From left, Aria, age 4, of Rocky Point and Cara, age 6, of Port Jefferson Station pose with the cast of ‘Rapunzel: The Untold Story!’ after last Saturday’s opening performance. Photo by Heidi Sutton
By Heidi Sutton
The Brothers Grimm have left behind a tremendous legacy with their wonderful fairy tales including “Snow White,” “Sleeping Beauty,” “Cinderella” and “Rapunzel,” just to name a few. The latter is the subject of Theatre Three’s latest children’s musical, albeit with a clever twist. Written by Jeffrey Sanzel and Kevin F. Story, “Rapunzel: The Untold Story!” turns the original fairy tale of a damsel trapped in a tower on its head and provides for a hilarious and magical afternoon.
The show is narrated by The Barker, enthusiastically played by Dylan Robert Poulos, who guides the story from the corner of the stage. “How will you be spending the hour? By watching a girl in a tower,” he quips.
Meg Bush, Jessica Contino and Dylan Robert Poulos in a scene from ‘Rapunzel: The Untold Story!’ Photo by Peter Lanscombe, Theatre Three Productions Inc.
When a husband (Steven Uihlein) is asked by his pregnant wife (Melanie Acampora) to steal some vegetables from the witch’s garden next door, he reluctantly agrees. (Happy wife, happy life, right?) After being caught red-handed for the third time, he asks the witch (Meg Bush) if she will turn him into a frog? Take his first-born child? “No,” she replies, “Just … don’t do it again.” Turns out she is a good, sweet and kind witch and therein lies the twist. When the couple’s child is born, the witch decides to send over a vegetable basket to congratulate them and sprinkles it with a slow-releasing happiness potion.
As Rapunzel (Jessica Contino) enters her teenage years, she becomes increasingly ill-tempered, something many parents can relate to, and makes everyone’s life miserable. She refuses to cut her hair and is always in a rotten mood. The situation is so bad that her parents beg the witch to take her off their hands and lock her away in a tower. It is then that the witch realizes that she accidently mixed up the happy potion with a rotten potion — “I made a goof and the girl is proof” — and sets out to find a handsome prince (Andrew Lenahan) to break the spell. Will this version of “Rapunzel” have a happy ending?
Directed by Sanzel, the six adult cast members take the cleverly written script and run with it. They know their target audience well and do an excellent job conveying the story. A nice touch is the constant interaction with the audience. Whenever a problem arises, The Barker gestures for the lights to go up and asks the audience for encouragement, revealing the moral of the story — that the real magic in the world is friendship.
Accompanied on piano by Steve McCoy, the original song and dance numbers, with choreography by Sari Feldman, are fun and engaging and the costumes by Teresa Matteson are spot on. Utilizing the gorgeous set from the current Mainstage production of “I Hate Hamlet,” with its Gothic castle interior and a balcony resembling a tower, is just the icing on the cake.
Snacks and beverages are available for purchase during intermission, booster seats are available and costumes are encouraged. Also, make sure to stop by and say hello to the cast in the lobby after the show. The actors welcome questions (“Is that your real hair?”) and readily pose for photos.
Theatre Three, 412 Main St., Port Jefferson will present “Rapunzel: The Untold Story!” through Feb. 24. Children’s theater continues with “The Adventures of Peter Rabbit” from March 10 to April 14, “Stand Up! Stand Out! The Bullying Project” from April 21 to May 5 and “Goldilocks — Is That You?” from May 26 to June 9. All seats are $10. For more information, call 631-928-9100 or visit www.theatrethree.com.
Steve McCoy as John Barrymore and Dylan Robert Poulos as Andrew in a scene from 'I Hate Hamlet'. Photo by Brian Hoerger, Theatre Three Productions Inc.
By Heidi Sutton
Fresh on the heels of “A Christmas Carol,” Paul Rudnick’s delightful comedy “I Hate Hamlet” rings in the New Year at Theatre Three with a touch of Shakespeare, a friendly ghost and loads of laughs, all the while examining the age-old debate about the art of live theater versus the fame of television and film.
Directed by Mary Powers, the story centers around Andrew Rally (Dylan Robert Poulos), a successful television actor on the sitcom “L.A. Medical” and the star in a series of commercials peddling breakfast cereal. When the show is suddenly canceled, Andrew moves from California to New York City to try his hand at live theater and is offered the lead role in the Central Park stage production of the tragic masterpiece, “Hamlet: Prince of Denmark.”
Above, the cast of ‘I Hate Hamlet’. Photo by Brian Hoerger, Theatre Three Productions Inc.
From all outward appearances, Andrew is living the good life: a beautiful girlfriend, the perfect apartment just off Washington Square and the chance to hone in on his craft by performing the works of the Bard. However, inside he is lacking confidence, his girlfriend of five months, 29-year-old Deirdre McDavey (Jessica Contino), is keeping a firm grip on her chastity leaving him frustrated, his new digs appears to be haunted and, for some reason, he just hates “Hamlet.”
When his agent Lillian Troy (Marci Bing) informs Andrew he is living in the same apartment once occupied by John Barrymore, whose portrayal of Hamlet led to him being called the “greatest living American tragedian,” Deirdre and real estate broker Felicia Dantine (Linda May) find the whole scenario too coincidental to pass up and the four conduct a séance to conjure up the dead actor. Shortly thereafter, Barrymore’s specter (Steve McCoy) appears in the apartment dressed as Hamlet and sets out to convince the insecure actor that he can and should take the part. Only visible to Andrew, producer Gary Peter Lefkowitz (Steve Ayle) and Lillian, Barrymore’s ghost cannot leave until opening night and utilizes his time teaching Andrew how to duel and to appreciate the poetry that is “Hamlet.”
When Gary offers Andrew a new role in a television pilot with the promise of millions of dollars and fame, the actor must decide between Shakespeare in the Park or commercial success. Which will he choose? That is the question.
Jessica Contino as Deidre and Steve McCoy as John Barrymore in a scene from ‘I Hate Hamlet’. Photo by Peter Lanscombe, Theatre Three Productions Inc.
Costumes are wonderful, especially the Shakespearian garb, and the set is most impressive indeed. In the first act, the two-level apartment, complete with fireplace, long staircase and balcony, is in disarray, with moving boxes scattered about, a rolled-up carpet and couches wrapped in plastic. As the lights go up in the second act, the apartment has been beautifully transformed to Barrymore’s heyday of the 1920s, bearing a remarkable resemblance to the interior of a Gothic castle.
With a stellar cast, top-notch performances and terrific script, “I Hate Hamlet” promises a lovely evening at the theater. Whether you are a fan of Shakespeare or it’s not your cup of tea, either way you’re in for a wonderful treat. Don’t miss this one.
Enjoy a drink at Griswold’s Café on the lower level of the theater and take a chance at 50/50 during intermission. Proceeds will help upgrade and maintain the historic building.
Theatre Three, 412 Main St., Port Jefferson will present “I Hate Hamlet” through Feb. 3. Contains adult subject matter; parental discretion is advised. The Mainstage season continues with the musical comedy “Nunsense” from Feb. 24 to March 24 and the courtroom drama “12 Angry Men” from April 7 to May 5. Tickets are $35 adults, $28 students and seniors, $20 children ages 5 to 12. To order, call 631-928-9100 or visit www.theatrethree.com.
Above, the cast of ‘A Kooky, Spooky Halloween’ at Theatre Three.
By Heidi Sutton
There’s something kooky going on at Theatre Three in Port Jefferson. As a matter of fact, there’s something spooky going on there as well. In perfect timing with the upcoming holiday, the Children’s Theatre presents a brand new musical treat, “A Kooky Spooky Halloween,” through Oct. 28.
Written by Jeffrey Sanzel and Steve McCoy, the adorable show emphasizes the importance of telling the truth and helping others. Skillfully directed by Sanzel, the talented cast of eight adults embraces the brilliant script and, with plenty of audience interaction, presents a wonderful afternoon of live theater.
The cast sings ‘It’s Ma Who Makes the Toast’
Ghost Abner Perkins (Dylan Robert Poulos) has just graduated from Haunted High School and awarded a medallion of invisibility. His first assignment is to be the spooksperson on Halloween for Ma Aberdeen’s Boarding House, “the most haunted house in Harrison County, USA,” which is also known for serving the best toast. There’s only one problem — Abner is afraid of the dark. “It’s like a vampire who’s afraid of necks!” quips his friend Lavinda (Jessica Contino), a good natured witch, before presenting him with a night-light to wear on his hat. Lavinda promises to help Abner with his haunting duties for the first few days.
When they arrive at the boarding house, they come upon Ma Aberdeen (Ginger Dalton), the finest toast maker in the land, and her boarders, Kit Garret (Meg Bush) and the Petersons — Paul the periodontist (Steven Uihlein), his wife Penelope (Nina Moran) and their son Pip (Eric J. Hughes), whose alliterations using words that start with the letter P are perfectly prodigious!
As the sun sets, Abner plays silly tricks on the unsuspecting group, making them stuff Halloween goodie bags in double time, exercise, sing, dance and get stuck to each other. Things are going hauntingly well until fellow graduate Dora Pike (Elizabeth Ladd) shows up. A ghost with a grudge (she was hoping to be assigned to Ma Aberdeen’s boarding house), Dora steals Abner’s night-light and medallion out of revenge and makes her way to Black Ridge Gulch, the deepest, darkest gorge in the entire world (where it’s really, really dark).
Dylan Robert Poulos and Jessica Contino star as Abner and Lavinda in the show.
Now visible, Abner convinces the boarders, who are still stuck to each other, to accompany him and Lavinda on a quest to retrieve his property. Will Abner be able to overcome his fear of the dark? Will the two ghosts be able to reach a compromise?
From the first number, “A-Haunting We Will Go” by the entire company, to the downright creepy “It Will All Fade to Black” by Dora, and the catchy “It’s Ma Who Makes the Toast,” the original songs by Steve McCoy are the heart of the show. Utilizing the set from the current Mainstage production, “The Bridges of Madison County,” the show features excellent choreography by Nicole Bianco. Ditto the costumes by Teresa Matteson.
“A Kooky Spooky Halloween” is the perfect show to get into the spirit of Halloween and a wonderful way to spend a fall afternoon. But be forewarned — for some strange reason, you’ll exit the theater having a craving for toast! Meet the cast in the lobby for photos on your way out.
Theatre Three, 412 Main St., Port Jefferson will present “A Kooky Spooky Halloween” on Oct. 14, 21 and 28 at 11 a.m. and Oct. 22 at 3 p.m. with a sensory-sensitive performance on Oct. 15 at 11 a.m. Running time is 1 hour and 15 minutes with one intermission, and Halloween costumes are encouraged.
Children’s Theatre will continue with everyone’s holiday favorite, “Barnaby Saves Christmas,” from Nov. 24 to Dec. 30 and “Rapunzel — The Untold Story” from Jan. 20 to Feb. 24. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.
All photos by Peter Lanscombe, Theatre Three Productions, Inc.
TracyLynn Conner and Brian Gill in a scene from 'The Bridges of Madison County'
By Michael Tessler
You know you’ve seen an incredible production when you find yourself pondering your own life and place in the universe after exiting the theater. That was the case last Sunday afternoon after attending a production of “The Bridges of Madison County” at Theatre Three in Port Jefferson.
TracyLynn Conner and Brian Gill with the cast from ‘The Bridges of Madison County’
Based on the award-winning novel by Robert James Walker and the beloved film starring Meryl Streep and Clint Eastwood, this musical adaptation has a score worthy of Broadway, and Theatre Three provides a cast equally deserving of that designation.
For those unfamiliar with the plot, this is an unconventional love story. Not cliched but brutally honest and so refreshingly human.
As not to spoil much, we meet our protagonist Francesca, an Italian refugee fleeing a war-torn Italy and a life she’s ready to leave behind. To accomplish this she marries Bud Johnson, a simple-minded but well-meaning American soldier who left life on the farm to serve his country. Both travel back to the United States where they build a home and a beautiful family. Their son Michael doesn’t want to live the life of a farmer like his father; their daughter Carolyn, however, embraces it as she trains an award-winning steer for the annual state fair.
Francesca, lovingly called Fran by her husband, longs for the life she dreamed of as a little girl. She feels it is far too late to begin anew, and while there is food on the table, there’s no money for her to visit her home in Italy and the life she left behind. So she settles for a life as a farmer’s wife, trying to find contentment packing lunches.
From left, Marissa Girgus, Dennis Creighton, Steve McCoy, TracyLynn Conner, Matthew Rafanelli and Ella Watts in a scene from ‘The Bridges of Madison County’
Everything changes for Fran when her husband and children take a trip to the state fair. She gets a rare opportunity to breathe and relax. That is until a beat up pickup truck rolls into her driveway and with it the arrival of Robert Kincaid — a professional photographer from National Geographic putting together a photo series on bridges throughout the United States. He’s lost and needs some directions. He’s well-traveled, having just recently visited Italy and having seen every corner of the globe. Fran invites him into her home and, by extension, her life. Thus her world changes forever.
Though I won’t spoil the rest, the show is a real treat. You’ll feel just about every emotion in the book in this two-act musical. Once again Jeffrey Sanzel shines as a director capable of any genre. His unique vision can make a timeless story feel brand new again.
Undoubtedly some lines are picked up directly from the book and film adaptation, but Sanzel’s production takes you for a ride in that worn down pickup truck. You get a glimpse into someone’s world, and that’s a beautiful thing. Sanzel guides his incredibly talented cast, making it impossible not to feel for these characters. I found myself so invested in characters who managed to emote so much in such a short time. Sanzel has no problem setting the bar higher and higher with each passing performance.
This show’s phenomenal cast certainly made his job easier though! Leading the production is the show’s star, TracyLynn Conner who portrays Francesca. First off, her accent is marvelous and never breaks even once. Her voice is one of the finest I’ve ever heard on a stage. Operatic, emotional and just so beautiful to listen to.
Much credit goes to Jeffrey Hoffman who handled the show’s musical direction and turned this small cast into an incredible musical ensemble.
Matthew Rafanelli and Ella Watts
Fran’s husband Bud is played by Dennis Creighton, who really captures the essence of the character and shows his musical tenor in the show’s second act and final number. He’s accompanied by two incredible young actors — Ella Watts as their daughter Carolyn and Matthew Rafanelli as her bookish brother, Michael. I was particularly impressed with Watts. This former star of NBC’s “The Sound of Music Live!” has a voice so incredibly refined that you wish she had even more time on stage. Rafanelli really shines in his role and you’ll find yourself constantly rooting for him and his dreams and flashing back to your own childhood sibling drama. No doubt we’ll be seeing both actors on stage many times in the future!
Theatre Three veteran and Bryan Cranston look alike Steve McCoy remains one of my favorite company members. He plays Charlie — the friendly, simpleton neighbor of the Johnsons and provides comic relief throughout some of the show’s tougher moments. His wife Marge provides nonstop laughter followed by some incredibly endearing scenes. She is portrayed by the incredibly talented Amy Wodon Huben.
Brian Gill’s low and powerful voice brings Robert Kincaid, the world traveling photographer to life. His duets with Conner are some of the highlights of the show. His personality is infectious and translates beautifully on stage.
Last, though certainly not least, is the incredibly diversified performances of Marissa Girgus who plays not one but over four roles. She steps into each of them flawlessly, creating performances both touching and comedic. I felt all sorts of emotions during her nothing short of groovy performance of “Another Life.”
Being a smaller cast, you can get a sense that each character was crafted to perfection not just by the actors but by their director. They feel so real and so dynamic, which is exceptional as several actors play multiple roles … something that usually takes you out of an experience but now suddenly enhances it.
Brian Gill and TracyLynn Conner
My favorite part of the show (outside of its cast) was its unique score, which combines two radically different genres to make something genuinely unique. Strings played as though from the Italian countryside, harrowing and haunting — a reminder of an old world, an abandoned life combined with the lively sound of the great American Midwest, and the wholehearted lifestyle of the American farmer. For a brief moment these sounds clash into something unique and unforgettable.
This may be one of the most beautiful sets I’ve seen at Theatre Three. Randall Parsons transports you to the great American Midwest. Robert W. Henderson Jr., the show’s lighting designer, ensures the light breaks through the barn wood in spectacular ways. One can’t help but feel nostalgic when looking at the kitchen they designed as well.
From top to bottom this show is local theater at its finest. Provoking several audible gasps from the audience followed by thunderous rounds of applause, “The Bridges of Madison County” is something you wish you could photograph and treasure forever.
Theatre Three, 412 Main St., Port Jefferson will present “The Bridges of Madison County” on the Mainstage through Oct. 28. Tickets are $35 adults, $28 seniors and students, $20 ages 5 to 12. Children under 5 not permitted. Contains adult subject matter. Parental discretion is advised.
A special event, “Behind the Curtain with ‘The Bridges of Madison County’” will be held on Oct. 22. Join Director Jeffrey Sanzel, musical director Jeffrey Hoffman and actor TracyLynn Conner for a freewheeling exploration of this powerful contemporary musical. The full buffet supper and talk will begin at 5 p.m. $30 per person. The event will be followed by the Mainstage performance of “The Bridges of Madison County” at 7 p.m. Tickets for the performance may be purchased separately.
For more information, call 631-928-9100 or visit www.theatrethree.com.
All photos by Peter Lanscombe, Theatre Three Productions Inc.
Above, the cast of ‘Aladdin and the Lamp’. Photo by Peter Lanscombe, Theatre Three Productions Inc.
By Heidi Sutton
The story of Aladdin is one of the most well-known Middle Eastern stories from the “One Thousand and One Nights” collection of folk tales, also known as “The Arabian Nights” collection. Along with “Ali Baba and the 40 Thieves” and “Sinbad the Sailor,” it features a young hero who has to learn an important life lesson. Throughout the month of July, Theatre Three’s Children’s Theatre presents an original musical retelling of the classic rags-to-riches fable that the whole family will enjoy.
Written by Jeffrey Sanzel and Kevin F. Story, “Aladdin and the Lamp” tells the story of Aladdin (Matt Hoffman) whose widowed mother (Elizabeth Ladd) works three jobs while he chooses to skip school and sleep the day away. One morning an evil wizard (Steven Uihlein), pretending to be Aladdin’s long lost rich uncle, appears and convinces the boy to help him retrieve an old lamp from a narrow, dark tunnel. When Aladdin refuses to hand over the lamp without being helped out of the tunnel first, the wizard and his evil sister Marjana (Susan Emory) close up the entrance and abandon the boy.
Matt Hoffman and Bobby Montaniz in a scene from ‘Aladdin and the Lamp’. Photo by Peter Lanscombe, Theatre Three Productions Inc.
Alone in the dark, Aladdin starts rubbing the lamp to shine it up and unwittingly releases a genie (Bobby Montaniz) who has magic powers and is able to grant any wish. What luck! With the genie’s help, Aladdin becomes rich, marries the Princess Sharazad (Aria Saltini), moves into his mother-in-law Sultana Fial-Kamar’s (Ginger Dalton) castle with his mother and lives happily ever after. Or does he?
Directed by Sanzel, the adult cast of eight does an excellent job conveying the story, with a special nod to Montaniz, whose portrayal of the Genie, which is reminiscent of Robin Williams, steals the show and quickly becomes an audience favorite, in part because of the clever script. “You can make me rich?” asks Aladdin. “So rich they’ll think you’re a Kardashian!” laughs the Genie. When Aladdin asks the Sultana for her daughter’s hand in marriage, the Genie quips, “Why don’t you ask for the rest of her?” Ba-Dum Tshh!
The songs, accompanied on piano by Steve McCoy, are fresh and fun, especially the duet “Cheat! Lie! Steal!” with Uihlein and Emory, “Make a Wish” by Hoffman and Montaniz, “Me for Me” with Saltini, Dalton and Kayla Jones (in the role of Dunyazad the handmaiden) and “Happy Ending — Not Yet!” performed by the entire company. Costumes by Teresa Matteson are spot on, from Aladdin’s fez to the Genie’s turban, and choreography by Bobby Montaniz ties in to the Arabian theme perfectly. Utilizing the trap door on stage as the entrance to the tunnel is a nice touch. Special effects, courtesy of the Genie, just add to the magic of the afternoon.
Running time is approximately 1 hour and 30 minutes with one intermission. Meet the cast in the lobby after the show for photos.
Theatre Three, 412 Main St., Port Jefferson will present “Aladdin and the Lamp” through July 29. The season will continue with “The Frog Prince” from Aug. 4 to 12 and “A Kooky Spooky Halloween” from Oct. 7 to 28. All seats are $10. For reservations, call 631-928-9100 or visit www.theatrethree.com.
From left, Emily Gates, Ashley Iadanza, Melanie Acampora, Bobby Montaniz and Steve Uihlein in a scene from ‘The Princess & the Pea’.Photo by Peter Lanscombe, Theatre Three Productions Inc
When Hans Christian Andersen passed away in Copenhagen in 1875 the Danish government stated they had lost a national treasure. Although a writer of many genres, he is best remembered for his wonderful fairy tales, including “The Little Mermaid,” “The Red Shoes,” “The Snow Queen,” “The Ugly Duckling,” “Thumbelina” and, my favorite, “The Tinder Box.” As a child, I read them all but I always remember being fascinated by “The Princess & the Pea” and the curious image of a young girl trying to fall asleep atop of 10 mattresses.
The entire company of ‘The Princess & the Pea’. Photo by Peter Lanscombe, Theatre Three Productions Inc.
Through June 10, Theatre Three’s Children’s Theatre kicks off its 2017-2018 season with a hilarious musical retelling of the sleepy story that is not to be missed. With a genius script written by Jeffrey Sanzel and Steve McCoy, the story teaches us that true nobility comes from inside.
Priscilla Noble and her friend Tom have just graduated from college. On the last day of school Tom reveals to Priscilla that he is really Prince Sterling of Pewtersberg and that he has feelings for her. He invites Priscilla to visit him at his castle over the summer so that they can get to know each other better. In the meantime his mother, Queen Irritata of Pewtersberg, has arranged for her son to marry Princess Monica from a neighboring kingdom. When both girls arrive at the castle, the queen puts them through a series of challenges that, in theory, only a true princess would overcome. Add a tower, a bunch of mattresses and a large pea and you’ve got yourself an entertaining afternoon of live theater.
Directed by Sanzel, a stellar cast of nine adult actors keep the young audience entranced. Never have I seen a more well-behaved group of children than at last Saturday morning’s performance, sitting quietly and just taking it all in, a true testament to the magic of live theater.
Jessica Contino and Dylan Robert Poulos star in ‘The Princess & the Pea’.Photo by Peter Lanscombe, Theatre Three Productions Inc
Jessica Contino plays the lead role of Priscilla with confidence and determination. Continuously being put down for being a commoner by the queen, her character remains polite and respectful throughout. A perfect role model for today’s youth, she proves that studying and doing well in school pays off in the end.
Dylan Robert Poulos is perfectly cast as the tall, dark and handsome Prince Sterling and Andrew Gasparini shines as Lord Chancellor Pandergrovel.
Emily Gates is terrific in the role of Princess Monica, falling asleep all over the stage, much to the dismay of her sisters Princess Miranda (Melanie Acampora) and Princess Margot (Ashley Iadanza) who have been give strict orders by their parents to marry her off. And boy can she snore!
Newcomer Linda Pentz tackles the role of Queen Irritata of Pewtersberg, who seems to have a permanent migraine (“honestly!”), with aplomb. Determined to have her son marry royalty, her character remains stubborn until the very end.
Jessica Contino and Linda Pentz in a scene from ‘The Princess & the Pea’. Photo by Peter Lanscombe, Theatre Three Productions Inc.
However, it is the queen’s brothers, Henry, Earl of Blunt, played by Steven Uihlein, and Richard, Duke of Yuck (yes you read that right), played by Bobby Montaniz, who steal the show with their comedic antics. These two should have a comedy act together!
The original score, with choreography by Sari Feldman, is fresh and hip, with special mention to “A Friend in Need,” “I Say, You Do!” and “The Test,” which is performed entirely in rap. Teresa Matteson’s detailed costumes, especially the intricate royal garb and wigs, are first rate, and live musical accompaniment by Steve McCoy on piano is a nice touch.
Meet the cast in the lobby after the show for photo ops and tell Princess Monica to get some sleep! Honestly!
Theatre Three, 412 Main St., Port Jefferson will present “Princess & the Pea” through June 10 with a sensory-friendly performance on June 4. Children’s Theatre will continue with “Aladdin & the Lamp” from July 7 to Aug. 10 and “The Frog Prince” from Aug. 4 to 12. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.
Photo by Peter Lanscombe, Theatre Three Productions, Inc.
By Heidi Sutton
The entire company. Photo by Peter Lanscombe, Theatre Three Productions, Inc.
Spring has finally arrived to the Village of Port Jefferson — the tulips, the daffodils, even the Bradford pear trees are in full bloom. Spring in the village also signals the arrival of another perennial favorite, “The Adventures of Peter Rabbit,” at Theatre Three. Written by Jeffrey E. Sanzel and the late Brent Erlanson and suggested by the characters created by Beatrix Potter, this adorable children’s musical has become an annual tradition for many families in the area.
Directed by Sanzel, the story follows the mischievous adventures of Peter Rabbit, played by Dylan Robert Poulos, and his cousin Benjamin Bunny, played by Steven Uihlein, as they sneak into Mr. McGregor’s garden again and again to steal his vegetables.
Caitlin Nofi, Beth Whitford and Melanie Acampora play good little bunnies Flopsy, Mopsy and Cotton-Tail who spend most of their time searching for their wayward brother Peter. Jessica Contino is terrific as Mrs. Rabbit, playing the role with just the right amount of strictness.
Andrew Lenahan, last seen in “Raggedy Ann & Andy,” tackles the role of Mr. McGregor and does a fine job while Emily Gates shines as Mrs. McGregor. The two draw the most laughs from the parents when Gates says “We’re friends, aren’t we?” and Lenahan answers, “Are we? I thought we were married.”
A scene from ‘The Adventures of Peter Rabbit.’ Photo by Peter Lanscombe, Theatre Three Productions, Inc.
The set is sparse, with a few props including a scarecrow, a few signs, a table and a trap door for a rabbit hole but let your imagination fly and you will see a mouthwatering garden full of parsley, cucumbers, tomatoes, string beans and lettuce that can be very tempting for a little rabbit. The costumes, designed by Teresa Matteson, are on point, from the farmer’s overalls to the little white tails on the rabbits with brand new dresses for Flopsy, Mopsy ad Cotton-Tail in soft shades of yellow, pink and purple.
With fresh choreography by Sari Feldman, the musical numbers, accompanied on piano by Steve McCoy, are all fun and hip, especially “One More Time Around,” “Run, Peter, Run!” and “Peter’s Socks,” and the audience is treated to an encore performance of all the songs in a finale mega mix.
The show is action-packed with several chase scenes through the aisles, a Mission-Impossible-inspired heist to retrieve Peter’s socks and shoes and vest and jacket and hat from a scarecrow erected by Mr. McGregor, acrobatics (courtesy of Poulos) and audience participation. Throw in some singing and dancing and Theatre Three has a bona fide hit. So gather up all your good little bunnies and hop over to Theatre Three for a real spring treat.
Souvenir bunnies in various colors are sold during intermission, and booster seats are available. Meet the entire cast in the lobby after the show for photos.
Theatre Three, located at 412 Main St., in Port Jefferson will present “The Adventures of Peter Rabbit” through May 6 with a sensory-friendly performance on April 23. Children’s Theater will continue with “The Princess & the Pea” from May 27 to June 10, “Aladdin & the Lamp” from July 7 to Aug. 10 and “The Frog Prince” from Aug. 4 to 12. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.
From left, Phyllis March, Maryellen Molfetta and Ginger Dalton in a scene from the show. Photo by Brian Hoerger
By Michael Tessler
Theatre Three’s latest production “Where There’$ a Will,” opened last Saturday night to an intrigued audience. Originally produced in 1985 by an eighteen-year-old Jeffrey Sanzel, this wonderful piece of theater is such a hidden treasure that I’m glad it resurfaced just in time for me to review!
Our story begins as the late millionaire Hiram Cedricson, a self-proclaimed “Potato King,” has assembled his widow (and fourth wife), her not-so-new lover and a slapdash theater crew of washouts, has-beens and could-bes to hear his last will and testament be read aloud by a uniquely unqualified lawyer.
Phyllis March and Mary Ellin Kurtz in a scene from the show. Photo by Brian Hoerger
Hilarity ensues as the lawyer reveals that prior to Cedricson’s death he wrote an original play … with no prior experience in theater, with a title so funny that I’m unable to print it. His dying wish is for this cast and crew of misfits to perform the show verbatim, in a decrepit theater he purchased just before his death … in two weeks. If they can accomplish this, they each receive $500,000. If they fail, the snarky widow and her lover get all the money.
So despite quarrels and some seriously conflicting personalities, the group agrees to the terms. What none of them realize is that Hiram Cedricson was the furthest thing from a writer and that his show would be an accidental comedy of epic proportions! The result is as Cedricson so eloquently puts it — “wonderfug.” What’s best is that the ghost of Cedricson and two of his former wives (one dead, one divorced) get to enjoy the chaos as casual spectators from the balcony, bickering among themselves through the process.
Ginger Dalton in a scene from ‘Where There’$ a Will’. Photo by Brian Hoerger
By every definition this is an all-star cast — immensely talented, perfectly paced, and hilariously human. Expertly directed by Sanzel, each actor takes on a caricature so unique and well-written that it’s impossible not to feel emotionally invested in their success. There is such incredible range in their performances. All of these cast members could have and likely were leads in previous productions.
There are so many familiar faces that at times, and much to my amusement, I felt like I was watching a reunion show of Long Island’s greatest talent. Though I lack the column inches necessary to write in detail about each of these extraordinary actors, I do want to say that this is by far the best ensemble cast I’ve ever seen outside of a Broadway production. They are so much more than just funny — they are uniquely lovable, memorable and multidimensional.
This can be attributed not just to the enormous talent of this cast, but to the show’s ambitious and masterfully crafted script. Somehow, not a single character goes underutilized in both acts of this large-scale comedy.
From left, Phylis March, Jessica Contino and Mary Ellin Kurtz in a scene from Sanzel’s new play. Photo by Peter Lanscombe, Theatre Three Productions, Inc.
Though not a musical, there are several musical numbers, all of which will have you grinning cheek to cheek. Throughout the show there is a wonderful score dreamed up by Theatre Three’s Tim Peierls, and Randall Parsons creates a visually striking set, which is complemented perfectly by Robert Henderson’s lighting design. The young but extraordinarily talented Peter Casdia expertly stage manages the production, ensuring a flawless experience. Costume designer Chakira Doherty must have had some fun putting together the most uniquely diverse set of costumes I can remember in recent productions.
Jeffrey Sanzel and his assistant director Andrew Markowitz put on a genuinely charming production, perfect for ringing in the spring season. “Where There’$ a Will” feels like a classic that has been playing forever, and that’s because maybe it should be.
The cast: Steve Ayle, Marci Bing, Michael Butera, Carol Carota, Jessica Contino, Ginger Dalton, Susan Emory, Sari Feldman, Jack Howell, Joan Howell, Skyler Quinn Johnson, Mary Ellin Kurtz, Linda May, Phyllis March, Steve McCoy, Maryellen Molfetta and Ruthie Pincus
Theatre Three, 412 Main St., Port Jefferson will present “Where’s There’$ a Will” through May 6 on the Mainstage. Tickets for adults $35; seniors and students $28; children ages 5 to 12 for $20. Children under 5 are not permitted. A matinee will be held at 2 p.m. Wednesday, May 3 with $20 tickets. To order, call 631-928-9100 or visit www.theatrethree.com.
The cast of ‘Respect,’ from left, Jessica Contino, Amanda-Camille, Lori Beth Belkin and Elizabeth Ann Castrogiovanni. Photo by Peter Lanscombe, Theatre Three Productions Inc
By Michael Tessler
Let me start by saying that I don’t think I was the show’s intended audience. That being said, this became one of my favorite shows in recent memory. Theatre Three’s “Respect: A Musical Journey of Women,” a jukebox musical by Dorothy Marcic that opened this weekend, had me laughing, tapping my feet and, on two occasions, holding back tears (alas, to no avail).
Skillfully directed by Mary Powers, this truly powerful production tells not just the story of one woman or one era — but rather represents in so many ways the diversity and difficult journey toward equality experienced by all women.
Clockwise from left, Amanda-Camile, Jessica Contino, Lori Beth Belkin, Elizabeth Ann Castrogiovanni. Photo by Peter Lanscombe, Theatre Three Productions Inc
Music, as I was often reminded growing up, is a reflection of our souls and in many ways a caricature of how we view ourselves. This piece takes the most popular music of the last century and uses it to form an evocative narrative that demonstrates just how powerful music can be.
Music in its most righteous form can be used as a tool for liberation and in its worst used to reinforce oppression. Its impact, especially in American culture, has very much defined the national consciousness.
This show delves into that concept as we meet the protagonist, presumably the show’s playwright. She is a widow and entering a stage in her life where she desperately wishes to better understand herself and the women in her family. She takes it upon herself to research the most popular music of the previous century, beginning a powerful journey of self-discovery and liberation.
With musical direction by Steve McCoy, this show’s small but dynamic cast is genuinely empowering. Their harmonies are beautiful and ever-changing as the show travels through the decades. They belt out the classics and remind you of a few forgotten treasures. No matter what your taste, this show has something for you, from the mesmerizing harmonies of “Mr. Sandman” to the fierce “I Will Survive.” Lori Beth Belkin, Elizabeth Ann Castrogiovanni, Jessica Contino and Amanda-Camille shine in their performances from heartfelt soul to rock and roll.
Sari Feldman’s choreography evolves with the production, masterfully adapting with each new era. You’ll get a taste of nearly every decade, from the Charleston to the more contemporary dance moves of Britney Spears and everything in-between.
The show’s set and lighting design by Randall Parsons and Robert W. Henderson Jr. doesn’t overly complicate itself but rather compliments the cast perfectly, featuring impressive light installations that provide ample mood lighting and a screen that provides historical visuals and points of reference throughout the show — great embellishments to an already great performance.
“Respect” is an incredible spectacle that transports the viewer through time using the power of music. Theatre Three’s matinee audience was the most lively I’ve ever seen. Viewers young and old found themselves clapping and resisting the urge to sing along.
All of Athena Hall was captivated by nostalgia and the beautiful sounds produced by this enormously talented cast and on-stage pit. Personalities of the past returned to life with brief flashes of Rosa Parks, Robert Kennedy, Marilyn Monroe, Betty Boop, Scarlett O’Hara and so many others.
This musical shouldn’t just be watched by those who find comfort in the nostalgic sounds of their youth, but by the men and women of today who will leave the theater with a new found appreciation for all the progress we’ve made and the work still left to do. This show is empowering, humbling, emotional, hysterical and wonderfully refreshing. For me, it was the surprise treat of the season!
Theatre Three, 412 Main St., Port Jefferson will present “Respect: A Musical Journey of Women” on the Mainstage through March 25. Tickets are $35 adults, $28 seniors and students, $20 ages 5 to 12. Children under 5 not permitted. Wednesday matinee $20. To order, call 631-928-9100 or visit www.theatrethree.com.
Amanda Geraci (Maid Marian) and Steven Uihlein (Robin Hood) star in 'The Misadventures of Robin Hood.' Photo by Peter Lanscombe, Theatre Three Productions, Inc.
Hear ye, hear ye! Robin Hood and his band of Merry Men have taken up residence at Theatre Three in Port Jefferson through Aug. 13 as the theater presents the world premiere of “The Misadventures of Robin Hood.”
With original script and music by Jeffrey Sanzel, Steve McCoy and Douglas Quattrock adapted from the well-known English folklore “Robin Hood,” the new musical comedy follows the timeless tale closely but turns out to be more like Mel Brooks’ 1993 film “Robin Hood: Men in Tights.” With equal parts adventure and silliness, the show is a perfect way to enjoy a lazy summer afternoon.
Sanzel skillfully directs eight adult actors who are clearly in their element. The actors are joined on stage by a supporting cast of 35 young members of the theater’s summer acting classes who help the story along with narration and song. It’s the 12th century and King Richard the Lionheart has gone to fight in the Crusades, leaving his brother Prince John in charge who orders the Sheriff of Nottingham to collect taxes from the poor villagers. When Robin of Locksley protests, he is banished from the kingdom and retreats to Sherwood Forest. There he assembles his group of Merry Men and, with the help of Maid Marion, becomes Robin Hood, robbing the rich to give to the poor.
The cast of Theatre Three’s ‘The Misadventures of Robin Hood.’ Photo by Peter Lanscombe, Theatre Three Productions, Inc.
The lines are very cheeky: “Why does everyone have to repeat everything I say?” “It’s more dramatic that way!” and the fast-paced show is action packed with sword fights and archery contests. There’s even a bit of magic thrown in as the sheriff acquires a belt that when put on changes his appearance. Oh and the sheriff gets booed — a lot.
Steven Uihlein is hilarious as the absent minded bumbling swashbuckler Robin Hood who just can’t seem to get anyone’s name right including his bride to be, and Amanda Geraci is wonderful as the very patient Maid Marian, or as the program says, “patient beyond words.”
After an absence of more than five years, Jason Furnari returns to the Theatre Three stage to tackle the villainous role of The Sheriff of Nottingham and steals the show. Furnari, best known for his role as the original Barnaby in “Barnaby Saves Christmas” and as Peter in “The Adventures of Peter Rabbit,” is simply wonderful and delivers a stellar performance.
Newcomer Mark Jackett, standing well over six feet, is perfectly cast as Little John, and veteran Andrew Gasparani is an excellent Friar Tuck. Ginger Dalton, as Mrs. Buttertom, Melanie Acampora as Bettris Much and Emily Gates as Anne Much round out the cast and do a fine job.
Accompanied on piano by McCoy, the songs are fun and catchy with special mention of Geraci’s beautiful rendition of “Robin My Love” and Furnari’s “What Makes a Man a Man.” Costumes by Teresa Matteson are on point from Robin Hood’s traditional Lincoln green outfit to Friar Tuck’s robe to Maid Marian’s beautiful gown.
Meet the cast in the lobby after the show for photo ops.
Theatre Three, located at 412 Main Street in Port Jefferson, will present “The Misadventures of Robin Hood” Aug. 12 at 11 a.m. and Aug. 13 at 11 a.m. and 2 p.m. Children’s theater continues at Theatre Three with “Pumpkin Patch Magic” from Oct. 1 to 29, “Barnaby Saves Christmas” from Nov. 25 to Dec. 30 and “The 3 Little Pigs” from Jan. 21 to Feb. 4. All tickets are $10. For more information, call 631-928-9100 or visit www.theatrethree.com.
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