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TBR Staff

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TBR News Media covers everything happening on the North Shore of Suffolk County from Cold Spring Harbor to Wading River.

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Right side hitter Brendan Smith blocks the ball. Photo by Bill Landon

By Bill Landon

Senior night was off to a rocky start at Smithtown West, as the Bulls bounced back from a first-set loss to top Sayville 3-1 Oct. 24, 25-16, 25-16, 25-16 and 25-23. At 9-2, the boys’ volleyball team is in third place behind 10-2 Eastport South Manorville and undefeated Sachem North with three games left before the playoffs.

Outside hitter Kevin Kelleher comes through with a kill shot. Photo by Bill Landon
Outside hitter Kevin Kelleher comes through with a kill shot. Photo by Bill Landon

“Our teamwork and our hustle — we [communicated] really well and we played well as a team,” junior outside hitter Kevin Kelleher said. “We’ll keep working and build that family bond and hopefully that will help us in the playoffs.”

Smithtown West head coach Michael Legge said there would be a different mix in the first set, because all five seniors took to the court. The squad pulled within six points late in the set, but couldn’t come back from the deficit.

The second set was a different story, as the Bulls jumped out front 6-2 and rattled off four more straight points before Sayville called timeout.

“This is a deep team — it’s 16 players — not just the six guys you see on the court,” Legge said. “In practice, the [nonstarters are] constantly pushing the starters to play better and better.”

The Golden Flashes broke service and fired back with four unanswered points of their own to trail 10-6, but after the teams traded points, the Bulls notched six more on a service tare to break out to a 16-10 advantage.

Right side blocker Brian Grudman pushes the ball back over the net. Photo by Bill Landon
Right side blocker Brian Grudman pushes the ball back over the net. Photo by Bill Landon

Bull’s outside hitter Chris Shanley led his team to break point and finished it with a booming service ace that caught Sayville flat footed, to take the second set 25-16.

“The second set was the turning point,” Shanley said. “We had to push through there to show them what we’re made of. We passed well, we had good service, and our blocking was a little shaky, but we hit the ball well.”

Smithtown West senior Brendan Smith got things going in the third set, stringing five point volleys in a row to lead his team to a 5-0 lead. Sayville struggled, committing several mental errors to which the Bulls cashed in on.

Out front 10-4, the Bulls turned up the heat, outscoring their opponent 9-2 for a commanding 19-6 advantage. But Sayville wouldn’t go down quietly, and battled backed to trail 23-16.

In the first three sets, with a 25-16 margin of victory for each, the fourth and final set proved to be even more of a nail biter.

Sayville peppered the scoreboard with 12 points early in the fourth set as the Bulls managed just three. Although the match made it look like the game would end up going to a fifth set, Smithtown West chipped away at the deficit and scored nine unanswered points as Sayville’s defense began to sputter, committing several unforced errors.

Right side hitter Brendan Smith sets up a play. Photo by Bill Landon
Right side hitter Brendan Smith sets up a play. Photo by Bill Landon

Senior right side blocker Brian Grudman answered with a thundering service ace to put his team out front for the first time in the set, 13-12, and said his team had to just shake it off as the Bulls got their head back in the game.

“Our hustle and our ability to pick ourselves back up — not giving up on any balls [is what led us to the win],” he said. “We’re going to raise the net, show some hustle work our butts off as hard as we can.”

Ahead 17-14 lead, Sayville soon brought the set to a 23-23 tie, which prompted a timeout. Sayville gave Smithtown West break point on a service error, and the Bulls made them pay for it, scoring the final point to put the set away.

“They’ve really bought into the team concept — the court defense, the passing, the hustle that they show,” Legge said. “We push that for every single point every single game, and you don’t say die until the ball hits the floor.”

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Clearing trees to build solar farms, like this one in Shoreham, would be illegal in Brookhaven Town if a proposed amendment passes. Photo by Nicole Geddes

By Nicole Geddes          

Brookhaven Town is all for going green — but not at the expense of green.

The town board held a public hearing to discuss a resolution that would amend its solar code during a meeting Sept. 29 and would make land clearing for solar energy production illegal. If passed, solar energy production equipment could only be installed on land that was cleared prior to January 2016.

“It is a starting point and that is the best part,” Brookhaven Town Supervisor Ed Romaine (R) said of the amendment in a phone interview. “We will not be clearing trees to create solar farms in business and industrial zones. … While I’m a believer in solar power, we don’t want to trade one green for another green.”

Community members spoke in favor of the amendment during the public comment period of the meeting.

“We will not be clearing trees to create solar farms in business and industrial zones. … While I’m a believer in solar power, we don’t want to trade one green for another green.”

— Ed Romaine

“We need not sacrifice forests for solar,” Richard Amper, executive director of Long Island Pine Barrens Society, said in an interview. “It’s equivalent to destroying the environment to protect it. We don’t have the open space to meet the requirements of Governor Cuomo’s ‘50 by 30’ initiative, without alternative transmission lines such as offshore wind farming.”

New York Gov. Cuomo’s (D) Clean Energy Standard requires 50 percent of New York’s electricity to come from renewable energy sources such as wind and solar by 2030.

Amper said he is in favor of alternate energy sources, and welcomed the amendment.

“We need renewable energy sources, solar is important,” he said. “We just need to be careful where it’s sited. It shouldn’t be on forested land, on farms where food is grown or in residential communities. It should be on rooftops, parking lots and previously cleared lands.”

Other members of the town board expressed their support for the amendment.

“My constituents in Council District 1 have expressed support for renewable energy and smart energy alternatives,” Councilwoman Valerie Cartright (D-Port Jefferson Station) said in a statement. “They want to ensure that government is thinking strategically about how to limit and reduce nonrenewable energy, improve air quality and diversify power sources.”

Additionally, the amendment would reduce the amount of acreage allowed for solar farming, from 10 to 5 acres in business and industrial zones.

Restrictions in the town’s solar code also require a buffer zone of 25 feet around all mechanical equipment and solar panel arrays for aesthetic reasons. Director and vice president of the East Moriches Property Owners Association, Jim Gleason, spoke in favor of the amendment during the meeting, but advocated for increasing buffer zones.

“Solar panels are ugly,” he said. “A 25-foot minimum buffer is not enough, 7-foot evergreens are not tall enough. Some panels are 20 feet.”

Councilwoman Jane Bonner (C-Rocky Point) disagreed.

“I think that shopping centers and housing developments are more unsightly than solar panels,” Bonner said. “There’s no noise, no traffic, no pollution and no long-term health risks for residents in communities where solar farming and energy production is located.”

The town board will vote on the resolution at the meeting Thursday, Oct. 27.

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Scenes from the annual The Taste at Port Jefferson event Oct. 22 at Port Jefferson Village Center. Photo by Nicole Geddes
Scenes from the annual The Taste at Port Jefferson event Oct. 22 at Port Jefferson Village Center. Photo by Nicole Geddes
Scenes from the annual The Taste at Port Jefferson event Oct. 22 at Port Jefferson Village Center. Photo by Nicole Geddes
Scenes from the annual The Taste at Port Jefferson event Oct. 22 at Port Jefferson Village Center. Photo by Nicole Geddes
Scenes from the annual The Taste at Port Jefferson event Oct. 22 at Port Jefferson Village Center. Photo by Nicole Geddes
Scenes from the annual The Taste at Port Jefferson event Oct. 22 at Port Jefferson Village Center. Photo by Nicole Geddes
Scenes from the annual The Taste at Port Jefferson event Oct. 22 at Port Jefferson Village Center. Photo by Nicole Geddes
Scenes from the annual The Taste at Port Jefferson event Oct. 22 at Port Jefferson Village Center. Photo by Nicole Geddes
Scenes from the annual The Taste at Port Jefferson event Oct. 22 at Port Jefferson Village Center. Photo by Nicole Geddes
Scenes from the annual The Taste at Port Jefferson event Oct. 22 at Port Jefferson Village Center. Photo by Nicole Geddes
Scenes from the annual The Taste at Port Jefferson event Oct. 22 at Port Jefferson Village Center. Photo by Nicole Geddes

The Port Jefferson Chamber of Commerce hosted their annual Taste at Port Jefferson event Saturday Oct. 22 at the Village Center, where visitors sampled local foods, wines and desserts from more than 35 North Shore based vendors.

 

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Stock photo.

By Bruce Stasiuk

Ahem.

The subject of this talk is American education; or, as I sometimes call it … artificial intelligence. Full disclosure: I admit that I don’t know much about what goes on in high school, having spent only four distracted years at that level. This presentation refers to the foundational years — the K-6 building blocks where I invested six seasons as a parochial student.

After completing the requirements at Adelphi Suffolk University, I was invited to teach a few graduate courses there. Afterwards, I spent 34 enjoyable, yet disorganized seasons as a classroom teacher, then eight more years instructing a course called Thinking Inside the Box for K-12 teachers, which gave me the opportunity to examine the species up close and personal. That comes to about 50 years in fuzzy numbers. But, who’s counting on me?

You’re urged to disagree with anything expressed here, because I make mistakes regularly, myself being a product of the American industrial-education complex. Let’s start with the premise that all knowledge is worthwhile and desirable. There is no benefit to not knowing something. Ignorance is not blissful. However, all knowledge is not of equal value. The ability to read about the inventor of the cotton gin is of more value than knowing and memorizing his name. Likewise, although there would be some usefulness in recalling every number in the Manhattan phone book, and the cognitive exercise would be an accomplishment, it would mostly be a huge waste of “edu-minutes.” Knowing how to alphabetically look up a phone number is a more valuable and transferable skill. At least until it’s made obsolete in our advancing digital world. So, can we agree that some knowledge is of lower value, some is of higher value, and some is rapidly approaching an expiring shelf life?

Since schools operate by the clock and calendar, there is a finite amount of class time for learning. There is so much to learn, but students can’t learn it all. So, choices must be made. Schools need to adopt a regular policy of knowledge triage. There’s got to be jetsam and flotsam in order to make room for the important cargo. But even if schools agreed to do it, would they flotsam the right jetsam?

Ask your local administrator what’s the last thing added to the curriculum. Then ask, what was removed to make room for it. If there’s no answer, it means the program was diluted (unless the school day or year was expanded — not a chance) or in a misguided way, the usual ballast of art and music were reduced. Like the roach motel, once something enters the schoolhouse door, it can almost never leave. Schools change very little. If you were in the fifth grade 25 years ago and you visited a class today, it would look very familiar. Computers and tablets are used like electric paper, but the substance is the same. Oh, the blackboards are now smarter … but are the kids? Old wine in new bottles.

Remember, the learning clock is ticking. Time is passing. As a child, I had a fantasy of every person, at birth, receiving a huge hourglass. Except it wasn’t designed to measure an hour. It was constructed as a lifetime-glass. The top bulb contained all the sand representing one’s life according to actuarial tables. It was inverted at birth and the sand started trickling through the narrow stem passageway. One could see the top bulb dripping sand into the bottom bulb. Even at night, opening one eye, one could visualize their lifetime with the lower heap growing while the upper kept draining smaller. I wondered if a life would be led differently with such a visual aid.

Schools have to think that way. They must sort out, rummage through, and evaluate all available knowledge and select those age-appropriate things that will help develop students into educated people with transferable skills and functional wisdom. Ideally, layer upon layer will build up until enough practical knowledge and related talents enable graduates to negotiate life in a fluid and uncertain world — a very moveable feast. A friend recently told me the experience of his dental school orientation at the University of Maryland. The dean advised the new students that 50% of what they’d learn would no longer be true by the time they graduated. Furthermore, he advised, they won’t know which 50% it was.

So what did we learn in school? Reading. Of course reading. And math. Although I never did divide 4/7 by 3/9 ever again, I remember some lessons quite well. Pilgrims wore funny hats and buckled shoes. We drew pictures of them. They were brought home and taped to refrigerators — or iceboxes —remember, this was the South Bronx in the ‘50s. “Mary’s violet eyes … ” helped us learn what was, at the time, the order of the planets. But of what practical value is there in knowing that Jupiter is nearer to the earth than Saturn? So little time … so much knowledge.

Bruce Stasiuk of Setauket continued to teach after retirement. He currently offers workshops to seniors (citizens, that is) as an instructor in the Osher Lifelong Learning Institute, housed on the campus of Stony Brook University.

Look for part 2 in next week’s edition.

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It may look very pretty all wrapped in a red holiday bow, but for all the believers out there, the Country House is said to be haunted. File photo

By Ernestine Franco

It’s the time of the year when children and adults alike will be out en masse on the lookout for ghosts, ghouls, and goblins. During the month of October, which culminates on Halloween, the North Shore of Long Island has many places to satisfy die-hard thrill seekers. However, if you want to experience “real” haunted places on the North Shore, check out the list below:

Kings Park Psychiatric Center, located on West Fourth Street in Kings Park has been closed for many years and is not open to the public. For many years, Long Islanders have broken into this historic location to see the eerie, condemned facilities. At its height, the psychiatric center was home to over 9,000 patients. They were subjected to overcrowding and deplorable conditions as well as dramatic procedures, such as lobotomies and electroshock therapy. From inside and outside the many buildings, people have reported yells and screams of deceased patients, and some say they can see ghosts in the windows. Although you cannot go into the buildings, you can drive through the grounds for a quick peek. The grounds are monitored by the police.

Country House Restaurant is located at 1175 Country House Road in Stony Brook. This building has a prerevolutionary story behind it. It is believed to be haunted by Annette Williamson, the daughter of a former owner. She had allowed British soldiers to stay in the home and was believed to be a spy. She was hung from the second-story rafters and her spirit haunts the kitchen and stairways. Visitors say they can hear her cries and light bulbs flicker. The restaurant also has a “Ghost Bar” where you can view pictures of Annette Williamson. Genre artist William Sidney Mount was said to have attended séances there when it was known as the Thomas Hadaway House.

Lake Ronkonkoma, Lake Shore Road, Lake Ronkonkoma: One of the most frequent tales you hear about Lake Ronkonkoma is one involving a Native American princess who died at the lake in the mid-1600s. The story goes that the Native American princess fell in love with an Englishman named Hugh Birdsall. He lived across the lake, but her father would not permit her to pursue a romance with the Englishman. Legends say that the heartbroken princess killed herself because she could not be with her true love.

Folklore then goes on to say that every year since, in a desperate search for a soulmate in death, the princess takes a young male’s life. Lake Ronkonkoma is rumored to have no bottom, just an endless abyss of darkness. The lake itself is the largest lake on Long Island and it would be impossible for a human being to reach the bottom without assistance since it is 100 feet (30 m) at its southeastern side. Something that feeds into this tale is how the water level of Lake Ronkonkoma seems to rise and fall with no relation to rainfall, something that adds to the mystery. Michael R. Ebert, author of “The Curse of Lake Ronkonkoma,” delved into these allegations and found that, “One study showed that over 7 years in the early 1900s, the rainfall on Long Island was below the usual average by about 52 inches, yet the lake rose 7 feet.”

Another eerie oddity about Lake Ronkonkoma is about the bodies of people who have drowned in the lake. Bodies have been found washed up in Connecticut and out in the Long Island Sound, fueling claims that Lake Ronkonkoma has many hidden caverns, passageways and tunnels leading to different locations. Other bodies have never been found.

Centereach High School, located at 14 43rd Street, has limited access for the public. Some believe that the bleachers of Centereach High School are haunted by James Halversen, a New York City firefighter who used to run at the track every day. At 8:00 p.m. on Jan. 5, 1997, Halversen and his dog were shot. Some people can feel his presence or even a man running on the fifth lane of the track. Some say they also have seen a glowing object in the northeast corner of the track.

Katie’s of Smithtown is located at 145 West Main Street. Katie’s is a popular bar in Smithtown and home to a ghost named Charlie, who is said to have been a bartender and bootlegger during the 1920s. After committing suicide, he is said to frequently visit the bar. Many patrons have felt or seen him. Some have seen people in 19th century dress in the bar, and the figure of a woman has been seen walking up and down the bar and down the basement stairs. Women have reported toilet seats jumping open and making banging sounds when no one else is in the bathroom, and footsteps have also been heard coming from the basement when it is unoccupied. Glasses have also been known to fly off the bar and tables.

And last, but not least, the Port Jefferson Ferries are believed by many that a ghost haunts the ferries as they travel the Sound. Many riders have seen the ghost of a former captain who wears a weathered uniform.

Good Haunting!

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WHAT’S COOKIN’? William Connor serves up a salmon burger with a cucumber-mango-tomato salsa on the side. Photo from Amy Connor

By Rita J. Egan

He’s only 13, but William Connor of Northport is already getting a taste of his dreams. In April, the aspiring chef competed on the Food Network’s “Chopped Junior” in an episode that will air on Oct. 25 at 8 p.m.

“Chopped Junior,” the show based on the network’s hit “Chopped,” features four young cooks who work with predetermined main ingredients presented in a basket to create an appetizer, entrée or dessert in 30 minutes or less, and each round a contestant is eliminated. In the Oct. 25 episode, titled “Snapper Snafus,” William and three other contestants will be judged by a panel that includes Danika Patrick, Jamika Pessoa and Scott Conant. According to the online description, the episode will feature appetizers made with duck and some wild-flavored cupcakes in the first round, snapper in the second round and a playful pie and a tart surprise for the dessert dishes.

Until the episode airs, William can’t discuss the outcome or specifics about being on the set; however, during a recent interview, the eighth-grader at Northport Middle School talked about his love of cooking and what he could about his television experience. The 13-year-old said he developed a love for cooking a number of years ago. “One day when I was about seven, my mom was cooking dinner, and I came in and asked her, ‘What’s for dinner?’ She said, ‘Pasta.’ I was like, ‘Can I help?’” William said. “For the rest of the week I helped her, learning different techniques, and then two years later I started cooking by myself in the kitchen.”

The young chef, who said curried chickpeas with tofu is one of his favorite dishes, likes to cook once a week for his family, which in addition to his mom Amy includes his dad Gene, twin brother James and sister Sarah. During this past summer, he was able to cook for them more often, except, he said, “One week when I was at Boy Scout Camp, I was itching to cook.” William said during both the first and second seasons of “Chopped Junior” he asked to audition for the show but his mother said no. He asked again between the second and third seasons, and she finally said yes. “Third time’s the charm,” he said.

When he first asked, his mother felt William was too young to compete. “I knew he loved to cook, and he was really young. I was afraid you go onto something like this that is so high pressure, and there are these people who are authorities at what you want to do, and they tell you that you’re not good enough; they cut you or they tell you what you did wrong,” she said. “Or, they say this didn’t taste good or this didn’t work. And I thought it could really kill that in him and make him turn away from something that he really loved doing.” This year she realized his love of cooking was strong enough to survive criticism. So they filled out the online application to be on the show and uploaded a video on YouTube for the producers to view.

William said he found out he made the cut to appear on “Chopped Junior” when he came home from school one day and his mother gave him a honing steel (for sharpening knives) wrapped in a gift bag. At first, William said he wondered why she gave it to him. “And then, it clicked in my mind, and I literally, from one side of the house to the other, I literally ran and slid on the floor, screaming the whole time in happiness!” he laughed.

To prepare for the show William said he worked with two chefs, his Boy Scout leader, Rob Thall, and his consumer sciences teacher, Michael Roberts, but he couldn’t tell them why. He also watched cooking shows and viewed a number of videos on YouTube to master knife skills and learn other helpful techniques from noted cooking professionals, including his favorites Guy Fieri and Jamie Oliver. Every day his mother gave him a basket of four ingredients so he could practice cooking a dish in half an hour. At first, he said it would take him more than 30 minutes, but little by little, he started cutting down on his time. “By the end I was making it in at least 25 minutes,” he said.

William admitted it was frustrating for him to try to cook in such a short period, at first. “In the middle of it, one time, I thought I wouldn’t do it, so I just literally walked out of my house and just sat on my front porch,” he said. The teen chef said once on the set, he and the other contestants toured the kitchen area so they could familiarize themselves with where everything was. However, William had watched the show closely and not only learned from past contestants mistakes but also he said, “I memorized where everything was by just watching it.” He said many times the mystery ingredients can be something unusual such as gummy worms, but William explained in addition to these, the competing junior cooks can also use spices and basic food items such as pasta, vegetables and meats from the pantry.

Despite participating in the television show, William doesn’t dream of being an on-screen chef. “I see myself cooking and not just glamour cooking. I see myself actually cooking in the heat of the kitchen and everything, and not just showing how to cook,” he said. The aspiring chef hopes to one day attend The Culinary Institute of America and obtain his culinary degree. After college, his recipe for success includes working for a few years in a kitchen, and he said he would love to work in a local restaurant such as his favorite, Tim’s Shipwreck Diner in Northport. William also hopes to open his own restaurant one day. “The restaurant is actually in a barn, and I live in the farmhouse, and all the ingredients are based around the harvest,” he said.

When it comes to advice for junior cooks, William believes in practice makes perfect. “When you want to start, just start helping whoever cooks in the house, and eventually you’ll get up to the point where you can start trying different flavors and trying different things and cooking different recipes that you want to try and cook. And, eventually you’ll start soloing in the kitchen.”

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Jennifer Portnoy and her son Javier cut the ribbon. Photo from Stony Brook University Hospital

By Rebecca Anzel

When Jennifer Portnoy of Stony Brook was given her son’s diagnosis, the doctors told her that there was nothing she could do but love him and enjoy her time with him. Javier, she was told, had a rapidly progressive form of Duchenne Muscular Dystrophy, an incurable genetic disorder most prevalent in boys.

“I’m not the type of person that finds that an acceptable treatment plan,” she said. “I needed to get to work to try and create a different outcome.”

“My son is either a part of the last generation to die of the disease or the first generation to survive it.”
—Jennifer Portnoy

Portnoy co-founded Hope for Javier Inc. a few months later as a not-for-profit organization to help fund research that might lead to an effective treatment or cure. Her family travelled to Cincinnati for doctors’ appointments and medical treatments.

Along the way, she met other families in the New York-area who did not have the job flexibility or financial resources to travel for out-of-state care. Portnoy said she realized that with Hope for Javier’s size, it could have an “enormous impact” by addressing that disparity in access to health care.

After researching other area hospitals, Portnoy and Hope for Javier formed a partnership with Stony Brook Children’s Hospital to create the first DMD Center in the tri-state area. The center opened Oct. 5 after a $600,000 donation from Hope for Javier.

“As an academic medical center, we will be able to identify clinical trials as we continue to fight this disease, and your support gives patients and families hope, and it will enable our clinical leadership to provide a level of research, care and support that is unrivaled in the region,” Samuel Stanley, Stony Brook University president, said in a public comment to Portnoy at the center’s ribbon-cutting ceremony.

He added that the center will be a “destination” for residents of the tri-state area, and according to a Stony Brook University Hospital press release, the new center is the only one of its kind between Boston, Massachusetts and Baltimore, Maryland.

“This new program extends our geographic reach and continues our development as a regional healthcare provider of choice for thousands of patients and their families across the tri-state region,” L. Reuven Pasternak, SBUH CEO, wrote in a blog post.

Boys with DMD do not have a protein called dystrophin, which keeps muscle cells in one piece. Muscle weakness usually begins before age 5, showing first in their upper arms and legs. DMD can also affect a patient’s throat, brain, stomach, spine and chest muscles.

It affects about 1 in 5,000 boys in the United States, according to a hospital press release. DMD used to kill boys not long after their teen years, but with modern medicine, patients usually live into their early 30s, according to the Muscular Dystrophy Association’s website.

“This will be a comprehensive center, including pediatric specialists from neurology, cardiology, pulmonary medicine, gastroenterology [and] orthopedics” to name a few, Margaret McGovern, physician-in-chief of Stony Brook Children’s Hospital, said at the new center’s ribbon-cutting ceremony.

Studies have shown that access to this sort of multidisciplinary care adds an average of 10 years to the life expectancy of a boy with DMD, Portnoy said, and with the research being conducted on the disease, those 10 years are of the utmost importance.

“We’re at this tipping point, where ten years is the difference between being here when a cure is found and not,” she said. “My son is either a part of the last generation to die of the disease or the first generation to survive it.”

Stony Brook Children’s Hospital is Suffolk County’s only children’s hospital and has more than 160 pediatric doctors in over 30 specialties. It is set to occupy 10 floors of Stony Brook’s new Medical Center Hospital Pavilion, set to open in 2018, next to the main university hospital.

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Robert Montano performs at the Middle Country Public Library last weekend. Photo from MCPL

By Kevin Redding

Middle Country Public Library stands as one of the busiest and most admired institutions not just on Long Island but in the country. A “dynamic community hub” that’s constantly offering up unique programs and services to benefit residents of all ages, the library also provides visitors with impressive decor and hallmarks, like the aquarium and outdoor “girl and cat” bench. This is all due in large part to the Friends of Middle Country Public Library, a noncommercial organization made up of loyal volunteers who strive to keep the library strong and the community happy — which they’ve been doing since they started more than 20 years ago.

Grace Miller performs at the Middle Country Public Library. Photo from MCPL
Grace Miller performs at the Middle Country Public Library. Photo from MCPL

Currently made up of 155 active members, the Friends serve as “ambassadors” to the library. Whether it’s getting the word out about programs or hosting fundraising events and membership drives to raise money for purchases that the library wouldn’t normally be able to afford as a taxpayer institution, the group utilizes its spirit and volunteerism to help enhance the library any way it can.

“Generally, we don’t raise money for a specific project,” said Kathryn Sekulo, a former president of the Friends of Middle Country Public Library, who takes care of group membership. “What we do is we raise money and really look for guidance from the library staff, like what they would like to see in the library. We have some really great support from the staff, so we work closely with them. We really bridge a gap between the library and the community and supply funding that they can’t.”

The Friends’ hard work has helped enrich the library’s overall appearance, contributing many things like a custom-made dollhouse to sit in its early childhood area, a Chase Waterfalls display to hang on the wall, matching dragonfly benches to adorn the outside fountain area and a Yamaha grand piano for the Centereach branch. Most recently, the group provided the library with a mural in the Heritage Area in Centereach, iPads for the children’s department, a new fish tank and iPods for the Music and Memory program — which helps patrons that have Alzheimer’s. A majority of its funds come from two book sales held in April and November of each year — which normally raises a combined $4,000 — and an annual garage sale that occurs on the first Saturday in August — which normally raises over $1,000.

With help from sponsors King Kullen and the Allstate Foundation, the Friends have also established and funded the Island Idol contest, a full-fledged music concert and competition that takes place every summer wherein local teens entertain a crowd of hundreds with their range of talents, get evaluated by a panel of judges and have the opportunity to go home with a $500 prize. On Oct. 16, in recognition of National Friends of Libraries Week, the Friends kicked off a series of activities with 13-year-old Robert Montano playing piano in the library’s lobby. Once a month, as part of the group’s Sunday Sounds events, the Friends reach out to local school districts in search of pianists, guitarists and singers looking for a venue in which to play. On Nov. 10, a fundraiser Laughter for a Cause will be held at McGuire’s Comedy Club in Bohemia and all proceeds will go toward the needs of the library.

“They’re very committed; they’re very loyal to the library and they really have the best of intentions,” said Sophia Serlis-McPhillips, the library’s director. “Their goal is to help us and to help provide and extend our services and our resources — and they really do that. They are like the true definition of a Friends group. We’re definitely grateful for the relationship that we have with them.”

Founded in 1994, the Friends were just a small group of local patrons who loved the library and came forward to help when it needed it most. According to group founder John Hoctor, there was a pack of angry residents at the time who were bent on reducing taxes and going after public institutions — complaining especially about the library — as taxes have always been its main source of income. They were extremely disruptive and resorted to picketing, Hoctor offered his help to Sandra Feinberg, the library’s director from 1991 to 2012. He had read up on Friends groups, which had existed within different libraries throughout the country, and worked to ensure that Middle Country Public Library had its own.

“[The library] has been very important to me. That’s why I’ve been involved all this time. It’s such a wonderful place, and I want to give back.”

—Donna Smosky

“The library is such an important part of the Middle Country community,” said Hoctor, who currently serves as vice president of the library’s board of trustees. “We don’t really have a town hall or a village center, so the library became the community center of Centereach and Selden and the Middle Country district. It’s a way to share resources, whether it’s books, computers, video, DVDs … there are lots of outreach programs. The Friends group is there as a place for very positive encouragement to show that we have a strong library and the wherewithal to take care of all the patrons in the community.”

Donna Smosky, a former elementary school teacher who served as president of the Friends for many years, and currently helps develop their quarterly newsletter, feels great pride for what the group has accomplished as “cheerleaders” for the library. She says that Middle Country Public Library is a jewel and that not many people realize it’s received national recognition, with librarians coming from all over the country to learn about programs that have been developed there with hopes of replicating them elsewhere.

“[The library] has been very important to me,” she said. “That’s why I’ve been involved all this time. It’s such a wonderful place, and I want to give back. It was important to me when my children were small. Every single person here has a story about how this library has impacted their lives. In fact, I have a whole notebook of stories that members have written about why they love it. These people have become great friends over the years, as we share a love for the library. There’s something for everybody here.”

The Laughter for a cause event will take place at 8 p.m. on Nov. 10. Tickets are $20 per person, and you must be 18 or older to attend. The Friends’ fall book sale will take place on Nov. 4 and 5.

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Peter Magistrale speaks in support of the Child Victims Act at a rally in St. James. Photo by Ted Ryan

By Ted Ryan and Victoria Espinoza

Residents of the North Shore gathered at Veterans Memorial Park in St. James Oct. 15, to raise awareness of sexual abuse of children in New York state.

Democratic candidate for the state Senate race in the 2nd District, Peter Magistrale, hosted the rally. He is advocating for a change to the current statute of limitations that restricts when a child rape victim can come forward with a civil or criminal case against their abuser.

In New York, once victims turn 23 they can no longer make a case for child abuse against the predator in question.

According to research conducted by the Centers for Disease Control and Prevention, one out of four girls and one in six boys are sexually abused before the age of 18. In addition, the National Center for Victims of Crime said 14 percent of sexual offenders commit another sexual offense after five years, and 24 percent after 15 years.

The National Sex Offender Public Website stated children usually delay telling someone if they have been sexually abused because they are either afraid of a negative reaction from their parents or of being harmed by the abuser. The website indicated kids often “delay disclosure until adulthood.”

Magistrale said he thinks the restriction is unjust and wants to turn the tide on child abusers by removing the statute of limitations through the Child Victims Act. The bill would eliminate both criminal and civil statutes of limitation for child sexual abuse, and provide a one-time, one-year window in the statute of limitations to enable victims whose claim was time-barred by the current arbitrary limitations to revive their claim.

A similar version of this bill failed to make it past the state Senate floor during the legislative session this past June.

“A kid takes on average 21 years to come forward [to admit they were abused],” Magistrale said at the rally. “The average age that a child is raped is 8 or 9. By the time they build the courage and get over their psychological scars, time is up. We have to pass the Child Victims Act to do two things: Lift the statute of limitations completely, and then give a one-year look back window for people who were abused and unable to come forward in the past to point out who did it to them so we get them [the predators] off the street as well.”

Several victims of child abuse spoke at the rally, as well as members of anti-child abuse organizations. They told their stories of the abuse and their subsequent frustration with the restrictive statute.

Among the speakers was Melanie Blow, COO of the Stop Abuse Campaign.

“It’s simply ridiculous it’s taken us 10 years to pass the most significant bill to prevent child abuse,” Blow said. “But we’ve got survivors coming together right now to get the word out, to tell parents that this is an issue, and this piece of legislation will help.”

John De Vito, Democratic candidate for the state Senate’s 3rd district, also spoke at the rally.

“So many people here who are victims of sexual violence might never have a day in court to seek justice,” De Vito said. “But if we pass the Child Victims Act, our children will be awarded that opportunity going forward.”

During an interview at TBR News Media’s office in East Setauket, state Senate Majority Leader John Flanagan (R-East Northport) said he agreed with Magistrale, who he is running against for re-election in the 2nd District, that this is an important issue but he does not support the legislation.

“There are significant protections in the law right now,” he said. “This is a one-year opener that could bring cases going back 40, 50, 60 years. We have statute of limitations for very cogent reasons and no matter how emotional a subject may be, witness availability, evidence, all those things have a salutary effect in terms of what happens.”

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'The Red Rocker' by Laura Westlake will be on view at the exhibit

By Irene Ruddock

As autumn rolls around, people start to think of the comforts of home: a cozy fireplace, baking and perhaps redecorating their homes. What better way to perk up a home than to bring in some beautiful art to soothe the soul?

Now in its 36th year, the Setauket Artists’ Exhibition, featuring the works of over 40 artists, will return to the Setauket Neighborhood House, 95 Main St., Setauket from Oct. 23 to Nov. 17 with viewing daily from 10 a.m. to 5 p.m. The show will be judged by respected watercolorist and juror Lucy Taylor of the Art league of Long Island.

‘Fall Colors at Stony Brook’ by Lana Ballot
‘Fall Colors at Stony Brook’ by Lana Ballot

The artists

Lana Ballot

Rina Betro

Sheila Breck

Renee Caine

Al Candia

Gail Chase

Anthony Davis

Jeanette Dick

W.A. Dodge

Paul Edelson

Stu Gottfried

Donna Grossman

Melissa Imossi

Laurence Johnston

Anne Katz

Flo Kemp

Karen Kemp

Michael Kutzing

John Mansueto

Jane McGraw-Teubner

Terrance McManus

Eleanor Meier

Fred Mendelsohn

Jim Molloy

Muriel Musarra

Iacopo Pasquinelli

Paula Pelletier

Denis Ponsot

Joan Rockwell

Robert Roehrig

Irene Ruddock

Eileen Sanger

Carole Link Scinta

Sungsook Setton

Barbara Siegel

Patricia Solan

Angela Stratton

Mary Jane van Zeijts

Annemarie Waugh

Laura Westlake

Marlene Weinstein

Patricia Yantz

Reinforcing the group’s motto — “Art for a Lifetime” — the artists strive to provide art that has a meaningful impact on the viewer. It is art that invites you to breathe softly, to take a walk down a hidden path, put your feet into the cool waters or sit in a rocker on the porch enjoying the last days of summer. (See Laura Westlake’s “Red Rocker.”)

The Setauket Artists revel in capturing the beauty of our local scenes such as Carol Linke Scinta’s atmospheric “Gamecock Cottage,” Patricia Yantz’s soothing “West Meadow Wonder,” Barbara Siegel’s nostalgic “Sound View Pavilion” or Rina Betro’s “Sweet Caroline” — an oil painting of the beloved and historic Caroline Church.

Collectors of Anne Katz’s and Paula Pelletier’s watercolors will enjoy their luminescent, pastoral paintings while others will seek out Stu Gottfried’s pastels that define the hustle and bustle of city life. 2016 Honored Artist Robert Roehrig will lead you to stroll along Long Island’s South Shore delighting you with a stunning sunset, Jeanette Dick will charm you with her alluring “Geisha,” and Renee Caine will guide you through the elegant splendor of “Monet’s Giverny.”

 

In a contemporary turn, view Annemarie Waugh’s “Avenue of Trees,” which is magically childlike and truly a breath of fresh air. The Setauket Artists are joined for the first time by the well-known oil painter W.A.Dodge who will display his stunning “Orange Rhymes with Blue,” and Denis Ponsot, instructor of watercolor at the Art League of Long Island, whose painting of “The Red Canoe” will make you want to grab the oars and paddle away.

Portraitist Terrance McManus captures the sweet innocence in “Island Boy” and the warmth and wisdom emanating from “The Professor.” Other well-known artists joining the group for the first time are the renowned oil painters Laurence Johnston and John Mansueto and pastel painter Lana Ballot, instructor at the Atelier at Flowerfield. The Setauket Artists are honored to have as our guest artist, master watercolorist and former judge Antonio Masi, famous for his paintings of New York City bridges.

Several artists have donated paintings to be raffled off including 2015 Honored Artist Jim Molloy who will contribute his giclee painting, “Turning Tides,” with proceeds to benefit the organization. Fred Bryant of Bryant Funeral Home in Setauket will once again sponsor the exhibit. Fred, patron of the arts, has generously contributed to the art group for ten years leading it to the professional organization that it is.

An opening reception will be held on Sunday, Oct. 23 from 1 to 4 p.m. at which scholarships will be awarded to three local students, Daniela Winston and Lexie Buynoch for art and Jacob Henretta for science in memoriam of recently deceased Setauket Artists Michael R. Kutzing, David Smith and Flori Sternlieb. If you miss the first reception, you may join Setauket Artists for their free evening wine and cheese reception on Friday, Nov. 11 from 5 to 7 p.m. where many new affordable paintings will be featured just in time for the holidays. Entertainment will be provided by singer Caterina Dee whose lilting and sultry voice made the evening complete last year.

For additional information, visit www.setauketneighborhoodhouse.com, Setauket Artists on Facebook or call 631-365-1312. Irene Ruddock is the coordinator of the Setauket Artists.

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