural objects such as the purse that resembles a slice of watermelon, while others are more abstract in design such as the purse inspired by a painting done by the Dutch artist Piet Mondrian. Some were inspired by Fabergé eggs. She even designed a feminine interpretation of a briefcase for a successful businesswoman.

Gerson Leiber, an American abstract artist, was born in Brooklyn. He is known for his award-winning, brilliantly colored paintings, 50 of which will be on display in Brilliant Partners. While many are oils, he also works in watercolors and produced many woodcuts, etchings and engravings.

‘The Simple Swagger of Spring,’ 2014, oil and graphite on linen by Gerson Leiber. Image from LIM

In addition to his paintings, Gerson Leiber is also a sculptor and designed the gardens around The Leiber Collection, a gallery in the Hamptons they built to display their work. The gallery is open spring through fall.

In addition to her purses and his paintings, a portrait of the couple done by one of Gerson Leiber’s teachers at the Art Students League in New York, Will Barnet will be on display. Barnet remained close to his former student and did the portrait in 2000 as the couple were each nearly 80.

There are two museum programs related to the exhibit. On March 26 from 2 to 3:30 p.m., senior conservator from the Smithsonian, Sunae Park Evans will explain the process of conserving textiles and costume pieces. Afterward, participants are invited to view Brilliant Partners, including the one-of-a-kind bag Judith Leiber designed for former first lady Mamie Eisenhower.

Senior Tuesday will be held on Tuesday, May 9 from 10 a.m. to noon when those 62 and over are invited to tour the exhibit, free of charge. No reservations are required and groups are welcome. In addition, the museum is sponsoring a bus trip to The Leiber Collection in the Hamptons on June 5. Call the museum for details and reservations.

The Long Island Museum is located at 1200 Route 25A, Stony Brook. The Art Museum will reopen to the public on Thursday, Feb. 23; “Brilliant Partners” opens on Feb. 24. Hours are Thursday through Saturday from 10 a.m. to 5 p.m. and Sunday from noon to 5 p.m. Call 631-751-0066 or visit www.longislandmuseum.org for further information.

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Above, 'Giverney #1' by Reneé Caine

By Irene Ruddock

Dear Readers, Welcome to our newest column in Arts & Lifestyles! Long Island is home to many wonderful and talented artists. Each month we will feature a local artist who will share his or her favorite paintings as well as their own personal story.

’Art is not what I do, art is who I am.’
— Renee Caine
‘In the Moment’

Holbrook resident Reneé Caine has shown her work around Long Island for the past 20 years, most notably with the Huntington Arts Council, East Hampton Guild, Catherine Lorillard Art Club and the Watermill Museum. For the past eight years, she has exhibited with the Setauket Artists at the Setauket Neighborhood House and is a member of LIMarts. Currently, Caine is Artist of the Month at the LIMarts latest exhibit at The Long Island Museum’s Visitors Center titled Inspired By …, which is on view through Jan. 29.

What is your background in art?

I have drawn, painted or created some form of art my entire life. I received my bachelor’s of fine arts from Dowling College with a major in art education and a master’s of arts liberal studies with an emphasis in art from Stony Brook University. I have explored all types of medium including watercolor, gouache, oil, acrylic, chalk, oil pastel, pottery, clay sculpture, printmaking, soap stone carving and bronze casting.

I taught art to grades K-12 in several districts with the last 18 years of my career teaching in the Three Village school district. When I taught, I let my students know that I was a working artist and they loved to see my work. It is rewarding to see students show up at my exhibits! I have even been critiqued by a few of them using the skills I taught them!

‘Peconic River’

Who influenced you to become an artist?

My grandmother was a respected watercolorist in St. Paul, Minnesota, so I think some of my talent is genetic. For years, I followed in her footsteps painting in watercolor, but now I am painting in oils.

What is your motivation?

Picasso once said his art “was like a visual diary.” That is exactly how I feel about my work. My paintings are a reflection of where I’ve been and what I’ve seen that has caught my eye or spoken to me. When I paint, I want to draw the viewer into my “Ah” moment. I am showing the viewer what caught my eye: color, light, shadow, contrast and textures in everything around us.

How would you describe your art?

I am a realist. My work is representational. I want the viewer to experience what I felt when I saw “It.” Although realistic, I still use “artistic license” to make changes. I do not try to improve on mother nature, but at times try to clean up man’s debris. My paintings are calm, restful and peaceful and I invite the viewer to step into my world to escape for a while. However, there are times that I wish to experiment with contemporary genres such as “Hello,” which won an award at a LIMarts exhibit titled I’ve Got the Music in Me.

‘Parisian Door, Number 4,’

Do you have any early memories of your art?

My first painting I ever sold was a nine by twelve oil pastel of a horse grazing in a field. I was in ninth grade when the secretary in the office wanted to buy it. She paid me $20 saying, “You will sell many of your paintings in your life, but you will always remember the first one you sold.” She was right as that experience was a wonderful incentive and affirmation for a child.

Do you have a favorite painting?

I remember the day I was in the Metropolitan Museum of Art and saw Johannes Vermeer’s “Young Woman with a Water Jug” painted in 1632. Having seen it only in textbooks, I was surprised by how small it was. Although small, I found it was powerful. Vermeer’s use of light so astounded me that it remains my favorite painting to this day.

Where is your favorite place to paint?

I am quite sure that Giverny, France, is now and will remain the most motivating place I’ve ever been. While walking through Monet’s home and gardens, I felt almost transformed to another time. As I was processing all the beauty surrounding me, I felt the enormous energy there.

What is your process when painting?

When something inspires me I take many photographs of the subject from different angles and with different lighting; then I visualize the composition in my head. It is not unusual for me to think about a painting for a couple of months before I paint it.

What is your vision for your future in art?

I feel my talent is God-given, therefore, it is my wish to develop it to the fullest. I want each painting to be an improvement over the last one. With each painting I learn something new. Growth is my quest! Keep growing, keep learning is my motto! Since I retired, I am devoting myself to my art full time and immersing myself into the art community. In the new year, I am especially looking forward to working with Neil Watson by becoming a member of the steering committee for LIMarts.

What are your other interests?

Outside of my devotion to my husband, daughter, son and three adorable grandsons, I’m an avid gardener. My property is my living sculpture. I have color from early April to late November. I have nooks, crannies and brick walkways I designed and put in myself. My vegetable garden feeds my family all summer and growing an abundance of cucumbers supplies us with pickles that we enjoy all winter. When I’m not gardening, I can be found painting in my garden! I will continue to grow as art is not what I do, art is who I am.

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'Storm Light' by Jane Wilson
Jane Wilson

The Long Island Museum in Stony Brook recently announced that its collections committee voted to approve the acquisition of an original oil painting by artist Jane Wilson, who passed away early in 2015. The painting, titled “Storm Light,” was completed in 1993 and is a gift of Wilson’s estate.

The LIM’s Director of Collections and Interpretation Joshua Ruff commented, “We are very happy to be one of a number of institutions that were chosen by Jane Wilson’s Estate to receive her work.” “Storm Light” is the fifth example of Wilson’s work to be added to The Long Island Museum’s permanent collection. The museum owns four additional Wilson paintings dating from 1955 to 2000. Other institutions that own her work include the Hirshhorn Museum, the Modern Museum of Art, the Smithsonian, and the Parrish Art Museum.

Jane Wilson, who was a part-time resident of eastern Long Island since 1960, was a talented painter who merged expressionism and realism, creating memorable landscapes known most for their dramatic horizons. After her passing early last year, she was the focus (along with fellow artist Jane Freilicher) of a major exhibition at the Parrish Art Museum. “Storm Light” will be highlighted as a new acquisition, on prominent display, when The LIM opens its new season on Feb. 24.

WINTER HOURS FOR THE LIM: The Visitors Center of the The Long Island Museum, 1200 Route 25A, Stony Brook will be open from Jan. 5 to 29 from Thursday to Saturday from 10 a.m. to 5 p.m. and Sundays from noon to 5 p.m.; closed from Jan. 30 to Feb. 1. The Carriage Museum will be open from Feb. 2 to 18, Thursday to Sunday from noon to 5 p.m. and again on Feb. 23 from 11 a.m. to 5 p.m. The Art Museum is closed through Feb. 1. For further information, please call 631-751-0066 or visit www.longislandmuseum.org.

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Photo by Kristen Cuomo

The Long Island Museum in Stony Brook was recently awarded the 2016 SmartCEO Magazine’s Corporate Culture Award. The Corporate Culture Awards program honors companies that foster a creative, collaborative workplace culture to enhance performance and sustain a competitive advantage.

The Long Island Museum was one of 38 companies honored at the first Long Island Corporate Culture Awards ceremonies at Chateau Briand in Carle Place.

According to SmartCEO, “Smart leaders understand that culture is a company’s greatest asset, driving performance and growth. What’s more, a successful culture is actively and intentionally cultivated and developed.”

“The most significant aspects of our corporate culture are teamwork and timing,” said Long Island Museum Executive Director Neil Watson. “With a very lean staff, we work cohesively to deliver compelling exhibitions and engaging programs for diversified audiences. We’re constantly changing and people’s experience are changing when they’re here. The success of our corporate culture comes when we engage new and existing audiences in new ways,” he said.

Above, LIM staff members gather in the Carriage Museum’s Core Gallery to celebrate. Clockwise from left, Neil Watson, Executive Director; Jonathan Olly, Assistant Curator; Alexandria D’Auria, Development Associate; Andrea Abrahamsen, Curatorial Assistant; Joshua Ruff, Director of Collections and Interpretation; Lisa Unander, Director of Education; Emma Backfish, Public Programs Coordinator; Julie Diamond, Director of Communications; Louise Anderson, Executive Assistant; and Regina Miano, Special Events Manager.

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‘Catching Rabbits,’ 1839 oil painting by William Sidney Mount. Image from LIM

The Long Island Museum in Stony Brook bid bon voyage to William Sidney Mount’s painting, “Catching Rabbits” recently. The politically themed painting is on loan to the Dixon Gallery & Gardens in Memphis, Tenn., through Jan. 15 as part of a new exhibition titled Wild Spaces, Open Seasons: Hunting and Fishing in American Art, which celebrates artists’ captivation with hunting and fishing.

As we are bombarded with political messages in this historically significant presidential election, we can stop and examine the ironically parallel politics of Mount’s day depicted in his painting.

While the painting at first appears to be the triumphant illustration of two boys successfully trapping game, the underlying subject of “Catching Rabbits” is the contest between Democrats and Whigs in the 1840 presidential election. The boys in the painting represent the Whig Party “trapping” votes, while the rabbit signifies the Democratic Party, weakened by internal division and subjected to desertion by its membership. Mount’s imagery proved so apt that the Democrats adopted the concept of the trap for their campaign broadsides, which cautioned against being lured and caught by the Whigs.

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The Long Island Museum, 1200 Route 25A, Stony Brook will welcome Suzzy Roche and Lucy Wainwright Roche in concert on Sunday, Nov. 13 at 3 p.m. for an afternoon of songs, great harmonies and stories. The mother/daughter duo bearing the names of two famous musical families is presented as part of the museum’s Sunday Street Concert Series, which is a collaboration with WUSB-FM, The Greater Port Jefferson Arts Council and The Long Island Museum. All concerts take place in the Carriage Museum’s Gillespie Room.

Advance sale tickets are $22 through Nov. 11 at www.sundaystreet.org. Tickets may be purchased at the door for $27 (cash only). For the full Sunday Street schedule visit www.sundaystreet.org or call 631-632-1093.

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Guest speakers at LIM’s symposium, from left, Lawrence Samuel, Stephen Patnode, Christopher Verga, Caroline Rob Zaleski and John Broven. Photo courtesy of John Broven

By Heidi Sutton

In conjunction with its popular exhibition, Long Island in the Sixties, The Long Island Museum in Stony Brook hosted a symposium last Saturday that focused on how the 1960s affected Long Island in terms of suburban and economic trends such as the 1964-65 New York World’s Fair, the local civil rights movement, regional architecture and music.

Guest speakers included Stephen Patnode, Ph.D., of Farmingdale State College’s Department of Science, Technology and Sociology; Christopher Verga, professor of history at Suffolk County Community College and author of “Civil Rights on Long Island”; Caroline Rob Zaleski, preservationist and architectural historian and author of “Long Island Modernism, 1930-1980”; Lawrence R. Samuel, Ph.D., independent scholar and American cultural historian and author of “The End of the Innocence: The 1964-1965 New York World’s Fair”; and John Broven, music historian and custodian of the family-owned Golden Crest Records and author of the award-winning “Rhythm and Blues in New Orleans” and “Record Makers and Breakers.”

According to Joshua Ruff, director of Collections and Interpretation at the museum, the day-long event attracted over 60 attendees and “the audience was very enthusiastic and really enjoyed the day” adding that there was “great audience participation; a few people who attended were actually former band members of prominent 1960s bands on Long Island, and they became involved in John Broven’s talk. All in all, it was a super day and we are just so very thankful for the important support from the New York Council on the Humanities which made it all possible.”

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Dresses on display at The Long Island Museum’s current exhibit, Long Island in the Sixties. Photo by Heidi Sutton

On Saturday, Oct. 22 from 9:45 a.m. to 3 p.m., The Long Island Museum, 1200 Route 25A, Stony Brook will celebrate its blockbuster summer exhibition Long Island in the Sixties with a full-day symposium of the same name.

By the close of the 1960s, although the Long Island region had become more economically prosperous than 27 states, it was experiencing a wide array of social, political and cultural changes that went beyond demographic shifts and industrial development.

Five guest speakers will explore some of the most trenchant developments that occurred across the region during the 1960s. Join them to examine and more deeply understand the lasting impact that suburban and economic trends, the 1964-65 New York World’s Fair, the local Civil Rights Movement, regional architecture and Long Island’s popular music made on this local area and in the United States at large.

Music historian John Broven will be a guest speaker at the symposium. File photo
Music historian John Broven will be a guest speaker at the symposium. File photo

Presenters will include Stephen Patnode, associate professor of history and acting chair of Farmingdale State College’s Department of Science, Technology and Sociology; Christopher Verga, professor of history at Suffolk County Community College and author of “Civil Rights on Long Island,” Arcadia Publishing Inc.; Caroline Rob Zaleski, preservationist and architectural historian and author of “Long Island Modernism, 1930-1980,” SPLIA and W.W. Norton; Lawrence R. Samuel, independent scholar and American cultural historian and author of “The End of the Innocence: The 1964-1965 New York World’s Fair,” Syracuse University Press; and John Broven, music historian and custodian of the family-owned Golden Crest Records and author of the award-winning “Rhythm and Blues in New Orleans,” Pelican Press, and “Record Makers and Breakers,” University of Illinois Press.

Participants will enjoy Q-and-A sessions with all speakers, lunch break and optional self-guided tour of the Gilding the Coasts exhibition. Admission is $12 adults, $10 for students, seniors and museum members (there is an additional, optional $10 lunch fee). Preregistration and prepayment are required. All fees include general museum admission. For more information, call The Long Island Museum’s Education Director Lisa Unander at 631-751-0066, ext. 212.

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Right to left, Barbara Jo Kingsley, Neil Leinwohl, Renee Caine, Lynda Wright and Andrea Baum, winners of The LIM juried art show. Photo by Heidi Sutton
Barbara Jo Kingsley of Huntington Station with her first place entry, 'Mississippi River Blues.' Photo by Heidi Sutton
First Place winner: “Mississippi River Blues,” Serigraph by Barbara Jo Kingsley of Huntington Station
Estevan Cortez, Education Coordinator from the Long Island Violin Shop, provided musical entertainment for the afternoon. Photo by Heidi Sutton
Right, ‘Hello,’ oil by Renee Caine, third-place winner. Image from LIM
Artist Julie Doczi stands under her entry, 'The Young Cellist,' pastel. Photo by Heidi Sutton
Above, ‘Love the One You’re With,’ inkjet on canvas by Neil Leinwohl, second-place winner. Image courtesy of LIM
Gregory Pfeiffer and Kathee Shaff Kelson in front of their artwork at the reception. Photo by Heidi Sutton
Honorable Mention 'Bridge of Dreams' by Lynda Wright of Hicksville. Image from LIM
Sungsook Setton with her two entries, 'Sotto Voce' and 'Coda,' ink and watercolor on paper
Grace Kim with her oil painting, 'Music, Far from East' at the reception. Photo by Heidi Sutton
Honorable Mention: 'Trumpet Player,' photography by Andrea Baum of Lynbrook. Image courtesy of LIM

Winners honored at art reception last Sunday

By Heidi Sutton

The Long Island Museum in Stony Brook kicked off its annual juried art competition, I’ve Got the Music in Me, with an artist reception on Sept. 18. Amateur and professional artists across Long Island were invited to submit up to three works with a music theme for the exhibition, which is now on display in the Visitors Center.

Executive director of The LIM, Neil Watson, congratulated the artists and thanked them for rising to the occasion and addressing the theme of the exhibit. The idea for a music-themed art exhibit came out of the previous exhibition in the Visitors Center — Common Ground: The Music Festival Experience — and also from the fact that the museum is now home to the singer/songwriter series Sunday Street as well as the North Shore Pro Musica group (chamber music), among others. “For us, it is very important to have music and as a theme it is a challenge, visually, so I appreciate all of the artists who did this and the show is a really handsome exhibition,” said Watson.

Museum staff members combed through 144 pieces submitted by 68 artists to come up with the final 59 entries that make up the exhibition, and juror John Cino chose a first-, second- and third-place winner along with two honorable mentions. (See juror’s comments under each photo.) Barbara Jo Kingsley of Huntington Station captured first place with her serigraph, “Mississippi River Blues”; Neil Leinwohl of Rockville Centre took second place with “Love the One You’re With”; and Renee Caine of Holtsville garnered third with her oil painting, “Hello.” Honorable mentions were handed to Hicksville’s Lynda Wright for her acrylic painting,“ Bridge of Dreams” and Andrea Baum from Lynbrook for her photograph titled “Trumpet Player.”

Lisa Unander, director of education at the museum, said that, when choosing the five selections, Cino noted that “Music means a lot of different things to different people. Many artists in this exhibition chose to depict musicians making music or listeners responding to music. At least since the time of [Wassily] Kandinsky there have been artists who have attempted to create a visual analogy of music which is essentially the organization of sound over time.” The exhibit runs through Oct. 23. For more information, call 631-751-0066 or visit www.longislandmuseum.org.

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