Dondi Rollins, Jr. leads the entire cast in ‘Flying Low.’ Photo by Peter Lanscombe, Theatre Three Productions Inc.
Fighting co-workers, a murder mystery and the future rituals of dating — Theatre Three’s shining jewel, the annual Festival of One-Act Plays, delved into all that and more as it opened last Saturday afternoon for a nine-performance run.
Now in its 19th year, the festival, under the direction of founder Jeffrey Sanzel, showcases six wonderful, original works selected from nearly 400 submissions. The actors take the audience on a marathon, performing the plays back to back.
From left, Steve Ayle, Joan St. Onge, Hans Paul Hendrickson, Amanda Geraci and Linda May star in a scene from ‘OK Computer.’ Photo by Peter Lanscombe, Theatre Three Productions Inc.
The new plays go “from page to stage; from blank slate to fully realized production,” Sanzel explained. “These are premieres; they are ‘firsts.’” Raw themes such as depression, murder, love and work relationships are all explored on an equal playing field in the intimate setting of The Ronald F. Peierls Theatre on the Second Stage.
The festival kicks off with John Kane’s “Ben and Rachel Go to the Movies,” starring veteran actors TracyLynn Conner and Brian Smith, whose relationship is revealed to the audience only by visits to the cinema over a span of more than 40 years. From their first date watching “Dr. Zhivago” (1965) to “Titanic” in the 1990s and beyond, we watch them grow old together.
Alex Dremann’s comedy “A Clean Dislike” introduces the audience to Annie (Linda May) and Marjorie (Joan St. Onge), co-workers who try, with hilarious sarcastic banter, to figure out why they don’t like each other, an issue that many can relate to. May and St. Onge tackle their roles with zeal and stay in character long after the play.
From left, Brett Chizever, Sheila Sheffield and Brian Smith star in ‘Bro.’ Photo by Peter Lanscombe, Theatre Three Productions Inc.
The most emotionally draining play is presented right before intermission with Jules Tasca’s “Flying Low,” which was inspired by the crash of A320 Airbus Flight 4U 9525 last March. The plane, which was traveling from Barcelona to Dusseldorf, plunged into the French Alps, killing all 150 people on board. It was later discovered that the Germanwings co-pilot had deliberately crashed the plane. Dondi Rollins Jr. gives a powerful performance as the story dissects the sequence of events leading up to the tragic event, from the co-pilot breaking up with his girlfriend to suffering acute depression and not taking his medicine, to locking the pilot out of the cockpit and, finally, making his deadly decision. At the end of Saturday’s performance, there was not a dry eye in the room and the silence was deafening.
The festival continues after intermission with Robb Willoughby’s delicious dark thriller, “Bro.” After seeing his mother put white powder in his father’s coffee and then finding him dead shortly after, Mitchell, played by Brian Smith, is convinced that his mother is a murderer. The incident has left him so shaken that he has lost his job and has become paranoid about everything. His mother (Sheila Sheffield) insists the powder was just sweetener and that her husband died of a heart attack. She summons Mitchell’s brother Morgan (Brett Chizever) to help stage an intervention and get Mitchell psychological help. Is Mitchell crazy or isn’t he? Is his mother a murderer or isn’t she? And what’s this about a life insurance policy? The plot thickens.
A scene from “A Clean Dislike.” Photo by Peter Lanscombe, Theatre Three Productions Inc.
Steve McCoy shines in his solo performance of “Why This Monologue Isn’t Memorized: A True Story” by Kurt Sass, which offers the audience a glimpse into one man’s struggle with memory loss after receiving shock treatments for his depression. In coming to terms with his fate, he concludes, “I will not remember your faces after today but I hope some of you will remember mine.”
The show closes with Tom Moran’s “OK Computer” to explore marriage and mating rituals in a futuristic dystopian world, a world in which a computer named Big Data plays matchmaker, choosing life partners for willing and unwilling bachelors. “No more guesses means no more messes” is the system’s motto. Hans Paul Hendrickson plays hapless victim Colin 3912, whose fate seems to be sealed as he is matched up with the mirror image of himself, Jillian 1293, played by Amanda Geraci.
The entire cast is superb, with notable mentions to the veteran one-act performer Smith, who has appeared in nearly three dozen plays, and newcomer Rollins who we simply must see more of.
Theatre Three, 412 Main St., Port Jefferson will present The 19th Annual Festival of One-Act Plays through May 14. Features adult content and language. Parental discretion is advised. Running time is two hours with one 15-minute intermission. Tickets are $18. For more information, call the box office at 631-928-9100 or visit www.theatrethree.com.
Sari Feldman, Amanda Geraci, Aria Saltini and Melanie Acampora star in a scene fron ‘Cinderella.’ Photo by Peter Lanscombe, Theatre Three Productions Inc.
A sweet little fairy tale waltzed into Theatre Three last weekend and quickly stole the hearts of the entire audience. The theater is closing its 2015-16 children’s theater season with the perfect choice: a classic retelling of “Cinderella.”
Many little princesses sat in the audience during Saturday’s opening to see Cinderella find her true love and live happily ever after.
With book, music and lyrics by Douglas J. Quattrock, Theatre Three’s version of this rags-to-riches story is full of singing, dancing, magic, quirky characters and lots of laughs. In short, your kids will love it.
From left, Jenna Kavaler and Amanda Geraci star in a scene from ‘Cinderella.’ Photo by Peter Lanscombe, Theatre Three Productions Inc.
Directed by Jeffrey Sanzel, the eight adult cast members all deliver stellar performances and clearly love the craft they have chosen. In a nod to the 17th century author of the modern Cinderella story, who is commonly referred to as the father of the fairy tale, the show’s narrator is named Charles Perrault. This “squire to the sire,” played by Andrew Gasparini, transports theatergoers to a faraway land ruled by King Utterly Charming (Steven Uihlein), who wants to retire to Boca and pass the crown on to his handsome son, Prince Charming (Hans Paul Hendrickson) — and yes, he is indeed charming. However, the king feels that his son should get married first and invites all eligible maidens to a royal ball.
The squire delivers the invitations to the home of the beautiful Cinderella (Amanda Geraci), who is still being treated badly by her wretched stepsisters (Sari Feldman and Melanie Acampora) and mean stepmother, played by newcomer Aria Saltini.
Left behind while the three meanies go to the ball, Cindy is visited by her fairy godmother, Angelica, wonderfully portrayed by Jenna Kavaler. Speaking with a Southern accent, Angelica quickly cooks up a beautiful gown and sends Cinderella on her way.
During Cinderella’s infamous missing shoe episode, Prince Charming interacts with all the little princesses in attendance, asking them for their shoe sizes as he searches for the glass slipper’s owner — a nice touch.
The songs, with Steve McCoy accompanying on piano, dominate the show. Geraci’s solo, “A Girl Like Me (And a Boy Like You),” is sweet as she dances with a broom and dreams of falling in love, and her duet with Hendrickson, “Here in Your Arms (The Waltz)” is delightful. Special mention should also be made of Gasparini’s solos, “Once Upon a Time” and “Take a Chance.”
The cast of ‘Cinderella’ at Theatre Three. Photo by Peter Lanscombe, Theatre Three Productions Inc.
Teresa Matteson’s costumes are on point, from Cinderella’s beautiful gown to Prince Charming’s crown. Feldman’s choreography ties it all together.
Meet the entire cast in the lobby after the show and stay for a special photo with Cinderella and the Prince.
Theatre Three, 412 Main St., Port Jefferson, will present “Cinderella” through June 11. The new season will begin on the Mainstage with “The Emperor’s New Clothes” from July 8 to Aug. 5 and the premiere of “The Misadventures of Robin Hood” from Aug. 5 to 13. All seats are $10. For more information, call the box office at 631-928-9100 or visit www.theatrethree.com.
Jenna Kavaler and Brett Chizever share a light-hearted moment in ‘Beau Jest.’ Photo by Peter Lanscombe, Theatre Three Productions Inc.
By Michael Tessler
Ever leave a theater feeling lighter than air? Theatre Three’s production of “Beau Jest” left me with this happy sensation I haven’t yet been able to shake.
Mary Powers masterfully directs an all-star cast in a perfectly paced stage comedy. Originally written by James Sherman, this show can best be described as a love child between “Fiddler on the Roof” and “My Big Fat Greek Wedding.”And let me tell you, it makes for a beautiful combination.
Sarah Goldman, the show’s protagonist (and arguably antagonist) is the kind of girl my grandmother would have loved for me to date. Pretty, smart, successful, and most importantly … Jewish. Like so many children she’s torn between pleasing her parents while being true to herself. Played by the hard-not-to-love Jenna Kavaler, you can’t help but sympathize with this love-struck young woman whose biggest fear is hurting the ones she loves most.
From left, Bob Kaplan, Scott Joseph Butler, Ginger Dalton, Brett Chizever and Jenna Kavaler in a scene from ‘Beau Jest.’ Photo by Peter Lanscombe, Theatre Three Productions Inc.
Sarah is romantically involved with a man opposite of the “nice Jewish boy” stereotype. Chris Kringle is a marketing executive and Sarah’s secret boyfriend whom she hides from her overly traditional and protective family. Played with immense talent by Steven Uihlein, Chris just can’t seem to catch a break. As if being named after the North Pole’s most popular resident wasn’t bad enough, he finds himself in love with someone who cannot love him back — openly that is.
To make matters worse, Sarah finds herself hounded by her parents to the point where she invents a fake boyfriend. What started as a tiny lie quickly snowballs into an impossible to contain catastrophe. Her pretend boyfriend isn’t just Jewish, but he’s also a doctor, and a surgeon at that! Desperate to maintain the facade, Sarah hires Bob, a struggling actor turned male escort who is given the impossible task of pretending to be Sarah’s Jewish surgeon boyfriend. Brett Chizever is brilliant in his portrayal of Bob. Chizever can best be described as a master of comedic timing and expressions. He’ll have you in stitches before the show’s end.
Sarah’s mother, Miriam Goldman, is played to perfection by the hysterical and enormously talented Ginger Dalton, who was for me the highlight of the show. To say she is dramatic would be an understatement and a disservice to the beautifully accurate portrayal of an overly concerned Jewish mother. Who knew a person could sigh with such fervor? Dalton offers a magnificent performance and is complimented perfectly by her equally talented partner Bob Kaplan who portrays her husband Abe, a Tevye-like patriarch stuck in the wrong century but nonetheless endearing.
From left, Bob Kaplan, Ginger Dalton and Brett Chizever in a scene from ‘Beau Jest.’ Photo by Peter Lanscombe, Theatre Three Productions Inc.
Last, but certainly not least, is Sarah’s brother Joel, a divorced psychiatrist played by Scott Joseph Butler whose dry humor blends perfectly with this already well-rounded show. Butler’s subtle comedy is so effective and peaks in the second act during one particularly hysterical tirade.
“Beau Jest” succeeds beautifully as it establishes itself as a living sitcom, complete with a live studio audience, some great inside jokes, and a cast you can’t help but fall in love with. Each knock on the door welcomes a new whirlwind of comedy, drama and beautifully scripted madness; the perfect way to spend an evening with someone you love.
Theatre Three, 412 Main St., Port Jefferson, will present “Beau Jest” through May 7. Tickets range from $15 to $30. For more information, call 631-928-9100 or visit www.theatrethree.com.
Movie buffs, rejoice! After a long and dreary winter, it’s time to explore politics, health care, pop culture and more with a new season of the Port Jeff Documentary Series.
This month will mark the beginning of the 23rd season for the PJDS, which has brought compelling and award-winning documentaries of all kinds to our area in the spring and fall since 2005. The festival is sponsored by the Greater Port Jefferson-Northern Brookhaven Arts Council, the Suffolk County Film Commission and the New York State Council on the Arts.
It’s a labor of love for the “film ladies,” the six board members who plan the festival from the ground up twice each year. They include co-directors Barbara Sverd and Lyn Boland, as well as Wendy Feinberg, Honey Katz, Phyllis Ross and Lorie Rothstein.
Each year, the film ladies travel to some of the biggest film festivals in the area, among them the Tribeca Film Festival in Lower Manhattan, the Stony Brook Film Festival and the Hamptons Film Festival. They also closely follow online buzz for film festivals they can’t attend.
‘Sweet Micky for President.’ Photo from GPJAC
“Everyone on the board searches for films independently and brings them back to the group. This way, we get a lot of variety because we all like different things,” said Boland.
While each board member has her own opinions, they’re all looking for those films that generate a lot of interest and offer wide appeal. All of them are fresh off the circuit, and you won’t be able to see them on TV or other outlets, Boland explained.
Boland has always loved documentaries, and the series was born out of the desire to see them closer to home. She said those first films were chosen sitting around a kitchen table with the help of her late friend and law partner, Sondra Brooks. “I would hear about these great documentaries nominated for Academy Awards, but there was absolutely nowhere around here to see them. We wanted to change that,” Boland said.
These days, documentary film is one of the most common entry-level styles, leaving more titles and themes to explore than ever.
Each film lady selects two of her personal favorite documentaries to bring back to the group for discussion. Then, they write letters to directors and production teams of their favorite films, asking them to consider sending the group a copy for screening. Once the films arrive, everyone gets a say; 5/6 of the group must love the film in order for it to make the festival’s short list. It also has to fit well with that season’s other selections and budget. The final list features seven films, one for each board member and a seventh unanimously chosen by all the ladies.
Boland admitted that her two favorites for this season are the films she chose, which she affectionately calls “her babies.” They are “The C Word,” an eye-opening expose into cancer treatment and its many flaws, and “Speed Sisters,” which follows the unexpected experiences of five female race car drivers in Palestine.
During the series, each film is followed by a Q-&-A session or discussion with someone on the film’s production team, usually the director. It is an opportunity for audiences to delve deeper into the film’s development and themes.
Boland said that putting the series together twice each year is a lot of work, but there’s never bad blood in the group when they make the final selections.
Director Amber Fares photo from GPJAC
“[The board members] volunteer to do this and it’s really like a year-round job,” Boland said.“I can’t even say how many films I see each year, but I watch several every week. All but one of us have been involved from the beginning and it’s such a respectful environment. We do this because we’re passionate about it.”
In addition to showing the films at Theatre Three, the festival has recently added the Long Island Museum in Stony Brook as a co-host. The film ladies approached the museum after its former co-host, Stony Brook University’s Wang Center, could no longer participate.
The museum works with the Greater Port Jefferson-Northern Brookhaven Arts Council on a regular basis, which made them a perfect fit. They’ve recently obtained a new projector and sound system, and Boland is looking forward to showing films there.
“Film is a vibrant artmaking medium, and the museum will be adding even more films to see as we move forward with our expanding public programming,” said Neil Watson, executive director of the Long Island Museum. “Partnering with the Port Jefferson Documentary Series is the perfect opportunity to extend both of our organizations into this rich and diverse community.”
The documentary series wouldn’t be possible without the support of numerous volunteers. Every season, help is needed for each part of the process, from distributing flyers and running the ticket booths totracking down directors and even recommending new films. A contact page for volunteers and board members can be found at the festival’s website, www.portjeffdocumentaryseries.com.
The film ladies encourage hesitant viewers to try even one of this season’s films. Boland said that documentaries offer an extra touch of magic you just won’t find in a fictional movie.
“When you see a moving documentary, it shakes you the way a feature film does, but you have that extra level of emotion in knowing it’s all real,” she said.
The Port Jefferson Documentary Series will be held at 7 p.m. every Monday from March 14 to April 25 at Theatre Three, 412 Main Street, Port Jefferson, and the Long Island Museum, 1200 Rt. 25A, Stony Brook. For the first time this year, moviegoers can purchase their tickets in advance. General admission for each film is $7. To learn more about the PJDS, this season’s films or to purchase advance tickets, call 631-473-5220.
Film schedule
A scene from ‘The C Word.’ Photo from GPJAC
■ The spring season will kick off with “Sweet Micky for President” at Theatre Three on March 14. Winner of the Grand Jury Award and Audience Award at the Slamdance Film Festival and Best International Director Award at the Documentary Edge Film Festival, the film recounts the story of Pras Michel, Grammy Award-winning rapper and founder of The Fugees, as he returns to his homeland of Haiti postearthquake and finds a corrupt government in paralysis. Wanting desperately to turn the tides there, he becomes the backbone of a presidential campaign for Michel Martelly, aka “Sweet Micky,” Haiti’s most popular and outlandish pop star. The film is presented in English, Creole and French with English subtitles. Guest speakers for the evening will be Director Ben Patterson and Pras Michel.
■ The second film in the series, “Janis: Little Girl Blue” by Amy Berg, will be screened at Theatre Three on March 21. It follows the life and career of renowned classic rock musician Janis Joplin prior to her sudden and tragic death in 1970 at the age of 27. The film explores the private side of Joplin’s life with new intimacy. Joplin’s own words tell much of the film’s story through a series of letters she wrote to her parents over the years, many of them made public here for the first time. The screening will be followed by a live performance of Joplin’s music by Amber Ferrari and a Q-&-A moderated by Norman Prusslin, director of the Media Arts Minor at Stony Brook University, co-founder of The Long Island Music Hall of Fame and founding general manager of WUSB 90.1 FM in Stony Brook.
■ On March 28, the Long Island Museum will host a screening of “The Anthropologist,” a film that tells the stories of anthropologists Margaret Mead and Susie Crate through their daughters’ perspectives. The film highlights how people all over the world, from Siberia to the Chesapeake, deal with changes in culture and the environment. The documentary won the Best Environmental Film award at the Nevada International Film Festival. The film is presented in six different languages. Director Daniel Miller will speak after the screening.
■ “Waiting,” to be screened on April 4 at the Long Island Museum, explores the cultural experiences and adjustment of three Italians from varied backgrounds immigrating to middle-class America. The film won the Big Apple Film Festival Cityscape Award and a 2015 Spotlight Documentary Film Award. Presented in English and Italian with English subtitles, guest speakers will include Director Cristian Piazza and one of the subjects followed in the film, actor-turned-opera-singer Paolo Buffagni.
■ On April 11, you’ll rethink your perspective on cancer treatment when Theatre Three screens “The C Word.” Narrated by Morgan Freeman, the film asks one pointed question: “With all of the resources and efforts in the war on cancer, why are we still losing?” It also exposes the multilevel, systematic problems in cancer care — the habits that predispose us to disease and a fixation on treatment instead of on the root causes of our ailments. The film is presented in English and French. “The C Word” was directed by one of its subjects, cancer survivor Meghan O’Hara, who will be on hand as the evening’s guest speaker.
■ “Karski and the Lords of Humanity” will take you back in time to World War II on April 18 at Theatre Three. This film tells the little-known and amazing story of Jan Karski, a highly intelligent and multilingual Polish man who was once a prisoner of war. He then goes undercover into Hitler’s concentration camps to bear witness to the Nazi atrocities and expose them worldwide. The film received the Best Polish Film award at the The Jewish Motifs International Film Festival in Warsaw, and Jan Karski was awarded a posthumous Presidential Medal of Freedom by President Barack Obama. The evening’s speaker will be Director Slawomir Grunberg.
■ The final film in the series, “Speed Sisters,” will be shown at Theatre Three on April 25. Set in Palestine, it follows five female standouts in a thriving car racing scene. Held at improvised tracks — a vegetable market, an old helicopter pad, a security academy — the races offer a release from the pressures and uncertainties of life on the West Bank.These women are setting a precedent in a male-dominated sport in a male-dominated country, and people everywhere are taking notice. “Speed Sisters” was awarded Best Documentary at the Adelaide Film Festival and the Audience Award at the IFI Documentary Festival. It is presented in Arabic and English with English subtitles. Director Amber Fares will speak after the film.
From left, Hans Paul Hendrickson, Steven Uihlein, Andrew Gasparini and Dana Bush in a scene from ‘The Adventures of Peter Rabbit.’ Photo by Peter Lanscombe, Theatre Three Productions, Inc.
By Heidi Sutton
When Theatre Three announces the return of a perennial favorite, “The Adventures of Peter Rabbit,” everyone knows that spring is just around the corner. Even more fitting, this year marks 150 years since the birth of Beatrix Potter, who created all of the wonderful characters in the production, from Mrs. Rabbit, Flopsy, Mopsy and Cotton-Tail to Peter Rabbit, Benjamin Bunny and the McGregors. Written by Jeffrey E. Sanzel and the late Brent Erlanson, the show mimics Potter’s “The Tale of Peter Rabbit” closely with a kinder, softer story line. Sanzel directs a talented cast of eight adult actors to bring us this delightful musical that has become a wonderful tradition for families all over the Island.
The cast of ‘The Adventures of Peter Rabbit.’ Photo by Peter Lanscombe, Theatre Three Productions Inc.
The story follows a mischievous Peter Rabbit who, because of his insatiable appetite for parsley, cucumbers, tomatoes, string beans and lettuce, is constantly drawn to Mr. McGregor’s garden despite his mother’s wishes. Many trips to the garden patch with his cousin, Benjamin Bunny, eventually wear down the farmer’s patience, ending in a great chase scene through the theater, which is reenacted in slow motion later on.
The show opens with a sweet rendition of “Morning” by Mrs. Rabbit, played by Amanda Geraci, and never loses its momentum. Marquéz Catherine Stewart, Jenna Kavaler and Melanie Acampora are the good little bunnies Flopsy, Mopsy and Cotton-Tail, respectively, who spend most of the show trying to find their “wayward brother” Peter, played with unbounded energy by Hans Paul Hendrickson. Dana Bush returns as a patient Mrs. McGregor after a few year’s absence and Andrew Gasparini tackles the role of Mr. McGregor for the very first time, playing the stingy and cranky farmer perfectly, sans the desire to eat the rabbits. Steven Uihlein, who plays the role of cousin Benjamin Bunny, rounds out the cast and does a terrific job.
Imagination plays a big part in the show, as the set design is sparse, utilizing a trapdoor on stage as a rabbit hole and constructing a makeshift scarecrow. Costumes, designed by Teresa Matteson, are on point, from Mr. McGregor’s overalls to the little white tails on the rabbits. Kudos to Michelle Manda for a terrific job on the lighting, especially during a Mission Impossible scene when Peter and Benjamin attempt to retrieve Peter’s clothes from the scarecrow.
The musical numbers, written by Kevin F. Story and accompanied on piano by Steve McCoy, are all showstoppers, especially “One More Time Around,”“Beware! Mr. McGregor!” and “Peter’s Socks,” which Stewart, also the choreographer, has converted to a fun hip-hop piece. All of the songs are incorporated into the finale, a perfect ending to a Theatre Three classic.
Souvenir bunnies in various colors are up for sale during intermission, and the entire cast is in the lobby after the show for a meet-and-greet.
Theatre Three, 412 Main St., Port Jefferson will present “The Adventures of Peter Rabbit” through March 26. Children’s theater will continue on the Mainstage with “Cinderella” from April 16 to June 11, “The Emperor’s New Clothes” from July 8 to Aug. 5 and “The Misadventures of Robin Hood” from Aug. 5 to 13. All seats are $10. For more information, call the box office at 631-928-9100 or visit www.theatrethree.com.
The cast of ‘Godspell’ at Theatre Three. Photo by Peter Lanscombe, Theatre Three Productions Inc.
By Michael Tessler
Theatre Three’s production of “Godspell,” which opened last Saturday night, is local theater at its finest. A musical by Stephen Schwartz and John-Michael Tebelak, it originally opened off Broadway in 1971 and has had many revivals since then. Uniquely reimagined by director Jeffrey Sanzel, Theatre Three’s production succeeds in every category with beautiful lighting, a fluid set, expert choreography, tremendous acting and voices that will leave you yearning for more.
Sanzel, who had previously directed several productions of “Godspell,” brings a refreshing twist to the story, having it take place in the here and now. The cast portray not characters, but their actual selves. Everything you watch is playing out in real time, and it genuinely feels like it’s happening for the first time. The result is miraculous, as it adds a depth and weight to the show that makes it all the more human.
Biblical Spoiler Alerts: Each touch, every moment of embrace, was so unique and powerful. You feel so connected with the magnanimous presence of Jesus, portrayed masterfully by Hans Paul Hendrickson. You sympathize with Judas (Patrick O’Brien) whose dynamic personality and lovability makes his betrayal all the more devastating and personal.
Broken into two acts, the first is a series of parables told by Jesus’ disciples through songs and skits. They will have you in stitches from laughing. Each parable contains a beautiful lesson of morality. In the second act you bear witness to the betrayal of Jesus. Though the tone of the show dramatically changes, the cast still delivers, showing off their impressive range as actors.
What’s most remarkable about this production is its cast. This ensemble effortlessly plays with your heartstrings as their harmonies echo through the belly of the theater. They don’t limit their stage to the stage. More often than not they’re in the audience sharing the experience with you. Their collective voice is so powerful, so beautiful, and instills you with a sense of togetherness. During the production you feel as though you’re a part of something very special.
Hans Paul Hendrickson as Jesus and Patrick O’Brien as Judas in a scene from ‘Godspell.’ Photo by Peter Lanscombe, Theatre Three Productions Inc.
In Act One, Amanda Geraci serenades with perfection in her rendition of the musical theater classic “Day by Day.” Bobby Montaniz’s booming voice rings perfectly during his soulful performance of “All Good Gifts.” Act Two, though darker in tone, does have some upbeat moments. Among them is the devilishly sexy “Turn Back, O Man” performed by the talented Elena Faverio. You’ll hold back tears during “By My Side,” a beautiful duet between Jenna Kavaler and Aria Saltini. In the audience, you can’t help but feel the urge to clap and sing along.
The show’s excellent choreography is also to be noted. With each musical number it feels the cast members outdo themselves. No doubt this can be attributed to choreographer Marquez Stewart whose vision translated wonderfully on stage. Her direction of Jesus and Judas during “All for the Best” is a real treat as the duo tap dances in tandem. Many of the musical numbers cleverly include American Sign Language, adding an extra dimension to an already beautiful repertoire of music. “Godspell’s” other great success is in its attention to ambiance. Lighting designer Robert W. Henderson Jr. programs some of the most impressive light sequences I’ve ever seen in a local show. “Heavenly” seems like a fitting adjective.
Behind the cast is Steve McCoy, musical director, who leads a team of expert musicians who brought the score to life in a way that only great instrumentalists can. Randall Parsons’ costume design was also a job well done with Jesus wearing his signature Superman shirt and Judas adorned in what I assume was a cleverly repurposed military coat from “Les Miserables.” Every cast member’s costume so perfectly fit the quirkiness of their personalities. Also deserving of credit is stage manager Peter Casdia who expertly ran the production from behind the scenes.
Arguably the highlight of the show is one particular scene that turns the stage into an old-fashioned slide projector. Comically narrated by Judas, the entire audience erupted into five minutes of non-stop bellyaching laughter. If for this scene alone, go see this show.
“Godspell,” while inspired by the Gospel of Matthew and the Gospel of Luke, isn’t exclusively a Christian show. Its message of community, love and compassion are delivered in a way that doesn’t require you to adhere to the Christian doctrine. Even as a secular Jew, I found myself humming along to “We Beseech Thee” and thinking to myself “I love Jesus!”
Theatre Three, 412 Main St., Port Jefferson will present “Godspell” through March 26. Contains adult themes. Tickets range from $15 to $30. For more information, call 631-928-9100 or visit www.theatrethree.com.
Hans Paul Hendrickson, second from right, with the cast of ‘Godspell’ at Theatre Three. Photo by Peter Lanscombe, Theatre Three Productions Inc.
By Rita J. Egan
When it comes to the lead role in “Godspell,”one important trait for the actor to have is charisma. During a recent interview with Hans Paul Hendrickson, it was obvious that he not only possesses this important characteristic but also enthusiasm for the musical’s upcoming run at Port Jefferson’s Theatre Three, as well as working with his fellow cast members and director Jeffrey Sanzel.
The company member was in middle school when he first saw the production at a local high school. “I was just blown away by how it was so different than anything else I had known in the musical theater realm,” he said.
After seeing the show, Hendrickson bought the album on iTunes. “I bought it and I lived it. I listened to it over and over again. And then, when I found out that they were doing it this year when I was signing my company contract, I was very much excited, and very eager to get a chance to get a crack out of it,” the actor said.
While it’s a role he always wanted, Hendrickson explained his reasons have changed since rehearsals started. He also said he finds himself getting along even easier with people, and taking the stance of turning the other cheek when someone does him wrong. “Originally I wanted to play it because it’s the lead, and he has great songs, and who wouldn’t want to play Jesus Christ. And also, the person who played it at the high school was someone I admired through doing theater and looked up to, which made me want to play it even more,” he said.
“But as I’ve gotten the role it’s kind of become a situation where, I’m not saying I’m becoming the character, but I’m adopting his teachings. I’m becoming able to relate to what he’s saying because a lot of what he says in the show is straight out of the Bible, and it’s not exactly written in the most plain of terms, but through my work with Jeff I’m able to connect that stuff with my life. And I’m able to adopt these ideals and these thoughts and these concepts of this man, and the character and the actor are becoming one,” he added.
The actor said the play asks, “If this charismatic character came into your life for one day, how will he change you?”
“In our production, we kind of take the name of Jesus out of the play. We are focusing more on the teachings and the identity, the being, the idea of Jesus. Rather than them addressing me as Jesus and me wearing a beard and long hair, we kind of focus on the love aspect,” said Hendrickson.
“Throughout the rehearsal process, Jeff [Sanzel] has been emphasizing the idea to me of leading from behind. Yes, [Jesus] is the leader but he kind of is the gas in the tank of the ensemble. He helps them to realize that they have all the teachings and understandings in themselves. And as he teaches them to tell these parables and these stories, not only do they learn the lessons about the stories but they learn lessons about themselves.”
The actor explained that the Theatre Three production takes place in an old theater, and as the musical opens, we are introduced to characters representing theater regulars such as the shining star, the understudy, the costumer and the director. While the beginning number shows disconnect, the Jesus character, who happens to be the janitor, comes in to help connect everyone. “We kind of wanted to emphasis the idea that he could be anyone. It’s not about, yes, he was the son of God, but he’s also the son of man.”
While Hendrickson has a number of favorite moments in the musical, he said he loves how the cast comes together in “Save the People” and feels a surge of energy that he said organically came along in the rehearsal process. The number first starts with Hendrickson and Patrick O’Brien, who plays Judas, on stage, and then everyone joins in with the band dropping out for about four measures where everyone sings a cappella.
“There’s such a surge of energy. And, it’s something that you don’t get in every production, and it’s something that you can’t take for granted as a performer, because it’s so genuine of everybody coming together for this one purpose. I’m getting goose bumps just talking about it,” Hendrickson said. “They’re almost coming together to be together. They’re not entirely sure why they are coming together but there’s something pulling them, there’s something bringing them in. Their vocals are just so on point at that moment.”
As for his fellow cast members, Hendrickson said they all bring different energies and personalities, and they jokingly refer to themselves as the God Squad. “There’s not a weak link up there.”
The actor credits Sanzel for bringing out the best in all of the cast members. He explained the director doesn’t just simply direct but also pulls the best from each actor, discussing with each their thoughts about the role and any problems they may encounter. Hendrickson said Sanzel also understands how to take into account the actors’ ideas of approaching a role and making the entire cast feel connected. “He’s created a completely judgment-free zone, which we’re able to try, and which we’re able to grow, and which we’re able to love and love each other, and love the work that we’re putting together.”
After “Godspell,” Hendrickson said he will appear at the theater in the one-act play “OK Computer” by Tom Moranat the Ronald F. Peierls Theater onthe Second Stage at the end of April and as Pinocchio in the Mainstage musical “Shrek” in May. The 23-year-old plans to take the summer off and then audition, something Hendrickson said he’s more confident about than in previous years due to this past year as a Theatre Three company member.
Theatre Three, 412 Main Street, Port Jefferson, will present “Godspell” from Feb. 27 to March 26. For more information, please visit www.theatrethree.com or call 631-928-9100.
Singer/songwriter to take fans down a road of memories
John Denver tribute artist Ted Vigil. Photo by Heather Bunker
By Rita J. Egan
On Feb. 13, music lovers will be traveling country roads, and not-so country roads, to Theatre Three in Port Jefferson when the venue presents Ted Vigil: A Tribute to John Denver.
John Denver tribute artist Ted Vigil. Photo by Heather Bunker
For the last few years, Ted Vigil has been touring the country with the tribute show and providing the late singer’s fans a night of musical memories. When Douglas Quattrock, the theater’s group sales coordinator and director of development and marketing, and Vivian Koutrakos, managing director, found out the singer was interested in performing on Long Island, they watched a video of him and were extremely impressed.
Quattrock said that Vigil not only physically resembles the late singer but also perfectly captures how Denver would sing and perform right down to every intonation. “I was blown away because I grew up with his music,” he said.
Preferring rock music when he was younger, creating a John Denver tribute show wasn’t always the musical road Vigil was on. However, he couldn’t escape many noticing the resemblance to Denver, who died in a plane crash in 1997. He was only 53.
“I get it every day. I get it at the grocery store. I get it when I’m jogging with my ski hat on. It’s the first thing that my mother-in-law said when I met her 30 years ago: ‘You kind of look like John Denver’,” Vigil said in a recent phone interview.
When he began performing as a teenager in Olympia, Washington, Vigil would sing and play drums with local rock bands. The entertainer said the resemblance to Denver wasn’t as obvious when he was younger. He admitted he used to have big ’80s hair — “permed and ratted up. I definitely had a different look going on,” he said.
Vigil said that while his style of music was different from Denver’s, he was familiar with the singer’s songs because his mother would play the musician’s 8-tracks in her car.
While Vigil always enjoyed performing, after he got married and had children he took a break from the stage and worked as a truck driver. Through the years, his music style also changed. “As I got older I kind of started moving away from the harder rock and started listening to other stuff,” he said.
Once his children were older, Vigil started performing again, and the Denver look-alike found his musical style meshing with the legend’s more and more.
‘It’s the first thing that my mother-in-law said when I met her 30 years ago: You kind of look like John Denver.’ — Ted Vigil
In 2006 he, along with thousands of contestants from 28 states, New Zealand, Australia and Canada entered the Talent Quest 2006 contest in Laughlin, Nevada. He arrived at the contest prepared to participate in the rock/pop category where he sang the Led Zeppelin song,“Rock and Roll,” and the Guns N’ Roses hit, “Sweet Child O’ Mine.” When he arrived, someone suggested he also enter the country category.
While he didn’t win in rock/pop, he walked away with first place in the country category singing Denver’s “Annie’s Song” and “Rocky Mountain High.” While he was in Nevada, many commented on how he resembled the late singer, and after that he entered and won the KOMO TV 4’s Northwest Afternoon Celebrity Look-Alike Contest.
At his appearance at Talent Quest, he caught the attention of a pilot and sound engineer that both had worked with Denver, and they encouraged him to do a tribute show. His first one was in 2006, and by 2009, he was touring all over the states.
In 2010 Steve Weisberg, a former lead guitar player with Denver, began to perform on stage with Vigil. The singer said while touring for four years with Weisberg, who passed away in 2015, he learned a lot about Denver, and during downtime on the road, the guitar player would share with him how the late singer would approach songs.
“He was fun to play with and people loved him. He told stories and jokes on stage about his experience working with John. I really miss Steve,” the singer said.
Vigil admitted that even though he knew a few guitar chords, he needed to learn more for the tribute show, because Denver was an accomplished guitar player. Once he learned the songs on the instrument, he said he was blown away by the technicality.
“It was really a challenge for me to learn these songs on the guitar. I didn’t realize how great a guitar player John was. Also, how difficult it was to sing in a more quiet tone, and you have that voice control, you have the long extended notes, and with all the bravado and all that, it’s really beautiful. John used his voice like an instrument. He was just a really technical singer,” Vigil said.
John Denver tribute artist Ted Vigil. Photo by Heather Bunker
The singer, who also is a songwriter, released an album in 2010 with his own and Denver’s songs. Currently, he is working on his next CD with all original tunes. He said performing Denver’s songs has affected his performances overall. “John has definitely influenced me a lot as far as style and just being a more rounded singer, instead of screaming rock ‘n roll stuff,” he said.
Vigil, who had the opportunity to play at Denver’s Windstar Foundation in Aspen before it dissolved, is looking forward to the intimate setting of Theatre Three. The singer, who has performed both solo and with a seven-piece band, said he’ll be bringing his solo show to the theater. While he enjoys performing with a band, he feels in some settings the audience can hear the lyrics better when there are less instruments, which he finds fitting for Denver’s music. “I think John’s music really was emotional, and it really hits the heart,” the singer said.
Vigil said he will perform at Theatre Three many of the songs that music lovers remember of Denver’s including “Rocky Mountain High,” “Take Me Home, Country Roads,” “Annie’s Song” and “Thank God I’m a Country Boy.” He also enjoys performing “Grandma’s Feather Bed,” “Like a Sad Song” and “Poems, Prayers and Promises,” which weren’t played on the radio as much as the legend’s other songs.
“My favorite songs are some of the side B record songs where they didn’t get a lot of airplay but they are just beautiful songs,” he said.
The singer will also perform a couple of his own pieces, including “Sing My Songs,” which he wrote as a tribute to Denver and other popular singers who have passed away.
Vigil is grateful to be touring and meeting so many interesting people and sharing their memories of Denver. He believes music is an important part of life. “It’s such a wonderful thing — music. It really helps people I think emotionally and spiritually and mentally to cope with life because life is hard,” he said.
Theatre Three, 412 Main Street, Port Jefferson, will present Ted Vigil: A Tribute to John Denver on Saturday, Feb. 13, at 8 p.m. Tickets are $35 per person. For more information, visit www.theatrethree.com or call 631-928-9100.
Jenna Kavaler and Hans Paul Hendrickson in a scene from Theatre Three's 'Little Red Riding Hood'
[1/28/16, 11:01 AM] Heidi Sutton ([email protected]): Photo by Peter Lanscombe, Theatre Three Productions, Inc.
By Heidi Sutton
Making its world premiere on Theatre Three’s Mainstage in Port Jefferson, “Little Red Riding Hood: A Tale of Safety for Today,” is a musical gem. Written by Jeffrey Sanzel and Kevin F. Story and directed by Sanzel, this modern version follows the classic Grimm fairy tale closely but also uses the tale as a tool to teach “stranger danger” in an effective way. The six-member adult cast, coupled with a clever and witty script, come together to create a truly special production.
The story revolves around Amanda Sally Desdemona Estella Barbara Temple, whom everyone calls Little Red Riding Hood because she always wears a red cape. Asked by her mother to go check on her grandmother, Granny Beckett, she ventures out over the river and through the woods to bring her some Girl Scout cookies. Her twin sisters, Blanche and Nora, accompany her halfway there; but Little Red Riding Hood sends them back home because Nora has a cold. Now alone, she encounters a stranger (William “Billy” de Wolf) and commits a series of safety mistakes, putting her grandmother and herself in grave danger.
Steven Uihlein serves as narrator and does a wonderful job introducing each scene. Uihlein also steps in periodically to play numerous supporting roles, including a policeman and a mailman.
Jenna Kavaler is perfectly cast as Little Red Riding Hood and tackles the role with aplomb. Her character’s changes in mood from annoyed to scared to confident are compelling.
The entire cast of ‘Little Red Riding Hood: A Tale of Safety for Today’ at Theatre Three. Photo by Peter Lanscombe, Theatre Three Productions, Inc.
Melanie Acampora shines in the delicious role of Mrs. Temple, Little Red’s mother, who is so forgetful she can’t even remember her children’s names or who’s who.
Granny Beckett is superbly played by Andrew Gasparini, who clearly enjoys the role, poking fun at himself with an occasional deep note. His solo, “Who’s at My Door?,” is terrific.
Compared to the original tale, the wolf — played to the hilt by Hans Paul Hendrickson — is a relative pussycat, asking the audience if they have any steak or a bone, as he is always hungry. And his howl is not too shabby. Spoiler alert: He doesn’t eat Granny Beckett — she gets away.
Perhaps the most difficult role in the show is the one of twins Blanche and Nora, both played by Amanda Geraci. Geraci switches roles effortlessly, skipping on stage as Blanche, disappearing behind a wall and then returning with a shuffle as Nora, who is fighting a terrible cold. It’s not an easy task, but she pulls it off with perfection. Any minute audience members expect both of them to appear on stage — Geraci is that convincing.
Sanzel knows his target audience well and does an excellent job keeping the story moving along in a fun and captivating way. The action scenes are a nice touch, as the wolf chases Granny and Little Red around Granny’s house and is then chased by the entire cast.
In the last 10 minutes of the show, the actors discuss the safety mistakes that Little Red Riding Hood made, including talking to strangers, and what she should have done instead, a valuable lesson in a less than perfect world.
Teresa Matteson’s costumes are spot-on, from the head-to-toe fake fur on the wolf to Granny Beckett’s nightgown and shawl to Little Red’s cape. The musical numbers, accompanied on piano by the multitalented Steve McCoy, are the icing on the cake, especially “Little Red Riding Hood” and “Granny, What’s Happened to You?” Choreography by Sari Feldman is as top-notch as always.
The great story line, the wonderful songs and the important message it conveys makes this show a perfect reason to step in from the cold. The entire cast will be in the lobby after the show for photo-ops.
Theatre Three, 412 Main St., Port Jefferson will present “Little Red Riding Hood – A Tale of Safety for Today” for ages 3 and up through Feb. 20. Tickets are $10 each.
The season continues with “The Adventures of Peter Rabbit” from March 5 to 26, followed by “Cinderella” from April 16 to June 11. For more information, call 631-928-9100 or visit www.theatrethree.com.
Ad in the Port Jefferson Echo: Jan. 13, 1927, page 2. Photo from Beverly Tyler
By Beverly C. Tyler
Athena Hall, now known as Theatre Three on Main Street in Port Jefferson, was a community hall from 1874, when it was built, until it was remodeled into the Port Jefferson Theatre in 1928 with raked seating for 473.
Until then, it was an open flat-floor area above Griswold’s machine shop, where vaudeville and minstrel shows, magic lantern shows, automobile shows, local plays and other events were held which usually included music and entertainment, and by the early 1900s, “moving pictures” as well.
Ad in the Port Jefferson Echo: Jan. 13, 1927, page 2. Photo from Beverly Tyler
Athena Hall was also used for the high school graduations, as a meeting house, election headquarters, dance hall, roller skating ring and by various organizations such as the Port Jefferson fire department which held a benefit show in 1927, featuring a one-act play, a movie and the Port Jefferson High School orchestra. Earlier the same year, Bridgeport radio station WICC held a two-night show featuring Charlie Cole and His Famous Radio Singing Orchestra, with music for dancing every night from 9 p.m. to 2 a.m. There were even musical and Charleston dance contests during the auto show in January 1927.
About this same year, 12-year-old Blanche Carlton was asked to play the piano before the film that day and to accompany her close friend Veronica “Ronnie” Matfeld who would be singing. Blanche (Carlton) Tyler Davis is my mom and she told me this story over tea one day just recently.
Mom said, “I believe it was all arranged by Charlie Ruggles who got the director to run the skits at the theater before the movie. I think the director’s name was John. Ronnie was going to sing and I would play the piano. I could hear the tunes so I didn’t need the music and I could pick out other tunes. For the last piece Ronnie sang “Ave Maria” and when she reached the higher notes I was supposed to be at the top notes on the piano and then when Ronnie reached the highest note I was to reach for the notes beyond the piano and fall off the stool onto the stage — and I did.” That was the end of the skit. My mom Blanche and Veronica went off the back of the stage and the movie started.
Ruggles came to live in East Setauket in 1926 and purchased a property at 16 Old Coach Road. He maintained this East Coast residence until 1942.
Ruggles was probably best known for his performances as a character actor in films such as “Bringing Up Baby” (1938) with stars Cary Grant and Katharine Hepburn. In this crazy, hectic comedy film he played Maj. Applegate, a big-game hunter. Ruggles appeared in about 100 feature films over a more-than 50-year career.
He began on the stage and became well known for his work in radio and television.
Ruggle’s career included Long Island at the Players-Lasky studio (later to become Paramount Pictures), based in Astoria, where he made four silent films in 1915. His comedic talents also extended to his personal relationships and he made many friends, some famous in their own right, as detailed in the Brooklyn Daily Star for May 13, 1927.
“Due to the cordial relations existing between Charles Ruggles, popular comedian of ‘Queen High,’ at the Ambassador Theater, and Lieutenant Commander Byrd, Clarence Chamberlain, Bert Acosta and other famous airmen, the actor has erected a huge searchlight on his estate near East Setauket, L. I., to guide the flyers in their aerial navigation during the night hours.”
Ruggles didn’t spend a lot of time on Long Island. After all, he couldn’t be here and make all those films and be on the stage in New York as well as in radio and television. However, in a story headlined “Movie Star at East Setauket,” as detailed in the Mid-Island Mail, Oct. 1, 1936, he did come here often: “Charles Ruggles of the movies flew from the coast last week to spend several days at his home in East Setauket. The well-known comedian is a frequent visitor here.” Ruggles was also here enough to be included in the 1930 census for East Setauket along with his future wife Marion La Barba.
Many other vaudeville, minstrel and Broadway actors came to this area with its pleasant villages and picturesque harbors. Getting out of the noise and smells of the city was one reason to come to places like Port Jefferson and Setauket and the presence of local theaters, dance halls and entertainment venues just added to the appeal.
Beverly Tyler is Three Village Historical Society historian and author of books available from the Three Village Historical Society.
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