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‘Relic’

Photo by Julianne Mosher

Port Jefferson Village officials headed to Centennial Beach on Saturday to unveil its new beach cleanup incentive. 

Partnering with Remsenburg-based nonprofit Relic Sustainability, the group has collaborated several times with the county and the Town of Brookhaven to create cleaner beaches for everyone to enjoy.

“Our goal is to collaborate with the town, businesses and community members in combating beach pollution that is a growing issue on the coastline of Long Island,” Alex Kravitz, COO of Relic, previously told TBR News. 

On Saturday, June 12, county, town and village officials joined the group to celebrate Port Jefferson’s first basket station right at the entrance into Centennial Beach. These stations give beachgoers the opportunity to take a basket on the beach, pick up trash and deposit it into a trash receptacle. This is part of Relic’s Coastal Collaborative project, which encompasses 10 preexisting stations across Long Island, including one at Cedar Beach that was unveiled by the town in April. 

Kravitz said the plan is to add more stations across Long Island and at different county parks. 

Spearheaded to bring into the village by Trustee Rebecca Kassay, she said the baskets will help people make good choices while out and about, as well as at home. 

“It’s so important to put in steps like this, to empower individuals to be good stewards of their community,” she said. “This station is so simple, people see it, they get it right away, and it’s a prompt to remind people that it is so easy to do something so good and so important for our ocean, for our sound and for our harbor.”

Kassay added they are planning on bringing two more stations to other beaches in the village. 

County Legislator Kara Hahn (D-Setauket) said the stations will be great for children to learn how important it is to keep the beaches clean.

“I think it’s great for families, cleaning up a beach, cleaning up a park — its instant gratification for the kids that are participating, it shows them the impact they can make right then and there.”

Brookhaven Councilman Jonathan Kornreich (D-Stony Brook) applauded the groups for bringing the baskets in.  

“I think that this is really great leadership from the village in setting up this kind of thing, and helping to show people ways that we can change our own behavior,” he said. 

The first station at Centennial Beach has been sponsored by the Fox and Owl Inn — which Kassay owns. Relic said they are continuously looking for sponsors for the other baskets that will soon pop up.

Relic also sells organic apparel that gives back to local waters. For every T-shirt sold, they plant five oysters back into Moriches Bay. 

The clothing items are available at relic-design.com.

Supervisor Ed Romaine and Councilwoman Jane Bonner joined members of the Relic team at Cedar Beach on Earth Day. Photo by Julianne Mosher

To celebrate Earth Day April 22, Brookhaven Town Supervisor Ed Romaine (R) and Councilwoman Jane Bonner (R-Rocky Point) announced a new initiative that will keep local beaches clean.

Photo by Julianne Mosher

The elected officials gathered at Cedar Beach in Mount Sinai that morning to unveil its new beach cleanup baskets, in which the town has partnered with Long Island-based nonprofit Relic Sustainability.

The group, from Remsenburg on the South Shore, collaborated with the town due to Relic’s Coastal Collaborative project, which encompasses seven preexisting stations across Long Island. 

“Our goal is to collaborate the town, businesses and community members to collaborate in combating beach pollution that is a growing issue on the coast line of Long Island,” said Alex Kravitz, COO of Relic.

The stations give beachgoers the opportunity to take a basket on the beach, pick up trash and deposit it into a trash receptacle.

“What better way to celebrate Earth Day?” Romaine said. “The baskets are 100% recycled plastics. You pick one up, walk along the beach, pick up some garbage and put the baskets back. … We want this in all of our town beaches and we want to keep them clean.”

While Relic Sustainability has seven stations, Cedar Beach is the first in the Town of Brookhaven to utilize its concept. 

Aiden Kravitz, CEO of the nonprofit, said the goal is to reach even more beaches.

Councilwoman Jane Bonner with the Relic crew. Photo by Julianne Mosher

“By the end of the summer, we’re hoping to have a bigger partnership with the county with 40 to 50 stations,” he said. “The goal of the program is to help relieve the pressure of trash on the beaches by stimulating voluntary trash pickup from the community. We view the heart of the program as a collaborative between the town, ourselves, local businesses and the community members — everybody plays a role.”

Bonner said she was excited for the new initiative because of the “tremendous garbage problem, not only on Long Island, but in the United States.”

“I cannot think of a better way to celebrate Earth Day than to launch a program that addresses the litter that plagues all of our beaches,” she said. “I encourage people who come to Cedar Beach to use one of the baskets and pick up litter before they leave for home. It’s something we can all do to advocate for a better environment.”

Relic also sells organic apparel that gives back to local waters. For every T-shirt sold, they plant five oysters back into Moriches Bay. 

The clothing items are available at relic-design.com.

From left, Robyn Nevin, Emily Mortimer and Bella Heathcote. Photo courtesy IFC Midnight

Reviewed by Jeffrey Sanzel

First-time director Natalie Erika James takes a new spin on the possessed residence genre with the atmospheric psychological horror film, Relic. James has co-written the heady screenplay with Christian White, and the result is ninety minutes of introspective dread that are grounded more in family than in fright. Relic had a buzzy debut at Sundance last year; it is equally arthouse and haunted house.

Three generations of women confront the dark but unexplained spirits possessing their family. When the elderly Edna (Robyn Nevin) disappears for three days and then suddenly reappears without explanation, daughter Kay (Emily Mortimer) and granddaughter Sam (Bella Heathcote) respond differently to the older woman’s erratic behavior.

The core of Relic is the portrait of a dysfunctional family staring down its matriarch’s slip into dementia. What is revealed is that years before, Edna’s grandfather suffered a fate similar to Edna’s.  He died alone in a cabin on the property — the first structure put up on the land.  (Kay has visions of both the old man and the cabin.) And while it no longer exists, pieces of it had been incorporated into the existing house, most notably the stained glass window now found in the front door.

It is as if the evil that destroyed the man followed it into the house, biding its time to possess its owner, in this case, Edna. But is it evil or illness? The answer is both.

While there are many traditional images, they feel fresh in James’s hands. In the opening moments, the house “breathes.” While an overflowing bathtub is a well-known trope, there is something about the water’s flow down the stairs that sets the tone for what will be the film’s creeping malevolence. 

Initially, the house itself looks benign and suburban, if a bit cluttered. Yes, it is large and well-appointed, but this is not a caricature of the old dark house, and this is a very different kind of haunting. The black mold appears to be an insidious manifestation of the dementia, and it is consuming the family homestead.

At first, Edna seems to have a bruise on her chest. In actuality, the same mold is overrunning house and body. The possession is a slow poison that hovers around the edges before taking over; the metaphor is clear. Scattered around the house are Edna’s notes to herself — ranging from the simple “Flush” to the alarming “Don’t let it in.”

The layers and twists are neatly woven, alternating between the ever weakening bond between Edna and Kay and the malign forces that are present. The fact that they are joined makes the film unique as it is impossible to disconnect one from the other.  The evil dwelling in the house is just as real as what has clearly been a disintegration of Edna’s mind.

This is a film that allows the narrative to slowly unravel. The scenes are short with staccato dialogue but the tempo remains at a slow burn for a majority of the time. It does not rely on gore or even visual scares.  Instead, it allows us to peer into the shadows, unsure of what they — or we  — are seeing.

It helps that all three actors — Mortimer, Nevin, and Heathcote — give understated and grounded performances. Nevin’s descent into confusion is marked by flashes of anger and disturbing behavior. There is a moment where she wanders away from the house and attempts to eat photographs before trying to bury the album itself. Wide-eyed, she looks at her daughter and cries, “Where is everyone?” It is a moment that is both horrifying and heart-breaking.

Mortimer’s struggle with ambivalence and obligation are palpable. Her love is mixed with resentment. She shows equal amounts of frustration and hurt in witnessing her mother’s desolation. Heathcote strikes the right balance in trying to be a loyal daughter and an attentive granddaughter. She also makes the climax (an extended sequence lost in the house’s impossible labyrinth) a showpiece in discovery. Both the spoken and unspoken pain and disappointment of this trio build the narrative.

Cinematographer Charlie Sarroff has effectively desaturated the color to the point of almost being absent. Robert Mackenzie’s eerie sound design — with ambient noise tamped down or oddly amplified — greatly enhances the off-kilter world. The distorted sounds of an empty washing machine and the gunshot bang of a bolt into a lock are jarring in just the right (wrong?) way.

For those looking for something different in the genre, Relic is an evasive but mysterious tale, cleverly flying in the face of traditional horror movie expectations. It masterfully blends many of the everyday fears for our loved ones with darker forces. Give it the time and it will stay with you long after its bizarre final moments.

Rated R, Relic is now streaming On Demand.