DJ Johnny ‘Juice’ Rosado joins the Long Island Music and Entertainment Hall of Fame’s board of directors

by Press Release - March 16, 2025

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The Long Island Music and Entertainment Hall of Fame (LIMEHOF) in Stony Brook welcomes one of its inductees—legendary Hip-Hop artist DJ Johnny“Juice” Rosado —as an official member of its board of directors.

“The LIMEHOF is essential in archiving Long Island’s artistry,” Rosado said. “My decision to join the board was to provide diversity regarding the curating and presentation of artists who otherwise may have gone unnoticed. Hopefully, my voice, along with the other esteemed members of the board, will accurately reflect the full spectrum of innovative artists that Long Island has been known to produce.”

Throughout his life and career, Johnny “Juice” Rosado has been known and admired in many roles. These roles include Emmy and NAACP Image-nominated composer, award-winning producer, turntablist, sound and electronic engineer, musician, b-boy, educator, lecturer, and mentor. He was originally from the Bronx and grew up in Uniondale. With almost 40 years in the music industry, he has contributed to some of Hip-Hop’s greatest works. In addition to being in Public Enemy, over the years, he has lent his production, composition, engineering, and scratching skills to projects by other legendary artists such as the Mandrill, Mavis Staples, Ben Harper, Beastie Boys, Slick Rick, Leaders of the New School, KRS One, DMC, and C&C Music Factory.

“We are thrilled to bring someone of Johnny‘s musical stature to our board,” said LIMEHOF Chairman Ernie Canadeo. “We are looking forward to implementing his ideas and insights and assisting to make LIMEHOF one of the most important musical institutions in the country.”

Inducted to LIMEHOF in 2008 with Public Enemy, Johnny “Juice” has remained a longtime friend and strong supporter of the LIMEHOF organization and museum location in Stony Brook as far back as its first press conference announcement of the signing of the lease for the building in 2022. Before the doors even opened to the public, he DJed at the first museum press conference. Since then, he’s enthusiastically participated, spoken, emceed and lent his talents in several of the concerts and special events. These events included the 50^th Anniversary of Hip-Hop celebration and Q&A panel, the induction of The Fat Boys, and the most recent inductions of DJ Hurricane, Davy DMX, and DJ Jazzy Jay. As a former educator himself, he also is a strong supporter of LIMEHOF’s education programs, and he’s even participated in one of Stevie Van Zandt’s TeachRock workshops held at LIMEHOF.

DJ Johny Juice Rosado is still very active in his music career and is currently on tour with Public Enemy as part of its 2025 Guns N’ Roses tour. For more information about LIMEHOF’s board of directors, visithttps://www.limusichalloffame.org/board-of-directors/

JOHNNY “JUICE” ROSADO Official Biography

DJ Johnny “Juice” Rosado is an Emmy and NAACP Image-nominated composer, award-winning producer, turntablist, sound and electronic engineer, musician, b-boy, educator, lecturer, and mentor. Originally from the Bronx, he witnessed the birth of Hip-Hop right on his doorstep. He is the Global Vice President of The Bronx Boys Rocking Crew, the 1st Latino rocking (breaking) crew and the founders of the original style of floor rocking, established in 1975.

Moving to Uniondale, Long Island in the early 80s, he immediately made an impact on Long Island’s budding Hip-Hop scene. His work, especially with Public Enemy, has been embedded into Hip-Hop history. With almost 40 years in the industry, he has contributed to some of Hip-Hop’s greatest works. Over the years, he has lent his production, composition, engineering, and scratching skills to projects by other legendary artists such as the Mandrill, Mavis Staples, Ben Harper, Beastie Boys, Slick Rick, Leaders of the New School, KRS One, DMC, and C&C Music Factory.

Juice also produces and composes music for TV and film scores and soundtracks. He was nominated for an Outstanding Music Composition Emmy for his work on ESPN’s “Ali Rap,” as well as being nominated for 3 NAACP Image Awards, including Best Album for the soundtrack to the movie “On the Shoulders of Giants.”

Juice is one half of the duo, The Odyssey. Their unique brand of music—blending jazz, soul, funk, pop, and Hip-Hop—won them Best Alternative Video and Video of the Year for their song “Bang Bang” at the International Independent Music Video Awards in 2020. He is also working with the Long Island alternative rock band My World. They are currently performing around the country as well as locally on Long Island. He also works with the youth as a mentor and instructor at Energetic Enterprise Youth Community Studio in Uniondale.

In 2008, he was inducted into the Long Island Music Hall of Fame as a member of Public Enemy, and in 2013 he took the stage and performed as Public Enemy were inducted into the Rock and Roll Hall of Fame. He is currently the Music Director and DJ for Public Enemy.

Outside of his music, he is a computer scientist, electronic engineer, a lifelong martial artist (becoming a Junior Olympic medalist in Tae Kwon Do), and a proud US military veteran.

About LIMEHOF

Founded in 2004, the Long Island Music and Entertainment Hall of Fame is a 501(c)(3) organization dedicated to the idea that Long Island’s musical and entertainment heritage is an important resource to be celebrated and preserved for future generations. The organization, which encompasses New York State’s Nassau, Suffolk, Queens, and Kings (Brooklyn) Counties, was created as a place of community that inspires and explores Long Island music and entertainment in all its forms. In 2022, LIMEHOF opened its first Hall of Fame building location in Stony Brook, New York. To date, the organization has inducted more than 130 musicians and music industry executives, and offers education programs, scholarships, and awards to Long Island students and educators. ###

Long Island hip-hop artists celebrate the genre’s 50th anniversary

by Rita J. Egan - June 15, 2023

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Many who visited the Long Island Music and Entertainment Hall of Fame in Stony Brook Sunday, June 11, may have thought they stumbled upon a family reunion. In a way they did, as Long Island hip-hop artists were on hand to celebrate the 50th anniversary of the genre at an event hosted by the museum and venue.

The Sunday afternoon event started with a “knock out” presentation as the museum unveiled a statue of LL Cool J, born James Todd Smith in Bay Shore. The actor, rapper, songwriter and music producer’s successes include the hit “Mama Said Knock You Out” (1990) and his role on “NCIS: Los Angeles.”

The statue, known as The G.O.A.T. Monument, is officially titled “Going Back to The Meadows, A Tribute to LL COOL J and Performance at FMCP” and was created in 2021 by artist Sherwin Banfield. During the unveiling ceremony, Banfield pointed out different accents he included on the 8 1/2-feet tall, 600-pound statue, including a boom box with a cassette tape of the rapper’s debut album “Radio” (1985). Banfield also played homage on the piece to what he called “the determination pin.” The rapper’s right arm was paralyzed when he was younger, and his mother would pin his right sleeve to the mattress to inspire movement.

Composed of bronze, stainless steel, steel, winter stone, resin, cement and wood, the statue was displayed in Flushing Meadows-Corona Park for a year. It includes a solar panel that powers an audio system.

Blasts from the past

Visitors were treated to performances as well as a Q&A panel where the artists shared stories from the early days of their careers, many of them knowing each other since they were younger.

Before the performances featuring DJ Jazzy Jay (John Bayas), DJ Johnny Juice Rosado, AJ Rok (AJ Woodson) of JVC Force, MC Glamorous (Chaplain Jamillah), Dinco D (James Jackson) of Leaders of the New School and the group Son of Bazerk, the artists participated in the Q&A panel along with Keith Shocklee of the producing team The Bomb Squad and an original member of Public Enemy as well as video jockey and director Ralph McDaniels. The panel members were happy to share the history of hip-hop on Long Island stories with attendees.

Shocklee, who was born in Roosevelt, said he, along with his brother and friends, started DJing by playing in his family’s basement in the 1970s. They then began to play at local youth centers around the Island and throw parties in friends’ basements and backyards. Soon they were DJing at the local parks. While others would go to Centennial Park in Roosevelt to play basketball, other young people would go to play music, Shocklee said.

“It’s something we did to stay off the streets of Long Island,” he said. “It wasn’t as dangerous as the Bronx or Brooklyn, but you had your stick-up kids.”

MC Glamorous, originally from Freeport, said events such as Roosevelt Day, Freeport Day and Wyandanch Day gave the communities something to look forward to and the artists a chance to perform.

“It brought people together, and we got a day to shine also with those jams,” she said.

Shocklee said Long Island hip-hop artists in the 1970s were aware the Bronx was the epicenter of hip-hop, where he said the DJ technique scratch, MCs, hip-hop culture and breakdancing were born and developed.

McDaniels said the hip-hop culture on Long Island was different from what was happening in the Bronx, Queens, Brooklyn and parts of New Jersey. He said when he hosted “Video Music Box” he was able to compare music scenes.

“There was something going on in Long Island that was different,” he said. “When I heard Public Enemy, when I heard EPMD [from Brentwood], I was like, ‘This is different.’ This is not what the rest of the city or the rest of the country sounds like, and I think that’s what makes Long Island its own — or Strong Island — its own unique sound, because we weren’t as thirsty. We had homes. Some of us had parents. Some of us went to college. We were relaxed.”

McDaniels reference to “Strong Island” was a song recorded in 1988 by JVC Force sampling a phrase that Public Enemy’s Chuck D used while working as a DJ at Adelphi University’s radio station, WBAU.

Woodson, who spent several of his younger years in Central Islip, said the reason the group recorded the song “Strong Island” was because “you literally had to be from the five boroughs to get respect.”

Bayas, who was part of the development of Def Jam Recordings, remembered when he would come down from the Bronx to play in Amityville, and the first time he said, “We’re going out to the country.”

During those visits to the Island, he said he met hip-hop artists Biz Markie, Erick Sermon and Parrish Smith — the latter two from EPMD — when they were children. Bayas said before hip-hop, if someone didn’t know how to play an instrument, they weren’t considered a musician. For that reason, he learned to play the drums and, as a DJ, he said he and others were always searching for the rare group to play at the parties.

“Hip-hop allowed us to be musicians because we have something to offer, because we know what music to play,” Bayas said.

The LIMEHOF received a surprise visit toward the end of the event from rapper Keith Murray who grew up in Central Islip. The venue had to postpone its induction of The Fat Boys, from Brooklyn, as surviving member Kool Rock-Ski (Damon Wimbley) was unable to attend at the last minute.

Public Enemy

DJ Johnny ‘Juice’ Rosado joins the Long Island Music and Entertainment Hall of Fame’s board of directors

Long Island hip-hop artists celebrate the genre’s 50th anniversary

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