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Steven Lantz-Gefroh

By Julianne Mosher

How can a modern-day Thanksgiving play not ruffle any feathers, especially in a politically correct society?

Suffolk County Community College’s latest production of The Thanksgiving Play is not what one might expect. In fact, it is pure chaos, but hysterical chaos at its best. 

Directed by Steven Lantz-Gefroh and written by Larissa FastHorse, the show consists of just four actors — Scott Dowd (Jaxton), Jerry Ewald (Caden), Michaela Fitzsimmons (Alicia or A-lee-see-ya), and Taylor D’Agostino (Logan). Set in an adorably relatable elementary school classroom, the four come in to start working on a culturally appropriate and politically correct play about the first Thanksgiving meal for kids. 

One slight problem — all the actors are white, and very woke, and they feel that they cannot ethically perform a historically correct production as they grew up with white privilege. They hire a “real” actress from L.A., Alicia, who they believe is Native American… only to find out in show business looks can be deceiving. 

FastHorse, who is the first female Native American playwright to have a show produced on Broadway, writes this clever satirical comedy with poise by serving up the hypocrisies of woke America, especially with topics like Thanksgiving, Native Americans and, dare I say his name? Christopher Columbus. 

Originally making its Broadway debut in 2023, it comes to the smaller stage at SCCC’s Ammerman Campus in Selden and showcases the raw, amazing talent of these four theater students. Each one has a very bright future set up for them. 

Dowd plays Jaxton, the yogi/part-time actor, who tries to always right his wrongs of being a straight, white male brings humor to the uncomfortable topic of race, especially when he’s tasked to be a part of something that needs to appeal to all people and cultures. Dowd plays the typical hippie who jumps on the bandwagon of whatever trend is going on, and he does it convincingly well.

Ewald plays Caden, a history teacher who has very serious feelings about Christopher Columbus, but also wants his side play writing performed by real humans. As in other SCCC performances, he makes the audience laugh with his slapstick shenanigans. That being said, we should highlight the choreographers for their realistic fight scene that will have you wince, but not look away.

D’Agostino plays Logan, the glue of the story, and the main protagonist who has to navigate these other personalities while trying to keep her job as a teacher in a new school district. But she’s also incredibly woke, and restricted by her overthinking and over producing. D’Agostino’s performance shines, definitely showing the leader that she is on and off the stage. 

And we can’t forget Fitzsimmons, who plays Alicia, the L.A. actress brought in by Logan as the team’s cultural compass navigating Native American culture (Logan saw headshots of her on her website wearing braids and turquois). Your standard L.A. actress, she plays the snotty, and kind of stupid, actress who relies mostly on sex appeal for parts amazingly well. Her facial expressions even when she’s in the background tell a story in itself.

Through satire and humor, this one-act show addresses the misrepresentation of Native Americans, the lack of indigenous casting and the challenges of accurately representing indigenous people in American society — all of which FastHorse experienced herself as a Native American playwright.

And you’re honestly just going to laugh from the moment the four performers step on stage. Throughout the show, we bounce back and forth between the scene in the classroom to small musical numbers relating to Thanksgiving. 

You’ll laugh at the humor, but also with how uncomfortable these conversations can be. So, even though it’s not Thanksgiving time at all, get in the spirit of cultural appropriation and white storytelling, and head over to SCCC to see this unique, hysterical and impressive show. You’re going to gobble it up.

The Theatres at Suffolk County Community College present The Thanksgiving Play in Theatre 119, Islip Arts Building Suffolk County Community College, 533 College Road, Selden on March 15, and 16 at 7:30 p.m., and March 17 at 2 p.m. General admission is $15, veterans and students 16 years of age or younger $10. SCCC students with current ID are offered one free ticket. To order, please call the box office at 631-451-4163.

By Julianne Mosher

Theater students at Suffolk County Community College in Selden are bringing a new perspective to an Ancient Greek tragedy with Antigone Now. The powerful show will be presented in Theatre 119 through Oct. 15.

Set on an empty, somber stage with just a staircase and bullet hole panels decorating the walls, Antigone Now is a modern look at one of Sophocles’ earliest surviving plays, Antigone. The hour-long, one act play follows Antigone (Angie Barrientos), a once royal whose brothers and parents are killed amidst war. 

Her sister, Ismene (Ke’Ashma Simpkins), tries to block out the noise of the gun shots and bombings while Antigone desires to find her brother, Polyneices (Jeremy Bazata) who is fighting against the war and deemed a traitor. But when she does, she learns she needs to bury him as he bleeds dead in the street. In order to give him a proper burial and protect his honor, she  must break the law under the new leadership of her uncle, Creon (Gabriel Patrascu).

Based “anytime and anywhere that war is raging,” we follow the troupe of five through the heartbreak and anger they are feeling. With the assistance of the narrator and ensemble member, Meredith Reed, we are taken to Ismene’s home where she tries to console the young and ambitious Antigone, the palace where Creon reigns and a dungeon where one sits awaiting their fate after doing what’s best for their family, but in turn, also becomes a traitor.

Performances by Barrientos, Simpkins, Bazata, Patrascu and Reed are beyond phenomenal. For students just beginning to make their mark in the world of theatre and entertainment, they certainly act as though they have been on Broadway for years all with the help and leadership of director Steven Lantz-Gefroh.

Originally written by Melissa Cooper, the local performances are raw and full of emotion. Despite a play filled with destruction and devastation, there’s a meaning beneath it all like the rubble in the show’s setting.

We get to know each character. Reed’s narrator is strong with storytelling that helps the audience understand where we are. Patrascu’s Creon is the perfect epidemy of a politician with the voice and look to match. We feel Simpkins’ Ismene, who has a broken heart, and cries real tears, with so much love that she just wants to fix and protect everyone who is left in her life. Bazata’s Polyneices says not one word, but his body language and stature on stage make him a focal point in the production. And of course, Barrientos’ Antigone, the titular character, whose rebellious personality, and defiance show us that there is nothing over family and that often-subdued women will do whatever it takes to protect their honor.

Antigone Now is the perfect specimen of tragedy. The modern spin on it is relatable to most in the crowd and it is a beautifully crafted, thought-provoking presentation of a long-told tale that still holds true today.

You won’t want to miss this one. 

The Theatres at Suffolk County Community College present Antigone Now in Theatre 119, Islip Arts Building Suffolk County Community College, 533 College Road, Selden on Oct. 12, 13, 14 at 7:30 p.m. and Oct. 15 at 2 p.m. *Mature Content.  General admission is $15, veterans and students 16 years of age or younger $10. SCCC students with current ID are offered one free ticket. To order, please call the box office at 631-451-4163.

From left, George Eli, Stefan Pallotta and Brooke Morabito star in 'Tape' at Suffolk County Community College in Selden through March 19. Photo by Julianne Mosher/TBR News Media

By Julianne Mosher

The stage at Suffolk County Community College’s Ammerman Campus in Selden transforms this week into a basic motel room set in Lansing, Michigan. 

From the moment the lights dim, we are brought back to the glory days of three friends from high school who haven’t seen each other in a decade. But instead of a happy reunion, things turn dark, secrets are spilled, and the plot thickens with a conversation that is just as important now as it was nearly 25 years ago – sexual assault. 

Tape is a 1999 play written by Stephen Belber, first produced at the Actors Theatre of Louisville as part of the 2000 Humana Festival of New American Plays. In 2001, it became a film, starring Ethan Hawke, Robert Sean Leonard and Uma Thurman. 

From left, George Eli, Brooke Morabito and Stefan Pallotta star in ‘Tape’ at Suffolk County Community College in Selden through March 19. Photo by Julianne Mosher/TBR News Media

Directed by Steven Lantz-Gefroh, the three-character ensemble piece is set within the confines of a tawdry motor lodge in Michigan. After 10 years apart, three former friends (and lovers) come together to play out the unresolved drama of their final days in high school. 

Intrigued, the audience watches through the one-act play as layers of denial are slowly peeled away. Suspense builds as each character is provoked into revealing his or her true nature and motivation — full of plot twists. Mesmerized, we are drawn into their lives as they choose which cards to play and which cards to hold.

Starring SCCC students Stefan Pallotta (as Vince, a drug dealing volunteer firefighter), George Eli (as Jon, a filmmaker who is the reason the former friends are in the same room), and Brooke Morabito (Amy, the girl in the middle and a local assistant district attorney), the three on stage together collaborate so well that watchers can see, and feel, the emotion in front of them. 

Pallotta’s quick witted responses (and stellar dance moves) show promise for his future — he’s graduating this upcoming semester to study acting. The audience deeply empathizes with Morabito, who plays a victim of assault, as she performs her tale of that night and how she overcame it so well that viewers are left speechless. As a graduating senior, as well, she too has a bright future ahead. 

Eli’s performance of antagonist of the story is so impressive, it’s hard to dislike his character. This performance of Tape is so good, you’ll forget that you’re sitting inside a college theater.

Lantz-Gefroh said that although the play was written almost three decades ago, the topic is still important today — and that is why people should come see it this weekend.

“We have come no distance with this subject matter in over 30 years,” he said. “[This show] helps people realize the mistakes they’ve made in their lives that they need to fix — if they can.”

Morabito said that playing Amy was a cathartic experience for herself.

“Amy is the character that speaks for all the victims of sexual assault who get to see this play and she enacts revenge,” she explained. “She gets to close the door on what happened that night and what happened in the motel room, and leave it all behind.”

Eli added he was grateful to perform alongside Pallotta and Morabito for an important cause.

Tape spreads a lot of awareness and shows us that anyone can be a victim or anyone can be an aggressor,” he said. 

Tape continues on March 16, 17 and 18 at 7:30 p.m., and March 19 at 2 p.m. at Theatre 119 in the Islip Arts Building at the Suffolk County Community College’s Ammerman Campus, 533 College Road, Selden. Rated R for mature content. 

Theater continues at SCCC Selden with William Shakespeare’s A Comedy of Errors from April 13 to 23.

General admission is $14, veterans and students 16 years of age or younger is $10. Suffolk students with a current ID receive one free ticket. For tickets, call 631-451-4163.

Julianne Mosher is an adjunct professor at Suffolk County Community College and a 2013 graduate of the school.