WELL DESERVED: From left, Douglas Quattrock, director of development/group sales at Theatre Three; Lions Michael DeGutis, Dan Jacoby and Mark Cherches with Theatre Three’s Artistic Executive Director and honoree Jeffrey Sanzel. Photo by Heidi Sutton
By Heidi Sutton
When he’s not being a Scrooge during the holidays, Jeffrey Sanzel is working hard to make this world a better place through the creativity of live theater. Sanzel, the Executive Artistic Director at Theatre Three in Port Jefferson, was chosen by the Port Jefferson Lions Club to be this year’s honoree of the Vincent Bove Award for his service to the community and for his unfaltering commitment to stop bullying.
Vincent Bove was the mayor of Belle Terre for 25 years, sat on the board of trustees of Mather Hospital until he passed away in 2006 and was on the board of Theatre Three. He was also the driving force behind Jefferson’s Ferry in South Setauket.
Jeffrey Sanzel, center, with longtime members of the Theatre Three family, Douglas Quattrock and Vivian Koutrakos after receiving his award. Photo by Heidi Sutton
Lions Club members Michael DeGutis, Dan Jacoby and Mark Cherches presented the award to Sanzel on the Mainstage before the theater’s Saturday evening performance of “Legally Blonde.” “The Lions love Theatre Three,” said DeGutis, referring to the Port Jefferson institution that turned 70 this year. “We want to stop the bullying that’s going on all across Long Island,” said Jacoby before presenting Sanzel with a check in the amount of $1,800 for Theatre Three’s educational touring program, The Bullying Project.
“I’ve known Jeffrey for his iconic Ebenezer Scrooge, his fabulous Fagan [‘Oliver!’], his poignant ‘From the Fires: Voices of the Holocaust,’ which he wrote and directed. He’s supported the Bullying Project, the Daniel Miller Project; it’s just been a wonderful association all these years,” said Cherches before presenting Sanzel with the award “for his outstanding contributions to the Port Jefferson community … as an actor, director, author, creator and visionary.” Sanzel then received a long standing ovation from the packed house.
“This is an incredibly beautiful award,” said Sanzel. “We are thrilled with the support we’ve gotten [from the Lions Club] over the years. They were the foundation support when we started Class Dismissed: The Bullying Project 11 years ago and then 3 years ago with Stand Up! Stand Out! The Bullying Project. These projects would not exist without the support of the Lions Club.”
The evening was also a poignant one for the Theatre Three family as Saturday would’ve also been Ellen Michelmore’s birthday, the theater’s musical director who succumbed to cancer in May. “Ellen is a reminder to be a good person,” said a visibly shaken Sanzel, “… so receiving this today is a reminder to do good things in the world and of course the Lions Club is that reminder every day … so on behalf of Theatre Three and the arts community of Long Island we thank you for what you do.”
For more information on Theatre Three’s Bullying Project, please visit www.theatrethree.com.
From left, Douglas Quattrock, Jeffrey Sanzel and Hans Paul Hendrickson in a scene from 'A Christmas Carol' at Theatre Three. Photo courtesy of Theatre Three
Save the date! Theatre Three, 412 Main St., Port Jefferson will present Behind the Curtain with “A Christmas Carol” on Thursday, Dec. 8 at 5 p.m. Executive Artist Director Jeffrey Sanzel, who has appeared as Scrooge for over 1,000 performances, will guide you through the history of the story, its many adaptations and the journey of the theater’s 33 years of presenting this Christmas classic. A full buffet dinner and talk will be followed by the Mainstage performance of Theatre Three’s production of Charles Dickens’ “A Christmas Carol.”
Tickets for the event are $30 per person and include the buffet dinner and talk. Tickets for the 7 p.m. performance may be purchased separately. For further information and reservations, call 631-928-9100 or visit www.theatrethree.com.
The cast of ‘Urinetown’. Photo courtesy of the SCPA
By Heidi Sutton
The Smithtown Center for the Performing Arts closes out its 14th season with the award-winning satirical comedy, “Urinetown The Musical,” which opened last weekend. With superb direction by Ken Washington, the 16-member seasoned cast guides the audience through two and a half wonderful hours of greed, love, corruption, regret, rebellion, fear, justice and long lines to the bathroom! Oh and it is very funny!
Officer Lockstock (Michael Bertolini) and street urchin Little Sally (Courtney Braun) in a scene from ‘Urinetown’, Photo courtesy of SCPA
The incredible Michael Bertolini returns as Officer Lockstock, a role he played 10 years ago in the same theater, and serves as narrator to set the scene. The town is experiencing a 20-year drought, he explains, which has caused a severe water shortage, causing the government to ban all private toilets. Everyone must use public bathrooms in order to “take care of their private business.” However, all the urinals are controlled by corporate giant Urine Good Company run by the greedy Caldwell B. Cladwell (Michael Newman). In other words, everyone must “pay to pee.” Anyone who doesn’t pay is arrested and sent to Urinetown, “a mystical place, a bad place, filled with symbolism,” never to be seen again. “Whaaat!”
The cast
Michael Bertolini
Courtney Braun
Mark Cahill
Samantha Carroll
Erich Grathwohl
Ronnie Green
Jeremy Hudson
Amanda-Camille Isaac
M.E. Junge
Mary Ellin Kurtz
Kaylyn Lewis
Eddie Martinez
Michael Newman
Ryan Nolin
Dondi Rollins Jr.
Jim Sluder
When Cladwell’s daughter Hope (Samantha Carroll) returns from college to work at UGC, she meets Bobby Strong (Jeremy Hudson), an assistant janitor at one of the cheapest toilets in town, run by Miss Pennywise (Mary Ellin Kurtz). Bob and Hope fall in love and she encourages him to follow his heart. His heart tells him to form a rebellion and the fight to pee for free is on. Will good win over evil or will Bobby be sent to Urinetown?
Musical director Melissa Coyle, on keyboards, leads a powerful ensemble with Alexandria DeVries on reeds, Ken Mahoney on trombone, Michael Molloy on bass and Jim Waddell on drums. The musical numbers, choreographed by M.E. Junge, are all top notch. Carroll and Hudson’s duet, “Follow Your Heart,” is very sweet (there’s clearly some chemistry there), while Michael Newman is hilarious as he hops around the stage singing “Don’t Be the Bunny.” Other stand-out numbers include “Cop Song,” which incorporates flashlights and batons into the choreography and the gospel number, “Run, Freedom, Run!” and the cast shines in “Snuff That Girl” and “What Is Urinetown?” both clearly inspired by “West Side Story” and “Fiddler on the Roof.”
As Little Sally says to Officer Lockstock at the end, “This isn’t a happy musical but the music is happy …. and the title is awful!” True, but you should still go see it!
The Smithtown Center for the Performing Arts, 2 East Main St., Smithtown will present “Urinetown The Musical” through Nov. 6. Tickets range from $20 to $35. To order, call 631-724-3700 or visit www.smithtownpac.org.
From left, Danny Meglio, Kate Keating and Jackie Hughes in a scene from 'The Wizard of Oz.' Photo by Jennifer Tully
By Heidi Sutton
The cast of ‘The Wizard of Oz’. Photo by Beth Hallisey
The month of October means that the classic tale of the “Wizard of Oz” is back on the Engeman’s stage in Northport. Presented every year at this time with the support of the Bethpage Federal Credit Union, the beloved children’s theater musical only gets better with age. Suzanne Mason, who played the Wicked Witch of the West in last year’s production, sits in the director’s chair this time and leads an adult cast of eight through an hour and half of pure “joy and rapture.”
Based on the children’s books by L. Frank Baum, “The Wizard of Oz” tells the story of young Dorothy Gale and her dog, Toto, who are swept out of Kansas by a tornado and transported over the rainbow to a magical land of munchkins, witches and ruby slippers. Engeman’s “Wizard” gives us an abridged version of the classic tale (no poppies here) but tackles it with such enthusiasm that will make audiences fall in love with Dorothy, Cowardly Lion, Tin Man and Scarecrow all over again.
Kate Keating stars as Dorothy in ‘The Wizard of Oz.’ Photo by Jennifer Tully
Kate Keating reprises her role as Dorothy Gale and treats the audience to “Somewhere Over the Rainbow” in the very beginning of the show. Keating’s enthusiastic performance is truly wonderful and at times she sounds just like a young Judy Garland. Jackie Hughes tackles the role of Scarecrow with ease, wobbly legs and all, giving us a sweet rendition of “If I Only Had a Brain,” and Danny Meglio is a terrific Tin Man on a quest to get a heart. Samm Carroll plays the dual role of meanies Ms. Gulch and the Wicked Witch of the West with just the right amount of grouchiness.
However, it is Andrew McCluskey as Cowardly Lion who steals the show. In pure comedic form, he delivers a performance that would make Bert Lahr proud. Stephanie Krasner in the role of Nico the Monkey Bat, Joshua Cahn as the Wizard and Courtney Fekete as Glinda round out the supporting cast and do a fine job.
A nice touch is the constant interaction between the actors and the audience. During the frequent set changes, Dorothy, Scarecrow, Lion and Tin Man walk through the aisles asking the children which way they should go to see the Wizard. Even the Wicked Witch suddenly appears from around the corner, causing many young audience members to jump out of their seats.
Jackie Hughes as is Scarecrow in ‘The Wizard of Oz. Photo by Jennifer Tully
Designed by Jess Costagliola, the costumes are exactly what one would expect, from Dorothy’s iconic blue gingham dress to Glinda’s beautiful pink gown. That is until the munchkins come out and mix things up a bit. With giant hats and big googly eyes, their rendition of “Ding Dong! The Witch Is Dead!” is hilarious. Wings flap on Nico the Monkey Bat and wait until you see the Wizard!
With familiar music, lots of humor and not-too-scary special effects, this “Wizard of Oz” is the perfect show with which to introduce a young child to live theater. So turn off the televisions, iPads and cell phones and start your journey down the Yellow Brick Road as soon as you can — this production is not to be missed. Meet the cast in the lobby after the show for photos and autographs. (An autograph page is conveniently located at the back of the program.) Running time is 90 minutes with one 15-minute intermission.
The John W. Engeman Theater, 250 Main St., Northport will present “The Wizard of Oz” through Nov. 6 followed by a holiday favorite, “Frosty,” from Nov. 26 to Dec. 31. All tickets are $15. To order, call 631-261-2900 or visit www.engemantheater.com.
From left, Steven Uihlein, Jessica Contino, Melanie Acampora and Emily Gates star in 'Pumpkin Patch Magic'. Photo by Peter Lanscombe, Theatre Three Productions, Inc.
By Melissa Arnold
Twenty years ago, Theatre Three’s Artistic Director Jeffrey Sanzel wrote a Halloween play for children with sweet, goofy characters and an encouraging moral lesson. This October, the Port Jefferson theater will present an updated version of Sanzel’s original show, “Pumpkin Patch Magic,” featuring all-new music and lyrics by Jules Cohen. I sat down with Sanzel and Cohen to learn more about bringing the show to life again.
Jeffrey Sanzel has written or adapted more than 100 plays in his 28 years at Theatre Three.
What inspired you to write this play?
Jeff Sanzel: This goes back many years. We’ve actually done “Pumpkin Patch Magic” twice, with the original performances happening 20 years ago. (My writing partner and I) were looking for a new Halloween show and decided we wanted the theme to be based around the saying, “If at first you don’t succeed, try, try again.” We always want to have a moral underpinning for our stories. So we created this world of Halloween with all the characters you’d expect — witches, ghosts, gnomes — and their different skills and limitations. For example, there’s a witch who can fly and a witch who can’t. It’s very funny.
How do you go about developing a show like this?
We talk about a theme, and then work on characters. I usually sit down and think about the sort of direction I want the story to go in, and from there I’ll start writing … there are usually 15 to 20 pages that never make it into the show — it’s just about getting the ideas going. If we’re doing an adaptation, I’ll read as many different versions of the story as I can to help flesh out how I want to tell it and what kind of message we want to convey.
From left, Princess Pumpkin (Melanie Acampora) Ermengarde Broomwellsweepalot the Witch (Emily Gates) and Norman the Nervous Gnome (Steve Uihlein) star in ‘Pumpkin Patch Magic. Photo by Peter Lanscombe, Theater Three Productions, Inc.
Can you summarize the story?
These characters are the ones who are responsible for getting pumpkins into the pumpkin patches all over the world. There are two groups involved: the overachievers and the underachievers. Some of the characters are limited in what they can do, and they’re always being reminded of how they can’t do as much as others. The story is told by a fairy, Loquacious Chattalot, who tries to encourage them, but it backfires and they give up. But in the end, it’s the limited ones who end up making it all happen successfully.
How did you come up with the name Fairy Loquacious Chattalot?
I’m a big fan of Charles Dickens — we do “A Christmas Carol” here at Theatre Three every year — and Dickens-style names always tend to stick in my head. The characters’ names really reflect who they are, and that is definitely true for this fairy. She’s a very nonstop talker, and that’s where I got Loquacious Chattalot.
For what age group is this play recommended? I would say it’s best for ages 3 and up.
It’s very entertaining, fast and colorful. It’s not scary at all — in fact, it’s very silly. The humor is very goofy, and the show is extremely family-friendly. All of our children’s shows are meant for the whole family to be entertained.
Are children encouraged to come dressed in their Halloween costumes?
Absolutely! We love when the kids show up in costume; it’s so much fun. And if you stay after the show, the characters will come out [in the lobby] to meet the kids and have their picture taken.
Why should parents bring their kids to see the show?
Children’s theater is the greatest way to introduce kids to theater, and the earlier on they’re exposed to it, the more they can develop an appreciation for it. Seasonal shows like this one are a lot of fun and the message for this show is so important — keep trying. You can learn, you can make a difference and there’s nothing you can’t do.
Jules Cohen has written music for dozens of shows all over the country, but now he fights breast cancer as an oncologist at Stony Brook University Hospital.
Are you a native Long Islander?
Jules Cohen: I grew up in Poughkeepsie, and after college I lived in Manhattan for 20 years. I moved to Suffolk County six years ago to work at Stony Brook.
Composer Jules Cohen, center, with the cast of ‘Pumpkin Patch Magic’ at Theatre Three. Photo by Peter Lanscombe, Theatre Three Productions, Inc.
You studied music in college, but now you’re an oncologist. What led to that change?
I have a bachelor’s degree in music and a master’s in music composition. I hoped to make my career as a musical director in theatre and a songwriter, and I did that for several years working with several reasonably high-profile directors. But it’s difficult to make a living in those fields, as you never know where your next job will come from. I had to move all over the country — I’ve worked in Vermont; San Francisco; Louisville, Kentucky; and in New York City. I knew that if I wanted a more stable life, I needed a more structured day job. Music and theater could always remain a hobby while I did other work. My initial thought was to become a psychologist, so I went to medical school, and once I got there I found I really gravitated more toward medical oncology.
Was the transition difficult for you?
Once I decided to go to med school, I pursued it wholeheartedly and didn’t find leaving the music and theater career difficult. I’ve always played the piano and am working on jazz piano now. That satisfies the musical part of my brain.
What inspired you to get involved with composing for ‘Pumpkin Patch Magic’?
I have two young children — a 5-year-old and a 10-year-old. I’ve always taken them to basically every show at Theatre Three, and it got to the point where the actors all knew Emma and Oscar. They really watched them grow. I decided to see if I could get involved, and I met Jeff in the lobby one day. He suggested I collaborate with him on one of his kids’ shows, and a few weeks later he emailed me the script for a Halloween show he had written years ago. From there I worked on updating the score, one song at a time. My kids love Halloween, so they’re very excited, and my daughter is very into musical theater — she loves to give her input.
What’s involved with writing a song? What is the process like?
Writing lyrics was relatively new for me, but I really enjoyed spending time working on the rhyme and wordplay. That process develops a sense of rhythm, and from there I start thinking about pitches. You flesh it out a bit at a time, eventually developing chords and a melody line, then adding little embellishments and intricacies. It’s really not magic or anything — as they say, it’s 10 percent inspiration and 90 percent perspiration.
How would you describe the music for the show?
It’s definitely heavily influenced by jazz, and the whole score is written for keyboard. Who are your musical influences? I really enjoy musicians in both jazz and theater, and the intersection between them — George Gershwin, Cole Porter, Frank Lesser, Thelonious Monk, and Charlie Parker are some of my favorites.
What are you most looking forward to about the show?
I’m very excited to hear my songs performed by real actors and singers, to see them come to life onstage. I’m hoping that people will appreciate it and that they leave tapping their feet. I know that I’m pleased with the songs — they are fun and clever.
“Pumpkin Patch Magic” or “If At First You Don’t Succeed” will run from Oct. 1 through Oct. 29 on Saturdays and Sundays at Theatre Three, 412 Main St., Port Jefferson. All seats are $10. For more information or to purchase tickets, call (631) 928-9100 or visit www.theatrethree.com.
From left, Andrew Hendrick, James D. Schultz, Christopher Wynne Duffy, Peter Saide, Benjamin Howes, Jake Mills, Kevin Robert Kelly, and Stephen Valenti in a scene from ‘1776’. Photo by Michael DeCristofaro
By Rita J. Egan
With talented actors, period-appropriate costumes and a detailed set, a theatrical production can make audience members feel as if they have traveled back in time. This is certainly the case with the John W. Engeman Theater’s production of “1776,” which opened last week.
Before there was “Hamilton,” there was “1776.” The classic musical, with music and lyrics by Sherman Edwards and a book by Peter Stone, debuted on Broadway in 1969 and was turned into a movie in 1972. Dramatizing the efforts of John Adams to persuade his fellow delegates of the Second Continental Congress to vote for American independence, “1776” focuses on the last weeks leading up to the signing of the Declaration of Independence.
The first lines by Adams, played by James LaVerdiere, help to set the tone for the musical: “I have come to the conclusion that one useless man is called a disgrace — that two are called a law firm — and that three or more become a Congress.” With this quote as well as the opening number “For God’s Sake, John, Sit Down,” the audience discovers that while the musical discusses a serious matter, it is delivered with a sense of familiarity and a good dose of humor.
Jennifer Hope Wills (as Abigail Adams) and Jamie LaVerdiere (as John Adams) in a scene from ‘1776’. Photo by Michael DeCristofaro
LaVerdiere perfectly captures the frustrations and persuasiveness of Adams, who his fellow delegates describe as obnoxious and disliked. The scenes between him and Jennifer Hope Wills, who plays Abigail Adams, where the Massachusetts delegate imagines conversations with his wife, allow the audience to learn of the struggles of the women who were left at home dealing with sick children and failing farms and business. During Act 1, the two deliver a sweet and touching version of “Yours, Yours, Yours,” and we discover a softer side of Adams.
When Thomas Jefferson, played by Michael Glavan, yearns to go home to see his wife, we meet the second of only two female characters, when Adams sends for Martha to come to Philadelphia while Jefferson works on the Declaration of Independence. Portrayed by Adriana Milbrath, the actress delivers a delightful “He Plays the Violin” with LaVerdiere and David Studwell, perfectly cast as the charming and witty Benjamin Franklin. Glavan is a strong vocalist, too, who audience members have the pleasure of hearing during “But, Mr. Adams” and “The Egg.”
A surprise standout performance comes from Matthew Rafanelli, playing the disheveled courier delivering messages from George Washington. In the beginning of the play, it’s understandable if one thinks he has a small part, but by the end of Act 1, Rafanelli delivers a perfectly executed “Momma Look Sharp.” His heart-wrenching vocals on the song, which details the loss of young boys on the battlefield, left many with tears in their eyes during the press opening last Saturday night.
It should also be noted that Robert Budnick playfully portrays a cheerful Stephen Hopkins, and Tom Lucca perfectly captures the authoritative nature of John Hancock. Special mentions should be made of Jon Reinhold (Richard Henry Lee) who plays the cocky Virginian with a great deal of humor, Benjamin Howes (John Dickinson) who provides strong lead vocals on “Cool, Cool Considerate Men,” and Peter Saide (Edward Rutledge) who delivers a powerful “Molasses to Rum.”
Igor Goldin has expertly directed the cast of 25 actors, who should all be commended for their strong vocals and mastering of a great amount of dialogue. Due to the craftsmanship of all of those involved in Engeman’s “1776,” the dreams of our country’s forefathers come to life once again.
The John W. Engeman Theater, 250 Main St., Northport, presents “1776” through Nov. 6. Tickets range from $71 to $76. For more information, call 631-261-2900, or visit www.engemantheater.com.
From left, Rachel Greenblatt, Brittany Lacey, Jenna Kavaler and Amanda Geraci in a scene from ‘Legally Blonde: The Musical.’ Photo by Peter Lanscombe, Theatre Three Productions, Inc.
By Michael Tessler
“Legally Blonde” is the sort of film I’d usually enjoy bundled up in a blanket on a cold winter day, perhaps while digging into a pint of Ben and Jerry’s, laughing loudly to myself. And yet Saturday night at Theatre Three in Port Jefferson I found myself sharing in that same wholesome joy surrounded by hundreds of others equally filled with laughter and milewide smiles. “Legally Blonde: The Musical” doesn’t shy away from its film roots but rather embraces them, incorporating songs and themes that deliver the story like never before!
Jeffrey Sanzel, the show’s director, continues to demonstrate a mastery of theater worthy of Broadway or the West End. This is not a compliment I deliver lightly, but it is so rightfully deserved. His ability to transcend genre and create flawless spectacles of comedy, drama, music and dance have stunned me continuously through the many shows I’ve now reviewed. Not once have I left the theater’s Athena Hall without being uplifted or captivated by the raw, genuine emotions neatly packed within the confines of a Theatre Three production.
Brittany Lacey as Elle Woods in Legally Blonde: The Musical. Photo by Brian Hoerger
“Legally Blonde,” while a light-hearted romp, was certainly no exception to that rule. After a long and difficult week I found myself leaving the theater feeling lighter than air. Not even for a moment is the beautiful illusion of theater ruined, undoubtedly because of Sanzel’s magic touch. His actors are so well-paced, so well-trained, a truly regimented troupe of thespians. Their stage comes to life.
Our protagonist is the stuff of “Greek” legend, and by that I mean she’s the president of the Delta Nu sorority at UCLA. Elle Woods, your quintessential popular blonde stereotype, is awaiting an overdue dinner with her longtime college boyfriend (played with lovable arrogance by Chris Brady) whom she expects to propose. Hilarity ensues as quite the opposite happens. Without spoiling too much, Elle begins on an unlikely adventure to Harvard Law School, a place not exactly known to be fashion forward!
This show is filled to the brim with comedic caricatures playing on our preconceived notions in a delightful way. From the hunky UPS man played to comedic perfection by Kyle Breitenbach to the rude, snobby, love-to-hate law student Vivienne Kensington played impressively by Caitlin Nofi, to the “blood in the water” lawyer Professor Callahan played by Theatre Three veteran Steve McCoy.
Brittany Lacey and Brett Chizever in a scene from ‘Legally Blonde: The Musical’ byPhoto by Brian Hoerger
At the show’s center is actress Brittany Lacey. Her performance as Elle Woods is local theater at its finest. Her voice both powerful and soft, her delivery of lines so expressive and authentic, and most impressively her ability to dance in flawless precision while belting notes that require two and a half lungs. Many times throughout the production, I wondered if the show’s original writers had somehow met Lacey and based the show’s protagonist after her. Casting could not have been better. She’s accompanied by the awkwardly lovable Emmett played with a special tenderness by Brett Chizever. Before the show’s end you’ll love these two!
Randall Parsons has built a set of simplistic brilliance, the entire stage enclosed by an ever-changing border of glowing lights complemented perfectly with Robert W. Henderson’s lighting design. Shining in the spotlight is the brightest pinks I’ve ever seen with gorgeous costumes by Su Jung Weaver. All these elements are coordinated seamlessly by stage manager Peter Casdia. Jeffrey Hoffman, the show’s musical director, expertly leads a “Greek” chorus and a cast of superb vocal talents. From the show’s opening number, “Omigod You Guys,” to the more touching “Ireland” it seems there was not a mark to be missed! Don’t miss out on seeing this show. I guarantee it’ll take a “chip off your shoulder!”
Theatre Three, 412 Main St., Port Jefferson kicks off its 47th Mainstage season with “Legally Blonde: The Musical” through Oct. 29. Tickets range from $20 to $35. For more information, call 631-928-9100 or visit www.theatrethree.com.
The Sisters of Delta Nu in Theatre Three's production of 'Legally Blonde: The Musical' at Theatre Three. Photo by Peter Lanscombe, Theatre Three Productions, Inc.
By Rebecca Anzel
Brittany Lacey stars in ‘Legally Blonde: The Musical’ at Theatre Three from Sept. 17 to Oct. 29. Photo by Peter Lanscombe, Theatre Three Productions, Inc.
Theatre Three in Port Jefferson is gearing up for its next Mainstage production, “Legally Blonde: The Musical,” which will open on Saturday, Sept. 17. The role of Elle Woods will be played by 28-year-old Brittany Lacey, best known to Theatre Three regulars as Mimi in “Rent” and as Belle in “A Christmas Carol” when she was a company member there from 2010 to 2012. I had the opportunity to sit down with Brittany before rehearsals last Friday night to ask her about her latest role.
Why did you decide to audition for the role of Elle Woods?
This is a dream role of mine and having the chance to perform it here at Theatre Three makes it even more special. It’s like I’m coming home and now I’m doing something I’ve always wanted to do. I’m a huge fan of Reese Witherspoon. I love her! I think she’s very funny and talented. Of course, I don’t know her personally, but she seems like such a good person — like Hollywood hasn’t gotten to her.
What is your favorite scene in the show?
I just discovered it the other day. My favorite scene is “What You Want.” The song has three parts to it and all are great! Our choreographer, Whitney Stone, came up with this amazing dance and it’s just a lot of fun. It’s like one big party on stage. A lot of the cast is involved in the number. I like when you’re on stage with everyone else because you’re able to share everyone else’s energy and I think it makes it a more memorable experience.
What is your favorite song in the show?
“Take It Like A Man.” That has become my favorite one. I don’t know what it is about it — I love singing it. I play it opposite Brett Chizever (in the role of Emmett Forrest). It’s a real joy. Brett is great. How many weeks does the cast rehearse before production? Four or five weeks … I’m not exactly sure. Because most people work during the day, we rehearse from 7:15 at night to 10:30 and then on weekends, we’ll have five-hour rehearsals. It’s a lot of repetition and practice. And, after I go home, it’s all I listen to. I drive my boyfriend crazy making him run lines with me!
What is it like working with the director, Jeffrey Sanzel?
I love working with Jeff. He’s a strict director, but in a good way. Jeff cares about everyone on that stage and what they’re doing. He really works with you to make sure you’re comfortable. It’s all about putting out a great product and everyone feeling proud of their performance. What is it like working with your castmates? I only knew a handful of them going in, and everyone is so nice. This cast is very supportive. I haven’t had that in a while so it’s really, really nice.
Who is playing the role of the UPS guy? Is he cute?
He’s so much younger than me — am I allowed to answer that? But no, the ladies will be quite happy with who they’re watching up there. Kyle Breitenbach is doing a great job with the role. He’s very funny.
Brittany Lacey with the only four-legged member of the show, Taxi. Photo courtesy of Theatre Three
I noticed the show will have a real dog in the role of Bruiser Woods. What is she like?
Her name is Taxi, like a taxi cab. She’s a chihuahua. Caitlin Nofi (who plays Vivienne in the show) has a friend who was kind enough to lend us Taxi, and she’s a star! She came in with a pink and purple bow around her neck and owned that stage. And she’s so good! She’s calm.
Have you ever performed on stage with an animal before?
I don’t think so! I’ve played a lot of animals, but no I don’t think I’ve ever had one on stage. It definitely makes me nervous because you just want the animal to feel okay up there. You don’t want to scare it. It’s fun though! It’s different, because at the end of the day, you’ll see what she wants to do. If she wants to prance around the stage, she’s going to prance and we’re going to let her.
What is it like being a part of a production at Theatre Three?
It’s a great experience. I feel like this theater tries to make it feel like a home for their actors and that you’re a part of their family. You don’t always get that in other places. Everyone works really hard because they just put their whole heart into it, and that is another reason I love to come back here. Jeff [Sanzel] is the leading force of that. The heart he has for theater, for this theater in general, is ginormous. It’s great because then that falls onto the rest of us and it makes you want to put even more effort into the show.
Why should people come see the show?
Because we really want you to! No, no, I think we’re putting a lot of hard work into it. We’re just getting into tech week, but I believe we’re putting out a really good production and I hope it’s fun for them. We promise to entertain you! We all love what we’re doing, so I think that always translates to the audience. If we’re having fun, hopefully that means they’re having fun watching it.
Do you have a favorite spot in Port Jefferson that you like to go to?
As soon as rehearsal’s over, I go down to Ralph’s. I love my ices and ice cream! It’s like my after rehearsal treat. What are your plans after this? I don’t have any definitive plans yet, but I’m sure it will involve auditioning. A lot of this job, of being an actor, is putting yourself out there and hoping that casting directors like what you have to offer.
Anything else you would like to add?
I’m having fun, I’m loving this experience and I can’t wait to open this show!
Theatre Three, 412 Main St., Port Jefferson will present “Legally Blonde: The Musical” from Sept. 17 to Oct. 29. Tickets range from $20 to $35. For more information, call 631-928-9100 or visit www.theatrethree.com.
‘No Day But Today’: Above, the cast of ‘Rent’ sings the finale. Photo courtesy of the SCPA
By Melissa Arnold
With Election Day less than two months away now, the media is saturated with heated debates about crime, poverty, drugs and equality. These were the same issues that inspired Manhattan-based playwright Jonathan Larson to create “Rent,” a rock opera that made its off-Broadway debut in 1996.
Now through Oct. 2, diehard “Rent-heads” and first-timers alike can celebrate the show’s 20th anniversary during its run at the Smithtown Center for the Performing Arts.
“Rent” is heavily based on Giacomo Puccini’s famous opera “La Boheme,” which follows the struggles of poor artists in Paris. Larson’s story is set in Alphabet City on Manhattan’s Lower East Side at the end of the 1980s, where aspiring director Mark and songwriter Roger are living in squalor. It’s also the height of the AIDS epidemic – drugs are everywhere, being gay is stigmatized, and one way or another, every member of the cast is just trying to survive.
The Cast:
Jordan Hue
Scott Johnston
Jess Ader Ferretti
Angela Garofalo
Michelle Rubino
Robins Prophete
Dondi Rollins Jr.
Jose A. Torres
Meagan Materazo
Megan Cain
Janelle Primm
Samantha Rosario
Jahlil Burke
Brodie Centauro
Kevin Burns
Matthew Paredi
With all this in mind, it’s not exactly a cheery show. But there is plenty of humor to go around, and its biggest messages — no day but today, forget regret — are inspiring and hopeful.
While this is director Mark Decaterina’s first time leading a production, the cast at SCPA are no strangers to the stage, and many have appeared in “Rent” before with other groups. Their skill makes each of the characters’ struggles and triumphs that much more believable.
As a rock opera, the show’s score is loud and proud — there are very few periods of purely spoken dialogue. Musical director Melissa Coyle (keyboard) leads a small but powerful ensemble with Chad Goodstein on guitar, Jim Waddell on drums and and Rob Curry on bass.
Worth particular mention are Scott Johnston (Roger) and Michelle Rubino (Mimi), who play HIV-positive heroin addicts in various stages of recovery. Their performances were raw and emotional in a way that’s hard to shake. This is especially true in their duets “No Day But Today” and “Without You.”
Jose A. Torres (Angel) does a great job bringing humor into the show as an unapologetically flamboyant drag queen and street drummer. You can’t help but fall in love with him as he dances effortlessly in a serious pair of heels.
While the majority of the individual performances were strong, the cast shines most during ensemble numbers. Their harmonies are perfect and might even make the hair on your neck stand up. The title song “Rent” and famous “Seasons of Love” show off the cast’s enormous talent.
The show was enjoyable overall, but the performance on opening night included multiple issues with sound and video. Some lines were inaudible or too loud, with a few instances of feedback, and the crucial movie projected onstage at the end of the show was barely visible. Hopefully, these were just quirks that will be corrected for upcoming performances.
“Rent” is for mature audiences — the show includes strong language, intense sexual dialogue, and drug use as a major plot point. However, it could also serve as a great springboard to conversation for families with teens.
Run time is approximately 2.5 hours with a 15-minute intermission. All tickets are $35. The Smithtown Center for the Performing Arts is located at 2 E. Main St., Smithtown. For more information or to purchase tickets, visit www.smithtownpac.org or call 631-724-3700.
A previous performance of 'Rapunzel: A Tangled Fairytale' at the Engeman Theater. Photo by Jessie Eppelheimer
By Heidi Sutton
The temperature on the dashboard read a muggy 101 degrees as I parked the car on Main Street in Northport last Saturday morning on my way to review the John W. Engeman Theater’s latest children’s presentation, “Rapunzel: A Tangled Tale.” Stepping into the theater, the air was cool and inviting as Disney princess music drifted through the speakers and little girls in blue dresses and blonde wigs hurried to their seats. The beautiful theater, with its elegant chandelier and giant tapestries on the walls depicting different fairy tales, is the perfect venue for this timeless love story.
The tale of “Rapunzel” can be traced back to the 11th century in some form or another but was made famous by the Brothers Grimm in 1812. With book and lyrics by ”Friends” creators David Crane and Marta Kauffman with music by Michael Skloff, the Engeman’s version combines the traditional tale with Disney’s “Tangled” and makes for great entertainment.
Jennifer Collester Tully skillfully directs a talented cast of four who all play multiple roles in this hilarious musical.
It’s Rapunzel’s 16th birthday and her only birthday wish is to be able to leave the tower for one day and see the world. Her “mother” the witch at first promises to grant her wish but then changes her mind. Meanwhile, Prince Brian, who in his quest to do a heroic deed, is searching the countryside for a damsel in distress and comes upon the tower. “A maiden in a tower and a wicked witch? This is great!” he exclaims and, along with his loyal valet Simon, hatches a plan to save the girl with the longest hair in the world.
Stephanie Krasner as Rapunzel. Photo by Jessie Eppelheimer
Stephanie Krasner gives a fine performance as the beautiful and very naive Rapunzel and the tall and handsome Andrew McCluskey is the perfect prince.
Keith Weiss tackles the role of narrator, Simon the Valet, the witch’s boyfriend, the king and even a cow with boundless energy and enthusiasm and at times seems to be having way too much fun! Weiss draws the most laughs and does a superb job.
TracyLynn Connor is perfectly cast in the role of Gretta the witch. Not too scary, not too sweet and sporting a magic ring that “can do absolutely anything” Connor commands the stage and steals the show.
A nice touch is the occasional interaction with the young audience. At one point the witch misplaces her magic ring and frantically asks the children to help her find it (it’s on her other hand). When Rapunzel and the Prince wander through the forest to the castle, they stroll through the theater’s aisles asking the children what they should have for breakfast once they get there. (Pancakes was the most popular answer.)
Accompanied by electronic feed, the musical numbers are fun and upbeat. Krasner and McCluskey’s duet, “The First Step Is the Hardest” is terrific and Krasner’s solo “Me, My Hair and I” is very sweet. Weiss’ solo,“Wooing a Witch” is delightful and Connor and Weiss’ duet, “Growing Up,” is pure fun.
The costumes, designed by Jess Costagliola, are on point, from Rapunzel’s 10-foot wig to the witch’s black dress, and the play utilizes the amazing set from the evening’s show, “Mamma Mia!” which conveniently features a tower.
Meet the entire cast in the lobby after the show for pictures and autographs. An autograph page is conveniently located toward the back of the program.
The John W. Engeman Theater, 250 Main St., Northport, will present “Rapunzel: A Tangled Fairytale” on Saturdays at 11 a.m. and Sundays at 10:30 a.m. through Sept. 11. Running time is 90 minutes with one 15-minute intermission.
Up next will be the beloved musical, “The Wizard of Oz” from Oct. 1 to Nov. 6 followed by the theater’s annual production of “Frosty” from Nov. 26 to Dec. 31. The season continues in the new year with Hans Christian Anderson’s “The Snow Queen” from Jan. 28 to March 5, 2017, and ends with “Madagascar — A Musical Adventure!” from March 25 to April 30. Tickets are $15 per person. To order, call 631-261-2900 or visit www.engemantheater.com.
Did you know?
The Rapunzel plant was once widely grown in Europe for its leaves, which were used like spinach, and its parsnip-like root, which was used like a radish. In the Brothers Grimm tale, the witch chose to name the child Rapunzel after this plant, which was stolen from her garden by Rapunzel’s parents.
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