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Tara Mae

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The Clark Gable Museum in Cadiz, Ohio will be one of the beneficiaries of the telethon. Pictured, are Nan Mattern, director of the museum and Mike Cope, president of the Clark Gable Foundation during the museum’s 120th birthday celebration for its namesake this February. Photo by Angie Cope

By Tara Mae

Let them entertain you! In a time marked by social isolation, St. George Living History Productions strives to bring together entertainers and audiences in its 24 hour “SALathon,” a fundraiser to benefit celebrity museums and other nonprofit institutions hit hard by the pandemic. 

Beginning 8 a.m, Monday, May 17th, and running through 8 a.m., Tuesday, May 18th, the Zoom event will be hosted by pop culture historian and adjunct professor Sal St. George and feature the practical and artistic support of his son, Darren. Together, they manage the company and oversee all of its operations.

This occasion marks one year since St. George Living History Productions started providing comprehensive digital entertainment, like virtual lectures about legendary icons of stage and screen as well as virtual tours of celebrity museums. 

The museums, a number of which remain closed, have been adversely impacted by the ongoing pandemic and the celebration is designed to raise money for these and similar organizations, ranging in theme from the Phil Silvers Archival Museum in Coventry, England to The Jazz Loft in Stony Brook. 

“[It] all came about simply because we started doing the virtual road trips to celebrity museums around the world. I recently realized that two of them had already closed their doors because of the pandemic. I know that all museums are suffering. My intention is to put together a special event for them. With all of the money going to museums, it may alleviate some of the loss of income. Many of the museums are mom and pop museums, only two or three working it,” Sal said. 

Dr. Thomas Manuel, founder and president of The Jazz Loft, views Sal’s programs as a way to make meaningful connections that will outlive the pandemic and continue to benefit nonprofit organizations. 

“It makes us think about things we otherwise wouldn’t. Sal’s [project] is a great example of this: people being able to virtually visit, make connections, etc. The pandemic will be over but those relationships will still exist. People who heard about the Jazz Loft, Jimmy Stewart Museum, Phil Silvers Museum, will patronize them later,” said Manuel. 

“I think what Sal is doing is really cool, trying to bring attention to museums, especially since  all proceeds are going directly to the museums. This is a big project … having done a lot of online programming, I recognize it is a huge production. It shows his passion for the arts,” he said.

Every hour of the SALathon will be presented by a different museum, and audience members will be provided a direct link to its website. St. George Living History Productions does not make a profit from the fundraiser, which is free to attend; audience members are encouraged to support the museums through online donations or gift store purchases. 

During the event, viewers will be able to enjoy trivia contests, games, opportunities to win prizes, a midnight screening of a classic movie, and virtual museum tours, according to Sal. Additionally the SALathon will feature live performances, including monologues, songs, and dance numbers, as well as lectures about celebrity and entertainment. 

“Everyone we reached out to agreed: actors, singers, dancers, from around the world will be with us. They signed up without hesitation,” Darren said. “Some of our talent is also coming on, some of whom dad has worked with for 45 years.”

“We have a very loyal following that has come to us over the years, especially through The Ward Melville Heritage Organization. We have tapped into many of the performers who have appeared there and sing a song or do a routine,” added Sal. 

Several  artists are reuniting with Sal for the first time since the pandemic began. 

“I met Sal many years ago via various theater connections … he cast me in one of his living history/interactive experiences … I played George M. Cohan. I was asked to participate in a discussion about my Sal experience, as well as my work and career — past, present and future,” said actor Bob Spiotto of Holbrook. 

For actress Mary Lauren, of Long Island City, who played cinematic icons such as Ginger Rogers and Natalie Wood, the fundraiser provides the opportunity to nurture her own interests and again work with Sal and Darren.  

“Working with St. George Living History Productions was a dream job for me. It mixed some of my favorite loves; history, old movies, musical theatre and drama! But more importantly, working with them felt like I was working with a family,” she said. “A family of warm caring people who put on shows of the highest caliber.” 

This family business also consists of Program Director John Higgins and Sal’s wife and Darren’s mother, Mary, who “does it all,” according to Sal. 

Having portrayed New York City mayor’s wife Augusta Gaynor, star Judy Garland, and other 20th century figures in previous St. George productions, years of working with the team in a congenial atmosphere is what drew actress Christine Jordan, of Greenlawn, to the project.

“I am participating in the fundraiser because of my collaborations and friendship with the entire St. George family; they are very special people and I am honored and proud to have worked with them over the many years. I can truly say that being a part of Sal’s shows holds a special place in my heart,” Jordan said. 

Spiotto, Lauren, and Jordan will each be performing a couple of musical numbers and chatting with Sal. There are also surprise guests, unknown even to Sal. “There are a number of them that Dad doesn’t know are participating,” said Darren. “We have some very special surprises throughout the day for him.” 

For more information about the Salathon and other programs or to attend the show, visit www.stgeorgelivinghistory.com. The 24-hour telethon will also be streamed through the company’s Facebook page, St. George Living History Productions.

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'Storm Passing' by Anne Raymond
'Cross Over' by Sue Contessa
'Into the Blue' by Anne Raymond
'Undertow' by Sue Contessa
'December Blue Series' by Anne Raymond

By Tara Mae

Abstract art invites an audience to use its imagination and interpret meaning. 

Gallery North’s newest exhibit, Laminar Rituals, celebrates the creation and explores the impact of mark making and non-objective art through the works of artists Sue Contessa of St. James and Anne Raymond of East Hampton. The show opens today, April 8.

Featuring Contessa’s acrylic paintings and Raymond’s monotypes and oil paintings, the title of the exhibit refers to their artistic styles, which incorporate transparent or translucent layers of paint that laminate, protect, and enhance their marks and brushstrokes. 

“Both artists really work in a very intuitive manner … Sue’s work is really about the experience the viewer has in front of the [art]. Anne is much more interested in transient qualities we find around ourselves — things like change in weather patterns, changes in light over the course of the day … trying to capture those fleeting moments around us,” said Gallery North Executive Director Ned Puchner. “I think when put together, this exhibit is really presenting records of our experience out in the world.” 

Rather than seeking inspiration from outside sources, Contessa finds meaning in the methodology of crafting her art. She uses acrylic paint and occasionally graphite pencil to build marks on the canvas. This technique creates a perceived visual depth to her paintings.

“The work is about repetition … The paintings are more about formal art issues, and the repetition allows for that form of meditation that I always hope will happen. I just have to trust my process. I tend to work rather thinly and transparently, so you are always seeing something from underneath, which impacts each layer,” said Contessa.

For Raymond, the development of her palette is an essential part of her creative process. “I work from a palette based on what I feel like at the time. If I don’t like it, I completely change it,” she said. “I float back and forth between doing monotypes and painting. I think this helps me stay fresh.”

Raymond uses plexiglass plates for her monotypes, making unique single prints with oil-based, pigment-rich, lithography inks. Unlike oil paint, the inks dry fairly quickly so Raymond is able to produce a few in a single session. 

The process of working in these mediums is different, but its influences are largely the same. Her art, although abstract, is impacted by the natural world. 

“Almost all of my work has reference to landscape, seascape, or sky. I feel really lucky. The beauty of Long Island is my muse,” Raymond said. 

Classically trained, Contessa and Raymond each studied art in college and then attended the School of Visual Arts in New York City. They worked in traditional, realistic mediums like figure drawing and still life before becoming abstract artists. 

After taking classes at the Art League of Long Island in Dix Hills, Contessa was asked to teach figure and basic drawing classes there. 

“I have a background in realistic painting, but it wasn’t satisfying for me. It wasn’t what I wanted to paint. I wanted to paint something that didn’t exist before,” Contessa said. “When you create an [abstract] painting, it is something that you created. The reason for doing it in the first place is that I don’t know what it’s going to look like.”  

Raymond worked as an illustrator, for a newspaper, and in the travel industry before fully transitioning to a career as an abstract artist. “When I was studying, I did a lot of live drawing … I appreciate the skill, but it was not exciting in the way that working abstractly is. While working as an illustrator, I was already doing abstracts … I think it is creatively engaging to invite surprise into your process,” she said. 

Their complementary mindsets about composing abstract art is part of what initially inspired Puchner to pair their art for an exhibit. “I saw common features with both of them,” he said. 

It is the first show that Contessa or Raymond have done since the pandemic began. The exhibit is part of Puchner and Gallery North’s ongoing effort to introduce patrons to the work of local artists and provide the local artists with additional exhibition possibilities. 

“I’m really trying to present more artists and give more artists more opportunities to show. I have fun trying to create these pairings and expose our audience to more local artists,” Puchner added. 

Gallery North, 90 North Country Road, Setauket presents Laminar Rituals through May 16. The exhibit will be open to the public during the gallery’s normal hours, Wednesdays to Saturdays from 11 a.m to 5 p.m., and Sundays from 1 to 5 p.m. All onsite events are socially distanced and masks are mandatory for entry.

In conjunction with the exhibit, Raymond will lead a monotype workshop for a class of up to six people at the Studio at Gallery North on April 10 from 2:30 to 4:30 p.m. Contessa and Raymond will participate in a Virtual ArTalk on April 24, from 6 to 8 p.m. 

For more information, to register for these programs, or to learn more about Laminar Rituals and other upcoming exhibits, visit www.gallerynorth.org or call 631-751-2676. 

 

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 Portion of proceeds will be donated to the MS Foundation

Reviewed by Tara Mae

Author Lisa French

Children’s author Lisa French has always been inspired by the sea in particular and nature in general. Now the South Setauket resident brings us A Deep Sea Fishing I Will Go!, a follow-up to her debut book, A Fishing I Will Go! and The Hens That Were Bullied. Through rhyming verse, her stories serve as both tales and teaching tools for children ages 2 to 10. 

In A Deep Sea Fishing I Will Go!, ocean creatures such as a marlin, an octopus, and a swordfish make an appearance. Interwoven into it are details about the featured animals and other facts. 

In The Hens That Were Bullied, with her own backyard chickens as the protagonists and antagonists, French explores the damage bullying does to the victims and perpetrators. She offers insight and advice about what to do when confronted with a bully. 

I recently had the opportunity to interview Ms. French about her latest ventures and her future endeavors.

Why did you decide to start writing children’s books?

I’ve been involved in daycare my whole life; that’s what started it. I read books constantly to the children. I put down my pens and notebooks for a long time. My mom got really ill with MS; I took care of her for over thirty years. She inspired me to go forward again. 

Where do you get your inspiration?

I definitely get my inspiration from the kids — they love the books. I love making people happy. I love to fish; I go fishing a lot and the fishing books teach children about the different fish we have [in the Atlantic Ocean]. Regarding The Hens that Were Bullied, I did that book because my daughter was bullied for a long time, and two of my backyard chickens bullied the other hens. I wanted to get the message out to speak up and say something. 

Why did you decide to write a sequel to A Fishing I Will Go!?

I wrote the second book because everyone asked me after the first one, especially at the annual Ward Melville High School Fishing Club Saltwater Expo. I started working on the sequel about two and a half years ago. When COVID hit, I was able to sit down and finish both books. Words first, then drawings.

Why are your stories set in nature? 

I love nature. God gave us everything out there: land to grow fruits and vegetables, trees for oxygen … I am a nature person, one hundred percent.

What was your favorite book growing up? 

My favorite book was The Pout-Pout Fish by Deborah Diesen. Without a doubt, I have always loved stories of the sea. 

If you could be any creature of the sea, what would it be? 

I would definitely choose to be a dolphin; they’re beautiful, kind, wonderful creatures.

Tell us about your work with the Multiple Sclerosis Foundation. 

Some of the proceeds from the sales of my books goes to the organization. I always gave to them. My mom had MS and I found out 11 years ago that I had it too. You have to think positive. 

What’s next for you? 

Nearly 30 years ago, I invented a board game for my kids to play called“Orbit.” It starts at the space station. Players have to collect all the planets, but they can fall into a black hole or be abducted by aliens, etc. It’s anybody’s game to win. After years stuck in the patent pending phase, my family pitched in to give me the money to get it made. It is being produced by the company Davidson Games. 

A Deep See Fishing I Will Go! and The Hens That Were Bullied are available online at www.Amazon.com and www.BarnesandNoble.com.

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From left, Darren and Sal St. George discuss 'The Top 5 People Who Make Us Laugh' during a recent virtual conversation through Sachem Public Library.

By Tara Mae

For fans of classic movies, old Hollywood trivia, and celebrity icons, the show must go on. So when COVID-19 redefined the boundaries of normal life, St. George Productions reimagined the entertainment it provided to its audiences. After years of creating live educational theatrical events, it moved its endeavors online and began hosting digital lectures and virtual museum tours. 

On Mondays at 10 a.m., St. George Productions, through Zoom, offers virtual journeys into the past. “We celebrate entertainment’s leaders, legends, and icons through lectures and virtual road trips,” said Darren St. George in a recent interview. He and his father, Sal, manage the business and oversee all its operations. 

A virtual visit to the John Wayne Museum in Iowa

Focusing on the lives of notable historical figures, mainly of stage and screen, the talks feature Sal’s personal insights from his years in the business. They also draw on his experience as a pop culture historian and adjunct professor at Long Island University and other schools. 

Sal and Darren are motivated by their desire to teach the public about entertainment history and its impact on the culture. “Even if there was no pandemic, keeping the memories alive of these great entertainers is essential,” Sal said. 

The virtual tours are of museums dedicated to celebrities and cultural icons, such as actor Clark Gable and Frank Capra’s 1947 classic holiday film, It’s a Wonderful Life. “We did the Clark Gable Museum, which then let other museums know. The It’s A Wonderful Life Museum let the Jimmy Stewart Museum and Donna Reed Museum know,” Sal said. 

This word-of-mouth method of promotion has proven effective, with museums now reaching out to St. George Productions to arrange virtual visits, according to Darren. Usually conducted by executive directors of the museums, the private tours are free to the public. The company does not make a profit from them. 

“We are doing this to help support the museums themselves; we come from the museum world. We love this subject matter. Dad and I are going to be talking about this regardless; if you give us an opportunity we want to learn more,” Darren said. 

Before the pandemic, the company developed and produced educational theatrical works for organizations closer to home like The Ward Melville Heritage Organization and the Smithtown Historical Society. Creating informative entertainment is both a profession and a passion for the team.  

“I have always been self-employed in the entertainment business in one form or another. Everything I do is a stepping stone to the next program. We are reaching a lot of people, and who would have thought that we could do this, working off a computer, out of a house,” Sal said. 

A virtual visit to the Clark Gable Museum in Ohio

The business started over thirty years ago, when Sal was developing content for Walt Disney World. “I was approached by the head of historic services for Suffolk County — it had just restored Deepwells [Farm]. Rather than be a small fish in a big pond at Disney, I chose to be here and support the museum world,” he added. 

Darren, whose mother, Mary, also works for the company, joined the family business at a young age. He has worked both on the stage and behind the scenes, as the roles required. In recent months, his job has evolved to providing technical support for online content. 

“Working with my dad is a dream come true. Working with family has always been what I strove for. It has been challenging due to COVID, but every week we’re guaranteed to sit down and have a great time. It just so happens that people are watching,” Darren said.  

This camaraderie transcends family ties and extends to viewers who tune in from around the country, allowing people to bond through common interests and retreat into the comfort of fond memories.

“Our guests motivate us so much. Times are hard, and this has turned into something for all of us to look forward to; an encouraging moment to come together and enjoy celebrities and movies we have all appreciated for so many years. It is incredible — we would have never been able to do this without Zoom, etc. Besides, how often do you get to travel to Wyoming, Kentucky, Ohio, Indiana, Georgia, Idaho without leaving your living room?” he said.  

The next lecture will be “Influential Women of Comedy: Part II” on March 8 at 10 a.m. All programming is free, with a suggested donation. For more information about the lectures and museum tours, visit www.stgeorgelivinghistory.com. 

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Winter Scene, Frank Melville Park

By Tara Mae

Art is an expression of personal inspiration, and the Smithtown Township Art Council’s latest exhibit at the Mills Pond Gallery, A Sense of Place, examines how Long Island acts as a muse to local artists. The show opens Feb. 20.

The beautiful exhibit fills four gallery rooms and the center hall gallery on the first floor of the historic 1838 Greek Revival mansion in St. James. A mixed media display, it includes book art, sculptures, acrylic, oil, and watercolor paintings. With 62 works by 48 artists from 32 communities across Long Island, the exhibit is a cross-section of local culture and influences, capturing scenes of nature and community.

“Long Islanders will see art about Long Island … places they see daily or places of their memories. We think the exhibit will help people reconnect with this place where they make and live their lives and hopefully inspire them toward ongoing care and interpretation of these places,” said Executive Director Allison Cruz. 

‘Walks Through Avalon’ by Loretta Oberheim

Increasing awareness about the environment was a goal for both Cruz and a number of the artists. Galvanized by the natural world and forged by remembrance, the art encompasses genres including realistic landscape vistas and abstract or surrealist renderings. How nature and memory intertwine is a recurring theme of the show, expressed through individual perspectives. 

“People will see beautiful forms of art and how artists felt in that time and that space and maybe it will get them to appreciate those places. Maybe this will make them want to venture out. It’s the little places that have been preserved … and the county parks, little gems that need more appreciation. The more that they are highlighted in exhibits, the more people will get to see them” said artist Loretta Oberheim, of Ronkonkoma.

Her abstract expressionist piece, Walks Through Avalon, is a sculpture mounted on canvas and made of alcohol inks on yupo paper. It is Oberheim’s homage to Avalon Nature Preserve in Stony Brook, which she cites as one of her “happy places.” 

The exhibit explores the myriad ways Long Island informs artistic development and depiction. 

“I’m always on the lookout for an interesting or beautiful scene and feel fortunate to live in an area with such picturesque beaches, farms and woodlands,” said artist Robert Roehrig of East Setauket. His two landscape oil paintings, Facing the Sun and Winter Scene, Frank Melville Park, are tributes to local vistas: Cupsogue Beach County Park in Westhampton Beach and Frank Melville Memorial Park in Setauket, respectively. 

More than just imagery, the show incorporates the artists’ descriptions of their art and what inspired them, details that add insight into the impact of the installation, according to Cruz. “Artists couldn’t just submit the art; they also had to explain the connection they have to Long Island. [I asked them to] tell me what gives you a connection to this island that we live on,” she explained. 

‘Winter Scene, Frank Melville Park’ by Robert Roehrig

It is the second exhibit for which Cruz utilized this process. She previously included written testimonials of the artists’ motivations for the Celebrating Creativity exhibit back in November and was encouraged to do it for this installation after the positive response from visitors.

During the era of COVID-19, the gallery has striven to remain a respite for individuals seeking an escape into artistic beauty. The effort is a continuation of the gallery’s ongoing commitment to engaging the public and providing an escape from the doldrums and despair of the pandemic for both the artists and audience.

Nesconset artist Catherine Rezin’s piece, a watercolor and gouache painting, Along Great River, is a rendering of a photograph her husband took of the bank of the Connetquot River at Bayard Cutting Arboretum in Great River. 

“From the perspective of an artist, it is important to be seen, to allow other artists to see my work and to be inspired by their work. For the rest of the public, it is important to be able to go somewhere and retreat from reality, to connect with nature through art and to connect with Long Island through art,” said Rezin.

Participating artists include:

Marsha Abrams (Stony Brook), Lucia Alberti (Smithtown), Tina Anthony (Northport), Shain Bard (Huntington Station), Ron Becker (Deer Park), Joyce Bressler (Commack), Jean Marie Bucich (River Vale NJ), Carol Ceraso (Hauppauge), Rocco Citeno (Sayville), Donna Corvi (Montauk), Gráinne de Buitléar (Belle Terre), Lou Deutsch (Stony Brook), Michael Drakopoulos (Port Jefferson), Karin Dutra (Port Jefferson), Paul Jay Edelson (Poquott), Ellen Ferrigno (Port Jefferson), Dorothy Fortuna (Smithtown), Donna Gabusi (Smithtown), Jan Guarino (East Northport), Margaret Henning (Sayville), Libby Coker Hintz (Blue Point), Irene Ruddock (Stony Brook), James Kelson (Stony Brook), Lynn Kinsella (Brookhaven), John Koch (Port Jefferson Sta.), Lee Ann Lindgren (Breezy Point), Olivia Mathon (Smithtown), Eileen P. McGann (Island Park), Carissa Millett (Setauket), Hillary Serota Needle (Dix Hills), Loretta Oberheim (Ronkonkoma), Eileen W. Palmer (St. James), Catherine Rezin (Nesconset), Robert Roehrig (East Setauket), Lori Scarlatos (Saint James), Gia Schifano (New Hyde Park), Anita Schnirman (Kings Park), Faith Skelos (Smithtown), Paul Speh (Ronkonkoma), Mike Stanko (Valley Stream), Madeline Stare (Smithtown), Barbara Stein (Port Washington), Nicholas Valentino (North Babylon), M. Ellen Winter (Northport), Mary Jane van Zeijts (Stony Brook), Mary Waka (Ronkonkoma), Patty Yantz (Setauket) and Theodora Zavala (East Meadow)

The Mills Pond Gallery, located at 660 Route 25A, St. James, will present A Sense of Place from Feb. 20 to March 20. The gallery is open Wednesdays to Fridays from 10 a.m. to 4 p.m. and Saturdays and Sundays from noon to 4 p.m. Admission is free. Mask wearing is mandatory and social distancing protocols are strictly observed. For more information, call 631-862-6575 or visit www.millspondgallery.org. 

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Offers insight into Indigenous maritime history
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'Shinnecock Indian Man, 18th Century,' oil painting by David Martine
One of the displays in the exhibit.
'Messemennuck' by Jeremy Dennis
One of the walls of the exhibit highlights the Shinnecock and offshore whaling. Above, a painting by David Martine titled Late Afternoon Rest.
'The Point Shinnecock' by Jeremy Dennis
Shinnecock arrowheads and shells on display at the exhibit.

By Tara Mae

For thousands of years, the Shinnecock (“People of the Stony Shore”) have depended on the water and maritime industries. 

Expressed mainly through contemporary artwork, first person narratives, and historic artifacts, the Cold Spring Harbor Whaling Museum and Education Center’s new exhibit, Shinnecock Artists and Long Island’s First Whalers, explores the often overlooked history of Indigenous whalers as well as the relationship between Indigenous people of Long Island and the sea.  

“We wanted to spotlight the fascinating but under-told maritime history of the Shinnecock people. We used this exhibit as a launch to spotlight history as a whole,” Executive Director Nomi Dayan explained. 

This dynamic is largely represented through the work of Shinnecock artists, especially Jeremy Dennis and David Martine, who contributed photography and oil paintings. Interactive elements are also incorporated into the installation, such as a children’s activity table and videos by Shinnecock artist Shane Weeks. 

“We took a conscious step of staff stepping back and collaborating with several native artists, to spotlight native voices,” Dayan added. 

Relics from Long Island’s Indigenous nautical past are showcased, like scrub brushes, items extracted from a midden (an old  trash heap), and a small whalebone paddle. “I like how Nomi chose to frame our heritage and history through the lens of whaling … It’s a good way to show whaling as part of our history,” said Dennis. 

Dependence on the ocean for survival influenced many aspects of tribal life, encompassing arts, values, and culture. However, much of the most accessible scholarship focuses on the European settlers’ relationship to the sea and overlooks local Indigenous history.

“Any exhibit like this is important for examining the Native American culture of Long Island, especially pertaining to the history of whaling and maritime culture of the local tribes, which were big parts of the culture for thousands of years. Native American culture doesn’t have much mainstream recognition except in inaccurate movie and television portrayals,” Martine said.

Open to the public through 2022, the display is a manifestation of the museum’s concerted effort to elevate and amplify the stories of traditionally otherized groups and diversify the stories the museum presents, according to Dayan.  

“It came out of a strategic initiative … we prioritize telling stories of historically marginalized people. Pivoting to tell stories of Indigenous people addresses several needs, including strengthening visibility of the Shinnecock people, who have a long history of marginalization and dispossession. A preliminary study of the public indicated that it had limited prior knowledge of the Shinnecock, but interest in the tribe’s ways and culture was high,” she said. 

Dennis similarly recognizes the impact of this exhibit. “There is a misunderstanding that the Shinnecock are no longer here, so creating any type of visual art or expression is a good start of showing that we are still here,” he said.  

Like other Indigenous communities, the Shinnecock are currently being disproportionately affected by the COVID-19 pandemic. In highlighting the work of Indigenous artists, the museum expands patrons’ awareness of the Shinnecock tribe’s continued presence on Long Island and broadens their understanding of its history, according to Dayan. 

To kick off programming for the exhibit, a virtual artist chat with Jeremy Dennis will be held on February 17 at 6 p.m. Dennis will discuss his landscape photography project, On This Site — Indigenous Long Island. Tickets may be obtained online at www.cshwhalingmuseum.org/events, under the “Virtual Chats” tab.

The Whaling Museum is located at 301 Main Street in Cold Spring Harbor and is currently open on Saturdays and Sundays from noon to 4 p.m. Tickets to the exhibit may be purchased online at www.cshwhalingmuseum.org/visit. Social distancing will be observed and masks are mandatory for entry. For further information, call 631-367-3418.

Photos courtesy of Whaling Museum of Cold Spring Harbor

 

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'Queens Lace' by Ty Stroudsburg

By Tara Mae

As a reprieve from the gray of winter and the tedious, yet terrifying drudgery of a pandemic, Gallery North’s latest exhibit, Filtered Light, offers a glimpse of brightness and hope. Featuring the work of two local artists, Ty Stroudsburg and Marceil Kazickas, the show, which opens Jan. 14, explores the connection between the realistic beauty and abstract wonder of nature, especially as it exists on Long Island.

Open to the public in person and available for online viewing, the collection consists of mostly oil paintings, a form both artists prefer. 

“Oil paint is seductive, sensual, and uplifting,” said Kazickas during a recent interview, adding that the medium enables textures, movement, and depth that can be harder to achieve by other means, such as acrylic paint. Several pastel sketches are also included. 

‘It Bears Repeating’ by Marceil Kazickas

These creations are related by certain themes — an appreciation of the outdoors and an examination of light, color, and texture. The exhibit features abstract expressionist pieces and images inspired by the vibrant landscapes of the region. 

This venture is the culmination of Gallery North’s commitment to connecting and maintaining relationships with its patrons and the art community during the pandemic, according to Kazickas. Although the pieces in the exhibit were largely made before the pandemic, the art reflects the outside world’s current altered state of reality, merging the tangible with the ephemeral. 

“Ty, because she has been working continuously for 50 years, and Marceil, who was very influenced by [late artist] Stan Brodsky, are very influenced by the ideas of abstract expressionism: nature is embodied in the human, who is a reflection of nature and our role within it,” explained Gallery North’s Executive Director Ned Puchner.

Both artists cite nature and color as primary sources of inspiration, but they approach it differently. Stroudsburg’s work is somewhat abstract, but her paintings are based in landscape form and normally have horizon lines.

“My work is still based on plant forms and things I see in the environment. My big focus has always been color. If I put my foot on the brake when I am driving around, it is because something is very colorful and has grabbed my attention. Color is the jumping off point for my canvas,” Stroudsburg said. 

‘Coreopsis’ by Ty Stroudsburg

Kazickas’ featured artwork, all abstract, is rooted in vertical sight lines and the beauty found beyond her front door. “I am painting a feeling [but] am inspired by Long Island; there is a vista everywhere … Mother Nature is so spectacular,” said the artist, who resides in Sands Point. 

Kazickas starts first with dark hues and then adds bright colors. “Most of my paintings are about dark and light and the magic that happens when they play against each other,” she explained. Having endured chronic pain for many years, Kazickas sees this process as a reflection of the bleakness of constant agony transformed into the relief experiences in creating art. “My paintings are full of color because it’s what I need to see,” she added. 

The versatility of the art in the exhibit extends beyond the lights and shadows to the unmistakable texture and expansive scope of the images. Movement on the canvases is expressed through the strong brush strokes. The vibrancy catches the eye, whether in person or on a screen, according to Assistant Curator Kate Schwarting. 

Stroudsburg has been exhibiting her art since the 1960s and had an existing relationship with the gallery. She moved from the South Fork of the Island to Southold on the North fork in 1985, drawn to the “non-social atmosphere.” Her work was already being displayed across the island, at institutions like the Heckscher Museum of Art in Huntington , as well as galleries in New York City and throughout the country.

‘Awakening’ by Marceil Kazickas

Attracted to the art community of Stony Brook and Setauket, Stroudsburg met and connected with former Gallery North Executive Director Colleen Hanson. She facilitated an exhibit of Stroudsburg’s work at the gallery and helped arrange for her art to be on display at Stony Brook University Hospital, where four of her large canvases reside. Stroudsburg networked with galleries and other artists, among them the late Joseph Reboli. 

Kazickas has exhibited her work at the Art Guild and at galleries throughout Long Island. She studied at the Roslyn School of Painting and began working as an artist more recently. Her art first caught the attention of Schwarting after she participated in many of the gallery’s ongoing virtual events.

“I met Marceil through some of our virtual programs,” said Schwarting. “We realized that Marceil’s work was a perfect combination with Ty’s work. The art is slightly different, but there is a conversation that happens between the works that makes sense.”

Gallery North, 90 North Country Road, Setauket presents Filtered Light from Jan. 14 through Feb. 25. The exhibit will be open to the public during the gallery’s normal hours, Wednesdays to Saturdays from 11 a.m to 5 p.m., and Sundays from 1 to 5 p.m. Social distancing will be observed and masks are mandatory for entry. Additionally the full show will be available online at www.gallerynorth.org. A virtual reception will take place on Saturday, Feb. 6 from 6 to 8 p.m. For more information, please call 631-751-2676 or visit www.gallerynorth.org.

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A visitor to Sweetbriar Nature Center meets a screech owl.

By Tara Mae

Something wild is coming to Smithtown. Sweetbriar Nature Center now offers A Wildlife Experience, a unique program offering one hour private guided tours that grant unprecedented access to its buildings, operations, and animals. Located at 62 Eckernkamp Drive, the nonprofit organization provides natural science education and native wildlife rehabilitation services for the community.

The personal tours will allow participants to see the center’s recently renovated wildlife rehabilitation area, now called the Steven Goldman clinic, which is usually off limits to visitors.

“It’s an experience that you’re not going to get anywhere else,” said Veronica Sayers, Sweetbriar’s program coordinator. “It’s not very often that you can see how a wildlife rehab works. You don’t normally get this experience unless you’re in the field.”

Attendees will also be able to explore parts of the main building, which houses some of Sweetbriar’s permanent residents and is generally open for self-guided excursions.

Guests will be able to observe the animals and meet a few of Sweetbriar’s regular ambassadors like Cali, an imprinted Baltimore oriole; Marguerite, an imprinted blue jay; Nugget, a screech owl; and Tulip, an opossum.

The tours give insight into more than the lives of the animals; they delve into the backgrounds of Sweetbriar and the Blydenburgh family, on whose estate the center and preserve now exist. Guides are able to supply greater historical context as well as details about the architecture of the structures and grounds, according to Janine Bendicksen, Sweetbriar’s curator and wildlife rehabilitation director, who came up with the initial idea.

One of four staff members, Ms. Bendicksen noted that she, her coworkers, and the dedicated team of volunteers are constantly brainstorming for ways to keep Sweetbriar operational in the time of COVID-19. The private tours are a way to raise money and benefit the community Sweetbriar serves. “Instead of just asking for money and donations, we are giving back,” she explained.

During the pandemic, Sweetbriar, like many organizations, has had to completely reimagine how it functions. At the peak of the lockdown, the employees were looking after approximately 100 animals by themselves, without the assistance of volunteers, according to Ms. Sayers. In this time of emotional turmoil and economic uncertainty, Sweetbriar has sought to create new ways of connecting with the public and supporting the animals in its care.

As sources of revenue shrunk, animals in need of help were being brought to the center at a higher rate than in years past. “Many rehab centers are experiencing this,” said Ms. Bendicksen. Since the beginning of 2020, the center has treated more than 2,000 animals.

Sweetbriar Nature Center administers comprehensive rehabilitation to wildlife and generates much of its funding from community engagement and outreach programs. Located on 54 acres of diverse woodland, garden, wetland, and field habitats, the center’s grounds are open year-round to the public, free of charge. Since the onset of the pandemic it has been unable to host the events and activities it normally offers, on which Sweetbriar largely relies to support its animals and endeavors.

A Wildlife Experience is available to parties of up to six people by appointment only for $104. People may register and pay the fee online at www.sweetbriarnc.org/animal-encounters. After you purchase your ticket, Sweetbriar will email you to set up a date or they can send you a gift card to book at a later time. Please give them at least 3 days to respond after you’ve purchased your ticket. The tours are mask-mandated and photos are encouraged.

For more information, please call 631-979-6344.

All photos courtesy of Sweetbriar Nature Center.

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