Tags Posts tagged with "Harvey Weinstein"

Harvey Weinstein

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Carey Mulligan and Zoe Kazan in a scene from 'She Said' Photo courtesy of Annapurna Pictures/Plan B Entertainment/Universal Pictures

By Jeffrey Sanzel

In 2019, Jodi Kantor and Megan Twohey published She Said: Breaking the Sexual Harassment Story That Helped Ignite a Movement. The two New York Times reporters had exposed producer Harvey Weinstein’s long history of abuse and sexual misconduct, leading to national awareness of the #MeToo movement. The phrase traces to MySpace 2006: Sexual assault survivor and activist Tarana Burke founded the movement as a way for Black girls to share their stories of sexual trauma.

From All the Presidents Men (1976) through Spotlight (2015) and The Post (2017), cinema has addressed difficult topics through the sub-genre of investigative journalism. These movies take a potentially static premise—working an article through phone calls, research, and interviews—and elevating them into an emotionally connective experience. Director Maria Schrader has masterfully directed Rebecca Lenkiewicz’s smart and lean script for She Said. The result is a taut, unsettling, and riveting two hours.

She Said opens with the 2016 inquiry into then-presidential candidate Donald Trump’s alleged sexual misconduct. The quick prologue presents the retaliation against his accusers and death threats against the reporter. The telling segment sets up what is to follow.

The film jumps five months to the ousting of conservative commentator Bill O’Reilly. The New York Times staff embarks on exposing sexual harassment in the workplace, finding widespread problems in large companies, including Amazon and Starbucks. 

Actor Rose McGowan becomes an inciting force when reporter Jodi Kantor receives a tip that McGowan had been raped by Weinstein when she was twenty-three. Kantor pursues leads and conducts interviews, but she realizes that even high-profile stars—including Ashley Judd and Gwyneth Paltrow—do not want to go on record. This reluctance further emphasizes the power and exploitation systemic in the Hollywood community and culture.

Kantor then joins forces with Megan Twohey. They interview some of Weinstein’s victims, encountering appalling experiences. The pair relentlessly pursue leads, traveling across the country and even to the UK. In every case, they face reluctance rooted in fear. 

The film accurately paints Weinstein as an arch manipulator—a bully who used emotional abuse to prey on young women. He cajoled with statements such as, “It’s just business.” He promised advancement and threatened to blackball, with his greatest weapon being his far-reaching control in the industry. One victim expresses guilt and shame over her powerlessness: “It’s like he took my voice that day.” Weinstein’s influence, coupled with Miramax’s multiple payouts and NDAs (non-disclosure agreements), kept the producer safe for years. Weinstein built the silence, and people complied.

The interviews with two former assistants—Zelda Perkins and Laura Madden—are central to the film. Madden, who initially declines to speak, hears from someone in the Weinstein organization, revealing the network of awareness in Weinstein’s court. This threat ignites Madden’s desire to cooperate with the investigation. 

The film shows the difficulty in finding corroborating evidence. The title—She Said—indicates the challenge of going beyond accusations. Threats of career loss, bad publicity, and “cash for silence” are roadblocks that Kantor and Twohey must overcome. Even the EEOC (Equal Employment Opportunity Commission) shows reluctance to cooperate. 

The quest takes a toll on Kantor and Twohey, invading their personal lives (though they are fortunate in the support of understanding husbands). Twohey gives birth early on and struggles with postpartum depression. Their perseverance is rewarded when several sources agree to go on public record, including Ashley Judd, who appears as herself.

As a film, She Said is relentlessly tense, with almost no breathing space, though much plays in low tones and silence. A few occasional flashbacks are a bit clumsy, but the disturbing recreation of the audiotape of Italian model Ambra Battilana Gutierrez is brilliantly recreated against images of hotel corridors. Likewise, a victim’s clothing on the floor, shown against the sound of a shower, is equally unnerving.

Carey Mulligan (Twohey) and Zoe Kazan (Kantor), both intense but never overwrought, skillfully head up a fine ensemble cast. As editor Rebecca Corbett, Patricia Clarkson once again shows her ability to be understated and fully present, guiding the two reporters with a strong hand. 

Andre Braugher displays wry depth as executive editor Dean Baquet. Jennifer Ehle and Samantha Morton are outstanding as Laura and Zelda, bringing dignity to the pain of two damaged survivors. Peter Friedman’s canny lawyer, Lanny Davis, offers dimension as well as the prevailing attitude of the misogynistic “normal.” Zach Grenier’s adversarial account, Irwin Reiter, seethes with conflict. 

While Weinstein’s hulking figure is only seen from the back, Mike Houston imbues the predator’s voiceovers with brutish, self-entitled cruelty. Finally, Judd’s presence lends an incredible additional weight to the film. Everyone invests in the narrative’s high stakes.

Suffused with tension, She Said finds much of its center in the necessarily uncomfortable and the shadow of the unspoken. Just before the story is about to run, Twohey expresses the prevailing fear: it will run, and people won’t care. While She Said is an incredible film, it is also a sober reminder there is still much work to be done.

Rated R, the film is now playing in local theaters.

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As 2017 comes to a close, it is not an overstatement to say that this year we have lived through a revolution. And it is a revolution that is just beginning. Millions of women, drawn by the hashtag #MeToo, have come forth to put their experiences with sexual harassment, assault and rape on the record. Some men also have revealed similar heartbreaking stories of sexual predators that altered their lives. It is as if an enormous dam has broken with the gut-wrenching descriptions pouring out unendingly, toppling icons of power like bowling pins. Just as Betty Friedan started the revolution we call the women’s liberation movement, so this avalanche of sordid encounters that began with revelations about Hollywood mogul Harvey Weinstein has touched off a revolution but of a much faster pace than the one 50 years or so ago. Social media has helped connect these victims and carry the torch of outrage.

I suppose from the earliest times when men and women have walked the earth, there have been sexual predators. Mostly the predators have been men who were able to exact what they wanted from vulnerable women who needed their protection and support, perhaps for such basics as food, clothing and shelter for themselves and their children. Once women entered the workplace in large numbers, they were often assigned to male supervisors who could advance or block their careers or even take away their jobs.

Those jobs could be in Hollywood, in TV journalism, in large and small offices, in hotels, in politics, in academia, in short anywhere that there might be an imbalance of power leaving one employee vulnerable. What’s different now? The whisper network that warned has become a social network that shames.

Time magazine named the Silence Breakers as 2017 Person of the Year. The hashtag, #MeToo, will go down in history although the movement’s founder, Tarana Burke, was not featured on the cover. Instead the group photo comprised actress Ashley Judd, former Uber engineer Susan Fowler, Visa lobbyist Adama Iwu, songstress Taylor Swift and Isabel Pascual, a Mexican strawberry picker who asked to use a pseudonym to protect her family, according to Time. They might have been anyone on the cover, although the famous attract more attention, from the doctoral candidate at a prestigious university who refused her professor’s advances and consequently was denied her degree, to the housekeeper in a hotel who goes about cleaning the bathtubs but never knows when she might be cornered by a guest or supervisor demanding sexual favors.

The first time I personally knew anyone who had been a sexual victim was in college. A close friend was talking about her affair with a professor and was overheard by another student who was having the same experience. The unlikely encounter and some quick conversation revealed the same professor was bedding both women. In a rage, my friend confronted her lover with the words, “You are sick!”

But was he sick? Or was he just acting out the culture in which he had been raised? As Time magazine wrote, “It wasn’t so long ago that the boss chasing his secretary around the desk was a comic trope, a staple from vaudeville to prime-time sitcoms.” Cultures are all pervasive, and where they are not confronted by conscience or mob outrage, they continue.

On the eve of the holidays, let’s focus on a short but delightful segment from the “PBS News Hour” Tuesday night. Women confide to sometimes feeling taken advantage of financially when bringing cars to be repaired, knowing so little about the way cars work. One woman felt tired of feeling a victim, quit her job as an engineer, went to auto-mechanic school and opened up what appears to be the nation’s first all-female auto-repair shop in California. It seems to be a great success. Best of all, she no longer feels a victim. There is a moral here.

Happy and healthy holidays to you and yours!

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What people don’t say can speak volumes.

Take the Harvey Weinstein allegations. Numerous women have come forward and described abhorrent behavior toward women by someone in power. That’s not a new phenomenon, but what’s new is the identity of the perpetrator and the time period involved — decades, it appears.

When asked about the allegations, President Donald Trump said he was “not at all surprised to see it.”

Hmm, not at all surprised? Didn’t the person whose every word and tweet gets splashed across headlines around the world have anything else to say, like, “If the allegations are true, it’s horrible and we should address this problem as a nation.” Or, “We as a country need to address this serious problem.”

No, he didn’t. In a follow-up question, a reporter asked if Weinstein’s behavior was inappropriate, and Trump responded that the movie executive said it was.

Again, not much there. I recognize this wasn’t a women’s rights forum and that he didn’t have prepared remarks or a flowing speech to cite, but he had an opportunity to address a real problem and he seemed more prepared to suggest he knew that Weinstein’s superstar public character had some tarnish.

The New York public transport system has run ads for years imploring, “If you see something, say something.”

That’s not always easy, especially when no one else might have been around to hear or see inappropriate comments or gestures.

This isn’t about political correctness: It’s about allowing people to do their best work without feeling threatened or uncomfortable. Locker room talk, or anything else that resembles a put-down for whatever reason, creates a hostile work environment.

Almost exactly a year ago, candidate Trump described several women who accused the Clintons of improper behavior towards women as “courageous” at a press conference before a debate with Hillary Clinton. While Trump hasn’t shared any such words of support for Weinstein’s victims, others have applauded them for coming forward. If Weinstein’s alleged victims had done so initially, taking on the equivalent of a movie icon could have put their careers at risk.

Gender politics are often a challenging and sore point at work. People can often dismiss inappropriate comments as being jokes or suggesting that their words weren’t what they intended.

Some jobs, like Wall Street trading, or, well, locker rooms, often involve a type of bawdy humor that is part of the culture.

But why should anyone have to tolerate it? With training and a heightened public awareness, the excuse “Well, that’s just the way it is” could turn into, “That’s not the way we do things around here.”

Pundits are suggesting that if eight women have come forward to accuse Weinstein, there are likely many more.

Then again, if he could and did engage in inappropriate conduct for decades, you have to imagine there are other men who did it, too.

Weinstein, in his own words, needs help. So, too, does the rest of society. He suggested he came from a different era. Others have taken him to task, indicating that somewhere along the line, he missed some major strides society made between whatever time period he imagined and today.

Who else is living in that era and how can we help them? Maybe, in addition to training the next set of up-and-coming managers, we should make sure the top executives — most of whom are men — understand what’s OK and what crosses a real line that is not only objectionable, but is also problematic for them and their careers.

We watch movies for many reasons: We want to be inspired, we want to understand other people and, sometimes, we want a perspective that helps us understand ourselves better. Maybe the inappropriate actions of a moviemaker can shed some more light on a problem that clearly isn’t unique to one person. A corollary to the transport ad, perhaps, should be, “If you hear something, say something.”