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Lauren Tirado

By Rita J. Egan

Stand back, theatergoers, “Evita” is in town. On Saturday, May 11, the award-winning musical opened at the Smithtown Center for the Performing Arts.

“Evita” revolves around the controversial life of María Eva Duarte de Perón, who went from poverty to a success as an Argentine film and radio star. Her marriage to Juan Perón, a military leader who became the country’s president in 1946, thrust her further in the spotlight until her death at 33 in 1952.

When the audience first meets Evita, she is an ambitious teenager in 1934 who wants to leave the small city of Junin to travel to Buenos Aires with Agustin Magaldi, a tango singer. Soon after her arrival in the big city, she leaves Magaldi and sleeps her way to the top before meeting Col. Perón at a charity concert. While not accepted by the upper class after her marriage to Perón, Evita sees herself as the champion of the “descamisados,” the working class.

The musical, which features lyrics by Tim Rice and music by Andrew Lloyd Webber, first premiered on Broadway in 1979 with Patti LuPone as Evita and Mandy Patinkin as Che. It went on to win seven Tony Awards, including best musical in 1980. The production inspired the 1996 movie starring Madonna (Evita), Antonio Banderas (Che) and Jonathan Pryce (Perón) and was revived on Broadway in 2012 with Argentine actress Elena Roger and singer Ricky Martin as Che.

In the Smithtown production, Laura Laureano plays Evita, and the young actress possesses the poise and maturity needed to handle the role of the strong woman. Her vocals are powerful on all of the musical’s memorable favorites including “Buenos Aires,” “Don’t Cry for Me Argentina” and “Rainbow High.” Her performance of “Lament” at the end of Act II is an emotional one that will have audience members reaching for their tissues.

Dylan Bivings plays a suave Che. The character serves as the musical’s narrator, and Bivings proves to be a strong lead on various numbers. He shines during “And the Money Kept Rolling In (And Out)” and his duet with Laureano, “High Flying Adored.” Dennis Creighton was perfect as Perón, delivering the role with the right amount of tenderness that helps audience members understand just how much this man loved Eva. Creighton’s tenor singing voice is ideal for his solos.

Anthony Arpino as Magaldi also shined vocally during “On This Night of a Thousand Stars.” During the number “Santa Evita” on opening night, Zoe Avery played the child who approaches Evita, and Avery’s singing was delightful as she hit every note sweetly and perfectly. The actress alternates the role with Dori Ahlgrim.

Lauren Tirado, as the mistress, delivered a standout performance of “Another Suitcase in Another Hall.” The scene is a heartbreaking moment in the life of a character that the audience only meets once, and it’s essential that a vocalist digs deep when performing this song, so it can be understood that Evita will stop at nothing and will even throw another woman out on the streets. Tirado’s superb vocals proved she has the talent to deliver such an emotional number.

All of the ensemble members also deserve a round of applause for their outstanding vocals and impressive dancing. Ronald Green III has masterfully directed a cast that proves a musical lover doesn’t need to head into the city to take in a Broadway-quality show. Green has also outdone himself with the period costumes, especially with Laureano’s gown during the balcony scene when she sings “Don’t Cry for Me Argentina.”

Adding to the Broadway-like magic were the talented musicians led by conductor Melissa Coyle and scenic and video designer Tim Golebiewski. The set designed by Golebiewski and constructed by TJ Construction, Russ Bakunus and Clark Services is simple yet elegant and incorporates five small screens that display pictures of Eva and Perón through the years that complement the musical perfectly without being distracting.

The Smithtown Center for the Performing Arts, 2 East Main St., Smithtown will present “Evita” through June 23. Performances are 8 p.m. Thursdays, Fridays, and Saturdays and 3 p.m. on Sundays. Tickets range from $25 to $38. For more information, visit www.smithtownpac.org or call 631-724-3700.

All photos by Courtney Braun/ Smithtown Center for the Performing Arts

Lauren Tirado and David DiMarzo in a scene from 'South Pacific'

By Heidi Sutton

The Smithtown Center for the Performing Arts continues its 17th season with Rodgers & Hammerstein’s musical “South Pacific.” Based on James Michener’s Pulitzer Prize-winning book, “Tales of the South Pacific,” which highlighted his Navy experience fighting the Japanese in the South Pacific during World War II, the show debuted on Broadway in 1949 and is still captivating audiences today, in part because of its familiar score and cautionary theme of bigotry.

Samm Carroll, center, and cast sing ‘I’m Gonna Wash That Man Right Outa My Hair’

Directed by Ronald Green III, the story centers on two romances — that of Nellie Forbush (Samm Carroll), an American nurse from Arkansas and self-described “hick from the sticks” who falls head over heels in love with French plantation owner Emile De Becque (Jon Rivera)  — and Marine lieutenant Joe Cable (David DiMarzo) from Philadelphia and his young Tonkinese girlfriend, Liat (Lauren Tirado). Both relationships eventually suffer as racial and cultural prejudices rear their ugly heads.

Forbush struggles to accept her new man’s mixed-race children with his first wife, while Cable weighs the social consequences should he marry his Asian sweetheart. In Cable’s solo, “You’ve Got to Be Carefully Taught,” he tries to explain where these prejudices come from. “…You’ve got to be taught, before it’s too late, before you are six, or seven, or eight, to hate all the people, your relatives hate…”

Supporting characters, including petty officer Luther Billis (Anthony Panarello) and Liat’s mother, Bloody Mary (Ava Anise Adams) help to tie the stories together nicely.

The songs are the heart of the show, and you’ll still be humming them at work days after, especially “Bali Ha’i,” “Younger Than Springtime,” “I’m Gonna Wash That Man Right Outa My Hair” and “Some Enchanted Evening.”

Jon Rivera performs ‘This Nearly Was Mine’ in ‘South Pacific’

Rivera is perfectly cast as the handsome Frenchman, Emile, and his beautiful singing voice can be most compared to Andrea Bocelli. At last Saturday’s opening performance, Rivera captured many hearts with his rendition of “This Nearly Was Mine.”

Carroll is equally outstanding, full of energy and every bit the “cockeyed optimist.” Her smile is infectious and she quickly becomes an audience favorite.

The period costumes by Green, an eight-piece band led by conductor Melissa Coyle, and the wonderful choreography by Milan McGouldrick add to the production’s polish to produce one enchanted evening.

The Smithtown Center for the Performing Arts, 2 East Main St., Smithtown will present Rodgers & Hammerstein’s “South Pacific” through April 28. Tickets are $38 adults, $34 seniors, $25 students. For more information or to order, call 631-724-3700 or visit www.smithtownpac.org.