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Tony Awards

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Port Jefferson graduate and Tony Award-nominated director Rebecca Taichman. Photo from Taichman

When Rebecca Taichman was a student at Earl L. Vandermeulen High School, starting in 1984, she felt lost. With a reputation since elementary school of being a bit of an oddball, she found it difficult, and unappealing, to fit in with the rest of the pack.

She was an outsider, she said, until her senior year when she took  an acting class offered by Robert Krusemark, an English teacher at the time.

“I burst to life,” Taichman said in a phone interview. She was recently nominated for a Tony Award in the category of Best Direction of a Play for the critically lauded Broadway production, “Indecent.” The show is also nominated in the Best Play category. “I loved it [and] I really found myself there. Mr. Krusemark had a huge impact on me; he suggested that I apply to go to this Yale School of Drama summer program and because of him and that class, I did that.”

From that class, in which she recited monologues by playwrights like George Bernard Shaw, Taichman began her journey that has since seen her direct dozens of New York-based and regional plays, operas, and musicals. She has taught theater arts at NYU, MIT, and Yale and is among just five nominees in her category at the 71st Annual Tony Awards this Sunday, June 11, at Radio City Music Hall in New York City.

“It’s amazing and I’m really proud of her,” one of Taichman’s closest friends Cynthia Lee, a classmate in the Port Jefferson School District from first through 12th grade, said in a phone interview.

Laughing that she and Taichman felt like the offbeat kids in John Hughes’ movies while in high school, Lee recalled her friend’s sudden foray into theater.

“I was kind of surprised…I didn’t realize she had that bug in her and that was something she was going to pursue, [but] then she took off with it in college,” Lee said. “I can’t imagine her not going down that path.”

After graduating high school in 1988, Taichman became absorbed by all things theater, recognizing the art form as her true language.

“I can’t imagine her not going down that path.”

— Cynthia Lee

“I knew it was my vocabulary, that was very clear, I’m still not sure exactly why, but it was clearly my way of thinking,” she said.

It was at McGill University in Montreal, Quebec, Canada that she first dabbled outside of acting, taking part in casting, literary management, dramaturgy and eventually directing, cutting her teeth with a production of John Patrick Shanley’s “Danny and the Deep Blue Sea.”

“It was clear I was a better director than I was at any of the other things,” she said. “I was not a very good actor and as soon as I started directing, it was so clear I never would’ve cast me. That’s where I found my talent lay.”

Five years later, she ventured back to the Yale School of Drama, this time to pursue a Master of Fine Arts degree in directing.

Back at Yale, she discovered “The God of Vengeance,” a Yiddish play written by Sholem Asch in 1906, which would become the inspiration for “Indecent.” Taichman’s production is about the events surrounding the early Broadway productions of Asch’s controversial and landmark drama which depicts a brothel owner whose daughter falls in love with one of his prostitutes.

During the original run of Asch’s play in 1923, which featured the first kiss between two women on a Broadway stage, Taichman explained, most of the cast and crew were indicted and thrown in jail for “indecency” and “obscenity.”

“It took my breath away,” Taichman said of the original play by Asch, which she’d adapted as her thesis at Yale and been actively trying to do something more with since 1997.

“I was not a very good actor and as soon as I started directing, it was so clear I never would’ve cast me.”

— Rebecca Taichman

She eventually met and pitched the idea to Pulitzer-winning playwright Paula Vogel about seven years ago, and Vogel quickly got on board. Finding its legs at the Vineyard Theater in Union Square before racking up awards on Broadway, “Indecent” is a music-and-dance-filled yet powerful stroll through the decades as a group of actors perform “The God of Vengeance.”

“[It’s] ultimately a love letter to the theater and the power of making art in increasingly dangerous times…it’s an extremely important story, one about homophobia and anti-immigration, similar to what we’re experiencing now,” she said. “It’s quite special to be recognized for this particular piece, having thought about it for decades. People can apparently feel how deeply my heart is in it.”

Taichman’s sister Laura tried to put the Tony nomination into perspective.

“It’s so exciting and totally well-deserved — she has worked so hard, this play has been her baby for 20 years and it’s a heartening experience to watch this happen,” she said. “For the reception to be a Tony Award nomination rather than a conviction for obscenity feels just.”

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By Stacy Santini

When people think of Port Jefferson Village and performance, phenomenal Theatre Three immediately comes to mind. What most people do not know is that down the road is an intimate venue, called The Performing Arts Studio of New York. Yes, down the road on East Main Street, this blackbox theater will ironically soon be premiering the Tony Award winning play, “Down the Road.”

The Performing Arts Studio of New York is a unique space with a seating capacity of only 70. Its patrons can view some of the best performances this side of Broadway in comfy chairs and cushy couches. Known as a box theater, its simple lines and flexible seating provide a blank slate for the productions that embrace it.

Directors Terri Morrissey and Deborah and Michael Livering’s mission is noble. Their goal is not only to train artists and promote live performances but to nurture and foster exploration into the artistic realm. Anything is possible here, and on Aug. 21, Bluebox Theatre Company will take up residence and impregnate The Performing Arts Studio of New York with its vision of Lee Blessings’ psychological esoteric drama.

“Down the Road” is the tale of serial killer Bill Reach and the married team of reporters who set out to chronicle and define his actions. Making sense out of the horrific deeds undertaken by Reach and attempting to reveal his motives is a task of tremendous magnitude, and the outcome stretches way beyond his murderous proclivity.

As the incomparable James D. Schultz, of Theatre Three fame, who plays Reach, points out, “My character is encroaching on how they view each other. The more they know about him, the less they know about themselves.” He further elaborates: “The scariest thing about Bill Reach is that there is nothing scary about him or his background.  He could be anyone; he is just doing these horrible things for no apparent reason. Just like dancers have to dance, swimmers have to swim, killers just kill people.” Schultz will also be making his debut as executive producer.

Thus, the audience will become familiar with the numerous themes inherent in the play. As David Morrissey Jr., executive director at Bluebox, explains, “The play is essentially about the responsibility of journalists and how the media portrays criminals in a certain way; how they can actually sway the public into committing more crimes. The media often makes criminals of these types into celebrities.” The media, in this case performed by Marquez and Brian Azoulay, are treasures of our local pool of talented actors.

One of the most tantalizing reasons to get excited about this production of “Down the Road” is that it is being delivered to us by Bluebox Theatre Company. It isn’t often that such an impassioned, unconventional group of individuals who think outside of the box make Long Island their home. Theatrical offbeat jewels such as Bluebox are usually found producing and performing in urban arenas.

Principally described as edgy, David Morrissey elaborates, “Our mission is to light up the world’s stages with the best storytelling. We are all about putting unconventional theater out there, and things you would not normally see on Long Island. It is about including people who are outside the line and giving them their place in theater. We want to give them a voice.”

Bluebox Theatre Company is comprised of Joe Rubino, managing director; David Morrissey Jr., executive director; Andrew Beck, artistic director; and Tom Mooylayil, actor, producer and investor.

The synergy among the team is apparent as they have known each other for years and began acting together in middle school. Rubino connects the dots for the group: “One reason I think it works so well is because we have all worked together for years. We have such a passion for it, this is true; but we also have these other talents that we bring to the table. We play any other roles in the company albeit social media, web design etc. It all just flows for us, we are not the Bluebox Theatre Company but rather the Bluebox Family.”

Future Bluebox Theatre Company productions will include: “Night of the Living Dead,” Oct. 9 to 25; “Art,” Nov. 27 to 29; “Holiday Tales from the Box,” Dec. 19; Jedi Fighting AIDS benefit on Dec. 20.

“Down the Road” premieres at The Performing Arts Studio of New York on Friday, Aug. 21, and will run through Sept. 6. Seating is limited and tickets should be purchased sooner than later.  This is an auspicious event, welcoming Bluebox to our community, being grateful they chose Port Jefferson to call home and to bear witness to one of the most intriguing plays written in years.

The Performing Arts Studio of New York is located at 11 Traders Cove, Port Jefferson. Tickets are $19 adults ($15 online), $13 students ($11 online). For more information, call 631-928-6529 or visit www.blueboxtheatrecompany.com.