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Matthew W. Surico stars in a sensory-friendly performance of ‘My Christmas Elf: The Musical’ on Dec. 5 at 11 a.m. Photo by Kristen Digilio

By Melissa Arnold

For a child with special needs, the world can be overwhelming.

The things many of us take for granted — a trip to the mall, stopping for a coffee or going to a show — can be frightening and confusing to children with sensory processing issues.

A sensory processing disorder affects how someone experiences their surroundings. Their senses might be too dull, or heightened to the point of discomfort. The disorder, which impacts at least 1 in 20 children, according to the SPD Foundation, can vary widely from person to person. The foundation also reported that 80 percent of people with autism experience symptoms of SPD, though not all people with SPD are autistic.

One thing is shared among them, however: SPD can make life’s little pleasures nearly impossible, not just for those with the disorder, but for their families and caregivers as well.

This year, the Noel S. Ruiz Theatre at the CM Performing Arts Center in Oakdale has been hard at work adapting their children’s theater program for audiences with sensory difficulties.

Office manager Terry Brennan was inspired to bring sensory-friendly shows to the theater after reading about it in a magazine. Broadway theaters occasionally offer an adapted show, but CM is the only theater to do so regularly on Long Island.

Brennan, the former owner of the now-closed Airport Playhouse in Bohemia, is sympathetic to families and children with SPD. “It’s hard when you see a child in the theater who is extra vocal or likes to move around. It can be challenging for their families,” she explained. “We don’t want them to feel embarrassed. I thought, ‘Why don’t we do something, even if it’s just one performance per production?’”

Using brief instructional videos as a guide, Brennan educated the actors and theater staff on what makes sensory-friendly theater work.

“First, as people come in the door, there are sensory-friendly toys in the lobby, like Koosh balls and blocks, that the kids can play with while waiting for the show to start. They can bring the toys into the theater with them,” she said. “Families may also use cellphones or tablets with children who need distraction throughout the show, as long as the volume is turned off.

The key to an adapted production is to tone down elements of a show that may be disturbing to viewers with SPD. The house lights, which are normally off during a show, are kept on to prevent sudden darkness. Strobe lights, fog machines and most other special effects are not used. In addition, there is typically no intermission, as it can disrupt focus and peace for people with SPD. Most shows will run about one hour straight through.

The volume for sensory-friendly shows is lowered, and actors tend to avoid physical interaction with audience members unless directly approached first.

Beyond that, audience members are welcome to sing, dance, yell and move around to their hearts’ content. They can also meet cast members after the show if they’d like.

The theater held its first sensory-friendly performance, “Pinocchio Jr.,” in the summer of last year. At the time, there were just three families in the audience. But Brennan wasn’t measuring success by audience size, she said.

“To me, success is when a parent comes up to me and says, ‘Thank you, I didn’t feel like I had to leave or feel embarrassed at all.’ She could let her son stay and enjoy. It was wonderful.”

Today, sensory-friendly shows at the theater can bring in audiences of more than 100 people.

Kristen Digilio, director of the children’s shows and an occasional cast member, was working in the light booth during “Pinocchio.”

“Getting to see the kids waving, clapping and getting vocally involved was really exciting,” she recalled. “It was easy for them to get up and dance. We encourage audience participation in all of our shows, and this was special.”

She added that learning the basics of sensory-friendly theater was a breeze for the actors.

“It was really cool to learn about, because as a junior production, we were working with young actors,” she said. “There was even an actor in that show (‘Pinocchio’) with autism, so he was pumped for the changes and was really able to share why it made a difference.”

The theater is currently celebrating 38 years of children’s productions, and they plan to hold one sensory-friendly show per production from now on.

There are two upcoming sensory-friendly shows this season, including “My Christmas Elf” on Dec. 5 at 11 a.m. and “The Musical Adventures of Flat Stanley” on Feb. 27, 2016, at 11 a.m.

Sensory-friendly shows for “Schoolhouse Rock,” “Willy Wonka and the Chocolate Factory,” and “James and the Giant Peach,” in the spring and summer of 2016, will also be held. Dates for those shows will be announced soon.

The CM Performing Arts Center is located at 931 Montauk Highway in Oakdale. Admission for all children’s performances is $12. To learn more about the theater and its sensory-friendly productions, call 631-218-2810 or visit www.cmpac.com.

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The entire cast of ‘Barnaby Saves Christmas’ at Theatre Three. Photo by Peter Lanscombe, Theatre Three Productions, Inc.

By Heidi Sutton

During the month of December, Santa Claus has taken up residence at Theatre Three in Port Jefferson with Mrs. Claus and the whole gang for the theater’s 12th annual original production of “Barnaby Saves Christmas.”

The entire cast of ‘Barnaby Saves Christmas’ at Theatre Three. Photo by Peter Lanscombe, Theatre Three Productions, Inc.
The entire cast of ‘Barnaby Saves Christmas’ at Theatre Three. Photo by Peter Lanscombe, Theatre Three Productions, Inc.

With the book by Douglas Quattrock and Jeffrey Sanzel and music and lyrics by Quattrock, this adorable children’s musical has become a yearly tradition for many local families.

Under the direction of Sanzel, an enthusiastic cast of nine adult actors whisk the audience away to the North Pole. It’s Christmas Day and Santa, his elves and reindeer are on their way to deliver presents to all the children. Realizing Santa has left behind one of the presents, a teddy bear, the littlest elf Barnaby convinces the littlest reindeer, Franklynne, to set off on an adventure “to save Christmas.” Along the way they meet a Jewish family and learn all about Hanukkah, and bump into an evil villain who’s trying to ruin Christmas — ultimately learning the true meaning of the holiday season.

Reprising his role as Barnaby, Hans Paul Hendrickson is delightful as an elf trying desperately to fit in. His solo, “Still with the Ribbon on Top,” is heartfelt and his duet with Sari Feldman as Franklynne, titled “I’m Gonna Fly Now,” is terrific. Feldman is wonderful, playing her character with the perfect level of spunkiness and determination. The audience connects with the two from the beginning.

Steven Uihlein and Phyllis March are Santa and Mrs. Claus and double as the Jewish aunt and nephew characters, Sarah and Andrew. Uihlein’s solo, “Within Our Hearts,” is superb and March’s rendition of “Miracles” is moving.

Although it is Santa the children look forward to seeing, it is S. B. (Spoiled Brat) Dombulbury who steals the show. The incomparable Brett Chizever tackles the role of the evil villain with utter glee. Just a big kid himself, Chizever is perfectly cast. This is a fun role and Chizever relishes in it. Dana Bush, as Irmagarde, his partner in crime, is also an audience favorite. The only original cast member in the show, Bush always gives a strong performance as the wannabe songwriter who follows her heart.

Marquez Catherine Stewart gives a superbly humorous performance as Sam, the head elf who is desperately trying to stay on schedule and keep everything running smoothly. Amanda Geraci and Jenna Kavaler in the roles of Blizzard and Crystal, respectively, are an amazing supporting cast.

Choreographed by Stewart, the dance numbers are fresh and exciting, incorporating the Whip and the Nae Nae as well as a tap-dancing number — “Like Me!” — that is top rate.

This sweet, cleverly written holiday musical is a perfectly wrapped package with a bow on top. The story line, the songs and the message are all timeless and wonderful. And the audience agreed, as the children — yes, the children — yelled, “Encore!” over and over at the end.

Stay after for photos with Santa Claus if you wish — the $5 fee will support the theater’s scholarship fund — and meet the rest of the cast in the lobby.

Theatre Three, 412 Main St., Port Jefferson, will present “Barnaby Saves Christmas” on Dec. 5, 12, 19 and 26, with a special Christmas Eve performance on Dec. 24. All shows begin at 11 a.m. Tickets are $10 per person. For more information, call 631-928-9100 or visit www.theatrethree.com.

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Brandon Niederauer plays during a show. Photo from Gary Niederauer.

This young boy from Dix Hills sure knows how to rock.

Brandon Niederauer, 12, has only been playing the guitar for four short years, but he has already had more career milestones than most kids his age.

Brandon has already played on The Ellen DeGeneres Show, with the Allman Brothers Band, and at The New Orleans Jazz and Heritage Festival. But his most recent accomplishment is perhaps his most impressive.

Brandon Niederauer plays during a show. Photo from Gary Niederauer
Brandon Niederauer plays during a show. Photo from Gary Niederauer

This December, he will be in Andrew Lloyd Webber’s newest musical on Broadway: “School of Rock-The Musical.” Brandon said he first became interested in playing the guitar after seeing the original movie, “School of Rock.”

After competing against more than 50 musicians to get the part and going through an eight-week workshop, Brandon said he got the call that he had gotten the role while he was playing basketball with his brother.

“All the kids and adults in the cast get along really well,” Brandon said in an email. “We have a lot of fun playing pranks and joking around. We are like a family.”

As for working with legendary composer Webber, Brandon said he has already taught him a lot.

“School of Rock — The Musical” officially opens on Dec. 6 at the Winter Garden Theatre.

This month, Brandon performed on The Late Show with Stephen Colbert to promote the musical.

According to Brandon, when Webber was asked to be a guest on the show, the producers thought it would be a good idea to have him on the show as well.

“I was very honored to play the whole set with such an amazing band,” Brandon said. “I was one of the band. There is something special about that. They showed me the music and set list right before the show and I had so much fun playing and fitting it.”

Brandon Niederauer in "School of Rock — The Musical." Photo from Gary Niederauer.
Brandon Niederauer in “School of Rock — The Musical.” Photo from Gary Niederauer.

Brandon will also be performing with his cast in The Macy’s Thanksgiving Day Parade this year on the Gibson guitar float.

“Being on the Gibson float is a dream come true,” Brandon said. “I saw that float a year ago and said, ‘I want to do that.’”

Brandon’s father, Gary Niederauer, said he knew right away that his son had special talents.

“I knew after the first lesson,” Niederauer said in an email. “Everything was easy and natural for him. He knew where all the scales were after only being taught one.”

As for seeing his son up on stage, Niederauer said he delivers every single time.

“It is thrilling to be able to watch your son create amazing sound from nothing with other amazing advanced musicians,” he said. “I really can’t believe it. He has no fear and loves to perform for an audience.”

When asked about any plans for the future, Brandon said there’s nothing concrete.

“I have been a guitar player, singer, writer — now I’m acting on Broadway,” he said. “I really have no plan. Things have been happening on their own, so whatever it is, I just want it to be fun!”

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Kevin McGuire as Kris Kringle in a scene from ‘Miracle on 34th Street — The Musical’ Photo by Michael DeCristofaro

By Charles J. Morgan

With perfect timing, “Miracle on 34th Street — The Musical” arrived at the John W. Engeman Theater in Northport last weekend to usher in the holidays. When the playbill tells you that the book, lyrics and music were all done by Meredith Willson of “The Music Man” fame, one knows that they are in for some solid musical theater entertainment. And so it was with this effort, attempting to prove there really was a Santa Claus, lifting it all from what could have evolved into crass, sentimental claptrap up to a paean to the goodness and the true warmth of Christmas.

Direction was in the hands of Richard T. Dolce who is also production director of the Engeman. His talents were, as usual, quite evident in blocking done smoothly, and interpretation, making the characters into individuals.

Dolce made the female lead Susan Walker, played by Meaghan Marie McInnes, the secular positivist, devoid of emotion, unbeliever, into the loving, caring mother and equally loving woman opposite ex-Marine Fred Gaily, handled neatly by Aaron Ramey. The innate talents of both in acting and singing shone through brightly. The complementarity of his near-lyrical tenor and her plangent soprano coalesced not merely musically but also intimately … despite a slapped face from her and a stolen kiss by him. The two were the jeweled bearing that the whole story  turned on.

Then there was Kris Kringle played handily by Kevin McGuire. Fully bearded, avuncular, outgoing, knowledgeable … he even sings in Dutch! He never relents in proclaiming himself to be Santa Claus. His singing voice was a powerful tenor. Matt Wolpe plays Marvin Shellhammer, the officious climber. He is perfectly styled as the pushy “idea” man who thinks up the marketing plan to sell plastic alligators as a Xmas sale only to be rebuffed by R.H. Macy who threatens to fire him because he had fired Kris who was telling customers to buy at Gimbels or FAO Schwartz. Macy is handled by Bill Nolte, gruffly but efficiently, the image of the impervious CEO.

The Ensemble was based on the “platoon” system, the Red and Green crew. On opening night, the Red crew was on and the ubiquitous Antoinette DiPietropolo, one of the most talented choreographers in town, wrought her ever present terpsichorean magic.

Music had David Caldwell on keyboard directing with Brian Schatz on reeds; the indefatigable Joe Boardman on trumpet; Frank Hall and Paul Sieb on trombones; Russell Brown on bass; and the rock solid Josh Endlich on percussion. This outfit revealed (again) a range of skills that has marked the success of many other Engeman productions.

Musical numbers such as “Plastic Alligators” by Shellhammer and his clerks was piercingly funny. Kris Kringle’s “Here’s Love with McInnes” with Ramey and the Ensemble  was practically the signature number of the show. Your scribe was deeply impressed with “She Hadda Come Back” by Ramey and three of his card-playing buddies in Act II but was bowled over with laughter by “My State, My Kansas” by Macy, Shellhammer, Nick Addeo, Todd Thurston as a judge and Kim Carson as a legal secretary. It was a vaudeville quartet plus one and done in a courtroom. Certified hilarious.

Staging and lighting were under the direction of Stephen Dobay and Jimmy Lawlor, whose integration of the know-how pulled together all the elements of what made the “miracle” of this show.

Er, one more thing. Your scribe referred to Kris singing in Dutch. Please let him express himself in the only Dutch expression he knows: Gelukkig Kerstfest (Merry Christmas).

The John W. Engeman Theater, 250 Main St., Northport will present “Miracle on 34th Street — The Musical” through Jan. 3, 2016. Tickets range from $69 to $74. For more information, call 631-261-2900 or visit www.engemantheater.com.

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From left, Dondi Rollins as Sebastian; Michelle Rubino as Ariel; and Zack Buscemi as Scuttle in a scene from ‘The Little Mermaid’ at the SCPA. Photo by Samantha Cuomo

By Rita Egan

The heartwarming tale “The Little Mermaid” opened at the Smithtown Center for the Performing Arts this past weekend to the delight of fans both young and old. For almost two hours, the brilliant cast treated the audience to an enchanting and colorful show that floated smoothly from a magical world under the sea to a shore where dreams can come true.

Jordan Hue has skillfully directed a cast of talented actors who bring their characters to life with the right amount of tenderness and humor, and in the case of a few, even deviousness, needed for a production based on a Hans Christian Andersen classic and Disney film.

The musical, originally produced by Disney Theatrical Productions, with music by Alan Menken, lyrics by Howard Ashman and Glenn Slater and book by Doug Wright, stays true to the movie version released in 1989, which when it comes to the finale, may be more fitting for younger audience members instead of Andersen’s sadder ending.

Our heroine Ariel, played by Michelle Rubino, lives under the sea with her father King Triton (Jahlil Burke) and her six sisters. The youngest of the king’s daughters, the little mermaid dreams of being a human and many times swims above water to see if she could catch a glimpse of these strange creatures. Her faithful companion Flounder (Caitlin Beirne/Erika Hinson) follows her on the adventures, where the seagull Scuttle (Zack Buscemi) joins them to educate them about life above sea level. Here the bird shows them items such as a fork that he believes is used to comb one’s hair, or a pipe that he thinks blows bubbles, and he cleverly names them to disguise his true lack of human knowledge. 

Mikey Marmann as Prince Eric and Michelle Rubino as Ariel in a scene from ‘The Little Mermaid’ at the SCPA. Photo by Samantha Cuomo
Mikey Marmann as Prince Eric and Michelle Rubino as Ariel in a scene from ‘The Little Mermaid’ at the SCPA. Photo by Samantha Cuomo

While Ariel is making waves in her world, the rambunctious Prince Eric (Mikey Marmann) chooses the life of a sailor over his royal duties and chases the beautiful voice he has heard while navigating the rough seas. Just like Eric has his advisor Grimsby (Mark DeCaterina/Ralph D’Ambrose) to keep an eye on him, King Triton soon assigns Sebastian the crab (Dondi Rollins) the responsibility of keeping Ariel away from the dreaded humans. However, in her quest to make her dreams come true, Ariel slips away from Sebastian, and when she meets the evil sea witch Ursula (Samantha Carroll), the mermaid finds herself making a big yet silent splash in the human world, and finding that even in your darkest moments, dreams can come true.

Rubino, who is making her debut on the SCPA stage, is stunning as Ariel, capturing both the sweetness and eagerness of the mermaid throughout the production, especially during the songs “Part of Your World” and “Beyond My Wildest Dreams.” The actress bears a striking resemblance to the character, which had many little ones on opening night excitedly pointing toward the stage thrilled to see their favorite character in the flesh.

Marmann as Prince Eric proves he possesses the charming qualities to reel in a sea princess as well as theatergoers with his beautiful and soothing vocals during the songs “Fathoms Below” where he sails troubled waters and “One Step Closer” where he patiently teaches Ariel to dance.

Carroll as Ursula nails the deviousness needed to play a villainess and delivers the sea witch with the gusto of Ethel Merman, especially when belting out the tunes “I Want the Good Times Back” and “Poor Unfortunate Souls.” From the loud applauses she received after her numbers as well as during the final bows, it looks like Carroll has a promising stage career in her future.

Kevin Burns playing Floatsam and Barbara Tiernan as Jetsam were devilishly entertaining as Ursula’s sidekicks as they slithered their way through numbers trying to sideline Ariel’s dreams. The duo also had their time to light up the stage during the number “Sweet Child,” which convincingly lures the little mermaid into Ursula’s tentacles.   

Rollins gets a chance to show off his singing and dancing talents during the numbers “Under the Sea” and “Kiss the Girl.” Despite playing the stuffy, crusty crab, Rollins, joined by the ensemble, delivers “Under the Sea” as the fun, energetic number it is meant to be and has us holding our breath in anticipation as he slowly introduces the first few bars of “Kiss the Girl” and then uses his voice masterfully to build anticipation.

Along with Rollins, D’Ambrose playing Grimsby on Saturday night and Buscemi as Scuttle seamlessly provided the comedic moments expected of the characters. In addition, Beirne played Flounder on opening night with an endearing sweetness, and the youngster delivered the cute number “She’s in Love” like a professional.

Of course, the story would not be complete without King Triton and Ariel’s sisters. While Triton may be stern at times, Burke plays him with the tenderness that obviously overrules the king’s heart when it comes to his children. Alex Juliano, Erin Bonura, Jessica Donlon, Courtney Braun, Alexa Brin and Samantha Foti whether playing the sisters or later as princesses vying for Prince Eric’s heart, not only delivered great singing numbers but also cute comedic lines that elicited laughs from the audience.

Complementing the talents of the actors was a simple yet eye-catching set designed by Timothy Golebiewski. With a coral-like trimmed stage and faux rocks, the cast transformed easily from underwater life to sea level where the simple parting of a curtain revealed the bow of Prince Eric’s boat that seemed to be heading straight toward the audience.

Costumes designed in an array of colors by Ronald R. Green III also take center stage during the musical. The various hues were stunning, especially during the numbers where the whole ensemble was on stage. Sebastian’s costume was the most spectacular in a bright red, and Rollins dapperly sported a top hat and coattails. To take the place of fins, long skirts are cleverly used for the merfolk, even on King Triton’s costume, which Burke handled smoothly.

The exceptional cast, as well as the crew, of the Smithtown Center for the Performing Arts has created a production of “The Little Mermaid” that will float into the hearts of many and leave waves of delightfulness that will last long after they leave the theater.

The Smithtown Center for the Performing Arts, 2 E. Main St., Smithtown, will present “The Little Mermaid” as its main stage production until Jan. 24, 2016. Tickets are $35 for those 12 and over and $20 for children under 12. For more information and show times, visit www.smithtownpac.org or call 631-724-3700.

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From left, Douglas Quattrock, Jeffrey Sanzel and Hans Paul Hendrickson in a scene from ‘A Christmas Carol.’ Photo by Elizabeth Castrogiovanni, Kayline Images

Theatre Three’s 32nd annual performance of “A Christmas Carol” opened last weekend. “Too early,” you may say. “It’s not even Thanksgiving yet.” Perhaps, but the spirit of Christmas — giving selflessly and spending time with the ones you love — is a message that holds true all year.

The show is based on Charles Dickens’ classic novel of cranky old miser Ebenezer Scrooge, who is concerned only with business. One Christmas Eve, the ghost of his deceased business partner Jacob Marley appears, wearing the chains he’d forged in life, “link by link,” and tells Scrooge he will be visited by three spirits — the Ghosts of Christmas Past, Present and Future, who help him discover the true meaning of Christmas.

Published more than 170 years ago, Dickens’ tale of redemption quickly resonated with the working class and has remained a holiday favorite ever since.

Adapted for the stage by Theatre Three Executive Artistic Director Jeffrey Sanzel in 1983, the production is constantly evolving, revising itself, with subtle changes that keep it fresh. The audience is led through a gamut of emotions, from fear to sadness to pure joy — a true testament to the magic of live theater.

The show brings back familiar faces year after year, with Sanzel (Scrooge), Douglas Quattrock (Bob Cratchit), Steve McCoy (Jacob Marley) and George Liberman (Mr. Fezziwig) leading a talented cast of 20 who, combined, play nearly 100 roles. The entire company, from the seasoned actors to the children, does a phenomenal job.

Sanzel, who also directs, is in every scene and is wonderful. In a scene with the Ghost of Christmas Past, he instantly transforms from an old, hunched-over tired man to a young man again, dancing the night away at Fezziwig’s holiday party. The transition is effortless and quite remarkable.

Quattrock’s performance as Bob Cratchit is particularly moving, especially in his scenes with Tiny Tim (played by Ryan M. Becker), and Steve McCoy is a daunting Marley. Other standouts include Liberman as the jolly Mr. Fezziwig, Kiernan Urso in the role of young Scrooge and Amanda Geraci, who reprises her role as the sweet but sassy Ghost of Christmas Past. James D. Schultz tackles a new role this year as the cheeky Ghost of Christmas Present “to show the joys of mankind” and does a tremendous job. Newcomer Hans Paul Hendrickson brings an elevated level of tenderness to the role of Scrooge’s optimistic nephew, Fred Halliwell, that is top-notch and operates the towering Ghost of Christmas Future with ease.

A Victorian set designed by Randall Parsons, period costumes by Parsons and Bonnie Vidal, lighting by Robert W. Henderson Jr., music and sound by Ellen Michelmore and the many special effects pull it all together nicely to create a first-class production. Be it your second time or your 32nd, Theatre Three’s “A Christmas Carol” is well worth revisiting.

Arrive a little early and be treated to a selection of Christmas carols by the actors in the lobby and stay afterward for photo ops with Scrooge (proceeds benefit the theater’s scholarship fund).

Theatre Three, 412 Main St., Port Jefferson, will present “A Christmas Carol” on the Mainstage through Dec. 27. New this year, all evening shows begin at 7 p.m. Tickets range from $15 to $30. For more information, call 631-928-9100 or visit www.theatrethree.com.

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George Liberman reprises role for 9th year

Alexander Yagud-Wolek and George Liberman in last year’s performance of ‘A Christmas Carol.' Photo by Elizabeth Castrogiovanni, Kayline Productions

By Rita J. Egan

In the classic tale “A Christmas Carol,” a glimpse of his younger years working for Mr. Fezziwig provides a delightful vision of Christmas past for Ebenezer Scrooge. This holiday season, for the 9th year in a row, actor George Liberman will take on the role of the miser’s former boss in Theatre Three’s adaptation of the holiday classic.

It’s a character the actor loves portraying and one whose kind-hearted spirit he captures perfectly, with great energy and a jovial laugh.

The Ghost stopped at a certain warehouse door, and asked Scrooge if he knew it. “Know it!” said Scrooge. “Was I apprenticed here?”

They went in. At sight of an old gentleman in a Welsh wig, sitting behind such a high desk, that if he had been two inches taller he must have knocked his head against the ceiling, Scrooge cried in great excitement: “Why, it’s old Fezziwig! Bless his heart; it’s Fezziwig alive again!”

Old Fezziwig laid down his pen, and looked up at the clock, which pointed to the hour of seven. He rubbed his hands; adjusted his capacious waistcoat; laughed all over himself, from his shows to his organ of benevolence; and called out in a comfortable, oily, rich, fat, jovial voice.

— Excerpt from Charles Dickens’ “A Christmas Carol,” 1843

“Fezziwig was a good businessman, but he believed that a happy workplace is a prosperous workplace, exactly the opposite of the environment that Scrooge is working in. His workplace was miserable; he was miserable. The Fezziwig workplace was totally different. You kind of see that when you go into the whole Fezziwig sequence in the show. It’s just a happy place,” said Liberman, who has played this role more than 400 times.

“The Fezziwig party — he’s inviting all of his workers, regardless of their class. He’s inviting his neighbors in; he’s having a great time. He wants everyone to enjoy themselves,” the actor said. “He’s bubbly, he’s happy; he has a great relationship with his wife. That’s kind of the way I try to portray him — being very, very happy and very bubbly, very full of life — and that’s what I love about the role.”

Douglas Quattrock, director of development and marketing, and group sales and marketing coordinator, who has played Bob Cratchit in the production for the last 12 years, said Liberman has a great understanding of the Fezziwig role. Quattrock explained that the character adds that touch of humanity to the story, where the most important thing is love.

“I think George embodies that. I’ve noticed that tenderness grow over the years. Every year he’s brought that nuance to it that a lot of actors who might play the role once or twice might not capture,” Quattrock said.

Liberman’s relationship with Theatre Three began in 1991, when he attended a performance of “Sweeney Todd.” The actor enjoyed the show so much he began auditioning and through the years has appeared in “Man of La Mancha” (Captain of the Inquisition), “Guys and Dolls” (Rusty Charlie) “Fiddler on the Roof” (Lazar Wolf), as well as others.

Jeffrey Sanzel, Theatre Three’s executive artistic director, describes Liberman as a go-to person who always has great chemistry with his castmates. “George is one of the easiest people to work with. I have never heard anybody say anything other than he’s wonderful,” Sanzel said, who also directs “A Christmas Carol” and stars as Scrooge.

Liberman’s interest in performing began during his days at Adelphi University. While a student there, he was a member of the Adelphi University Octet. The singing group would perform throughout New York State, and he appeared in one of the university’s musicals, “Little Mary Sunshine.” However, he said after graduating from college, due to working full-time and family responsibilities, he didn’t perform again until 1991, appearing in Theatre Three’s production of “Man of La Mancha”.

It wasn’t until the husband and father retired from working as an administrator for the New York State Office of Mental Health nine years ago that he approached Sanzel about participating in “A Christmas Carol.” He explained that the holiday production’s rehearsal and performance schedule would have been too demanding for him while working full-time.

Sanzel said he knew Liberman was perfect for the role of Fezziwig. “He’s very warm. There’s a real honesty about George, which comes across on stage because he’s that way in life,” the director said.

Liberman’s participation in “A Christmas Carol” keeps him, as well as the other actors, extremely busy the last few months of the year. Rehearsals this year began in the beginning of October, when the cast met downstairs to run through their lines, and on Oct. 26, they began rehearsing on stage, with a good percentage of the set constructed. Liberman, who loves to golf, said jokingly that he’s not quite sure what he would do this time of year if he weren’t rehearsing and performing on stage, especially with golf season being over.

Jenna Kavaler, George Liberman and Jeffrey Sanzel in last year’s performance of ‘A Christmas Carol.' Photo by Elizabeth Castrogiovanni, Kayline Productions
Jenna Kavaler, George Liberman and Jeffrey Sanzel in last year’s performance of ‘A Christmas Carol.’ Photo by Elizabeth Castrogiovanni, Kayline Productions

Liberman said he enjoys working with his fellow “A Christmas Carol” actors, both those who have returned from previous years and newcomers. He said Michelle Cosentino will be playing Mrs. Fezziwig for the first time and is wonderful in the role.

Cosentino enjoys working with Liberman as well, and she said she appreciates how welcoming and patient he is. “He’s pretty much Christmas 24/7. It’s like happiness is bursting out of him,” Cosentino said.

Liberman said he continually learns more about the story and the role and has added some refinements over the years, and he said he has grown as an actor as well. The growth has occurred not only due to playing Fezziwig each year, but also by watching Sanzel take on the role of Scrooge every holiday season. Liberman said he has learned a lot by watching the director, especially with how he shades his character in different ways.

In addition to his appreciation for what Fezziwig stands for, Liberman said the theme of “A Christmas Carol” also brings him back each year. He said, for him, the classic holiday story shows that even when you are as mean as Scrooge is, a person can learn the errors of his way.

“The message of the show is a very uplifting, positive message, as it progresses through the show. So I really enjoy doing it,” the actor said.

Liberman hopes that theatergoers will enjoy the message of the holiday story as much as he does. “I would hope that when people walk away, they’re inspired, and they come away with the notion that even the meanest of characters, the meanest of people, can be redeemed and can change, can see the positive in people and can do something positive for those around them,” he said.

Theatre Three, 412 Main Street, Port Jefferson, will present its 32nd annual production of “A Christmas Carol” from Nov. 14 to Dec. 27. Ticket prices range from $15 to $30. For more information and show times, visit www.theatrethree.com or call 631-928-9100.

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Photo by Heidi Sutton

By Rita J. Egan

The year 2015 marked Smithtown’s 350th anniversary and the return of movies to the town. In addition to commemorative events, locals were able to stop by the Smithtown Center for the Performing Arts and take in a feature film to enhance their trip down memory lane.

The movie theater that once operated in the building where SCPA stands today opened in 1933 and offered motion pictures until November of 2001. Toward the end of November 2014, the building, which has not been significantly altered aesthetically in over 80 years, once again became home to beloved movies to commemorate the town’s milestone. While the original lineup of films planned for the theater will wrap up on Oct. 30 with “The Sixth Sense” and “The Exorcist,” management has planned to offer more movies in the upcoming months. Tickets for this double feature are $10.00.

Nov. 27 — ‘The Wizard Of Oz’
Dec. 4 — ‘A Christmas Story’
Jan. 8 — ‘Invasion of the Body Snatchers’ (1956)
Jan. 9 — ‘Rocky’
Jan. 15 — ‘The Addams Family’
Jan. 16 — ‘The Good, The Bad and the Ugly’
Jan. 22 — ‘Carrie’ (1976)
Jan. 23 — ‘The Silence of the Lambs’
Feb. 5 — ‘Network’
Feb. 6 — ‘Dirty Harry’
June 16 — ‘Hook’
June 24 — ‘Thelma & Louise’
*All movies start at 7 p.m. and are $8 per ticket.

Ian Washington, house manager, hosted numerous movie nights at the theater this year. Washington said while attendance varied, overall the movie nights were well received by local residents. During the year he heard comments such as “we’re so happy you’re doing this again” and “please keep doing it.”

Washington said in addition to theatergoers being pleased to see the films, they also requested that the performing arts center show others. “It was a great experience and a great test run of what we know we can do,” he said.

The house manager said among the over 60 films that the theater offered in 2015, he was excited to see movies such as “Rain Man,” the original “Batman,” “Spaceballs” and “Blazing Saddles.” He said the more popular movies with audiences were “Casablanca,” “Gone with the Wind,” “King Kong” and the most attended of all of them, “A Christmas Story.” Washington said “Jaws” and the “Back to the Future” trilogy also did well.

Like last season, the motion pictures will alternate with the performing arts center’s live stage presentations. After the double feature of thrillers on Oct. 30, the theater has a dozen movies scheduled until the end of June with the possibility of more being added for the last few months of 2016.    

“People love that we’re doing it again,” said Washington.

The new lineup of movies will kick off with “The Wizard of Oz” on Friday, Nov. 27, at 7 p.m., and once again, back by popular demand, there will be a holiday showing of “A Christmas Story” on Friday, Dec. 4.

Last year management chose many of the movies based on local residents’ memories of their visits to the theater throughout the decades. This time around, films were selected based on whether they are hitting a milestone anniversary in 2016. Due to this selection process, theatergoers can once again enjoy classics such as “Rocky,” “The Good, the Bad and the Ugly,” “Carrie,” “Dirty Harry” and “Thelma & Louise” on the big screen in the upcoming year.

The Smithtown Center for the Performing Arts is located at 2 E. Main Street in Smithtown. For more information, call 631-724-3700 or visit www.smithtownpac.org.

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The cast of ‘The Addams Family,’ from left, Terry Brennan, Daniel Belyansky, Jon Rivera, Steven Cottonaro, Gina Morgigno, Denise Antonelle and Marc Slomowitz. Photo by Timothy Pappalardo

By Charles J. Morgan

Deep, dark, dank and dusty were the living quarters of the cartoon-famous Addams Family immortalized by Charles Addams and carried forward by the long-running TV series. Just in time for Halloween, Oakdale’s CM Performing Arts Center’s Noel S. Ruiz Theatre has produced it in all its necropolitic splendor and funereal solemnity. And by the way … it’s a musical.

Given CMPAC’s penchant for grand and opulent staging, it was phenomenally successful. The ubiquitous and talented Patrick Grossman designed the set with its precise and swift and sure mobility. With keenly executed lighting plot by Carl Tese, the show’s dark and dreary set was suffused with appropriate ominous light including graveyard mist.

Grossman also directed and his skills with blocking and interpretation were palpably patent. CMPAC’s massive venue poses a problem for the making and breaking of character compositions in a coherent, logical (real?) manner. Theatrically, Grossman succeeded mightily in this. When it came to interpretation he did a credible job inculcating “spookiness.”

Jon Rivera, in the role of Gomez, has the dominant role. His voice, somewhere between a tenor robusto and dramatico, carried him emotionally through all his numbers such as “Wednesday’s Growing Up” and “Gomez’s What If” in Act I. He focuses emotion and sturdiness with masterful acumen.

Denise Antonelle, as his wife Morticia, has a firm soprano coupled with a voluptuous stage presence and a projection ability commingled with exceptional clarity. Their daughter Wednesday was played by Gina Morgigno. Morgigno was ingénue-like in her movements and that plangent voice in Act I’s “Pulled” and “Crazier Than You” in Act II ranked her as a first rate actress-singer. Fifth-grader Daniel Belyansky, who plays Pugsley, is wonderful in his solo number in Act I, a take-off on Gomez’s number “What If.” He has a strong developing voice, and this showcase number may mark him for much to come.

With a massive blonde wig, Terry Brennan plays Grandma, launching her scratchy, boisterious voice in earthy aphorisms, brooking no opposition from anyone. Marc Slomowitz as Uncle Fester had a sort of a parallel role. He had mobility, especially facial, and was hilarious in “Fester’s Manifesto” in Act I and “The Moon and Me” in Act II.

Then there was Lurch the butler. It was a silent role except for his gurgling and growling, the timing of which evoked some loud laughter, especially from your scribe. Steve Cottonaro handled this role with mimetic menace.

As usual, Matthew W. Surico led a live pit band with his expected genius. There was somewhat of a preponderance of Latin rhythms ranging from tango to 6/8 time Bossa Nova, even a waltz. The musical talents of this 12-piece outfit rose to resplendent heights. Choreography was in the hands of the skilled M.E. Junge who also played a small part as one of the Ancestors while costumes were neatly handled by Ronald Green III.

If the audience’s whooping and howling are any indication of the success of this production, it must be a smash hit. Your scribe more tacitly agrees.

The CM Performing Arts Center, 931 Montauk Highway, Oakdale will present “The Addams Family” through Nov. 8. Tickets range from $20 to $29. For more information, call 631-218-2810 or visit www.cmpac.com.

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From left, Danny Meglio, James D. Schultz, Kate Keating, Max Venezia, Samantha Carroll and Jacqueline Hughes in a scene from ‘James and the Giant Peach.’ Photo by Jennifer C. Tully

By Rita J. Egan

The John W. Engeman Theater in Northport is serving up a juicy treat with its newest children’s production “James and the Giant Peach.” Based on the classic Roald Dahl tale, the musical, under the direction of Jennifer Collester Tully, features a score by the Tony Award-nominated team Benj Pasek and Justin Paul that alternates between the touching and the upbeat and the book by Timothy Allen McDonald that stays true to Dahl’s original magical story.

The whimsical musical captures the imaginations of theatergoers, both young and old, and the cast effortlessly transports the audience from the hero’s original dismal circumstances to a delectable adventure. As the story opens, we meet James Henry Trotter, an orphan, who has just discovered he can leave the orphanage where he has been staying to go live with his two aunts. The audience soon learns though that his new guardians are usually up to no good.

When the duo demand that James chop down a peach tree, while they spend the day at the beach, the young lad is visited by Ladahlord who reveals to him a special potion to use on the peach tree. Later, when it’s discovered the tree has produced a giant peach, the aunts scheme to make money off the oddity. However, their plans are foiled when James is pulled into an adventure with a colorful cast of friendly insects.

With the opening number, “Right Before Your Eyes,” the audience gets a delightful peek at the offbeat characters that will soon become part of James’ life. Michael Verre as Ladahlord, also serves as narrator in the production, and with his sweet tenor voice, lulls the theatergoers into a magical land where a giant peach can exist and change the life of a young man, right before their eyes.

Max Venezia, who played James on opening day, and alternates the role with Austin Levine, captures the gentle spirit of the protagonist, which is clear during his first number “On Your Way Home” in Act 1. Audience members can’t help but feel a bit of sadness for the little boy who no longer has a family to call his own.

Alyson Clancy as Aunt Sponge and Suzanne Mason as Aunt Spiker are so adept at their comedic abilities, with Clancy even taking out a can of whipped cream at one point, that they not only provide plenty of comic relief but they also make the audience forget just what terrible human beings these character really are. With numbers such as “Property of Spiker and Sponge,” “There’s Money on That Tree” and “I Got You” throughout the play, you can’t help but like the dastardly aunts thanks to Clancy and Mason.

The musical features some entertaining dance numbers, too. During the first act, Verre and Venezia share lead vocals in the lively number “Shake It Up.” While the ensemble joins in the vocals and choreography, Verre is the one who takes center stage with his impressive tap dancing skills.

As the second act opens, the audience discovers James has entered the peach and, along with the lad, meets the eclectic group of life-sized insects. There’s Ladybug played divinely by Kate Keating; Grasshopper portrayed dapperly by James Schultz; Spider presented stylishly by Samantha Carroll; and Danny Meglio as Earthworm embracing his character with thick reading glasses and just the right amount of pessimism for the whimsical adventure. In addition, actress Jacqueline Hughes is a standout as Centipede, as she convincingly portrays a male character like a street-smart newsboy.

The second act allows the actors who play the insects a chance to show off their acting and singing talents, and they don’t disappoint. They also receive a few giggles from the audience with their antics as they navigate their small quarters inside the rolling peach.    

While the critters may be surprised at first to share their space with a human, the number “Everywhere That You Are” shows the insects may have a soft spot for our hero. Led by Keating and Schultz, the bugs deliver the song with a tenderness that convinces you of the bonding with the boy, not only on stage but off as well.

The Earthworm also comes out of his bookish shell during the number “Plump and Juicy,” and Meglio and his fellow insects perform an entertaining number that eases the tension during a scary moment in the peach and adds just the right amount of goofiness that is always welcomed in a children’s musical. 

While trouble ensues when the giant peach and its passengers encounter sharks, seagulls and even impalement on the Empire State Building, James and his new friends conquer their fears and work together to save the day. The cast ends the show perfectly on an upbeat note with the song “Welcome Home,” and when all is said and done, we find that sometimes a sense of family can be unearthed in the most unusual places.

All involved with the Engeman’s “James and the Giant Peach” have produced a heartwarming and inspiring story that will keep children as well as adults entertained from beginning to end. It’s a perfectly peachy way to spend a weekend morning with the family.

The John W. Engeman Theater in Northport, 250 Main St., as part of its Bethpage Federal Credit Union Youth Theater Series, will present “James and the Giant Peach” on Saturdays at 11 a.m. and Sundays at 10:30 a.m. through Nov. 8. Tickets are $15. For more information, call 631-261-2900 or visit www.engemantheater.com.

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