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‘Abacus: Small Enough to Jail’ will be screened on March 27.

By Heidi Sutton

Soul music, Asperger’s syndrome, circus life, terrorism, race in America — these diverse subject matters and more will be explored at length as the Port Jefferson Documentary Series (PJDS) kicks off its spring 2017 season Monday evening, March 13. Sponsored by the Greater Port Jefferson Northern Brookhaven Arts Council, the Suffolk County Office of Film and Cultural Affairs and the New York State Council on the Arts, the PJDS, now in its 11th year, will present seven award-winning documentaries from March 13 to May 1, alternating between two venues — Theatre Three in Port Jefferson and The Long Island Museum in Stony Brook. Each screening will be followed by a Q-and-A with guest speakers.

‘Circus Kid’ will be screened on April 17 at Theatre Three.

The documentaries are chosen by a six-member film board, affectionately known as “the film ladies,” who each choose one film to present and then a seventh film is chosen unanimously by the group. The ladies, who include co-directors Lyn Boland and Barbara Sverd, Wendy Feinberg, Honey Katz, Phyliss Ross and Lorie Rothstein, recently found out that the PJDS was chosen by Bethpage Federal Credit Union’s Best of Long Island survey as the Best Film Festival on Long Island for 2017. The series beat out the Stony Brook Film Festival, the Hamptons International Film Festival and the Gold Coast Film Festival.

“Ecstatic would not be too mild a description,” said Boland. “We were really delighted [about the news].” Sverd added, “We never found out who had nominated us, but we are very grateful to that person!”

According to Sverd, the group started out 11 years ago sitting around a dining room table at the late Sondra Edward’s home “brainstorming about how to improve the Greater Port Jefferson/Northern Brookhaven’s existing film series. It was there that the idea of a documentary series began to emerge.” Back then, Sverd said, “We knew that documentaries were an emerging art form and that our community was missing opportunities to see them, as they mostly played in New York for a limited time. We now face new challenges in an age of streaming and HBO, but our mission [to present new documentaries] has remained the same.”

This past fall, the group traveled to the Tribeca Film Festival and the New York Documentary Film Festival in Manhattan and attended the Stony Brook Film Festival, searching for documentaries that generated a lot of interest and offered wide appeal.

‘I Am Not Your Negro’ will be screened on April 3 at the Long Island Museum.

This season, both Boland and Sverd are most excited about presenting “I Am Not Your Negro,” which is narrated by Samuel L. Jackson. Based on the writings of James Baldwin, it tells the story of race in modern America. One of the scheduled guest speakers, Prof. Michael Theiwill, was a colleague and friend of Baldwin. “It’s an exciting film, it’s very, very sophisticated and it’s so on point,” said Boland. “It’s a little demanding in terms of what it asks the audience to listen to and to be aware of, but it is very on point for what’s going on. You realize how you thought everything was changing, but there is still this basic unyielding racism that we find very difficult to understand.”

Boland is also looking forward to showing “Abacus: Small Enough to Jail” on March 27. “It’s such a great story about this little bank in Queens that the district attorney decides to pick on for financial irregularities” and how the family that owned the bank fought back and won.

The co-directors encourage the audience to stay after the screenings for the Q-and-A part which can get quite spirited. “A documentary is like taking a college course,” said Sverd, adding, “I believe that the reason documentaries have become so popular is because people love to learn about other people, places and things. Having a director for an up-close and personal Q-and-A after each screening makes it an even more special classroom experience.” “For me it is much more exciting to get a little bit of the backstory after the movie. Having the director or someone from the film there to answer questions right away was something that we really wanted,” said Boland. The group is always looking for volunteers to help distribute posters and flyers, taking tickets and program assistance. To sign up, please call 631-473-5200.

The Port Jefferson Documentary Series will be held at 7 p.m. every Monday from March 13 to May 1 at Theatre Three, 412 Main Street, Port Jefferson or The Long Island Museum, 1200 Route 25A, Stony Brook. Tickets, sold at the door, are $7 per person (no credit cards please). For more information, visit www.portjeffdocumentaryseries.com.

Film schedule:

▶ The spring season will kick off with a screening of “Marathon: The Patriots Day Bombing” at Theatre Three on March 13. The dramatic story of the April 2013 terrorist attack at the Boston Marathon is recounted through the emotional experiences of individuals whose lives were forever impacted. The film follows events as they unfolded that day and over the next two years, to the death penalty sentence for Dzhokhar Tsarnaev. Winner of the Audience Award Best Documentary at the Woodstock Film Festival, “Marathon” shows how cities and communities come together and find strength through dark times. Guest speakers will be directors Ricki Stern and Annie Sundberg.

▶ “The Uncondemned,” the second film in the series, will be screened at Theatre Three on March 20. Both a real-life courtroom thriller and a moving human drama, the documentary tells the gripping story of a group of young international lawyers and activists who fought to have rape recognized as a war crime and the Rwandan women who came forward to testify and win justice for the crimes committed against them. The film won the Brizzolara Family Foundation Award for a Film of Conflict and Resolution and the Victor Rabinowitz and Joanne Grant Award for Social Justice at the Hamptons International Film Festival. Co-sponsored by the Africana Studies Department at Stony Brook University. Guest speaker will be director Michele Mitchell.

▶ On March 27, The Long Island Museum will host a screening of “Abacus: Small Enough to Jail.” Directed by Steve James and produced by Julie Goldman and Mark Mitten, the film tells the fascinating David and Goliath story of the government’s decision to prosecute a small, immigrant-owned financial institution, Abacus Federal Savings of Chinatown owned by the Sung family, of mortgage fraud while overlooking far more egregious behavior at much larger institutions. The Sung family spent over $10 million in a five-year battle to save the family business, their honor and to stand up for their community. Producer Julie Goldman, Associated Producer Sean Lyness and bankers Jill and Vera Sung will be the guest speakers for the evening.

▶ The fourth film, titled “I Am Not Your Negro,” will be screened at The Long Island Museum on April 3. Built around James Baldwin’s unfinished 1979 book about the lives and successive assassinations of his friends Medgar Evers, Malcolm X and Martin Luther King, the film, directed by Raoul Peck, delves into the complex legacy of those three lives and deaths that permanently marked the American social and political landscape complimented by archival footage, photographs and television clips. Winner of the Audience Award at the Chicago International Film Festival, Best Documentary at the Hamptons International Film Festival, People’s Choice Award at the Toronto International Film Festival, short-listed for the Academy Awards and countless other accolades, “I Am Not Your Negro” has been called “One of the best movies you are likely to see this year” by the New York Times. Guest Speakers will include Prof. Zebulon Miletsky, African American Studies, SUNY, and Author/Prof. Michael Thelwell, U. Mass, Amherst. Co-sponsored by the Africana Studies Department at Stony Brook University.

Director Lorenzo Pisoni will be the guest speaker on April 17.

▶ The series continues on April 17 at Theatre Three with “Circus Kid.” A ring of daring, danger, spirit and lunacy can lead many a young child into a romantic fantasy of running away to join the circus. But for Lorenzo Pisoni, director of this autobiographical documentary, and guest speaker for the evening, the reality of growing up as the golden child in his family’s cult classic Pickle Family Circus, his dreams were about running away from it. Archival footage of vaudeville-style acts and interviews include Pickle Family participants, including parents Larry and Peggy, daughter Gypsy and Pickle member Bill Irwin.

▶ “Bang! The Bert Berns Story” will be screened at Theatre Three on April 24. Music meets the Mob in this biographical documentary, narrated by Steven Van Zandt, about the life and career of songwriter and record producer Bert Berns whose hits include “Twist and Shout,”“Tell Him,” “Hang on Sloopy,” “Here Comes the Night” and “Piece of My Heart.” Berns helped launch the careers of Wilson Pickett, Van Morrison and Neil Diamond and produced some of the greatest soul music ever made. Filmmaker Brett Berns, who will be the evening’s guest speaker, brings his late father’s story to the screen through interviews with Ronald Isley, Ben E. King, Solomon Burke, Van Morrison, Paul McCartney and Keith Richards and rare performance footage. Co-sponsored by the Long Island Music Hall of Fame.

▶ The final film for the spring 2106 series, to be screened at Theatre Three on May 1, will be “Off the Rails,” the remarkable true story of Darius McCollum, a man with Asperger’s syndrome whose overwhelming love of transit has landed him in jail 32 times for impersonating New York City bus drivers and subway conductors and driving their routes. Winner of Best Documentary at the DocUtah Film Festival, the Newport Beach Film Festival, the Woods Hole Film Festival and the Buffalo International Film Festival, to name just a few. Director Adam Irving will be the guest speaker via Skype.

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Cary Grant and Deborah Kerr star in the 1957 classic. Photo from Fathom Events

In celebration of its 60th anniversary, “An Affair to Remember” will return to select cinemas nationwide on Sunday, Feb. 12 and Wednesday, Feb. 15, just in time for Valentine’s Day, courtesy of Fathom Events, Turner Classic Movies and Twentieth Century Fox.

Named the fifth most romantic movies ever by the American Film Institute, “An Affair to Remember” has captured the hearts of generations of moviegoers and moviemakers and was the inspiration for the blockbuster hit “Sleepless in Seattle.”

Cary Grant and Deborah Kerr star as the two lovers who meet by chance on a trans-Atlantic voyage and fall in love despite their existing relationships. When they agree to meet six months later atop the Empire State Building, they cannot foresee the tragic circumstances that will test the limits of their devotion.

The two-day event will also include exclusive commentary from Turner Classic Movies host Ben Mankiewicz, who will give insight into this classic film. Participating movie theaters in our neck of the woods include AMC Loews Stony Brook 17 (at 2 and 7 p.m. on both days), Farmingdale Multiplex Cinemas (on Feb. 12 at 2 p.m., Feb. 15 at 2 and 7 p.m.) and Island 16 Cinema de Lux in Holtsville (on Feb. 12 at 2 p.m., Feb. 15 at 2 and 7 p.m.). For more information or to purchase your ticket in advance, visit www.fathomevents.com.

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Patrick Swayze and Jennifer Grey star in the 1987 classic ‘Dirty Dancing.’ Image courtesy of Fathom Events

In celebration of its 30th anniversary, “Dirty Dancing” will return to more than 550 select cinemas nationwide on Sunday, Jan. 29 and Wednesday, Feb. 1, at 2 p.m. and again at 7 p.m., courtesy of Fathom Events and Lionsgate. The screening will include an all-new tribute to the classic film with celebrity interviews.

Jennifer Grey in a scene from ‘Dirty Dancing’

The beloved film, starring Jennifer Grey and Patrick Swayze in their most iconic roles, created a worldwide box-office sensation in 1987, generating over $213 million. “Dirty Dancing” captured hearts worldwide and took home the Best Original Song Oscar for “(I’ve Had) The Time of My Life.”

“Dirty Dancing is one of those really rare films that feels just as fresh and fun as it did the first time you saw it,” said Tom Lucas, Fathom Events vice president of studio relations, adding, “As an Eighties classic set in the Sixties, it’s a double-dose of cinematic nostalgia and we couldn’t be more delighted to welcome Baby and Johnny back to the silver screen.”

Participating movie theaters in our neck of the woods include AMC Loews Stony Brook 17, Farmingdale Multiplex Cinemas and Island 16 Cinema de Lux in Holtsville. For more information, visit www.fathomevents.com.

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From left, Debbie Reynolds, Donald O’Connor and Gene Kelly in a scene from ‘Singin’ in the Rain. Courtesy Warner Bros. Home Entertainment Inc.

What a glorious feeling!

In celebration of its 65th anniversary, Fathom Events, Turner Classic Movies and Warner Bros. Entertainment will bring “Singin’ in the Rain” back to nearly 700 select cinemas nationwide on Wednesday, Jan. 18 at 2 p.m. and again at 7 p.m. as part of its TCM Big Screen Classics series. Running time is 2 hours.

The event, which gives audiences a chance to see Debbie Reynolds in her breakout role and Gene Kelly at the pinnacle of his career, also includes exclusive commentary from Turner Classic Movies host Ben Mankiewicz, who will give insight into this classic film. Starring Reynolds, Kelly, Donald O’Connor, Jean Hagen, Cyd Charisse and Rita Moreno, the 1952 classic is still as fresh and delightful as the day it was released.

Musician Don Lockwood (Kelly) rises to stardom during Hollywood’s silent-movie era — paired with the beautiful, jealous and dumb Lina Lamont (Jean Hagen). When Lockwood becomes attracted to young studio singer Kathy Selden (Reynolds), Lamont has her fired. But with the introduction of talking pictures, audiences laugh when they hear Lamont speak for the first time — and the studio uses Selden to dub her voice.

“Sixty-five years ago, no one dreamed that we would still be watching ‘Singin’ in the Rain’ in 2017,” said Gene Kelly’s widow, film historian Patricia Ward Kelly. “Gene would be very proud.” “Singin’ in the Rain,” set in the days of Hollywood’s transition from silent films to “talkies,” continues to this day to provide pure cinematic entertainment. Written by legendary musical “book” writers Betty Comden and Adolph Green, “Singin’ in the Rain” was helmed by renowned directors Gene Kelly and Stanley Donen. The film was nominated for two Academy Awards and is the No. 1 musical on the American Film Institute’s (AFI) list of the “25 Greatest Movie Musicals” (2007) and No. 5 on AFI’s “100 Years, 100 Movies” list (2007).

Participating movie theaters in our neck of the woods include AMC Loews Stony Brook 17, 2196 Nesconset Highway, Stony Brook; Farmingdale Multiplex Cinemas, 1001 Broadhollow Road, Farmingdale; and Island 16 Cinema de Lux, 185 Morris Ave., Holtsville.

Future “TCM Big Screen Classics” films for 2017 will include “Some Like It Hot,” “The Godfather,” “The Graduate,” “Guess Who’s Coming to Dinner,” “An Affair to Remember,” “All About Eve,” “The Princess Bride,” “Smokey and the Bandit,” “Fast Times at Ridgemont High,” “E.T. The Extra-Terrestrial,” “North by Northwest,” “Bonnie and Clyde” and Casablanca.” For more information, visiti www.fathomevents.com.

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Shirley Jones and Gordon MacRae star in ‘Carousel’. Image courtesy of Fathom Events

In honor of the 60th anniversary of “Carousel,” Fathom Events and Twentieth Century Fox will bring the Rodgers & Hammerstein classic to select cinemas nationwide on Sunday, Jan. 8 and Wednesday, Jan. 11 at 2 p.m. and again at 7 p.m. Starring Gordon MacRae as Billy Bigelow and Shirley Jones as Julie Jordan, “Carousel” features one of the most impressive and emotionally moving of all Rodgers & Hammerstein scores, as well as stunning cinematography — the 1956 film was shot largely on location in coastal Maine. Its score includes such classics as “Soliloquy,” “What’s the Use of Wond’rin,” the rousing “June Is Busting Out All Over” and the haunting, inspiring “You’ll Never Walk Alone.” The screenings will also include an exclusive interview between Shirley Jones and the president of Rodgers & Hammerstein, Ted Chapin.

“‘Carousel’ has always been dear to me, a film that remains beautiful, challenging and inspiring,” said Jones. “It was 60 years ago that we immortalized Rodgers & Hammerstein’s gorgeous musical, but when I think back on the memories it feels like no time at all has passed. I hope both longtime fans and new audiences will find it just as fresh and just as wonderful as ever.” “Movie musicals become an entirely different experience when viewed on the big screen and shared with an audience,” Fathom Events Vice President of Studio Relations Tom Lucas said. “We are proud to be presenting one of the best and most unique musicals of the 1950s, showcasing a truly extraordinary achievement of American moviemaking.”

Participating movie theaters in our neck of the woods include Island 16 Cinema De Lux in Holtsville and Farmingdale Multiplex Cinemas. For more information, please visit www.fathomevents.com.

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Felicity Jones leads the cast of the newest edition to the ‘Star Wars’ saga. Photo courtesy of Disney

THE EXPERIENCE

By Michael Tessler

Ever wish you could celebrate Christmas each and every day? That’s how I can best describe my childhood dream of receiving a new “Star Wars” film each and every year. What seemed like an impossibility back then has suddenly become an astonishing reality. Thanks to Disney’s acquisition of every creative thought mustered by George Lucas, fans can now enjoy an annual installment of the most successful film franchise in cinema history.

At AMC Loews 17 in Stony Brook on Friday, Nick Acampora and his daughters Elizabeth and Melanie sat together in anticipation for the premiere of Gareth Edwards’ “Rogue One: A Star Wars Story.” “We’ve got a family connection with the Force,” joked Acampora, a Port Jefferson resident and community historian. Though all smiles, his daughters were bitterly divided between which was their favorite “Star Wars” film (of course, we all know it should be “The Empire Strikes Back”). Despite some debate, all could agree that “Star Wars” is the perfect escape from reality.

Just a few rows away were two grown men named Mike, a father/son duo, both wearing expressions of childlike wonder in anticipation for the new film. The elder Mike had enjoyed the original “Star Wars” film (later titled “A New Hope”) back in 1977 when he first saw it in theaters. The “Jedi master” and his “padawan” have been to every “Star Wars” premiere together since “Attack of the Clones,” released in 2002. They take enormous pride in having a better relationship than their “Star Wars” counterparts Luke Skywalker and Darth Vader.

Sitting next to me was my childhood best friend Matthew and, in spirit, my late best friend Brandon. For us, “Star Wars” was more than just a film series, it was the basis for our friendship. Countless days in the backyard were spent dueling with plastic toy light sabers, building the LEGO Millennium Falcon brick by brick, and arguing for hours over fan theories and proper pronunciations of Jedi names. As Darth Vader appeared on screen for the first time in over a decade in “Rogue One,” Matthew and I paused for a moment, looking at one another. For that brief second we saw each other not as adults but as the little boys we once knew a long time ago … in a galaxy far, far away.

THE (SPOILERIFIC) REVIEW

By Kevin Redding

“Rogue One,” the first in what promises to be a series of Star Wars-related anthology films, is a risky experiment in that its plot — based on the first two paragraphs of the original’s opening crawl — requires it to forever change the way we watch “A New Hope.”

In telling the story of how the plans needed to destroy the Death Star wound up in the hands of Princess Leia and eventually kick-start the adventures of a blonde farm kid named Luke, “Rogue One” is of course a prequel, which is a dirty word among many “Star Wars” fans.

But Disney, for the most part, knows what the diehards want to see — practical sets and creatures, Tie fighters and X-wings, and the (ridiculously satisfying, vicious and get-on-your-feet-and-growl-like-a-wookie-worthy) return of the biggest, baddest villain in the galaxy, among other familiar faces. The last half of “Rogue One” sets up the start of “A New Hope” masterfully, so much so that if the closing credits of the former and opening crawl of the latter were eliminated, it would work seamlessly as one long adventure.

But I definitely thought it took a while for “Rogue One” to reach its great moments. As we spend time with a ragtag team of new characters, I couldn’t help but want to see what the old standbys were up to instead. This “Star Wars Story” centers on Jyn Erso (Felicity Jones), a slightly dull heroine whose father unwillingly engineered the planet-destroying weaponry on the Death Star while under the diabolic eye of the Empire’s Imperial Commander Orson Krennic (Ben Mendelsohn).

As Erso later finds out, her father intentionally compromised the Death Star so it could easily be destroyed (by Luke in “A New Hope”), thus cleverly correcting one of the biggest plot holes in the original film: Why would the Empire build this elaborate, clearly-expensive space station that can be blown to smithereens so easily?!

Erso finds herself the resilient leader of a group of Rebels who band together to get the job done. Alongside her is Cassian Andor (Diego Luna), who’s sort of the no-fun straight man throughout, K-2SO (perfectly voiced by Alan Tudyk), a reprogrammed Imperial droid that doesn’t know any better than to say exactly what’s on its mind (or in its circuits) to marvelous and hilarious effect, Chirrut Imwe (Donnie Yen), a Force-sensitive blind warrior who takes down a lot of stormtroopers with little to no effort and is by far the best new addition to the “Star Wars” universe of the human bunch, Baze Malbus (Jiang Wen), Chirrut’s loyal partner, and Bodhi Rook (Riz Ahmed), a former Imperial pilot gone rogue.

It’s great to see the inclusion of Bail Organa (Jimmy Smits, reprising his role from the prequel trilogy) and some of the Rebel pilots from the original that were implemented into the spectacular battle scenes on display here. Where the film really shines, however, is in the villain department. Personally, I was blown away at how Edwards and company resurrected the late-great Peter Cushing through a stunning display of CGI and motion capture to give Grand Moff Tarkin, the ruthless Imperial leader in “A New Hope,” a substantial role.

But what brought me to the theater in the first place was knowing that I’d be seeing Darth Vader be Darth Vader on the big screen again, in all his James Earl Jones-voiced glory. It’s really incredible and overwhelming to see. His two scenes, while extremely short, are worth the price of admission, especially the one in the final moments of the film, which will forever change how we see him in the rest of the saga. If nothing else, “Rogue One” reclaims Vader as the powerful and dangerous threat we were always told he was, and then some.

THE VERDICT

“Rogue One’s” greatest attribute is that it somehow manages to make “A New Hope” an even greater film. Admittedly, the first thing I did when I got home was rewatch the 1977 classic. This connective tissue provides compelling emotional subtext to the famed original opening crawl. While a bit clunky in its pacing and struggle to give us new characters to really feel for, “Rogue One” has proven “Star Wars” can survive outside the saga, delivering to fans compelling stories that only further embellish the brilliance of Lucas’ original vision. And if you don’t like this one so much, just wait until next year … and the year after that…and the year after that.

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Photo courtesy of Fathom Events

Just in time for the holidays, Fathom Events and the Autism Society of America will bring a first-of-its-kind sensory-friendly cinema event featuring the Bolshoi Ballet’s 2014 production of “The Nutcracker,” captured from the Bolshoi Theatre in Moscow, Russia, to select cinemas nationwide on Monday, Dec. 19 at 6 p.m.

Danced by the Bolshoi’s principals, E.T.A. Hoffmann’s fairy tale staged by Russian ballet master Yuri Grigorovich will transport children and adults alike to a world of magic and wonder for the holiday season. In this special cinema presentation audience members are encouraged to be themselves; the lights will be turned up, the sound will be turned down and you can get up, dance, walk, shout or sing!

Participating theaters in our neck of the woods include AMC Loews 17 in Stony Brook, Farmingdale Multiplex Cinemas and Island 16: Cinema de Lux in Holtsville. For more information, visit www.fathomevents.com.

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By Kevin Redding

We took to the streets of the North Shore to find out what everyone’s favorite holiday movie was and why.

Bella Ayer
Bella Ayer

Bella Ayer, Setauket I watch a lot of the old ones like “Rudolph the Red Nosed Reindeer” and “Frosty the Snowman” and those types of movies. “The Year Without a Santa Claus” is one of my favorite Christmas movies because it’s such a classic and whoever made the movie put so much time and effort in animating it … it’s just so well put together and such a good story. Even though it was made like 30 or 40 years ago, I still loved it as a kid and still love it now.

Bill Herrmann
Bill Herrmann

Bill Herrmann, Port Jefferson I would definitely say “A Christmas Story.” I can’t get enough of it and I think the father makes the whole movie, how he hates the dogs next door and just all of his mannerisms. I love the narration by Jean Shephard too … it’s like an outsider looking in but also like a firsthand recap of what he went through. It’s one of those staples where you gotta expect it to be on 12 times in a row every year. I’d watch it with my family, by myself, or even trick someone into watching it with me.

Rebecca Unno
Rebecca Unno

Rebecca Zunno, Huntington I love “A Christmas Story” because it really reminds me of how my parents were raised, and I love watching it with them because they just laugh the whole way through and it’s one of my dad’s favorite films. I also like Tim Burton’s “The Nightmare Before Christmas” because it has the best soundtrack, but “Elf” is definitely my favorite overall. I just love it because it’s funny and goofy and warm, and it kind of brings that sentimental teariness that we love as audience members. I think it’s important to have Christmas films that just make you feel like you’re a kid again. And I love Zooey Deschanel and I remember that was the first time I ever heard her sing [in the shower scene] and she has a beautiful voice. And Will Ferrell just cracks me up and he’s adorable in that. He’s just a big kid and it makes me laugh.

Vera Wilde
Vera Wilde

Vera Wilde, Port Jefferson Well, I love “It’s a Wonderful Life.” I always have to watch “It’s a Wonderful Life” because it just makes it seem like Christmas to me and my family. I have to watch it every year, even more than once. It’s just the whole feeling of Christmas, family, generosity, a whole community coming together … it’s a wonderful movie.

 

Christina Urso and family
Christina Urso and family

Christina Urso, Port Jefferson I think our family’s favorite holiday movie is “A Christmas Story” because I think it just reminds everybody of their own little crazy family. We pull the DVD out and watch it every year. I’ve watched it since I was a kid and teenagers and it’s just something that’s been passed down and now our children like it. They were actually a little afraid of the bully [Skut Farkus] for the first few years and didn’t watch it for a while, so it took them a little time. It’s just a funny, silly movie but again I think it reminds everybody of their own family.

Scott Walsh
Scott Walsh

Scott Walsh, Hauppauge It would have to be “Die Hard.” It is a Christmas movie; it’s based around Christmas, he’s trying to go home to see his daughter, it’s a great movie. Yeah, “Die Hard” is the best Christmas movie of all time. Bruce Willis is in it and I love Bruce Willis and it’s a great action movie, has Christmas music in it … it’s a classic.

 

Amanda Damone and Jacob Ward
Amanda Damone and Jacob Ward

Amanda Damone, Sound Beach I watch “It’s a Wonderful Life” every year. I watch it twice [in early December and Christmas Eve] in full with my dad. Everyone in the family thinks it’s really boring and annoying, but I’m the only family member who watches it with him.

Jacob Ward, Port Jefferson I really like “The Polar Express.” I love Tom Hanks’ acting in all five of his roles in that movie and I loved it as a kid and seeing it on the big screen was really cool.

Nancy Sanks, Steven Guild, Joanna Guild, Coram

Joanna Guild, Steven Guild and Nancy Sanks
Joanna Guild, Steven Guild and Nancy Sanks

 

Joanna Guild: I like “The Holiday” a lot and remember seeing it when it came out. I like the mellow romantic ones.

Nancy Sanks: “While You Were Sleeping” [with Sandra Bullock and Bill Pullman] is one of my favorite ones, because I have three daughters and we started watching those because it puts you in the Christmas mood and it’s friendly and it’s light romance and cozy “hot chocolate” kind of movie. And I’ve always liked “National Lampoon’s Christmas Vacation” with Chevy Chase and all the lights.

Steven Guild: “Elf” is a classic.

PHOTOS BY KEVIN REDDING

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The perfect family movie for the holidays

Meet Disney's newest princess, Moana!

By Erika Riley

Disney’s newest musical movie masterpiece, “Moana,” opened in theaters this holiday season and is unsurprisingly a hit. Kids and adults alike will enjoy its strong protagonist, charming sidekick, beautifully crafted songs and inspirational message.

The story starts with an introduction to a Pacific Islander myth about the demigod Maui (Dwayne Johnson) and how he stole the heart of Te Ka. He hoped to bring it to the humans who he lived to serve, but instead opened up a darkness that still crept through the oceans to the present day.

Moana is the daughter of the chief of an island in the Pacific, where everybody lives peacefully and works together to make sure the island is running smoothly. Moana is destined to run the island one day but can’t help wanting to see what’s beyond the reef. Her exploratory nature gets the best of her. When the island is in trouble due to the darkness Maui unleashed, she takes it upon herself to take off on a boat and get the heart back.

The movie feels less like a Disney princess movie after that and more like an adventure, as we watch Moana sail across the ocean in search for Maui. She is simultaneously strong and flawed; while she is confident in her abilities and determined to save her island, she is also not a very good sailor or navigator, or very convincing when she does meet Maui. Yet we watch her grow and learn, and that’s an arc that is rarely seen out of “princesses.” Moana does, however, declare that she is not a princess, insisting that she is the daughter of the chief.

Moana is fronted by new voice actress and native Hawaiian Auli’i Cravalho, who beautifully brings her to life, especially during her musical numbers. This is the first musical movie that Disney has released since “Frozen” in 2013, and it does not disappoint. Lin-Manuel Miranda, writer of the hit Broadway musical “Hamilton,” co-wrote the original songs for the movie with Mark Mancina and Opetia Foi’a. The songs are both catchy and empowering and have a very similar driving groove to them that can be found in the “Hamilton” sound track. “How Far I’ll Go” and its reprises are the most influential songs in the movie, and can easily be seen as the new “Let It Go.” Johnson makes his musical debut with Maui’s “You’re Welcome,” a catchy and fun song that helps flesh out Maui’s self-righteous and confident character.

While the plot of the movie is similar to what Disney has done in the past, with a female protagonist going on a quest with the help of a man, it takes a steep curve in the fact that it does not have a love interest. Even though Moana is traveling with Maui, there is never any foreshadowing that they will be in a relationship, and they remain friends throughout the movie. In the end, it’s Moana who saves the day and figures out how to bring peace and prosperity back to her home, not Maui.

The movie is geared toward kids but will also be perfect for parents and teenagers who are nostalgic for classic Disney movies. While the humor is sometimes geared more toward children, there are some comments throughout the movie where Disney pokes fun at itself that adults will pick up on more.

Moana is a great role model for kids, and the inclusion of Pacific Islander culture is a stark contrast from movies like “Tangled” and “Frozen,” which featured white protagonists. Moana learns more about her culture throughout the movie, and it’s a beautiful part of the plot, and an arc rarely seen in fairy tales.

Moana is a great choice for a movie to see with the whole family this holiday season. It is currently playing at AMC Theaters across the Island, as well as PJ Cinemas in Port Jefferson Station.

About the author: Stony Brook resident Erika Riley is a sophomore at Knox College in Galesburg, Illinois. She is interning at TBR during her winter break and hopes to advance in the world of journalism and publishing after graduation.

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Dr. Harold Fernandez is one of the world's leading cardiac surgeons. Photo from CAC

By Kevin Redding

There is perhaps no one on Long Island whose story encapsulates the American Dream better than Huntington resident Harold Fernandez, who fled drug-and-murder-ridden Colombia when he was 13 years old; charted through the treacherous waters of the Bermuda Triangle; came into the U.S. not speaking a word of English; worked hard in school; gained admission to Princeton University; graduated from Harvard Medical School; got married and helped raise two children; and ultimately rose to the top of his profession as a cardiac surgeon, currently working at Southside Hospital in Bay Shore.

But his journey to the operating room was one of constant fear. As an undocumented immigrant, Fernandez had broken countless immigration laws by the time he arrived at Princeton. The secret he had harbored his whole life was about to be revealed and potentially undo everything he had achieved for himself and his family and send him back to Colombia.

Harold Fernandez, left, with his brother Byron with the Statue of Liberty in the background.
Harold Fernandez, left, with his brother Byron with the Statue of Liberty in the background.

Fernandez’s compelling and inspiring story is the focus of a new documentary titled “Undocumented.” Based on his memoir of the same name, the documentary will have its world premiere screening at the Cinema Arts Centre in Huntington on Sunday, Nov. 13, at 6 p.m. (sold out) and 8:15 p.m. The film will be followed by a Q-and-A with filmmakers Patricia Shih and Greg Blank, as well as Fernandez himself.

Shih, a professional local musician who had no prior experience in filmmaking, read the book cover to cover and knew right away that the story needed to be translated to film, not only because of its cinematic themes of danger, suspense and eventual triumph but because its message rang especially true today.

“Harold’s story … puts a human face on the abstract issue of immigration,” she said. “When the presidential election started, there was a lot of hateful rhetoric by one of the candidates about immigration, and specifically racial and religious discrimination. I’m hoping that [the film] will move people enough so that some hardened positions will soften. I can’t stress enough how amazing his story is.”

As an Asian woman whose own father was one of only 105 Chinese immigrants allowed to enter the U.S. in 1945 as a result of the Magnuson Act, Shih considers this an extremely personal topic. She hopes to combat the ever-increasing violence, racism and xenophobia that surrounds the issue of immigration with the film’s telling of Fernandez’s incredible life.

And incredible it is.

When he and his 11-year-old brother Byron left Medellín, Colombia, in 1978, Fernandez hadn’t seen his parents for years. They had already moved to the U.S. to escape poverty, working in embroidery and clothing factories and struggling to make ends meet in West New York, New Jersey, with the hopes that one day they would earn enough money to be reunited with their children. His parents arranged for the two of them to be smuggled in, and so began their dangerous voyage to freedom.

Fernandez, his brother and a dozen other immigrants huddled in a small boat that seemed to constantly be on the verge of splitting in half as the harsh sea raged on in the thick of hurricane season. When he finally arrived in New Jersey, Fernandez was at a complete disadvantage, needing to learn a new language and catch up with his classmates academically. However, he saw how much his parents struggled to put food on the table and understood that the only way he would get ahead in life would be through a good education, and so he buckled down and devoted himself to his studies.

Fernandez became valedictorian in his high school class and was accepted to Princeton with flying colors, determined to help people through medicine. However, this is when his undocumented status came back to haunt him. The documentary explores how Fernandez overcame the very real threat of being deported and wound up where he is today.

As Shih had never tackled a film before, let alone a feature-length film, she approached Push Pause video journalist Greg Blank to see if he would help make this dream project a reality. It didn’t take much to persuade him to get on board.

Much like Shih, Blank had become extremely immersed in Fernandez’s memoir and thought that a lot of people would relate to his story on different levels. The two launched a Kickstarter campaign in an effort to crowd fund the film in April, wound up exceeding their cost goal, and with a final budget of roughly $20,000, shot and edited the documentary in five months — all under the complete cooperation and encouragement of Fernandez, who even contributed large quantities of footage when he visited his old neighborhood, school and home in Colombia this year.

The film features interviews with Fernandez’s parents, a professor of his from Princeton, as well as two former patients who say they owe their lives to him as a result of emergency open-heart surgeries, among others. The bulk of it was shot in Huntington, said the filmmakers, with segments in New Jersey and Princeton.

“This is the quintessential American story,” said Blank. “I hope people can see that it’s not just the story of Harold and one person succeeding in this country, but an entire family coming [here] and making the most of it, and really contributing.”

For Fernandez, seeing his story make its way to the big screen is really exciting. He said it’s an opportunity to show people that most immigrant families in this country are regular people who have dreams and are looking for ways to contribute to the American way of life. “I’ve been so blessed to be able to make my dream come true,” said Fernandez. “but I think that most immigrants that come here are really looking for simple things — living with dignity, just being able to work — and I think that’s what my story really portrays. And the main thing that I remember coming here to America was not really the excitement of coming [here] as much as just the desire to be together as a family again.”

Fernandez continued, “I think it’s one of the tragedies of the whole immigration issue right now. You have all these families apart, so I think the idea of being together again as a family was the most important part at the time.”

The Cinema Arts Centre is located at 423 Park Ave., Huntington. Admission is $16, $11 members. A premium admission of $22, $17 members, includes a wine and cheese reception. For more information, please call 631-423-7611 or visit www.cinemaartscentre.com.

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