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By William Grayson

The “Culper Spy Adventure,” a special presentation by TBR News Media, is an immersive digital attraction that will allow locals and tourists alike to be recruited into the ranks of General Washington’s secret Setauket spy ring. Accessed by scanning a special QR code on a panel of the Three Village map due out later this summer, you will begin an interactive 45-minute journey that puts you into the starring role of your very own secret spy adventure!

Become a time traveler as you arrive in the year 1780, crossing paths with legends and heroes: Abraham Woodhull, Anna Smith Strong, Caleb Brewster, George Washington himself! Enjoy interactive games between each episode that are filled to the brim with intrigue, action and fun! Created with the whole family in mind, the “Culper Spy Adventure” is great for all ages. We are also offering a special American Sign Language version as well as a handicap-accessible edition! Join the revolution later this summer!

I recently had the opportunity to sit down with Karen Overin who plays Anna Smith Strong in this interactive journey.

Tell us about Anna Smith Strong.

Anna Smith Strong grew up in Setauket; she was a little bit older than most of the characters involved in the Culper Spy Ring. She was almost like a mentor in a lot of respects. She was very passionate about her home. Her residence was taken over by the British and she lived for a time in her servant’s quarters. AMC’s “TURN” portrays her as a barmaid when in reality she was much closer to an aristocrat. She was married to Selah Strong who had been imprisoned by the British for a time. She had grown children and did everything she could to make sure that they’d grow up in a free country.

Do you see similarities between you and Anna Smith Strong?

She wanted to protect her family at any costs, even if it meant betraying the crown. I’m also very passionate about my family and my children. She was a strong woman, and she knew what she wanted and would go after it no matter what. So yes, I do feel Anna and I have a bit in common.

What efforts did you take to make the film historically accurate?

We were striving for authenticity to the best of our ability. I’ve got a background in costuming since 1995. I like sewing, I like creating costumes, I like creating visuals. In a production like this you have to work so hard to achieve believability and accuracy. Nobody can be wearing a ring made after 1780, every hairstyle has to match something that would make sense for the time. We were blessed that we had a lot of men who weren’t folically challenged. We were able to have genuine pony tails and hairstyles that reflected life in 18th century America. We really made an effort to do it right.

Did you know anything about the Culper Spy Ring before filming?

When we were researching the characters and the history, we never realized just how much happened right here. I love that we’re able to bring the history to life and share it with the community. It’s amazing how history had forgotten this incredible chapter. It’s truly an honor bringing it back to life.

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William Bacon’s notebook where he recorded leaving Alderwasley on June 12 1794, leaving the Port of Liverpool 10 days later and arriving in New York on Aug. 23. Photo from Beverly Tyler

By Beverly C. Tyler

“Here is not merely a nation but a teeming nation of nations.” – Walt Whitman, preface to Leaves of Grass – 1855

For almost 400 years, America has welcomed immigrants from around the world to its shores. They came here for many reasons, but principally to find a better life for themselves. As we prepare to celebrate American Independence Day on July 4, we remind ourselves that the strength of our nation is in its people, the men and women who came here for political, economic or religious freedom and, in the process, made America greater.

William Bacon, my great, great, great grandfather left his home in the midlands of England on June 12, 1794. He booked passage on a ship out of Liverpool on June 22 and arrived at New York’s South Street Seaport on Aug. 23. He then traveled to Patchogue, arriving on Aug. 28. Letters from his father and brothers between 1798 and 1824 and numerous trips I made to the villages of his youth provided the basis for this fictional letter to his father and mother based on other letters he wrote after his arrival in America.

In 1794, England was at war with France, as was most of Europe. The resultant curtailment of trade was having a very negative effect on the British economy. The impressment of American merchant ship crews by the British had brought America and England very close to war again. President George Washington was in his second term as the first president of the United States and had recently appointed Chief Justice John Jay to negotiate a treaty of commerce with England.

On Long Island, Selah Strong was again elected as president of the trustees of the Town of Brookhaven, a post he had held almost every year since the end of the Revolutionary War. In Patchogue, the Blue Point Iron Works, run by a Mr. Smith, was in full operation and looking to England, especially the midlands, for young men like William Bacon, who came from a long line of lead miners and iron workers:

“July 4, 1794
M. Matthew Bacon
Alderwasley
Parish of Wirksworth
Derbyshire, England

My Dearest Father & Mother

I am writing this letter at sea. We are twelve days out from Liverpool and expect to arrive in New York before the end of next month. Today is Independence Day in America and, as this is an American ship and crew, they celebrated the day with canon fire and decorated the ship with flags. A special meal was prepared and the other passengers and I were included in the feast. Sitting with these new friends and enjoying their hospitality, I realized for the first time how much I already miss home and family.

Last month, the day before I left, as I sat on the hillside above our home, I realized that there was a part of me that would stay there forever. The green hills of Alderwasley will remain forever in my memory, as will your kind smile and patience with me as I prepared to undertake this journey.

My resolve in going has not diminished in spite of my love for my family, for my home, and for the gentle rolling hills I have so often walked. The position in Mr. Smith’s iron works I regard as a chance to flourish in a land of opportunity as many others have done before me. America also offers the chance to live free of the will of the Lord of the Manor. He has been good to you, and generous, but he owns the very hills and valleys where I was born and grew up. In America, I can work and be anything I wish to be.

Please write and tell me if any from Wirksworth or Alderwasley have volunteered for the cavalry or infantry and how the war with France goes. I will send you the prices of pig and bar iron in English money as well as the prices of beef and mutton in the same as soon as I can. If brother Samuel is still in Jamaica after I arrive, ask him to come and see me when he goes through New York. The same for my brother Matthew if he comes to Philadelphia to trade, as he plans.

I continue with great hope and anticipation and a deep sorrow at parting.

Your loving son, William Bacon”

One book to read this week is “A Nation of Immigrants” by John F. Kennedy. This important and detailed book was written as Kennedy prepared to ask Congress to revise our immigration law. Published in 1964, “A Nation of Immigrants” can be read in just a few hours.

Beverly Tyler is the Three Village Historical Society historian and author of books available from the Three Village Historical Society.

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The Brewster House in Setauket will host ‘To Spy or Not to Spy’ on June 18. Photo by Dr. Ira D. Koeppel

By Michael Tessler

“I only regret that I have but one life to give for my country” are the immortal words (supposedly) spoken by American hero and spy Nathan Hale. After he was hung by the British in 1776 for treason and espionage, his words of resilience and patriotism inspired our young nation.

No one was inspired more than his best friend, Yale classmate and Setauket local — Benjamin Tallmadge. This well-educated student turned Continental soldier used the death of his friend to inspire the creation of a secret spy ring that played an important role in the American Revolution and helped bring the British Empire to its knees.

In conjunction with the I LOVE NY Path Through History weekend, the Ward Melville Heritage Organization’s Youth Corps Theater Troupe will present a theatrical performance on Saturday, June 18, showing the creation of the Culper Spy Ring in, fittingly, the oldest standing home in the Town of Brookhaven, the Brewster House, circa 1665, in Setauket which was home to six generations of Brewsters.

According to the WMHO’s website, Joseph Brewster operated the house as a tavern and general store during the American Revolution, entertaining British troops. American Patriot Caleb Brewster, cousin of Joseph Brewster and presumably a frequent visitor to the house, was a member of George Washington’s Culper Spy Ring.

Deborah Bourdeau, the coordinator of the project, has been helping this wonderful company of young teens in their production of “To Spy or Not to Spy: That Is the Question!” originally written in 2012 by Professor Lauren Kaushansky of Stony Brook University.

Though the title sounds simple enough, the premise is both fascinating and enlightening. The production explores the annals of local lore while delving into the moral dilemmas of the time. Simply put: How does one abandon one’s country, while assuming the role of traitor and secret agent? This internal dialogue comes to life in a well-paced theatrical skit that resurrects some of our greatest local heroes: Benjamin Tallmadge (Amanda Dagnelli), Abraham Woodhull (Suraj Singh), Anna Smith Strong (Leah Cussen), Austin Roe (Aleena Siddiqui), Caleb Brewster (Ethan Winters) and Joseph Brewster (Emily Wicks).

Though the actors are young, they bring incredible talent to this living history stage show. Emily Wicks, a member of the Ward Melville Heritage Organization Youth Corps, had the great idea of bringing the show from its original stage at the Educational & Cultural Center in Stony Brook Village to the historic Brewster House. This venue adds a wonderful depth to the show, as the home and tavern have been returned to their former glory. Their setup is unique (unintentionally inspired by the Tony-winning production “Fun Home”) in that you’re looking in rather than at. It makes for a very special viewing experience.

What’s so inspiring about this production is that it’s almost entirely led by youth. Young people coming together to tell an important and often forgotten part of our national story and local history. There’s a maturity well beyond their years that left me feeling both prideful and impressed. It’s a show you won’t want to miss and a story that needs to be heard.

Performances of “To Spy or Not to Spy: That Is the Question!” will be held in the Brewster House, 18 Runs Road, Setauket, on June 18 at 1 p.m. and again at 2:30 p.m. Tickets are $4 adults, $2 children under 12. Promptly after the show, teen tour guides will provide free tours of the Brewster House. For reservations, call 631-751-2244 or visit www.wmho.org.

The Ward Melville Heritage Organization’s Youth Corps, based in Stony Brook, is a volunteer group for youth ages 11 to 17 who participate in stewardship projects in historic and environmental preservation. For more information on how to join or help visit them at: wmho.org/youth-corps.

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Wilson Sail Loft’s sail plan of the schooner-yacht Wanderer. Photo from Beverly Tyler

By Beverly C. Tyler

“Roots,” a new version and a new vision.

This past week the cable channels History, A&E and Lifetime presented a new look at Alex Haley’s 1976 novel, which tells the story of his Mandinka ancestor Kunta Kinte and his descendants. Born in the village of Juffure, West Africa, in 1750, Kunta Kinte and other Mandinka men and women were captured, transported to America and there suffered brutal enslavement. In 1977 “Roots” became an ABC network miniseries watched by millions of viewers. It was a slavery story that many Americans were learning for the first time. Now a new generation of Americans, sadly less informed about our history, can benefit from this new adaptation of Haley’s historical novel.

“Roots,” 2016, benefits from new scholarship giving viewers a broader understanding of the Mandinka culture in which Kunta Kinte grew to manhood, factors that led to a culture of enslavement by the Africans themselves, and the brutal conditions on the British and Americans ships that transported Africans to the Americas. The story continues in America with a more detailed story of the enslaved Africans and less about the white slavers and plantation owners than in the 1977 ABC miniseries.

If you missed the original production last week, you will be able to see it repeated on the cable channels or on the web at https://roots.history.com/. The Web site also includes more details on the show and on the featured characters and actors.

On a more local level, the book, “The Logbooks: Connecticut’s Slave Ships and Human Memory,” by Anne Farrow uses a log book of three voyages, over 20 months in the first half of the 18th century, recorded by a young Connecticut man who went on to captain slave ships and privateers, to tell a much wider and disturbing story.

Farrow’s book connects Dudley Saltonstall, the Connecticut man who kept the log books, to the slaves transported from Africa, then to the African men who enslaved them, to the ships that transported them across the Atlantic, and finally to the men who purchased them to work to death in the Caribbean sugar plantations and rice plantations of America’s southern colonies.

Farrow, a former Connecticut newspaper reporter, feels the early story of African people in America must be told over and over, from the beginning. She believes that it has not yet been absorbed into the family of stories told and retold about America, that the story of injustice and suffering still has not made its way into the national narrative.

Unknown to most Americans is the fact that colonial Connecticut was a major provisioner of British West Indies plantations where slaves were growing and processing sugar and yielding huge profits. In addition, Rhode Island men were at the helm of 90 percent of ships that brought captives to the American south, an estimated 900 ships.

The story of the Connecticut and Long Island Sound men who took part in the slave trade is disturbingly real. It brings into focus the way many of our own prosperous and influential Long Island families made their fortunes. It doesn’t change who they were or who we are, but it provides us with a clearer understanding of the pain and suffering caused by their actions.

In spite of the federal law (1807) prohibiting the importation of slaves from Africa, slaves were still being transported from Africa until the beginning of the American Civil War. On an even more local level is the story of our own East Setauket slave ship, Wanderer.

East Setauket’s Joseph Rowland built the schooner-yacht Wanderer in 1857 for Colonel John D. Johnson, a New York Yacht Club member and a wealthy New Orleans sugar planter. The sails for the Wanderer were made in Port Jefferson in the Wilson Sail Loft.

Johnson sold the Wanderer in 1858 to William Corey, and she reappeared in Port Jefferson where large water tanks were installed. Despite numerous checks by the U.S. Revenue Service the Wanderer was allowed to sail.

Slavers were rigged to outrun the slave squadrons of Great Britain and America, both of which were trying to stop the now illegal slave trade. Wanderer took aboard some 600 people from the west coast of Africa and sailed for America.

On Nov. 28, 1858, she landed 465 Africans on Jekyll Island, Georgia. The ship was seized by federal authorities; however, the Africans, now on Georgia soil, a slave state, were sold at auction.

A walking tour of the maritime and wooden shipbuilding area along Shore Road in East Setauket will be conducted Saturday, June 18, beginning at 3 p.m. from the Brookhaven Town Dock for a tour of the homes and shipyards that built ships that sailed around the world. The tour includes the home of the Wanderer shipbuilder and his story.

Beverly Tyler is the Three Village Historical Society historian and author of books available from the Three Village Historical Society.

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Above, the Stony Brook Village Center in the 1940s. Photo from the WMHO

By Ellen Barcel

It’s been 75 years since the Ward Melville Heritage Organization (originally the Stony Brook Community Fund), under the direction of philanthropist Ward Melville, constructed the Stony Brook Village Center. It was planned as a “living Williamsburg” recognizing the historic importance of the village “where culture would blend with natural beauty as a part of everyday life — the first planned business center in the U.S.”

Ward Melville in front of the Stony Brook Post Office in the 1970s. Photo from WMHO
Ward Melville in front of the Stony Brook Post Office in the 1970s. Photo from WMHO

Interestingly, the selection of Stony Brook as the site for this center came about by accident. The Melville family was on its way to the South Fork when, taking the wrong train, they found themselves in Stony Brook. “[Frank and Jenny] fell in love with the area,” noted Stephanie Ruales, special events coordinator at the WMHO. They vacationed in the area and finally, son Ward Melville planned the Stony Brook Village Center.

The WMHO has mounted a special exhibit, “It Takes A Team To Build A Village,” which will run now through Sept. 7, to display the memorabilia associated with the history of the center.  “We started to look for a couple of pictures and found so much,” said Gloria Rocchio, president of the WMHO and exhibit curator.

“What’s very interesting to me, what I didn’t know, was that Jenny Melville [Ward Melville’s mother] was Canadian and that she bought up property here in the early 1930s, the Depression. When she died, Ward Melville picked up the gauntlet. She was the one who started the garden club — the tea house (later becoming the Three Village Inn) at the old homestead,” said Rocchio.

Co-curated by Ruales and Rocchio with help from Karen Kennedy, the exhibit consists of dozens of enlargements of historic photos, showing the village before, during and after the construction as well as the original blueprints for the village center and letters documenting the purchase of the land. In addition, there’s the original model of the proposed village center used by Melville to present the proposal to the village back in 1940. The exhibit also includes some items from the 1940s, representative of the time.

Just a year later, July of 1941, the new village center was completed. Over the years, various businesses have come and gone, including a four-lane bowling alley in the basement of one of the buildings. In the early 1940s, the automatic pin setting machine didn’t exist, so pinsetters, usually young men, stayed down by the pins, ready to reset them after each bowler’s turn.

The old Hallock Homestead which is now the Three Village Inn. Photo from WMHO
The old Hallock Homestead which is now the Three Village Inn. Photo from WMHO

When searching out the historic photos and documents, Ruales noted that they found an eight-millimeter film of the grand opening of the center, “something we didn’t know that we had. We had it converted” to a DVD and it is running on a loop at the exhibit.

One of the unique features of the village center is the mechanical eagle on top of the Stony Brook Post Office, which flaps its wings every hour on the hour from 8 a.m. to 8 p.m. Noted Marie Gilberti, communications manager at WMHO, Ward Melville himself, “planned and instituted,” the eagle.

But, the eagle was installed for a few years, with its wings flapping up and down, when Melville decided he didn’t like the way it looked. The eagle was taken down and reconfigured, so that the wings flap back and forth now.

Melville also had the Dogwood Hollow Amphitheater constructed opposite the bank in Stony Brook. Concerts were held there through the 1950s and 60s. “Big name” entertainers performed at the concert, noted Rocchio. They included Liberace, Ferrante and Teicher, Duke Ellington, Count Basie, Buddy Rich, Louis Armstrong, Pete Seeger, Victor Borge, the Clancy Brothers and Lionel Hampton. “Mr. Melville paid for it himself,” Gilberti added. But, unfortunately, the concerts outgrew the venue and were stopped in 1970.

The mechanical eagle on the Stony Brook Post Office still flaps its wings every hour on the hour from 8 a.m. to 8 p.m. Photo by Ellen Barcel
The mechanical eagle on the Stony Brook Post Office still flaps its wings every hour on the hour from 8 a.m. to 8 p.m. Photo by Ellen Barcel

Today, live concerts are still held, but in front of the post office, sponsored by the WMHO. “We’re going to have a concert from each decade this summer,” said Rocchio. She noted that a history of Dogwood Hollow will be on display at the Jazz Loft, 275 Christian Ave., in a building (originally the fire house) owned by the WMHO.

The Jazz Loft will be a center for music education. It is open through Saturday, May 28, from noon to 5 p.m. Beginning June 2, it will be open Thursday through Saturday from noon to 5 p.m. For details, events and performers, go to www.thejazzloft.org. Beginning in September, Swing Dance Long Island is schedule to hold its dances there.

According to Ruales, the whole idea for the exhibit came from Rocchio. “She was in charge of the exhibit.” It was her idea “to celebrate [the anniversary] and … for people to come and see the history,” of the area.

The name for the exhibit, “It Takes A Team To Build A Village,” came about because “we are honoring a lot of people who were involved in constructing the center. It’s a huge village center,” added Gilberti.

Ward Melville, left, with Governor W. Averell Harriman and his wife enjoy a Dogwood Hollow concert. Photo from the WMHO
Ward Melville, left, with Governor W. Averell Harriman and his wife enjoy a Dogwood Hollow concert. Photo from the WMHO

Future events connected with the 75th anniversary include a ceremony on July 9 recreating the 25th anniversary celebration. “We’re going to have antique cars from each decade in the village,” said Rocchio. A talk by her is also planned for the future. “There are so many things I’ve been taught by Mrs. Melville [Dorothy Melville, Ward’s wife] that no one knows. I worked for her for 10 years. She was the president” of the WMHO. “I was the Administrator at that time.” Rocchio added that putting together the exhibit and various events connected with it “has been a labor of love.”

The exhibit is currently on display at WMHO’s Educational and Cultural Center, 97P Main Street, Stony Brook through June 19 (Wednesday through Sunday, 10 a.m. to 4 p.m.) and June 20 through Sept. 7 (daily, 10 a.m. through 5 p.m.) — closed Memorial Day and July 4. There is no admission charge, but donations are suggested. For further information, call 631-689-5888 or visit www.wmho.org.

A photo captures construction underway at the Stony Brook Village Center in 1940. Photo from the WMHO
A photo captures construction underway at the Stony Brook Village Center in 1940. Photo from the WMHO

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Dedication service in memory of Sergeant Harry Golden and Private Raymond Wishart on the Setauket Village Green, Sept. 1,1919. Rev. T. J. Elms, pastor of Setauket Presbyterian Church, delivered the address. Photo from Beverly Tyler

By Beverly C. Tyler

The celebration of Memorial Day, or Decoration Day as it was first called, began when the first proclamation for a day to decorate the graves of Union soldiers killed in the Civil War was made on May 5, 1868 by General John A. Logan, national commander of the Grand Army of the Republic.

He declared, “It is the purpose of the commander-in-chief to inaugurate this observance with the hope that it will be kept from year to year.”

May 30 was chosen as the day, “for the purpose of strewing with flowers or otherwise decorating the graves of comrades who died in the defense of their country during the late rebellion.” In 1873 New York State recognized Memorial Day as an official holiday and many other states followed during the next few decades.

In the Three Villages, Memorial Day is observed with ceremonies, first in Stony Brook and then in Setauket.

In Stony Brook, a plaque first dedicated on July 6, 1946 states, “This tablet is erected and dedicated, as an abiding memorial and as a token of the affectionate esteem of grateful citizens, to those gallant young men and women of the Stony Brook community who, in obedience to their country’s call, courageously offered their lives in World War I and World War II to maintain the American principles of liberty and justice.”

The large rock on the Setauket Village Green was added in 1919 to honor the men who died in the First World War. A plaque to honor the men who died in World War II was added in 1946. A new plaque honors the young man, Chris Brunn, who died in Vietnam in 1969. The soldiers honored here were from families who immigrated to Setauket from England, Scotland, Ukraine, Sweden, Denmark, Poland, Ireland, Germany, France and Italy.

Two men from the local area gave their lives in World War I, Raymond Wishart and Harry Golden. The massive boulder and south-facing bronze tablet were erected on the Setauket Village Green in their memory. The boulder was brought from Strong’s Neck and the plaque was designed by the well-known artist William DeLeftwich Dodge who painted the murals on New York history that are in the state capital in Albany.

Private Raymond Wishart, son of Postmaster and Mrs. Andrew Wishart, was born September 10, 1893, and he died in France on August 23, 1918. His remains were returned to this country and were buried in the Caroline Church of Brookhaven graveyard on a Sunday in July 1921.

Harry Golden is remembered by his nephew Sam Golden. “He was a Sergeant in charge of the mules, “ Sam recalled. “His unit was attacked and he was killed. He was 28 years old when he died and he’s buried there in France.”

On the opposite side of the rock is a plaque that was placed there after World War II. It reads, “1941-1945 – In memory of Clifford J. Darling, Henry P. Eichacker, Francis S. Hawkins, David Douglas Hunter, Orlando B. Lyons, Anthony R. Matusky, Edward A. Pfeiffer, [and] William E. Weston of the United States Armed Forces who gave their lives in World War II.”

The graves of these soldiers, who served during the two World Wars, are marked by the Veterans of Foreign Wars Post 3054. The grave of Francis S. Hawkins, Tech. Sgt., 853 AAF Bomb Squadron, is also in the Caroline Church of Brookhaven graveyard, near the stone of Raymond Wishart, and it details his service. “The son of Everett Hawkins, the last miller in Setauket, and Celia Swezey was born in Setauket on June 18, 1911. He volunteered in the U.S. Army Air Force Sept. 24, 1942.

On Nov. 25, 1944 he gave his life to his country while on his 28th bombing mission over enemy lines, when his plane “The Moose” was shot down over Hanover and crashed near Gehrden, Germany.”

The graves of patriots who served in the Revolutionary War are not forgotten, either. There are thirty Patriot graves in the Three Village area that have been identified and marked with flags, including Anna Smith Nancy Strong, her husband Selah Strong and Culper Spy chief Abraham Woodhull. The graves are in eight separate graveyards, some of which are family burial grounds.

After ceremonies on the Setauket Village Green, units of the Veterans of Foreign Wars, American Legion, fire departments and other community organizations parade each year to the Memorial Park in East Setauket for the final services of the day. The brief tribute honoring those who served, and especially those who died in the service of their country, is an experience that should be observed and renewed each year.

Beverly Tyler is the Three Village Historical Society historian and author of books available from the Three Village Historical Society.

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Bank of Suffolk County, built 1911, photo 1915. Photo from Beverly Tyler

By Beverly C. Tyler

When Ward Melville began his plan to construct, in Stony Brook, a compact Federal-style shopping center, there were stores and shops spread out along Main Street, Shore Road, now Dock Road, and Christian Avenue. Main Street in Stony Brook during the 19th and early part of the 20th century was an active commercial area with a variety of shops. South of Grist Mill Road and the mill pond there were a number of small homesteads and farms, a harness maker’s shop and a blacksmith shop, and a schoolhouse. The business area really began at the Grist Mill and pond, and except for Jacinsky’s Saloon and a bakery opposite Grist Mill Road, all the stores were on the west side of the road between the pond and the harbor. Shops included an ice cream parlor, drug store, hardware store, tea room, secondhand clothing store, Chinese laundry, a tailor shop and harness maker’s shop that became a butcher shop and grocery store about 1900, a barber shop, livery stable, shoemaker’s shop, post office and at least two general stores.

The butcher in Stony Brook at the turn of the century was Orlando G. Smith. His brother, Charles E. Smith, ran a butcher shop and general store in East Setauket. Orlando took over the butcher business from Bennie Wells who died in 1875. In 1898, Orlando built a new shop on the site of an earlier butcher shop run by George Hawkins. According to Percy Smith, in his booklet A Century of Progress, “In the mid-90s — 1890s — farmers around Stony Brook began decreasing the sales of their livestock, and Orlando Smith was forced to find another source of supply. The closest place was Bridgeport, about 15 miles across sound, but Smith encountered many difficulties obtaining meat from even so short a distance. His order had to go to Bridgeport by mail. The meat was then hauled to the Bridgeport docks and shipped by boat to Port Jefferson. There it was loaded into a wagon and brought to Stony Brook. During this time, Orlando bought what meat he could, but this had dwindled mostly to calves, lambs and pigs.

Orlando Smith’s butcher shop was located south of where the Reboli Center, formerly the Bank of Suffolk County, Extebank and others, is now. In 1913, Percy Smith took over the butcher business after it had been owned for less than a year by Captain Robert F. Wells and then by Percy’s father, W.H. Smith. In 1922, Percy moved to a new location in the old post office building, which was located a few lots north of the present Reboli Center, on the site of Gould’s General Store.

The Bank of Suffolk County began its operation in 1907 in a building at the south corner of the old business triangle, which is now part of the village green. The building, featuring a shingled, mansard roof, was owned by the Odd Fellows and contained a drug store and soda fountain, a library, lodge and dance hall. The bank moved to its present location in 1912 and its original building was torn down as part of the rehabilitation of the Stony Brook Shopping Center in 1941.

When the bank moved, it occupied a location, which was formerly owned by Dan Sherry, who ran a livery stable before the turn of the century. Just north of Sherry’s was the home and general store of J.N. Gould. Gould’s home later became the home of Doctor Squires. North of Gould’s home was the general store and the home of Edward Oaks. Oaks, in 1873, was a “dealer in dry goods, groceries and other supplies.” According to Percy Smith, Oaks’ general store (later Topping’s general store) was the “better” general store in town.

“It had everything,” commented Percy, “bales of hay, kerosene, hardware, patent medicine, food and clothing.”

Beverly Tyler is the Three Village Historical Society historian and author of books available from the Three Village Historical Society.

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From left, E.J. Kuhlmann, Mike Christie and Chris Schnupp of the 88th NY Volunteers Irish Brigade. Photo by Heidi Sutton
Members of the 9th Virginia Infantry Co. C examine a bayonet. Photo by Heidi Sutton
Dakota Kuhlmann gives an apple to the teacher, Susan Gill. Photo by Heidi Sutton
Nathan Blaine and Eric Seemann of the 9th Virginia Company C pose in front of the Terry House, 1823. Photo by Heidi Sutton
Kids gather in front of a Civil War tent. Photo by Heidi Sutton
The 1850 Greek Revival-style Bald Hill School House served the community through 1929. Photo by Heidi Sutton
Teacher Susan Gill with a child from the community. Photo by Heidi Sutton
Members of the 9th Virginia Company C perform drills. Photo by Heidi Sutton

Despite the threat of rain, the Farmingville Historical Society hosted a Civil War Encampment at the site of the 1823 Terry House and 1850 Bald Hill School House on Horseblock Road in Farmingville on Saturday.

The community was able to travel back in time to the 1860s to experience the daily lives of Civil War soldiers with members of the 88th New York State Volunteers and The 9th Virginia Infantry Company C. The Union and Confederate soldiers conducted military drills, fired muskets, demonstrated how soldier’s meals were prepared on an open fire and conducted a mock battle at Farmingville Hills County Park.

In addition, the one-room school house was in session, led by schoolmarm Susan Gill, who regaled the children with stories from the days of Laura Ingalls and life in the 1800s and answered questions.

If you would like more information on the Farmingville Historical Society and its programs, visit www.farmingvillehistoricalsociety.org.

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‘Rescue Dory’ by Leo Revi is one of 18 paintings in the exhibit.

By Ellen Barcel

A new exhibit has opened at the Long Island Museum based on the idea that “a picture is worth a thousand words.” The exhibit, The Brush Is My Pen: Art That Tells Stories, explores the themes of work, satire, drama and hope. Paintings, prints and photographs are represented.

The exhibit spans much of American history beginning with a number of paintings from Setauket’s own 19th century genre artist William Sydney Mount. “The exhibition is pulled primarily from the museum’s collection and helps to show the breadth of art the museum owns,” noted Julie Diamond, director of communications for the museum, adding “Each piece demonstrates how the artist sought to tell a story with a picture, just as a writer would with words.”

“We consider it to be a fine range of figurative and genre works from our collection over the past two centuries,” said Joshua Ruff, director of collections. “People often know our collection for its strengths in landscape painting, but this gives a window into some of our other holdings, with works from William Sidney Mount, Frank Myers Boggs, Winslow Homer, and contemporary artists such as Margery Caggiano, Leo Revi and Joseph Reboli.”

‘Fall Pool’ by Joseph Reboli will be on view at the LIM through July 30.
‘Fall Pool’ by Joseph Reboli will be on view at the LIM through July 30.

Chronologically, Mount’s paintings are the first. Five are on view including “School Boys Quarrel.” This painting also raises questions as well as tells a story. Why were the boys fighting? for example. Other Mount paintings include “California News, 1850,” the reaction to the news of gold being discovered, and “Loss and Gain, 1847.”

Edward Lamson Henry was born in South Carolina, moved to New York City and studied painting in Paris, returning to the U.S. during the American Civil War. His “Home Again,” painted in 1908, expresses longing for an America that was rapidly fading. Interestingly, this theme could easily express feelings in America after World War II or even now, with the rapid development of technology.

Twentieth century painter Joseph Reboli’s work is represented by “Fall Pool, 1998.” Reboli was born in Port Jefferson and worked much of his life in Stony Brook. A local artist, he is known for his interpretation of everyday scenes, much in the way that Mount did.

Margery Caggiano, who passed away this past December, noted in her artist’s statement that “I’ve sometimes regretted the lack of a formal art education … But, I like to think that I’ve been primarily influenced by paintings I’ve seen in galleries, museums and books rather than a teacher and other students.” Caggiano, with over 300 works in private and public collections, is represented in the LIM’s exhibit with “Michael as Don Manuel Osorio de Zuniga,” a 1978 work.

As technology has changed in the world overall, so has it changed in the art world, with photographs playing a larger and larger role in art. Photographer N. Jay Jaffee’s “Coney Island Polar Bears, 1951” is part of the current exhibit.

‘Bleaching Laundry,” c. 1875, oil on canvas, by William Moore Davis.
‘Bleaching Laundry,” c. 1875, oil on canvas, by William Moore Davis.

Other artists on display include, Mort Künstler, Robert Gwathmey, Craig Robins, Luigi Lucioni, Samuel Rothbort and William Moore Davis.

Noted Diamond, “The exhibition was chosen as a companion exhibit for the Mort Künstler show. In fact, there is a Künstler piece in the exhibit.” The Künstler show, which runs through May 30, features approximately 100 paintings and ephemera of the Oyster Bay artist.

Ruff noted, “We decided to put this exhibition together to pair with the Mort Künstler exhibition, which is largely an illustrative narrative art exhibition.  The thought was that an exhibit which looked at story-telling in art from our collection would provide the perfect complement to the larger exhibition.”

The Brush Is My Pen, was curated by Joshua Ruff and Lauren Cesiro (assistant director of education) and will be on display through July 30. Two special events related to the exhibit are scheduled.

On May 10 from 10 a.m. to noon the museum will hold its Senior Tuesday program. Seniors 62 and older are invited for a free, self-guided tour of The Brush Is My Pen. No reservations are required and groups are welcome. On May 15 from 2 to 3:30 pm, Cesiro will lead a guided tour of the exhibit. The program is free with regular museum admission.

In addition, mothers and grandmothers are invited to tour the museum for free on Mother’s Day, May 8. Other exhibits on display include, Mort Künstler: The Art of Adventure and Hooked@the LIM.

The Long Island Museum of American Art, History and Carriages is located at 1200 Route 25A in Stony Brook.  The museum, a Smithsonian affiliate, is open Thursday through Saturday from 10 a.m. to 5 p.m. and Sunday from noon to 5 p.m. For further information, call 631-751-0066 or go to www.longislandmuseum.org.

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Students from different classes pass each other as they arrive, leave, and pass by the Setauket Post Office during a visit earlier this month. Photo from Beverly Tyler

By Beverly C. Tyler

“I don’t like history, but I like this,” was what a Three Village fourth-grade student said during the Original Settlement Tour.

This past Wednesday and Thursday, all 450 Three Village fourth grade students came to the Setauket School auditorium in celebration of Brookhaven Town Founder’s Day and learned about the history of the Town of Brookhaven through the murals of Vance Locke. Then, for the next two hours, each class, led by guides from the Three Village Historical Society, explored the Original Settlement area of Setauket/Brookhaven. Students were introduced to William Sidney Mount and Abraham Woodhull at the Setauket Presbyterian Churchyard and to Emma S. Clark, Thomas Hodgkins and Ward Melville at the Caroline Church Cemetery. At the Village Green, students learned about the Setalcott Native Americans, Brookhaven’s original English settlers, and the diversity of immigrants who lived and worked here, as well as the varied ancestry of the Three Village-area soldiers whose wartime deaths are memorialized here.

In Frank Melville Memorial Park, the fourth grade students learned about gristmills, millers, blacksmiths, post offices, general stores and one of the original settlement’s 17th century homes. At the Setauket Neighborhood House, students heard about the structure of the building and how it progressed from a hotel, with stagecoach service from the Lakeland Railroad Station, to a tourist home with station wagon service from the Long Island Railroad’s Stony Brook station, and finally to its use as a meeting place for the entire community.

At the Amos Smith House (circa 1740) students learned about the eight generations that lived in the home and how it grew to accommodate the two generations that included seven and nine children. Each fourth grade class discussed the differences shown in the images of the house in 1740, 1900 and today. Donna Smith, Three Village Historical Society director of education and Founder’s Day Committee member heard from one of her tour group students, “ My favorite part was seeing the house Mr. Tyler grew up in and how it is so different. We got to wave to his mother who lives there and she’s 101!”

The stop at Patriot’s Rock, a remnant of the last glacier and a Native American meeting place, provided an opportunity to learn about the Revolutionary War Battle of Setauket and Caleb Brewster, who, as an artillery officer directed the cannon fire and who was an important member of the Setauket-based Culper Spy Ring.

“Founders Day is more than learning about our local history, it is an historical experience for our Three Village fourth grade students. … Learning that the Emma S. Clark Library is not just the place to find books or attend a program, but an architecturally interesting structure that was built by a local resident [Thomas Hodgkins] as a gift to the community, and there really was a person named Emma S. Clark, is enlightening to a fourth grader. Then they walk toward the Caroline Church and see the Hodgkins and Clark headstones — it all comes together in this fascinating look on a student’s face that they have just put it all together,” said Barbara Russell, Brookhaven Town historian and Founder’s Day Committee member.

At the end of the tour, each student received a copy of the walking tour guide prepared by the Three Village Historical Society, courtesy of Three Village Central School District.

Beverly Tyler is the Three Village Historical Society historian and author of books available from the Three Village Historical Society.

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