Museum

By Kimberly Phyfe

The Three Village Historical Society (TVHS) celebrated its 30th Annual Spirits Graveyard Tour on Oct. 19.  The sold out event, titled Revolutionary Women: Living History/ Sharing Her Story, honored local women from as far back as 300 years ago who were revolutionary in their time.

TVHS Director Mari Irizarry commented on the staying power of three decades of this event. “We are so proud that the Spirits Tour has been running for thirty years, and grateful that the community continues to come out to enjoy this event! There is no shortage of incredible stories to tell of the people who lived, worked, died, and are buried here. With over three hundred years of history, there is something new to discover every time we put on a show!”

All eight scenes of the humorous, honest, and often heart-breaking women and men portrayed on the Spirits Tour were real people who lived in Setauket at one point in their lives. The majority of them are buried at Setauket Presbyterian Church or Caroline Episcopal Church, where the walking tour takes place every year.

As you wander Three Village and explore the historic sites, inspiration is everywhere. The theme for Revolutionary Women came up as traditionally, a woman’s place in history was in relation to the men around her. The Society wanted to give these women a chance to tell their own stories, many of them in their own words.

Rebecca Kassay was a first time actor in this year’s tour who wishes that everyone knew “that the spirits being portrayed were real people whose dynamic lives shaped the community we know and love today, and the Spirits Tour is a rare opportunity to hear their stories.”

When asked why she chose to get involved for the first time, Kassay stated “I’m grateful to be a part of the TVHS’s innovative efforts to bring history to life for audiences of all ages, connecting our past to our present, which helps to build a stronger future for our community.”

Elizabeth Marra is another first time actor on the Spirits Tour who noted that “our area is renowned for the contributions of local men in our revolutionary and seafaring history, but there were such beautiful, poignant, and inspiring women that history has forgotten. I enjoyed getting to know all of their stories.”

Marra spoke about her character that “the young woman I got to play, Mary Swift Jones — she was one of the first Americans (not just women) to see China and Japan. It was fascinating to think of the scale of the experience she must have had and how that must have sat with locals, especially for her time and being such a young woman.”

Mary Swift Jones and her husband, Captain Benjamin Jones, are both laid to rest at Setauket Presbyterian Church. Rob Von Bernewitz, long time tour guide and chair of the Cemetery Committee at TVHS, cleaned Mary’s headstone with permission for the special occasion.

While there were fresh faces joining the Tour this year, there were several long standing actors and guides who have been around for all three decades! Morton Rosen “has been performing in the tour ever since it was started 30 years ago! I have portrayed men who lived in our community in the 17th, 18th, 19th and 20th centuries. Each time I learn something new that makes me proud to live in Setauket and it is a pleasure to share that pride with those who visit our spirits. It is so important for everyone to know that what we call history was generated by the people who lived here and created the stories we celebrate today.” Rosen portrayed Captain Gilbert Floyd in a scene with his granddaughter, Blanche Dominick played by Suzanne Velazquez.

George Overin has been part of the Spirits Tour since 2017. This year, he was Thomas Hodgkins, uncle of Emma S. Clark. “So many people came up to talk to me after the tour who love the library, but didn’t know anything about Emma, her uncle who founded it in her honor, or Emma’s revolutionary generosity in helping others! The Three Village Historical Society seeks to answer questions we maybe haven’t even thought to ask — and they do it all with knowledge, compassion, and by creating wonderfully memorable experiences!”

An incredibly special touch this year was the inclusion of the four female lighthouse keepers at Old Field Point Lighthouse. The Society worked with Old Field Point in 2023 to assist Trustee Rebecca Van Der Bogart on getting the lighthouse on the National Register of Historic Places. In the Spirits Tour, Van Der Bogart herself portrayed Elizabeth Shoemaker — the first female lighthouse keeper not only at Old Field Point, but in New York State history! Haley Ogle portrayed the longest serving female lighthouse keeper, Betsy Smith, along with Caterina Vacchi Suzzi as Mary Foster, and Karen Wexler as Amelia Jayne.

Choosing which spirits to include every year is a daunting task. First the Society creates a theme, then researches which people would best fit the narrative. Irizarry joked that “if we honored all the women we wanted to, the tour would have been several days long! Choosing which stories to include is a grueling process, and we end up saving many of the spirits for future years.”

The scripts were written and edited by Kimberly Phyfe and researched by TVHS Archives Fellow Kayleigh Smith. The Society invited two professional guest writers for the monologues: Camile Arnone wrote for Amelia Shepard Jones Clay and Stephanie Drewisis wrote for Thomas Hodgkins.

Mary Satterly Rowland’s script was comprised entirely in her own words, from journal entries in the society’s archives. The witch trials of Mary and Ralph Hall and Goody Garlick were shaped by Scott Ferrara’s book, Accused of Witchcraft in New York. 

The scene for Mary Swift Jones was heavily influenced by Bev Tyler’s new book Love and Letters from Japan which included many of Mary’s letters. Tyler will be presenting his book at the Society’s free monthly lecture series on Nov. 18 at 7 p.m. at the Setauket Neighborhood House.

The 30th Annual Spirits Graveyard Tour was sponsored by Annmarie’s Farm Stand, Luigi’s Pizzeria, Starbucks, Apple Bank and Stop & Shop in East Setauket. Chamber music was provided by students in the Ward Melville High School orchestra, and traffic assistance was given by the History Honor Society at WMHS. Special contributions were made by the Education Committee: Bev Tyler, Donna Smith, Lindsey Steward-Goldberg, Town of Brookhaven Historian Barbara Russell, and Spirits Tour Committee Chair Janet McCauley.

Three Village Historical Society would especially like to thank Setauket Presbyterian Church and Caroline Episcopal Church for their unwavering support of this sold-out event year after year!

Author Kimberly Phyfe is the Community Engagement Manager at the Three Village Historical Society.

Photo courtesy of Vanderbilt Museum

Vanderbilt honors First Responders

Suffolk County Vanderbilt Museum, 180 Little Neck Road, Centerport will welcome First Responders and their families as guests by offering them free general admission on National First Responders Day, Sunday, October 27, from 11 a.m. to 5 p.m. First responders will be asked for ID cards or proof of affiliation. (This includes police, firefighters, paramedics, and emergency medical service personnel.) 

“We thank and salute the first responders in our communities,” said Elizabeth Wayland-Morgan, Executive Director of the Vanderbilt. “They are our neighbors who respond bravely and immediately every day to protect us.”

For more information, visit vanderbiltmuseum.org.

By Jennifer Donatelli

The aroma of fresh-baked pies, hot apple cider and hand-cut flowers filled the autumn air last weekend as families flocked to the Huntington Historical Society’s Apple Festival at the Daniel W. Kissam House Museum.

This free event has grown from a small community gathering 20 years ago into a vibrant celebration of fall that attracts over 1,000 visitors from all over Long Island. The festival featured a variety of activities and hands-on demonstrations designed to educate the community about life during Colonial America.

Heather and Rob of Kings Park brought their children to the festival to celebrate their daughter’s birthday.

“We wanted to do something fun outside for her and this is the perfect place,” Heather said.

The smell of fresh-cut flowers was abundant throughout the day. Jess Seilheimer, owner of Dahlias and Dreams, grows the flowers in her Centerport backyard, and transforms them into beautiful bouquets.

“I love bringing flowers into people’s homes because it makes them joyful and relaxed,” Seilheimer said. “This makes me happy and makes other people happy and that’s exactly what I want to do.”

In addition to the relaxing, music-filled ambiance of the event, attendees dove into American history with tours of the 18th-century Kissam House. The house, built in 1795 by Timothy Jarvis and first occupied by Dr. Daniel Whitehead Kissam and his family, is one of four national register historic properties, maintained by the Huntington Historical Society.

Attendees experienced firsthand what it was like to live in colonial America. Demonstrations throughout the day included traditional folk artisans woodworking, weaving and quilting.

Additionally, activities for the children included a magic show, face painting and pumpkin decorating, among a host of other activities.

One of the most popular demonstrations of the day was rug hooking — an art form where rugs are made by pulling loops of wool through stiff, woven fabric, such as burlap.

Mary, a member of the Rug Hooking Club of Long Island, explained that in colonial times, rug hooking was a craft of necessity. Poor women used scraps from their bags to create homemade floor coverings while girls from wealthy families were sent to school to learn embroidery or quilting. Today, rug hooking is regarded as a fine art.

Donna Waldenburg, a member of the Huntington Historical Society board, said the Apple Festival is a great way to engage younger families and showcase the society’s programs and events.

“We want to educate the community about colonial life… in a way that [engages] everyone,” Waldenburg explained.

Stephanie Gotard, executive director of the Huntington Historical Society, reiterated the uniqueness of this annual event.

Long Island-grown apples were sold by the bag along with other fall favorites like candy apples, apple donuts, apple cider and an assortment of homemade pies and breads from the Jericho Cider Mill and local bakeries.

The Kissam House is open for tours during the week. Visitors can also stop by the Museum Store to shop for collectibles and antiques.

For more information on tours, workshops, programs and events, visit www.huntingtonhistoricalsociety.org.

By Bill Landon

It was the Jaguar Drivers Club of Long Island’s 51st edition of their annual car show held on the Great Lawn of the Suffolk County Vanderbilt Mansion, Museum & Planetarium Sunday afternoon, Oct. 6. The show, known as the Jaguar Invitational Concours d’Elegance, was held under brilliant sunshine and deep blue skies in the heart of Centerport, overlooking Long Island Sound. 

Jaguars and anything British adorned the lawn of the 43-acre estate as the entries were judged in several different categories: Championship, Driven and Special Division as well as the People’s Choice and Judge’s Choice awards.

— Photos by Bill Landon

Ellen Mason, a volunteer at the Suffolk County Vanderbilt Museum in Centerport, has reported that Max,  the Suffolk County Vanderbilt Museum cat who greeted visitors at the gatehouse for years, has passed away. Below is a poem she wrote in his honor. 

Our Max, the Vanderbilt Cat

A sad day has fallen,

Enshrouded in gray.

Cherished and honored,

Our Max passed away.

Max was our mascot,

Our Vanderbilt cat.

He lived on the grounds,

But was much more than that.

He greeted our patrons

From his perch near the gate,

By the Vanderbilt gatehouse,

Entrance to this estate.

His special companion,

A guard here named Ed,

Brushed Max and loved him,

Making sure he was fed.

He bought Max a house

For those cold wintry days,

Where he snuggled inside,

Staring with his cat gaze.

Max lived life to the max,

Living up to his name.

For the guards at the gatehouse,

It just won’t be the same.

— By Ellen Mason, Stony Brook

Suffolk County Vanderbilt Planetarium, 180 Little Neck Road Centerport continues its lecture series with a presentation titled In Levittown’s Shadow with historian Tim Keogh on Thursday, Oct. 10 at 7 p.m.

Keogh will give a lecture on his book In Levittown’s Shadow: Poverty in America’s Wealthiest Postwar Suburb which takes a nuanced look at the history of suburban development and its connection to impoverished living conditions on Long Island.

“This forgotten part of Long Island’s past is one that continues to shape the Island’s current job and housing challenges,” Keogh said.

In Levittown’s Shadow (The University of Chicago Press, 2023), he examines the familiar narrative about American suburbs – after 1945, white residents left cities for leafy, affluent subdivisions and the prosperity they seemed to embody. Keogh’s research reveals that there is more to this story. He offers an eye-opening account of diverse, poor residents living and working in those same neighborhoods. Keogh shows how public policies produced both suburban plenty and deprivation—and why ignoring suburban poverty doomed efforts to reduce inequality.

Tim Keogh is an Assistant Professor in the Department of History at Queensborough Community College. He earned an A.A. degree from Nassau Community College (2005), a B.A. in History from Hofstra University (2007), and M.A. degree in History from Hunter College (2010), and an M.Phil. and Ph.D. in History from the Graduate Center, City University of New York.

In Levittown’s Shadow: Poverty in America’s Wealthiest Postwar Suburbwon the Dixon Ryan Fox Prize for best manuscript in New York history. He is the editor of War and the City: The Urban Context of Conflict and Mass Destruction and his published work can be found in The New Republic, Nonsite, Journal of Urban History, and Journal of Planning Education and Research, among others. He is a Long Island native, and currently lives there with his wife and children.

Tickets are $10 at www.vanderbiltmuseum.org or click here.

The Whaling Museum & Education Center, 301 Main St., Cold Spring Harbor has announced the opening of a new special exhibition, Monsters and Mermaids: Legends of the Sea.

The two-year exhibit developed by museum staff will explore ocean-inspired myths, legends, and their contemporary connections. By exploring nautical mythologies, visitors will be prompted to think about the ocean’s influence on how cultures were shaped and continue to shape us, and our impacts on the ocean today. The project will be the first exhibition about folklore on Long Island in 13 years and will shed light on monstrous beings of the deep just in time for the Halloween season.

Nomi Dayan, Executive Director of The Whaling Museum & Education Center, shares, “I think a fascinating element of this project is considering how people have perceived whales through time. Today, people light up when they talk about whales. We view them as breathtaking and highly complex creatures, and whale sightings can bring strong emotions and joy. But for millennia, they were seen quite differently by diverse cultures — in fact, the scientific name for the order of whales, ‘cetacean,’ translates to ‘sea monster.’ As part of this exhibition, visitors will stop and reflect on what the word ‘monster’ means to them.”

A highlight of the exhibition is a commissioned full-size kraken/squid sculpture created out of marine debris by multimedia artist Cindy Pease Roe. Based in Greenport, Roe is the founder of UpSculpt, an organization which combines public arts, conservation, and education. The artist has been featured in numerous exhibitions worldwide, and her work draws inspiration from her lifelong connection with the sea.

“The real sea monsters today are man-made, like marine plastics. By engaging the community to help collect materials for the Kraken, together, we’re reclaiming ownership and responsibility for our oceans, reshaping the narrative from fear to collective action and stewardship,” said Pease Roe.

Her new sculpture, created out of plastic marine debris collected on Long Island beaches, will bring attention to one of the largest sea monsters ever imagined — the legendary kraken, inspired by the Giant Squid. 

The squid/kraken will be displayed in an original and imaginative context by being suspended above the museum’s historic whaleboat, thrusting contemporary plastic materials into a 19th century story. As the gallery’s defining focal point, Roe’s piece will be thematically central to Monsters & Mermaids, and flip the narrative by questioning who is really afraid of whom today? The sculpture will convey a powerful message about the fragility of legendary creatures and confront the massive human refuse which is changing the ocean’s stories today.

The community is encouraged to participate in this exhibit by donating red and orange plastics gathered from Long Island beaches. Donations can be made at the museum or by visiting UpSculpt.com for additional donation options.

In addition to the squid sculpture, visitors will see maps, prints, scrimshaw, ephemera, and specimens exploring the artistic and cultural folklore of sea serpents, whales, sirens, and other global legends. Artifacts will be sourced from the museum’s collection as well as loans from other institutions.

One of the items on display from the museum’s collection will be a 1986 diorama by artist Vincent P. Ciro titled “Ye Dam’n Whale.” It depicts a scene from Moby Dick by Herman Melville. “When we think about the Monster Whale, Herman Melville’s Moby Dick is perhaps the most ubiquitous example in American literature.” said Baylee Browning, Collections and Exhibits Associate, The Whaling Museum & Education Center, “But who is the monster, really? Is it Moby Dick, the White Whale, or Captain Ahab, the relentless pursuer? Monsters and Mermaids, Legends of the Sea will explore these questions about monstrosity and wonder. What is a monster, and what does that say about our understanding of the natural world, and of ourselves? We can’t wait to explore these questions with you this October and “sea” if you can decide.”

In addition, visitors will reflect on the endurance of mermaid myths throughout history, from cave paintings to the 2023 mermaid-core fashion trend and ubiquitous Starbucks logo. A closer look into the history of mermaid portrayals will also offer insights into the history of racist perspectives.

Long Islanders can look forward to the museum’s upcoming series of workshops, events, talks, and programming for both adults and children exploring themes in the exhibition.

To celebrate, the museum will host two opening events: “Monsters & Mermaids: Family Bash” on Sunday, October 6th, and an exclusive evening event, “Monsters and Mermaids: After Dark,” on Thursday, October 10th.

The Family Bash, taking place from 11 a.m. to 3 p.m. on October 6, will transform the museum’s galleries into magical underwater realms. Families can enjoy a day filled with meeting a mermaid in a fantastical setting, exploring “Davy Jones’ Locker” with a touch tank featuring live sea creatures, and face painting that brings the event’s enchantment to life.

Museum educators will offer interactive talks on the origins of the kraken and other deep-sea myths. Craft stations throughout the galleries will feature activities like making your own “monster slime” and other monster and mermaid-themed crafts. Guests are encouraged to wear their Halloween costumes to add to the festive atmosphere.

“We’re delighted to bring the magical world of oceanic legends to life,” said Brenna McCormick-Thompson, Curator of Education. “The Family Bash offers a wonderful opportunity for visitors to explore the new exhibit with special activities designed for kids and families.”

Admission to the “Monsters & Mermaids: Family Bash” includes all activities. Advance tickets are $20 for children and $8 for adults, with member rates of $15 for children and $5 for adults. Tickets at the door are $25 for children and $8 for adults, with member rates of $20 for children and $5 for adults. The museum extends its gratitude to Gellerman Orthodontics for sponsoring the Mermaid Performer.

“Monsters and Mermaids: After Dark,” set for October 10th from 7 to 9 p.m. is an exclusive adult-only event. This evening will feature activities tailored for a mature audience, alongside the same enchanting backdrop as the “Family Bash”. Attendees can savor sea-inspired cocktails or mocktails and participate in a craft workshop to create fancy creature specimen jars, perfect for Halloween décor.

For those seeking mystical insights, tarot card readings will be featured. A costume contest will add to the fun, with prizes for the most imaginative costumes.

“This special evening event provides a unique way to dive deeper into the exhibit,” added Thompson. “We look forward to creating a memorable and immersive experience where guests can fully explore the legendary history of ocean myths.”

Advance tickets for “Monsters and Mermaids: After Dark” are $40, with member tickets at $30. At the door, tickets are $45, with member tickets available for $35. For more details and to purchase tickets, visit cshwhalingmuseum.org/monsters.

The “Monsters & Mermaids: Legends of the Sea” exhibition and associated programs are supported in part with funds from the New York State National Maritime Heritage Education Subgrant Program. The exhibition is also supported in part by the New York State Council on the Arts (NYSCA), and Humanities New York, and Public Funding Provided by Suffolk County.

For the next two years, viewing the special exhibit will be included with regular admission to the museum. Admission to the museum is $8 for adults, $6 for seniors and children aged 4-17, and free for children aged 0-3 as well as Active Duty with ID. Gallery hours at the start of the exhibit will reflect fall and winter hours of Thursdays to Sundays from 11 a.m. to 4 p.m. For more information, visit www.cshwhalingmuseum.org.

Rosie the Cow

Hallockville Museum Farm, 6038 Sound Ave., Riverhead will host a “Get Arty” painting party with certified art instructor, Ginger Baer, on Thursday, Oct. 10 from 6:30 to 8:30 p.m.

Connect with your inner artist and show your self-expression as you create an 11”x14” portrait of Hallockville’s resident cow, Rosie. No previous artistic experience is necessary. Ms. Baer and an assistant artist will teach the class art theory and painting techniques.

Fee is $35, $30 members and includes wine and light refreshments. Advance registration is required by visiting www.hallockville.org.

Calling all art lovers! Spend the afternoon at two of Stony Brook’s most beloved institutions!

On Sunday, October 6 from noon to 3 p.m., visit Stony Brook University’s Paul W. Zuccaire Gallery, 100 Nicolls Road, Stony Brook to view Nicole Cohen: SUPER VISION before heading down the road to the Long Island Museum’s Art Museum, 1200 Route 25A, Stony Brook to see A Noble Art: A New Look at the Portraits of William Sidney Mount and take an exclusive trip to visit the historic Hawkins-Mount House*.

Bus transport will take visitors to all three sites and educators and artists will be on hand in the galleries. This event is free for all — no registration is required.

Participants can check in at either location. Let a staff member know you are there for the LIM x Zuccaire Gallery Afternoon of Art. A staff member will also direct you to the shuttle bus. To check in at the Long Island Museum, head directly to the Art Museum building. At the Zuccaire Gallery at the Staller Center, you can check in at the front desk of the gallery. The first bus will leave from the Zuccaire Gallery at 12:30 pm.

For more information, call 631-751-0066 (LIM) or 631-632-7240 (Zuccaire Gallery)

*Please note that the historic Hawkins-Mount house is not handicap accessible. 

 

From now through Jan. 19, 2025, The Heckscher Museum of Art will present the The Body Politic: Long Island Biennial, a prestigious juried exhibition featuring works by contemporary artists from across Long Island. The Museum received 762 artwork submissions from 313 artists. For this year’s edition, the applicants were tasked with submitting work that engaged with contemporary social, cultural, or political issues. The result is a compelling museum-wide exhibition that features seventy-nine works of art accepted by 60 artists.  The artists chosen represents the breadth of communities across Suffolk and Nassau counties stretching from Floral Park to Montauk.

The exhibition encompasses a remarkable variety of media, with styles spanning abstraction to hyperrealism, including sculpture, painting, photography and more. “We remain committed to sharing inspiring and thought-provoking new art with our visitors.” said Heather Arnet, Executive Director & CEO. “The Body Politic will resonate with the entire community given the diversity in artists and the universality of the important themes in their work.”

Now in its eighth edition, the 2024 Long Island Biennial is curated by Meredith A. Brown, consulting curator of Contemporary Art at the Museum. The art was selected by jurors Ian Alteveer, Beal Family Chair of the Department of Contemporary Art, Museum of Fine Arts, Boston; Patricia Cronin, sculptor, Artistic Director of the LGBTQ+ VR Museum and Distinguished Professor of Art, Brooklyn College; and Grace Hong, Assistant Director, Galerie Lelong & Co. 

“There was artwork submitted addressing every theme you could think of: homelessness, addiction, immigration, global warming, voting rights, civil rights, women’s rights, LGBTQ+ rights and different on-going war,” said Cronin. “It was impressive and inspiring to learn how deeply Long Island artists really care about the world right now and express it in their art.”

“I was very impressed with quality of submissions, the artistic formal quality and passionate commitment to various social issues. I always love being a juror. You get to take the real pulse of an artistic community. What is important to the artists at any given time is usually the bellwether for society at large. Artists tend to focus on issues sooner than the general population,” said Cronin.

“I was impressed by the breadth of subjects and media presented in the submissions and had an enjoyable time reviewing them. Politics and systems of power on both an international and domestic level stood out to me, as did personal and often humorous takes on American politics. The Heckscher Museum of Art’s commitment to its community celebrates the people it serves while allowing a rare glimpse for art lovers everywhere into the practice and perspective of a living artist based in the region,” said Hong. 

“It is so important to have a Long Island Biennial so the general population can come to the museum and be inspired about the world they live in. Art has the capacity to inspire reflection, thought, feeling, and dreams about the human condition, ones we are already living or the potential for the future,” added Cronin.

Visitors will also be treated to a diverse program of events to coincide with the exhibition. Several Long Island Biennial artists will be in the galleries on select Sundays throughout the exhibition, as well as participating in the Huntington Art Walk, Lunar New Year, and other cultural and community events. Visit Heckscher.org for the full schedule.