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'Soundscape' by Scott McIntire
'Sound of Red' by Scott McIntire
'Energy Fields' by Scott McIntire

Up next for Gallery North , 90 North Country Road, Setauket is a solo exhibit titled Scott McIntire: Energyscapes. The show opens on Aug. 15 and runs through Sept. 29.  

The exhibition features large, medium, and small paintings and sculptures. 

McIntire constructs dynamic compositions in enamel which form a repository of information. Each vessel of data includes the sounds, smells, forces, electromagnetic and thermal energies that make up the environment. Each space seamlessly merges natural and man-made artifacts. 

McIntire uses his mastery of the optical properties of color to create the illusion of movement and vibration. Dazzling patterns and vivid concentric circles combine to form a dramatic Op Art world in which references to flora and fauna ground the work in a reality just out of sight from the human eye.

Born and raised in the fertile Willamette Valley in Oregon, McIntire’s artistic perception is rooted in his love of nature. At the Art Center College of Design in Los Angeles, McIntire studied color under the master colorist Albert King, giving him a lifelong understanding and love of color. McIntire is currently based in Greenport. His work has been exhibited both nationally and regionally including the Nassau County Museum of Art.

The community is invited to an opening reception on Thursday, Aug. 15, from 6 p.m. to 8 p.m. As a complement to the exhibition, Gallery North will host an ArTalk on Sunday, August 25, from 3 p.m. to 5 p.m. The exhibition, reception, and ArTalk will be free and open to the public.

This exhibition is generously sponsored Jefferson’s Ferry, and Suffolk County’s Department of Economic Development and Planning. 

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'The Light' by Barry Bernstein
'Mystical' by Barry Bernstein
'Sherwood-Jayne Farm' by William Hammer,

By Tara Mae

Behold the beauty as seen through another’s eyes with the Port Jefferson Photography Club’s (PJPC) exhibit, Through the Camera Lens, at Emma Clark Library, 120 Main Street in Setauket. 

On view through the month of August, the exhibit features approximately 30 photos by club members Ralph Baldasarra, Barry Bernstein, Wendy Beaton, Michael Boren, William Hammer, Terry Murphy, Kathy Pisculli, Darlene Prowse, Anneliese Scheef, Irene Stern, C. Visconti, and Peter Willstein.

Housed on the walls of the library’s new Level Up Kitchen Library Café on the first floor next to the reference desk, all images in Through the Camera Lens have a card that lists the title of the photo, the photographer’s name, and contact information. Many of these photos are for sale; visitors are encouraged to contact the photographer if interested in purchasing a photo. 

The images illuminate a spectrum of perspectives and personalities, taking the viewer on a tour of instances and ideas.

“We have such a diverse, well-traveled membership that we ask members to display what they would like to share with the audience. Travel, black & white, landscape, architecture, animals, portraits, etc,” said Prowse. 

A variety of outlook and style enables attendees to see the world from individual points of view: common sights may reveal uncommon insights and fleeting moments are made forever spellbinding. 

“It gives us an opportunity to share with others the places we have been, the way we see the world and our creativity in unusual and artful creations,” Prowse added. “It is like sharing a family photo album with someone who is really interested in what you are showing them. It is also an affirmation of the work we have put into creating an image.”

Satisfaction comes from sharing their passion not only with each other, but the public. To this endeavor, the PJPC seeks to exhibit its work in community spaces as a means of connection.

Now in its 12th year, the club has an ongoing installation at Port Jefferson’s Pasta Pasta restaurant which changes seasonally. Among other accolades, its booth won first place at a recent St. James Art Walk. And PJPC has also displayed work at Gallery North’s Outdoor Art Show in Setauket, Watermark Galleries in St. James, and Bayport-Blue Point Public Library in Blue Point.

August’s show at Emma Clark Library follows July’s exhibit at the Port Jefferson Village Center. Having both personal and pragmatic benefits — friendships, greater exposure, and refinement of craft — the library exhibit is the members’ latest foray into artistic communication with an audience and one another.

“…it shows that our area has an interest in the arts and appreciates local clubs and organization involvement. Hopefully, this will encourage others to show an interest in the PJPC,” Prowse said. 

In addition to its community involvement, PJPC cultivates its artistic presence in part by facilitating its social network. The club hosts monthly lectures and goes on monthly field trips, visiting museums, beaches, New York City, etc. for group bonding, motivation, and inspiration.

“Photography gives me a chance to be creative and I love to show off my work…I love the social aspect of it,” said the Club’s Vice President Barry Bernstein.

Participating in the organization allows its members to focus the poetic precision of photography while benefiting from the camaraderie of a shared passion. It galvanizes participants to hone their craft and nurture their artistry.

“What I think is most rewarding about photography is the ability to capture a moment in time; to be able to freeze a moment of a bald eagle flying, to capture the colorful sunrises or sunsets, and to add my own creativity to what I photograph. It can be done anywhere, at anytime, with a group of people or by myself,” said PJPC President Anne DePietri.

The PJPC is committed to nurturing the creative nature of its members. Its outreach endeavors are part of a diligent effort to foster imaginative understanding and entice an engaged network. 

“Belonging to a group is so inspiring. There might be a day that is gloomy and I’m not motivated to go out and find something interesting to shoot. It helps to know that my fellow members are expecting me to present something I looked at in a different way and made an interesting photo,” Prowse said 

From those presentations, PJPC expands dialogue to move behind the club: its exhibit at Emma Clark Library is broadening the conversation between artists and audience, inviting individuals not only to observe but to partake in the process.

Photographers of any level are invited to join PJPC, which meets on the second Tuesday of the month at Port Jefferson Free Library and on the fourth Tuesday of the month over Zoom.

“We welcome new members who want to explore photography or enhance their skills,” Prowse said. “Belonging to a group is so inspiring.”

For members of PJPC, getting to show their work with their community is as gratifying and a source of continuous encouragement.

“I think one of the most rewarding parts of being a member of the Port Jefferson Photography Club is the non-judgemental support of everyone and the eagerness to share and learn from each other,” DePietri said.

To learn more about the PJPC, visit portjeffphotoclub.org or email [email protected].

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'Right and Left,' 1850, by William Sidney Mount Image courtesy of the LIM
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'Right and Left,' 1850, by William Sidney Mount Image courtesy of the LIM
Portrait of Captain Jonas Smith by William Sidney Mount. Image courtesy of the Long Island Museum
Portrait of the Mount family. Image courtesy of the Long Island Museum
'Self Portrait with Flute', 1828, by William Sidney Mount. Photo courtesy of Long Island Museum
'The Banjo Player,' 1856, by William Sidney Mount Image courtesy of LIM

By Tara Mae

Art is more than a communion between artist and audience. It is a point of entry into understanding the past, assessing the present, and perhaps even informing the future. A Noble Art: A New Look at the Portraits of William Sidney Mount on display at Long Island Museum’s Art Museum (LIM) through December 15, examines this dynamic through a 27-piece exhibit.

Considered to be the premier American genre painter, William Sidney Mount (1807-1868), who was born in Setauket and spent much of his time in Stony Brook, was a prolific portraitist who expressed the emotional essence of a person and period. 

Mount’s first solo show at the LIM since 2018, A Noble Art encompasses paintings, lithographs, drawings, correspondence, and other artifacts from the 19th century Long Island artist.

“Not many museums in the country have this depth of materials for a single artist, including personal effects…The exhibit showcases rich archival materials and works,” said Joshua Ruff, Co-Executive Director at the LIM and the curator of this exhibit.

LIM houses the largest repository of Mount materials.  A Noble Art spotlights prize items of its collection, such as Right and Left, which has been displayed in previous shows, as well as four pieces that have not previously been on public view at the museum. Among that selection are portraits of Long Island’s reputed first millionaire Captain Jonas Smith and his wife Nancy Williamson Smith, acquired by the LIM at auction in 2022. 

In addition to new acquisitions, the exhibit also reflects new information gathered in the ongoing scholarship about the 19th century Long Island native’s work, particularly his portraiture and its subjects. 

“Our Mount artwork and artifacts are the jewels of our collection — something we are really fortunate to have. It has been a long time since we had an exhibit focused on Mount’s portraiture,” Ruff said. “There have been some changes in research and improvement of knowledge about the portraits’ subjects, so it feels like time to introduce them to visitors.” 

A primary motivating factor for assembling this exhibit is the new details that have been excavated about the individuals immortalized in Mount’s paintings. In recent years, especially with the publication The Art of William Sidney Mount: Long Island People of Color on Canvas by Katherine Kirkpatrick and Vivian Nicholson-Mueller, particular attention is being paid to the Black and Indigenous people who Mount represented rather than caricatured.

“These are sensitive, not stereotypical portrayals…when you really look, there is a lot going on, like subtle symbolic references to the backgrounds of his subjects and nuanced details,” Ruff said. 

From an artistic family, Mount’s most well-known portraits are frequently of people he knew, and their warmth adds elements of intimacy and liveliness. His portraits convey both dynamically diverse and culturally unifying insights into the persons, settings, and circumstances of Long Island during the 1800s. 

A Noble Art even offers context for Mount’s own kin. His family portraits from the 1840s provide a glimpse at a creative clan and further emphasize his progression as an artist. Mount’s sister Ruth and niece Evalina were talented artists in their own right. Mount’s brother Shepard was also a portraitist, and the show features one of his pieces. 

Yet, the heart of the exhibit remains Mount’s ability to forge a connection between creator, subject, and observer. Personable renderings illuminate the evolution of Mount’s artistic intricacies, spanning decades of his work from a self-portrait made when he was 21 years old to two of the three members of his musician series: The Banjo Player and Right and Left. (The third painting of this trio, The Bone Player is on display at the Museum of Fine Arts Boston.) 

His work invites the viewer to appreciate an eternal moment and recognize enduring  humanity. “With portraiture you might anticipate an element of sameness, but if you really look at Mount’s portraits there is a lot happening within them. We are excited to share this opportunity for discovery with the public,” Ruff said. 

The Long Island Museum is located at 1200 Route 25A in Stony Brook. Hours are Thursday to Sunday from noon to 5 p.m. Admission is $15 adults, $10 seniors and students, children under age 6 are free. For more information, call 631-751-0066 or visit longislandmuseum.org.

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'Veneer' by Lyrin Bailey
'She' by Anna Laimo
'The Self Made Man' by Christopher Hanson
'Dipterian' by Jacques Garant
'Float' by Tyler Hughes
'Cosmic Dreamer' by Julia Jenkins
'What's In Your Head' by Marianne Andresen Main

By Melissa Arnold

If you think back to your childhood, it’s likely you can recall moments when you were captivated by something external, like animal shapes in the clouds, or internal, like a daydream. You probably played dress-up, or with dolls or LEGOs, or fell in love with Harry Potter, Lord of the Rings, or Disney movies.

There’s an almost universal tug we share toward things outside of the ordinary — we are drawn to dreams, fantasies, and sometimes other worlds.

Allison Cruz, executive director of the Smithtown Township Arts Council and Mills Pond Gallery in St. James, has invited artists from around the country to explore their inner worlds with a new exhibit called Imagination.  

It’s a little different than the gallery’s usual showings, but Cruz is excited to expose visitors to artistic expressions that might be unfamiliar.

“I’ve had this idea for a long time. I’m personally a fan of realism, but over time I’ve really started to appreciate imaginative realism — art about things that don’t yet exist, or might exist in the far future … fantasy, science fiction, absurd humor, escapism,” said Cruz. “It seems like there’s been a greater interest in those subjects among artists as well, so it feels like the right moment to do this. A lot of the artists have thanked me for giving them an opportunity to explore a different side of themselves. I think people will be pleasantly surprised by what they see.”

The exhibit includes the work of 62 artists and a total of 81 selected submissions in a variety of styles and mediums. Their art combines personal narrative, pop culture characters and more to speak about the stories that fill our times. Taken together, the exhibit reveals the inner workings of the artists’ minds, from the complex to the humorous and even outlandish.

Manhattan native David H. Reuss is serving as juror for Imagination. Reuss has a long history with the Mills Pond Gallery — he studied there years ago under Marvel Comics illustrator John Buscema, and later connected with Cruz through art collector Tim Newton of the renowned Salmagundi Club. 

With a background in both fine art and illustration, Cruz thought Reuss was the perfect fit for the exhibit’s themes.

“David is on the board of the Society of Illustrators but also teaches realism painting, so he straddles both worlds. He loves the gallery and has the background that was needed to appreciate imaginative work. He really personifies what we were hoping to accomplish,” she said.

Reuss reviewed nearly 300 submissions during the selection process, considering how well each one fit the theme and how his selections would work together on display. He said he was “extremely impressed with the high-level talent” of the chosen artists, adding that their art could easily appear in any major city.

“I’ve done a lot of surreal and fantastical work, and some of the submissions even leaned into illustration, so I was excited to get involved,” he said. “Everything that comes from an artist’s mind is imaginative, but this exhibit pushes those definitions a bit more — mythological concepts, abstracts, fantastical elements — to explore more of what imagination means to others.”

Keep your eyes open for the little details as you appreciate the exhibit. A painting of a cityscape could be hiding a fairy friend. An abstract design might reveal a face. An animal could change its appearance if you look long enough. What will your imagination reveal to you?

“People might not understand or like everything they see here, but art is just another way to learn about new concepts and ideas. I feel that I have a responsibility to bring all kinds of art to our communities,” Cruz said. “Art speaks with many voices, even ones you’ve never heard before. Give this exhibit a try.”

Participating  Artists: 

Marianne Andresen-Magin, Christopher Aoki-Kalin, Lyrin Bailey, Ellen Chadwick, Danny Ciampa, John Darby, Jennifer DeMory, Bernadette Denyse, Kirsten DiGiovanni, Sheryl Renee Dobson, Michael Drakopoulos, Stuart Friedman, Jacques Garant, Candace Gely, Maureen Ginipro, Jared Glennon, Casey Greene, Jan Guarino, Christopher Hanson, David Herman, Tyler Hughes, Julia Jenkins, James Kelson, Myungja Anna Koh, Anna Laimo, Christopher Lauto, Wendy Hope Leiser, Mark Levine, Matthew Manthe, Diana Martocci, Antonio Masi, Avrel  Menkes, Cindy  Miller, Laura  Minet, Angie  Nicholes, Eileen Palmer, Robert J. Polito, Arthur Poore, Kurt Thomas Pope, Shay Poppers, William Randazzo, Bernice Rausch, William Reed, Noah Richardson, Rachel Rossier Ryan, Jairid Rossow, Amelia Rozear, Lynda Sandoval, Barret Schumacher, Marcie Serber, Sydney Shurgin, Greg Sinibaldi, Echo Song, Lisa Stanko, Megan Stephenson, Judy Stone, Angela Stratton, Ashley Thorbjornsen, Linda Trope, Joseph Weinreb and Doug Zider.

Imagination will be on view at the Mills Pond Gallery, 660 Route 25A in St. James from July 13 to Aug. 11 The public is invited to meet the artists and view the exhibit at an opening reception on July 13 from 1 to 4 p.m. Regular gallery hours are from 10 a.m. to 4 p.m. Wednesday through Friday, and noon to 4 p.m. on weekends. Admission is free. For more information, call 631-862-6575 or visit www.millspondgallery.org.

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John Monteleone with Four Seasons, 2002-2006 now in the collection of the Metropolitan Museum of Art and being loaned to the Long Island Museum.
Radio Wave, 2004, loaned by Dan Stanton. Photo by Rod Franklin
Super Chief, 2011, loaned by Albert Vontz. Photo by John Monteleone
Marc Knopfler playing a Monteleone Radio City. Photograph by Vincent Ricardel. Courtesy of Rudy Pensa.
Eric Clapton holding a Monteleone Eclipse with John Monteleone. Photo from LIM

This summer, don’t miss Musical Masterworks: John Monteleone’s Guitars and Other Instruments — a must-see exhibition for any music lover! Currently on view at the Long Island Museum in Stony Brook, this major retrospective and groundbreaking show celebrates the life and work of one of America’s most talented and renowned makers of archtop guitars, John Monteleone.

John Monteleone in his workshop in Islip, New York. Photo from LIM

From his 2,400-square-foot workshop in Islip, Monteleone has crafted one-of-a-kind masterpieces of functional art, coveted by leading rock, jazz, and folk guitarists of the late-20th and early-21st centuries: Eric Clapton, Mark Knopfler, Ben Harper, Julian Lage, and Anthony Wilson, to name just a few. Monteleone also has lifelong connections to Long Island, growing up in Islip and maintaining his workshops here, initially in Bay Shore, in 1976, before opening his current shop in Islip, in 1990.

Renowned for his perfectionism and his intense concern for materials, and for facilitating versatile performance, Monteleone has made an extraordinary lifetime journey as a craftsman of his signature guitars, mandolins, and other instruments. The master luthier has garnered international acclaim for his exquisite craftsmanship and innovative designs. 

Musical Masterworks is the largest-ever exhibition of John Monteleone’s musical art assembled and offers visitors a rare opportunity to explore the artist’s extraordinary journey, beginning in the early 1970s as a repairer and maker of mandolins, to producing some of the most sought-after guitars in the world.

Featuring nearly 50 guitars, mandolins, and other instruments crafted by Monteleone between 1971 and 2023, the exhibition showcases the stunning beauty and unparalleled craftsmanship of his creations. 

“It is always my great honor and pleasure to create the resonating sonic beauty of these instruments and to hear them finally sing and speak to me,” says Monteleone. “From the trees in the forest to pulsating maple and spruces on my workbench, it is my way of giving process to unleashing the songs within the wood.”

Highlights include the famed Four Seasons guitar quartet (2002-2006), on loan from the Metropolitan Museum of Art and pictured above; Monteleone’s groundbreaking Rocket Convertible guitar (1997); his beautifully ornamented Radio Wave (2004); and many examples of special model guitars and mandolins: Eclipse, Radio City, Grand Artist, the Train series, and more. Featuring guitars from private collections in Texas, Florida, Ohio, and Vermont, the exhibition will also be displaying iconic and historic guitars from Gibson, John D’Angelico, James D’Aquisto, and Selmer-Maccaferri.

“This exhibition showcases the artistry of an American original, a luthier with deep Long Island roots,” says Joshua Ruff, Co-Executive Director and curator of this exhibition. “John is an innovator, an artist craftsman with the needs of the guitarist and music listeners truly at heart, and our visitors are in for a treat to see all these beautiful instruments up close and all together for the first time ever.” 

Musical Masterworks: John Monteleone’s Guitars and Other Instruments be on view in the History Museum at the Long Island Museum, 1200 Route 25A, Stony Brook through October 13. Major support for this exhibition was provided by the Robert David Lion Gardiner Foundation. Don’t miss this extraordinary opportunity to immerse yourself in the world of musical craftsmanship.

For more information, visit www.longislandmuseum.org.

This article originally appeared in TBR News Media’s Summer Times supplement on June 20.

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'Swallowtail' by Lorena Salcedo-Watson will be on view at Gallery North through Aug. 11. Image courtesy of Gallery North

By Tara Mae

So much of nature exists in the balance of tension and release: the unrelentingly gray palette of winter gives way to the expansive vibrancy of spring blooms; birds sit on their nests for weeks in the hopes that their young will be strong enough to crack through their shells; and, people dare to dream of brighter tomorrows.

Morpholgies: Recent Works by Lorena Salcedo-Watson, on view at Gallery North, 90 North Country Road, Setauket from June 27 to Aug. 11, explores this interplay. Featuring 30 pieces including large-scale charcoal and pastel drawings, lithographs, and first drafts, the exhibit is a meditation on how the environment and nature merge with human experience.

‘Let It Go’ by Lorena Salcedo-Watson

“Having her do a solo exhibit here has been a goal for a while…This exhibit examines our symbiotic relationship with nature, our reliance on it, how we communicate with it,” said Gallery North Curator Kate Schwarting who met Salcedo-Watson while a student at Stony Brook University, where the artist is an art professor. 

Many pieces implement chiaroscuro —contrast between shadow and light — as a means by which to address ideas about the tenacity of life, the inevitability of death, and the determination of survival.

“Working in chiaroscuro — I want the drama, sense of falling into a black hole, you can stick your hand in there; I don’t want you to think in pretty terms — [do] not want color to add any other information. So, color is used to evoke mood in really specific moments,” Salcedo-Watson said.

Elements of color are deliberate contrasts; audacious vibrancy in stark relief. The art’s openness represents the vastness of the outdoors. “The abstract world she creates in her work is very singular; it is a celebration of beauty, nature, and curiosity,” Schwarting said. “The language Lorena creates with her art invokes organisms and structures that inhabit a totally unique space.”

It speaks to an understated grandeur that commands attention as it revels in the more abstract details of an exact image. For Salcedo-Watson, artistic scope and medium reflect the majesty of her subject matter. 

“Large scale gives you a sense of magnitude and awe. There have to be awesome things in your life. I encourage students to work large — it is liberating — keeping your drawing restricted to your wrist can be kind of sad since your experiences are life sized or larger,” she added.

Working in this manner enables Salcedo-Watson to create her own domain, in which she can guide and develop the narrative as she tracks its evolution. 

“I have always loved to draw, which is necessary to be a good printmaker. Lithography is a natural way of drawing, but you have multiples prints from the matrix, which allows you to see how you function as a problem solver. You have a record of your progress the whole way through,” Salcedo-Watson said.

The exhibit illuminates this process while also immersing its patrons in Salcedo-Watson’s interpretation of how nature nurtures. Her work is an invitation to envelop oneself in the wonder of the world while remaining rooted in realism.

“I always draw from observation, take what’s interesting to me, and play around with that,” she said. 

A longtime collector, Morpholgies features items from the artist’s cabinet of curiosities that have inspired her such as leaf fossils and root formations unearthed while gardening; insect exoskeletons gifted by friends; and other found objects that influence Salcedo-Watson’s work. 

Her fascination with nature’s detritus and remnants began at an early age and inspired her artistic practice.   

“I started drawing insects because the possibilities were huge with different varieties, but I also made stuff up and it was okay,” Salcedo-Watson said. “Not feeling like you have to follow the rules or always be accurate gave me permission to enjoy it more.”

Likewise, freedom of thought is what she seeks to convey to her audience. The ability to invoke the imagination is an ultimate endeavor of her art. 

“It’s not what I am trying to show you; it is what you think you are getting out of it. I try to put things forward and make you make sense of it. I could have a title to prompt you that this is what I am thinking about, but I want to actually engage you and make you think,” Salcedo-Watson said.

An opening reception will be held on Thursday, June 27, from 6 to 8 p.m. Salcedo-Watson will give an ArTalk and Print Demonstration on Saturday, July 20, from 3 to 5 p.m. These events are free and open to the public. For more information, call 631-751-2676 or visit www.gallerynorth.org.

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Art is in full bloom at the Smithtown Township Arts Council’s Mills Pond Gallery in St. James with its latest exhibit, Flower Power. The unique show, which runs from June 1 to 29, flows through four gallery rooms and the center hall gallery on the first floor of the historic 1838 Greek Revival mansion.

Artists were invited to submit art that reflects the beauty and uniqueness of flowers — whether represented in realism, impressionism or even abstraction — and to celebrate their colors, textures, shapes, and the emotions they evoke.

Using acrylic, fiber, ceramic, colored pencil, gouache, ink, mixed media, mosaic, oil, pastel, torn paper and watercolor, 83 artists from 46 Long Island communities as well as NYC, Ohio and Virginia accepted the challenge to produce a beautiful bouquet of original floral-themed works. 

Exhibiting artists include Alacia Stubbs, Angela Stratton, Ashley Thorbjornsen, Bernice Corbin, Carissa Millett, Carmela Taliercio Cohn, Carol Ceraso, Carolanne Goff, Caryn Coville, Catherine Rezin, Christine Verga Maday, Christine Woodring, Christopher Krauss, Dale Luongo, David Herman, Debra Baker, Dominique Treboux, Donna Corvi, Eileen Baumeister McIntyre, Eileen Shaloum, Ellen Ferrigno, Felecia Montfort, Gabriella Grama, Gretchen Smith, James Kelson, Jan Guarino, Jessica Rybak, Joan Gould, Joanne Teets, John Mansueto, Joseph Weinreb, Joyce Bressler, Judith Caseley, Judith Musaro, Judy Stone, Julie Doczi, Karen McClendon, Kathee Shaff Kelson, Kathleen Bart, Kathleen McArdle, Khrystyne Robillard-Smith, Kyle Blumenthal, Linda Ann Catucci, Linda Hartman, Lisa Stanko, Liz Jorg Masi, Lori Scarlatos, Lou Charnon Deutsch, Lynn Kinsella, Maddy Stare, Marcie Serber, Margaret Farr, Mark Levine, Marsha Abrams, Mary Ann Hart, Mary Kiernan, Mary Lor, Mary Waka, Maureen Ginipro, Maureen Palmieri, Myungja Anna Koh, Patricia A. Morrison, Patricia Blasius, Patricia Luppino, Patti Peterson, Paula Sherman, Peter Galasso, Renee Caine, Rima Potter, Robert Roehrig, Sally Anne Keller, Samantha Kenny, Scott Hartman, Sean Pollock, Sharon Pearsall, Sheniqua Young, Stefani Jarrett, Stephen Shannon, Theodora Zavala, Tianzhao Zhao, Tina Anthony, Tracey Alemaghides, and Veronica Lawlor.

The public is invited to an opening reception for Flower Power on Saturday, June 1 from 1 to 4 p.m. to meet the exhibiting artists and view their work.

The Mills Pond Gallery is located at 660 Route 25A in Saint James. Hours of operation are Wednesdays to Fridays from 10 a.m. to 4 p.m. and weekends from noon to 4 p.m. (closed June 16). Admission to the gallery is always free. For more information, call 631-862-6575 or visit www.millspondgallery.org.

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Artist Stuart Friedman paints at Frank Melville Memorial Park during a previous Wet Paint Festival. Photo courtesy of Gallery North
Two-day plein air painting event combines art, history and nature

By Rita J. Egan

Gallery North’s 20th annual Wet Paint Festival will take place in what was once considered a Setauket hub.

Held on June 1 and 2, the plein air painting event, featuring more than 40 artists, will be held on the grounds of the Tyler Homestead. Located at 97 Main Street, the mid-1700s home sits across the street from the Setauket Post Office and Frank Melville Memorial Park. Right in the homestead’s backyard is the Patriots Rock Historical Site, where the Battle of Setauket was fought.

For the 2024 event, Gallery North has partnered with Three Village Community Trust (TVCT), which owns the Tyler home. Erin Smith, Gallery North’s director of development, said they were pleased that the land trust was willing to make the Tyler Homestead available for the event.

The property will serve as the center point, where artists can explore around and near the property to decide the subject of their paintings. Choices include the house and property, Frank Melville Memorial Park, Patriots Rock, the Setauket Green, Emma S. Clark Memorial Library, nearby churches and the three Factory Worker Houses located less than a mile down the road.

“You bring your easel, and whatever vignette or view that moves you, you paint,” Smith said. “It’s nice because the whole idea of plein air painting is that it captures the light really well, and it gets you outside. You can really capture the historic beauty of the area in a unique way.”

Smith added that, during past festivals, some artists have chosen to paint objects such as an ice cream truck or bench. As for the Tyler Homestead and the area, it was chosen for “its historical significance and natural beauty.”

“It’s a highly visible central location for the community,” she explained.

Herb Mones, TVCT president, agreed that the Tyler house is the perfect location.

“It not only has the expansive yard, but it’s on Main Street, and it’s so close to so many other historical sites, parks and venues that the artists could spread out, and yet the Tyler house is the central focus,” he said.

In addition to various activities set up in the Tyler Homestead’s back and side yards, Mones said TVCT will provide tours of the Patriots Rock site and discuss the role early Setauket residents and British occupiers played during the American Revolution.

Artist Angela Stratton, who has participated in past Wet Paint Festivals, said she always looks forward to being outside and choosing what to paint.

“When you go out to paint, and you’re looking around, it’s kind of what hits you in your heart,” Stratton said. “One day, to some, a certain spot can look beautiful. The next day you can go and that doesn’t intrigue you.”

The artist added that she welcomes spectators’ questions and appreciates children being exposed to art at the festival. How quickly an artist completes a painting, she said, depends on the person and the canvas size. She said many base how long they spend on a painting on how the sunlight hits a subject during a certain time of day or some will stay despite the light passing.

For Three Village Historical Society Historian Beverly C. Tyler, the homestead is more than a landmark; it’s the home he grew up in. The historian said for a time the property had flowers all over, from front to back, that his stepfather, Lou Davis, cared for. Tyler described the flowers as “absolutely gorgeous.”

“Having the Wet Paint Festival there is sort of a continuation of his efforts to use the property,” Tyler said.

The historian fondly remembers playing on the grounds.

“Everything was very interesting around there, and I would sometimes sit on the front porch and just watch the cars go by and count the number of Chevys and Fords and other types of cars that were going by, and I could see everybody that came into the post office.”

Tyler added the area appeared in several postcards, and the Neighborhood House next to his family home was once a summer boarding house his grandfather ran in the late 1800s and the early 1900s.

In addition to viewing artists at work, attendees can participate in wildlife and plant life lectures or go on a guided tour of plein air paintings with regional artists Doug Reina and Christine D’Addario. WUSB 90.1 FM/107.3 FM will present live musical performances each day. Visitors will also be able to purchase food from LevelUp Kitchen and enjoy a delicious picnic in an idyllic setting.

Later in the month, from June 25 to July 7, art lovers can enjoy an exhibition at the Reboli Center for Art and History, 64 Main St., Stony Brook featuring the participating artists’ paintings. An opening reception will be held on June 25 from 6 to 8 p.m.

Schedule of Events

Saturday, June 1

11 a.m. History Walk with members of the Three Village Community Trust

Noon to 2 p.m. Music by Tom Killourhy

12:30 p.m. Meet local wildlife from Sweetbriar Nature Center

2 p.m. Take part in a plein air art tour with artist Christine D’Addario

Sunday, June 2

11 a.m. History Tour with Margo Arceri of Tri-Spy Tours

11:30 a.m. Nature Walk with the Four Harbors Audubon Society

Noon to 2 p.m. Music by Kane Daily

1:30 p.m. Plein air Art Tour with artist Doug Reina

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Generously sponsored by the Village Art Collective and Suffolk County’s Department of Economic Development and Planning., the Wet Paint Festival will be held on the grounds of the Tyler Homestead, 97 Main St., Setauket from 10 a.m. to 4 p.m. on Saturday, June 1, and Sunday, June 2. The event is free of charge for spectators. A rain date is scheduled for June 15 and 16. For more information, call 631-751-2676 or visit gallerynorth.org/pages/wet-paint-festival.

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'My Pissarro- L'Hermitage at Pontoise' by Thomas DiCicco
'My Monet-1884- Arm of Jeufosse' by Thomas DiCicco
'My Van Gogh-Cafe La Terasse during COVID' by Thomas DiCicco
'My Van Gogh-My Sunflower' by Thomas DiCicco

Smithtown Township Arts Council has announced that the works of Smithtown artist Thomas DiCicco will be on view May 15 – July 18, 2024 at Apple Bank of Smithtown, 91 Route 111, Smithtown. The exhibition, part of the Arts Council’s Outreach Gallery Program, may be viewed during regular banking hours Monday – Thursday 9 am – 4 pm; Friday 9 am – 6 pm; Saturday 9 am – 1 pm.

Thomas DiCicco is a lifelong resident of Smithtown and one of the co-founders of Globecomm, a large satellite communications company, also based in Smithtown. Retiring early, he quickly became aware he needed something to take up his time, and tried his hand at art, never having painted anything before. He started his first acrylic painting in 2018 at age 68 years old. The results of his first attempt came out better than he expected, and so he was encouraged to continue trying this new time occupying endeavor.

In the beginning he started painting those works of well-known impressionist artists, starting with Van Gogh and then moving on to several of the other famous names from the same time period. After doing numerous impressionist paintings of still life and landscapes, he moved toward abstract works by well-known early leaders in abstract work, like Kandinsky and Klee, who astonishingly were painting abstract works more than 100 years ago.

In each of the impressionist paintings in this exhibit, he tried to duplicate the original masterpiece as faithfully as possible, so that when it was finished, if it looked like the original, he was satisfied and used that as a gauge to judge his work. The famous Van Gogh Café piece in this exhibit was painted during COVID, and he thought that it would be a cleaver new twist to have the Café CLOSED, not unlike what we were experiencing in 2020.

STAC is grateful to Apple Bank for its continued support of culture in our communities. We are so happy to feature the talents of Long Island artists in this space!”

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Photo courtesy of Gallery North
Photo courtesy of Gallery North
Photo courtesy of Gallery North

Gallery North, 90 North Country Road, Setauket presents its annual Winner’s Circle exhibition  celebrating the award-winning artists of the 2023 Outdoor Art Show and Music Festival from May 16 to June 23. An opening reception will be held Thursday, May 16 from 6 to 8 p.m. 

The exhibition features recipients of the Best in Show award and best in categories including mixed media, fiber art, glass art, jewelry, painting, photography, and pottery at the 2023 Outdoor Art Show and Music Festival hosted by Gallery North. 

The 2023 festival judges, Tasha Boehm, Director of the Reboli Center for Art and History in Stony Brook, Julianna Kirk, a Long Island jeweler, multimedia artist, and educator, and contemporary artist Loretta Oberheim evaluated over 50 exhibitors to present the 13 available awards.

The Winner’s Circle exhibition includes artists Melanie Wulforst, Denise Aneke, Renee Brown, Jane Irvine, Flo Kemp, Joanne Liff, Susan Nagel, Lori Rosen, Paul Speh, Marlene Weinstein, Ally Liff, Dan McCarthy, and artists of the Brick Studio. These artists are all exceptional representatives of Long Island’s creative community and are an essential part of the Outdoor Art Show and Music Festival’s importance to the cultural offerings of the region. 

“Gallery North is proud to celebrate their significant achievements within their respective mediums,” read the press release.

This exhibition is generously sponsored by Jefferson’s Ferry and Suffolk County’s Department of Economic Development and Planning. The exhibition and reception will be free and open to the public. For more information, call 631-751-2676 or visit www.gallerynorth.org.

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