Authors Posts by Jeffrey Sanzel

Jeffrey Sanzel

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Reviewed by Jeffrey Sanzel

Jeannie Moon’s latest romance novel, “Then Came You,” is a wonderful portrait of love in a small town and gets to the heart of what really makes a family.

The book is cleverly rooted in a legend connected to the history of the fictional town of Compass Cove, founded 1667. The prologue tells the story of a young widow, a compasssmith and a needle that pointed not north but to an individual’s true north (i.e., love). It is a sweet tale and one that sets just the hint of magical realism (and will surface later in the novel).

Above, author Jeannie Moon

At the center of Moon’s novel is 29-year-old Mia DeAngelis “who in another life … would have been a star. In this life, she was doing damage control. Again.” Mia is raising her orphaned nephew, Ben, after her sister’s suicide nine years earlier. Initially, Mia’s rather cold mother was raising Ben with Mia’s father. After the two were hit by a drunk driver, taking the father’s life and injuring Mia’s mother, it was decided that Mia should become guardian.

There is nothing of the Hallmark movie about Moon’s dealing with the dysfunctional pieces of the family; she has created real people in a complex situation. Mia’s desire to adopt Ben is very candid and the complications that ensue feel honest. Mia is faced with the double challenge of being a single mother who is not the biological mother. This desire to adopt Ben is the driving force in her life and in the story.

Ben is now an active 10-year-old boy who Mia has moved from Maryland to raise Ben in Compass Cove where she had summered as a girl. Her grandmother, a vital and free spirit, pitches in and Mia is finding a new life. There is nothing random about the relocation from a city to the Long Island suburb. Mia is doing everything she can to save Ben from himself and the latent anger that is brewing beneath the surface. Gradually, it is revealed that Mia lived in the shadow of her thinner, prettier sister — “the sainted Sara” — and is just now coming into her own. It is clear that the sister’s suicide had been a destructive force in all of the family members’ lives, and they are each dealing with it in a different way.

Mia has taken up the post of librarian at the local university, and it is there she begins to find romance. Prior to Compass Cove, she had been unlucky in dating, not having had a second date in five years or a real relationship in nine. Ben has become her whole life and she has accepted that this is her lot. At this point in her life, Mia has never been in love.

Her immediate chemistry with the college football coach Adam Miller is helped along by Adam’s kindness to Ben and his welcoming the boy to become a sort of mascot to the football team. Adam, a former pro-athlete and past “bad boy,” is smitten with Mia. Adam has a long history of risk-taking that ended his professional career but helped him find himself. A native of Compass Cove, he moved back home to find balance again. Their attraction is natural and believable and electric at the get-go.

The cover of Moon’s latest book

There are struggles from the beginning of their courtship (Mia’s mother, even at long distance, has a real canker about sports in general and athletes in particular) but their attraction is undeniable. The novel addresses real fight-or-flight issues in relationships and the challenges that force people to put up walls and barriers.

Moon shifts effortlessly between the voices of Mia and Adam, changing syntax and diction seamlessly, alternating between the articulate and educated Mia and the slightly rough-hewn Adam.

After Adam stands Mia up for a date, she becomes more involved with Noah, a self-important professor, who is “the right guy” and ticks all of the appropriate boxes — but who is clearly not the right choice. Mia begins seeing Noah seriously but is constantly drawn back to Adam.

It is in a crisis involving Ben that the two suitors true colors come out, and Moon deftly addresses the issue of what makes a hero and, ultimately, what makes a good man.

There is plenty of heat between Mia and Adam and their passion is vividly depicted. Their intense and breathless physical compatibility leads to deeper feelings and the examination of second chances and what defines “the love of your life.” One chapter ends with Adam’s plea to himself: “Love her back. Just love her back.” Likewise, when she looks into Adam’s eyes, she sees the future — their future. In “Then Came You,” passion and intimacy are about trust.

In the background of the burgeoning relationship is a cast of interesting and engaging characters, including both their grandmothers, whose families are longtime Compass Cove residents and are involved without the caricature of meddling.

One of the richest characters is Mia’s mother, Ellen, a distant woman of strong opinions and a judgmental streak who has become acerbated by her daughter’s and husband’s deaths. Living in Charleston, Ellen does not want to give up legal custody of Ben and yet she doesn’t want to take full-time responsibility as it would interfere with the new life she has set for herself. While she is mostly portrayed in phone calls, the depth of her control permeates Mia and Ben’s lives. Moon has well-crafted Ellen’s literal and figurative disconnects and becomes the threat to Mia’s adoption of Ben.

In addition, the surfacing at Thanksgiving of Adam’s ex — the rail-thin, acid-tongued model Pilar — brings up doubts but then strengthens Adam and Mia’s future. This forced confrontation with his past, helps Adam grow yet another step toward what he really wants in the world. There is a late-in-the-game plot twist that enforces Mia’s complicated family history. But rather than feeling contrived, it is brutally honest and raises the final stakes in Mia, creating the family she truly craves.

If anything, “Then Came You” is a tribute to the support of a small town. “Mia had only started to learn it was okay to lean on others since moving to Compass Cove.” She moves from a life of isolation and the illusion of independence to embracing extended family in the form of friends and neighbors.

For both Mia and Adam, making Compass Cove a home brings out the good and the better in them. “Then Came You” is an appealing novel that will delight fans of both the romance and literature genres.

Jeannie Moon is the author of 15 published novels. Born and raised in Huntington, Moon is currently a librarian in the Smithtown school district and the president of the Long Island Romance Writers. “Then Came You” is the first book in her new Compass Cove series, published by Tule Publishing Group, and is available at Barnes & Noble, Amazon, Kobo and iBooks. Meet her at a romance author panel, The Power of Love, at Sachem Public Library in Holbrook on Saturday, Feb. 10 from 1 to 2:30 p.m. Books will be available for purchasing and signing. For more information on the author, visit her website at www.jeanniemoon.com.

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By Jeffrey Sanzel

Public radio personality and prolific author David Bouchier has gathered 122 essays in his newest collection, the charming “Out of Thin Air.” Divided into seven loose themes covering such topics as technology, politics and travel, Bouchier covers many of the same ideas but always from a different angle. As they are based on his well-known radio commentaries, each essay is a clever gem, rarely more than two pages, and makes for insightful and entertaining reading.

Author David Bouchier

In the Preface, Bouchier defines an essay as “the writer talking to you, one on one, about something that he or she finds interesting, annoying, bewildering, or funny.” This definitive statement guides the entire work. As we wend our way through his experiences, it is as if he is sitting across from us over a lively coffee. He is articulate and witty and, even when he is at his most hyperbolic, there is a sincerity that comes through.

Bouchier’s first essay, “Waiting for the End” appropriately deals with just that — the end of the world. He clearly gives us a sense of his life’s view and what will come in the ensuing pages: “The future is virgin territory, and any pessimist can claim it.” When writing of a cinematic look at the apocalypse: “The movie was two hours and thirty-eight minutes long. The actual end of the world needs to be snappier than that, or we will lose interest (average adult attention span: twenty minutes).” We now know who Bouchier is and can proceed in the full knowledge that we will laugh and be inspired in turns or, just as often, simultaneously.

Much of the book is taken up with issues of modern technology and the disenfranchisement of people of an earlier generation. What separates Bouchier from the usual curmudgeonly wheezes is that he has — albeit sometimes reluctantly — embraced not just the power of these changes but their necessity. Not that he doesn’t take many pointed and highly amusing shots at our slavish addiction to all things computer centric; he rails against them but still sees their value. “We are never alone unless the battery runs out.” He is not so much technophobic but “techno-wary.” Of cellphones, “I talk, therefore I am” is followed by his taking it a step further that this form of communication brings us closer to each other and yet isolates us from the world.

In his longest essay, “The Ghost in the Machine,” Bouchier makes the valid point that computers have rid us of the need for memory. With instant access, we have disconnected from ourselves and no actually living is done. We have become a society that survives in a virtual existence. While he is going to the extreme to make his point, there is a reality in his argument that demands we look inward.

“From Hardware to Software” is a laugh-out-loud equation of old-fashioned hardware stores with the heroic doctors of television drama with the dramatic of-course-it-can-be-saved. It reflects on a time when problems had solutions and mourns the loss of these kinder bastions of help and support and knowledge. In the same vein, the author writes a paean to the joy of the manual typewriter, gone the same way is these shops.

What helps enrich the pieces is that Bouchier is incredibly well-read and knowledgeable in a wide range of topics — literature (novels in particular), art and science to name a few. He encourages the reader to embrace science — even if you don’t understand it. He praises continuing education but never laments that education is wasted on the young. It gives a vast scope for interpretation and reference that enriches the depth of his exploration.

As stated, many subjects overlap (notably cellphones, computers and other contemporary gadgetry), but he manages to mine a different perspective with each vignette: He finds a singular awareness to highlight.

The topics that are covered are plentiful. The author’s thoughts touch on ideas from “selective forgetting” (a wonderfully accurate concept) to the danger of the smiley face. He pursues the danger of teaching fake history and the repercussions on young (and older) minds. Here, like so many places in his writing, he shifts easily from his acerbic and pithy quips to important concepts such as learning from history, not just ingest it.

Bouchier’s take on the opposite of procrastination — “pre-crastination” — is amusing and not a little disturbing; he finds that people who rush into things are not giving the proper thought. This leads to a siting of truly dangerous things that should give people pause: “double bacon cheeseburgers with fries, international wars, and marriage.” Even when taking aim at easy targets, his perceptions are both fresh and refreshing. Ultimately, in “We’ll Do This Later,” somehow he makes a strong case for procrastination. He is also adept at looking at two sides of a situation.

In “The Way We Were,” the author starts out with a pointedly ambivalent view of reunions but then comes to a much more introspective conclusion, finding the worth in the event. It is not just that he finds the two views but he is able to perceive multiple awarenesses.

“Worth Preserving” is a timely solution for maintaining historical sites. What is fascinating is that at first it seems like he is being tongue-in-cheek — and he might possibly be — but the concepts of preservation and accessibility are sound. It is this blend of humor and understanding that fuel his writing.

And yet, Bouchier’s take on nostalgia comes at the discussion from a different standpoint: “Every nation has its own tales of a glorious past that never existed.” He gives Downton Abbey as a prime example that the truth is much darker below stairs. Basically, the good old days that are glorified by film, television and novels never existed.

He laments the bookless bookstores that have become clothing emporiums — most notably university bookstores where books are screens “to goggle or Google at.” Clever word play is powerful and his succinctness is an arrow to the center, his dissections as swift and accurate as a scalpel.

“Losing stuff, like losing weight, is a lost cause.” We have too many things — we are saturated as “willing prisoners” of our acquisitions. Again, he turns his accusations inward and finds the positive in what has become a negative cliché — he finds the value in “stuff” as a connection to who we are related to from where we’ve come.

The author’s thoughts about wedding extravagance are really an exploration of marriage in the short and long term, calling to task the reality that in the modern age being average and fitting in trumps being Mozart. In the age of driverless cars, perhaps it is not the vehicles that should be recalled but the drivers themselves. In a flip on red-light cameras, he makes the case to reward good drivers for correct behavior.

The selfie as “a sudden plague of pathological vanity” is extreme — but not inaccurate, flying in the face of the cliché of a picture being worth a thousand words. The “Look at me, I’m here, I exist” is no more than a “flicker across the consciousness leaving no trace. They’re not worth a thousand words, they replace a thousand words.”

There is a great deal of strong advice in Bouchier’s writings. In “A Good Long Read,” he meditates on the transition from reading long books to embracing a series of books. This is a healthy and helpful suggestion to readers of desire but limited time.

An extended section on politics in the book should be made required reading in every school (and home, for that matter). The author’s view on the American system can be summed up in his observation that we have hundreds of choices for cereal but only two for president. He writes about the true heroes of our times and times past as well as a fascinating connection between clowns, Halloween and Election Day.

A discussion of a universal draft — men, woman, all ages an socioeconomic backgrounds — ultimately hints at broader ideas. He does the same thing with a darkly comic advocation of making everyone in the world an American. In his section on travel, Bouchier opens up with “Escape Attempts,” which hints at deeper themes — going from trips to war to marriage and children. He makes profound statements about the power of inner life, of reading versus travel. He points out that “to” is often less important than “from.” Style of travel from point of view as well as the unnecessary obsession with souvenirs all encourage us to look not just in the mirror but within ourselves.

The essay “The Business of America” is the smartest and most accurate assessment of the lack of values in our constant pursuit of meetings. In the “Right to Arm Bears,” Bouchier proposes leveling the hunting playing field by providing animals with guns. “Philosophy in the Slow Lane” meditates on life in the Long Island Expressway traffic jams, comparing it to the classic audio novels (Twain, Melville) he listens to when caught in the given congestion of our daily lives. All pithy statements; all with great truths beneath.

The best summation of Bouchier’s work would be in his own words: “What makes us different from bees and lemmings is that we can and do break away from the herd, and think our separate thoughts. We are bees with a perspective on the hive, which allows us to evolve and to create. It also gives us a headache.”

Thank you, Mr. Bouchier for the reminder of all the former. And your tag to this thought reminds us never to take ourselves too seriously.

‘Out of Thin Air’ is available online at www.amazon.com. Meet author David Bouchier at the Third Friday event at the Reboli Center for Art and History, 64 Main St., Stony Brook on Friday, Dec. 15 at 6 p.m. Bouchier will discuss his 25 years on public radio. The event is free.

A cornucopia of crime and punishment

By Jeffrey Sanzel

Author Kerriann Flanagan Brosky

“Historic Crimes of Long Island” by Kerriann Flanagan Brosky is a highly readable journey through “Misdeeds from the 1600s to the 1950s.” The Huntington author has collected 20 tales of local mayhem, ranging from murder to kidnapping, crimes motivated by money, passion and, occasionally, insanity. Brosky’s tight, you-are-there prose propels the reader from one piece to another, covering a wide range of sinister and often heinous actions. As aptly stated in the Preface, the book includes “pirates, witches, jealousy, revenge, tar and feathering, beheadings, drownings, madmen eccentrics, axe murderers and more.”

Brosky never shies away from skin-crawling detail where appropriate; but what separates this work from many others like it is her compassion for the victims. More often than not, books that chronicle the darker side of history tend to celebrate the perpetrators. Brosky instead shows great sensitivity and understanding of the targets. She offers insight into the motivation of the offenders but never excuses or glamorizes their actions. She does not revel in evil but explores it from multiple angles. She is more interested in the “why.”

The book wisely eschews chronology but instead opts for contrast as the accounts venture back and forth throughout time, weaving a rich tapestry, no two stories identical. Incidents in Quogue, Huntington, Islip, Smithtown, Westhampton Beach and other well-known Long Island towns create an intense backdrop to the range of occurrences.

Brosky focuses on not just a variety of episodes but chooses to spotlight different aspects of the proceedings. The Corn Doctor Murder exams a tangled legal system whereas The Mad Killer of Suffolk County emphasizes a sociopathy that drives a man to thrill killing.

Kidnapping or Murder? The Alice Parsons Case shows the politics that can interfere with an investigation as the conflict between the FBI and local police left the case unsolved. The Murder of Captain James Craft stretches from Glen Cove to the Tenderloin and includes both deception and decapitation. The Samuel Jones Murder addresses capital punishment in light of a botched hanging in 1875. Buried treasure, a violated burial ground and obsessed gardener are examined in astute detail.

One of the most intriguing entries is East Hampton Witch Trial of 1658. Like all sagas of this era, it shows the power of a vindictive nature in a culture of suspicion. It clearly sites the hysteria and danger but what is unusual in this report is the surprising outcome.

Perhaps the strongest and certainly most heartbreaking is Starr Faithful: Drowning, Murder, or Suicide. Here is a devastating sketch of a tragically abused girl, ill-treated from a very young age. This is a detailed commentary, mired in deep unhappiness, promiscuity, alcoholism and blackmail. Above all, it is a dimensional portrait of the victim. (As an interesting side note, Starr Faithful was the inspiration for John O’Hara’s novel, “Butterfield 8,” and the Elizabeth Taylor movie that followed.)

The book is well illustrated with photos, period prints and newspaper clippings, supplemented by Penny Dreadful-style illustrations by author Joan Harrison (who also provided the Foreword). Some stories are solved; others are left open, haunted by doubts and conflicting evidence. A variety of characters sharply presented, flesh out this slender but consistently engaging composition, sure to please a wide range of readers this Halloween season.

“Historic Crimes of Long Island,” published by The History Press, is available online at www.amazon.com and local bookstores. Upcoming lectures and book signings in the area include Port Jefferson Free Library on Oct. 27 at 7 p.m., Northport Historical Society on Oct. 29 at 2 p.m, and Half Hollow Hills Community Library in Dix Hills on Oct. 30 at 7 p.m. For more information, visit www.kerriannflanaganbrosky.com.