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Jonathan Larson

By Julianne Mosher

There are 525,600 reasons to head to the Smithtown Performing Arts Center and see their rendition of Rent.

Directed by Kevin Burns, the show opens in the heart of Manhattan’s East Village in the late 1980s with this exquisite rock opera originally written by Jonathan Larson. A modern-day musical, loosely inspired by Giacomo Puccini’s “La Boheme,” Larson created the script based on where he was living in the early 90s — in a rundown apartment with several roommates all just trying to survive and, of course, pay rent. 

Set in the middle of the AIDS epidemic, the musical follows the stories of several people, a group of friends and acquaintances, living with addiction, abuse, AIDs, homelessness and more. But despite the heavy topics, Larson’s opera-styled score brings humor and wit to situations that are not for the faint of heart. 

We open with Roger (Zach Johnson) and Mark Cohen (David Reyes), an aspiring singer and filmmaker, sitting in their cold apartment during Christmas. Roger’s girlfriend passed away and while grieving, he meets his new neighbor, Mimi (Alisa Barsch) who asks him to “light her candle” during a power outage. 

We learn of Benny (Trentin Chalmers), a friend-turned-businessman who is trying to evict the old comrades from their underwhelming living space, and we meet Tom Collins (Shiloh Bennett) who’s an anarchist professor living with HIV who falls for the positive and eccentric Angel (Ruben Fernandez), a drag queen street performer. 

Eventually we’re introduced to Maureen (Jess Ader-Ferretti), Mark’s artist ex-girlfriend who left him for Joanne (Michelle Demetillo) a strong-willed lawyer. 

This is a beautifully crafted story of love and loss. 

With a  minimalist set, each and every actor uses their talents of voice and expression to give the scenery life, plus the costumes are straight out of the Broadway musical (1996) turned film (2005). That being said, the cast is so impressive that if one were to listen to their live performance and then the recordings of the original cast, you’d think it’s the same group. 

With the band right on stage in the middle of the action, you learn of the hopes and dreams of the characters, experience loss and eventually find hope. In the three hours of viewing time, this emotional roller-coaster is definitely worth it. You’ll laugh, you’ll cry and you’ll experience a whole new outlook on life. 

Johnson, Reyes, Barsch, Chalmers, Bennett, Ader-Ferretti and Demetillo’s performances on opening night were stellar. The talent of the main cast deserves two thumbs up, and of course, Fernandez embodies the beautiful Angel, both in and out of drag, perfectly — plus, he can dance in heels. 

But the ensemble cast need a round of applause, too. The several roles each and every one of them play isn’t at all confusing, especially since there are several story lines happening at one given time. In fact, those in the background help ground the rest of the group and make the storylines even better.

So, go buy your tickets now because there’s “no day but today” and you deserve to go “out tonight!”

The Smithtown Performing Arts Center, 2 E. Main Street, Smithtown presents “Rent” through Oct. 22. Tickets are $35 adults, $32 seniors (55 and older), $28 students (21 and under). To order, call 1-800-595-4849 or visit www.smithtownpac.org.

‘No Day But Today’: Above, the cast of ‘Rent’ sings the finale. Photo courtesy of the SCPA

By Melissa Arnold

With Election Day less than two months away now, the media is saturated with heated debates about crime, poverty, drugs and equality. These were the same issues that inspired Manhattan-based playwright Jonathan Larson to create “Rent,” a rock opera that made its off-Broadway debut in 1996.

Now through Oct. 2, diehard “Rent-heads” and first-timers alike can celebrate the show’s 20th anniversary during its run at the Smithtown Center for the Performing Arts.

“Rent” is heavily based on Giacomo Puccini’s famous opera “La Boheme,” which follows the struggles of poor artists in Paris. Larson’s story is set in Alphabet City on Manhattan’s Lower East Side at the end of the 1980s, where aspiring director Mark and songwriter Roger are living in squalor. It’s also the height of the AIDS epidemic – drugs are everywhere, being gay is stigmatized, and one way or another, every member of the cast is just trying to survive.

The Cast:

Jordan Hue

Scott Johnston

Jess Ader Ferretti

Angela Garofalo

Michelle Rubino

Robins Prophete

Dondi Rollins Jr.

Jose A. Torres

Meagan Materazo

Megan Cain

Janelle Primm

Samantha Rosario

Jahlil Burke

Brodie Centauro

Kevin Burns

Matthew Paredi

 With all this in mind, it’s not exactly a cheery show. But there is plenty of humor to go around, and its biggest messages — no day but today, forget regret — are inspiring and hopeful.

While this is director Mark Decaterina’s first time leading a production, the cast at SCPA are no strangers to the stage, and many have appeared in “Rent” before with other groups. Their skill makes each of the characters’ struggles and triumphs that much more believable.

As a rock opera, the show’s score is loud and proud — there are very few periods of purely spoken dialogue. Musical director Melissa Coyle (keyboard) leads a small but powerful ensemble with Chad Goodstein on guitar, Jim Waddell on drums and and Rob Curry on bass.

Worth particular mention are Scott Johnston (Roger) and Michelle Rubino (Mimi), who play HIV-positive heroin addicts in various stages of recovery. Their performances were raw and emotional in a way that’s hard to shake. This is especially true in their duets “No Day But Today” and “Without You.”

Jose A. Torres (Angel) does a great job bringing humor into the show as an unapologetically flamboyant drag queen and street drummer. You can’t help but fall in love with him as he dances effortlessly in a serious pair of heels.

While the majority of the individual performances were strong, the cast shines most during ensemble numbers. Their harmonies are perfect and might even make the hair on your neck stand up. The title song “Rent” and famous “Seasons of Love” show off the cast’s enormous talent.

The show was enjoyable overall, but the performance on opening night included multiple issues with sound and video. Some lines were inaudible or too loud, with a few instances of feedback, and the crucial movie projected onstage at the end of the show was barely visible. Hopefully, these were just quirks that will be corrected for upcoming performances.

“Rent” is for mature audiences — the show includes strong language, intense sexual dialogue, and drug use as a major plot point. However, it could also serve as a great springboard to conversation for families with teens.

Run time is approximately 2.5 hours with a 15-minute intermission. All tickets are $35. The Smithtown Center for the Performing Arts is located at 2 E. Main St., Smithtown. For more information or to purchase tickets, visit www.smithtownpac.org or call 631-724-3700.