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Dylan Skolnick

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Daniel French. Photo courtesy of CAC

By Kevin Redding

“Answer the question, same category…Name the killer in Friday the 13th.”

Ghostface, the masked slasher in Scream, dishes out a fatal round of movie trivia over the phone to Drew Barrymore’s character in the heart-pounding opening of the 1996 meta-horror classic.

Over in Huntington, in the summer of 1997 when Scream was newly available on VHS, Daniel French, now 38, remembers his parents bringing the movie home—making sure to send their kid to bed before watching the R-rated stab-a-thon unfold. But French, obsessed with movies from a young age, snuck out of his bedroom and watched the entire thing from the hallway that led into the living room.

Daniel French. Photo courtesy of CAC

It was a viewing that “blew his mind,” with all the film references in Scream ultimately sending him down a path of discovery of other movies and deep-dives into directors, from John Carpenter to Alfred Hitchcock.

“Movies have been my number one, constant passion ever since,” said French, the host of Cinema Arts Centre’s monthly Movie Trivia Night since 2016. But no worries, the game of trivia that usually takes place the first Monday of each month in the theater’s Sky Room Café is “much less dire” than Ghostface’s. 

“I just want everyone to do well and have fun. When you think about the Cinema Arts Centre, you think independent films, foreign films, less mainstream movies, but I don’t want people to think they have to know who directed ‘M.’ It’s everything: a well-rounded, accessible experience for everybody.”

For every trivia night, French devises a fresh batch of 50 questions across five rounds revolving around film, actors and actresses, famous needledrops, awards, and more. 

One such question in a previous trivia was “What actress won Best Supporting Actress for ‘My Cousin Vinny?’” For one of the music rounds, the hint was “Directed by John Hughes” followed by a clip of “Danke Schoen” from…Anyone? Anyone? Ferris Bueller’s Day Off.

A tense tie-breaker was a reading of the cast list, from the bottom to top, of Jaws; the first team to correctly guess the movie title based on its minor actors won.

French, who joked that he battles with his film geek self not to have a whole category dedicated to the works of David Lynch, does bring a personal flair to the questions: “You know that during Halloween, there’s going to be a Scream question, and you better believe there’s going to be a question about one of my favorite movies Carol and a The Nice Guys question for Christmas.”

Each team writes their answers on a sheet of paper that’s graded and at the end of the night, there’s a final tally to determine the winner. With an average of 50 to 60 people attending the event every month, French says there’s no limit to the amount of people on each team—but keep in mind that the winning team earns a cash prize of $100; the second place team receives up to four Cinema Arts Centre gift cards, with a value of $24 each; and the third place team gets to come up with a category for the next month’s trivia.

Plus, concessions, including the beloved CAC popcorn, are open late so “you can have some snacks, have a beer or two, and just talk movies.”

French, who works in insurance full-time and is married with two kids, said of getting to host the event every month, “It’s incredible and just so much fun. It’s something I genuinely enjoy doing, I like seeing the regulars, and it blows my mind every time that people keep coming back. It’s a special feeling for me personally and it’s a good little community that we’ve built. I’m surprised they’re letting me get away with it still!”

Since French was old enough to get into bars, he’s been participating in trivia nights. But he’s the first to admit that when there weren’t movie or TV categories included in general trivia, he’d get upset. “I’ve got a specific set of skills that I’m pretty good at, but if those don’t come up, it’s tough sledding,” he laughed. But in 2014, he started going to movie-only trivia at his go-to theater, Cinema Arts Centre.

For two years, he gathered to eat, drink, compete, and talk about movies, even forming a close friendship with a rival team member—when she got married years later, he was in her wedding party. “You keep showing up, talking to people, and you already know you got one thing in common: a love of movies,” he said. The event had a rotating cast of hosts throughout this stretch, and in April 2016, he eventually approached the theater about giving the job a shot.

“Daniel French and his super entertaining Movie Trivia Night have become a fixture here at Cinema Arts Centre,” said Dylan Skolnick, co-director of the theater. “This event is a delight for true movie lovers, especially those with a competitive streak.”

Located at 423 Park Avenue in Huntington, the Cinema Arts Centre will host Movie Trivia Nights on Jan. 8, Feb. 12 and March 4. Tickets are $10 per person, $7 members at www.cinemaartscentre.com or at the box office. For more information, call 631-423-7610.

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Cinema Arts Centre's new series will kick off with 'Ladybird' on Oct. 6.

December 1st, 2023 marks the 50th anniversary of the founding of the Cinema Arts Centre (CAC). To celebrate the milestone anniversary, the Huntington cinema will introduce a new series, CAC Through the Decades. The series will commemorate each decade that the Cinema Arts Centre has been in operation by presenting special screenings of some of the most important and popular films shown at CAC throughout its history.

The cinema was founded by Founded by Vic Skolnick, Charlotte Sky and Dylan Skolnick December 1st 1973 as the New Community Cinema – later changing its name to the Cinema Arts Centre following a move into the Town of Huntington’s John J. Flanagan Center. 

Co-Founders Vic Skolnick and Charlotte Sky, with their son Dylan, were passionate organizers who sought to bring Long Islanders together to create a movement around film culture that would eventually help shape and define the very character of our area, now renowned as a cultural destination and an arts-rich community. 

Robert Rossen’s ‘Lilith’ will be screened on Dec. 1.

Long-time supporters of the Cinema often reminisce about the “sheet-on-the-wall” days, when films were projected from a borrowed projector in a friend’s dance studio. From those early days, the Cinema Arts Centre has expanded into a state-of-the art theater with film and digital projection capabilities, newly renovated theaters, and a multi-use space called the Sky Room Café.  

Today, the Cinema Arts Centre presents approximately 400 special screenings and events a year, along with a full slate of new release first-run features. Regular special programming includes film and discussion programs with film historians, directors, and critics, silent films with a live score, historically significant classics, international cinema, educational lectures, classes and workshops, live music, open mic nights, as well as weekly screenings of cult and family favorites.

CAC Through the Decades will launch on Oct. 6 with a screening of Greta Gerwig’s award-winning coming-of-age comedy/drama Ladybird which will represent the 2010s. The 2000s will be represented by a screening of Guillermo del Toro’s Pan’s Labyrinth on Oct. 10, the 1990s with a screening of the Coen Brother’s The Big Lebowski on Nov. 3, and the 1980s with a screening of Spike Lee’s Do The Right Thing on Nov. 17. Each screening will include a reception with fundraising raffles and other fun activities. 

The series will culminate on Dec. 1 with a special celebration that will span the entirety of the Cinema Arts Centre’s space, including its three theaters, each of which will play an iconic and celebrated film shown at the Cinema during its early days in the 1970s. 

Audience members will have the opportunity to attend one of three film screenings — Francis Ford Coppola’s The Godfather, Robert Altman’s Nashville, or Robert Rossen’s Lilith — which was the first film ever screened by the Cinema Arts Centre. Following the screenings on Dec. 1, the Cinema will hold an anniversary party and reception featuring live music, hors d’oeuvres, and even a film projected on a sheet on the wall as a call back to the Cinema’s early days.

The films featured in the series were selected, and voted on by close Cinema Arts Centre supporters, staff members, a committee of dedicated volunteers, and the CAC Board of Directors. 

Tickets to the Oct. 6, Oct. 20, Nov. 3 and Nov. 17 screenings are $22, $15 members; tickets to the Dec. 1 event are $40, $30 members. You can purchase tickets to these and other events, and find more information about how to support the Cinema Arts Centre at www.cinemaartscentre.org.

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Open Mic Night. Metro photo

The Cinema Arts Centre, 423 Park Avenue, Huntington, joins with the Folk Music Society of Huntington in presenting the NorthShore Original Open Mic (NOOM) three Wednesday nights each month, beginning October 12.  The open mic series, to be held in the Cinema’s Sky Room, is set for 7 p.m. with open mic sign-up beginning at 6:30 p.m. Although it is free to attend, donations will be sought and gratefully accepted.

“It’s our pleasure to continue the ever-deepening partnership between the Cinema Arts Centre and two pillars of Long Island music scene – the Folk Music Society of Huntington and NorthShore Original Open Mic (NOOM),” said Dylan Skolnick, co-director of the Cinema Arts Centre.

“The Folk Music Society of Huntington’s monthly Hard Luck Café series has been a mainstay of our programming for many years, bringing some of the country’s best folk music performers to dedicated folk fans here in Huntington. With the introduction of a weekly open mic night we are delighted to offer even more opportunities for music lovers and artists to come together, as well as a space where seasoned performers can try out their newest original pieces and where up-and-coming musicians can get used to performing for a crowd,” Skolnick added.

“NOOM is thrilled to partner with the Folk Music Society of Huntington and the Cinema Arts Centre and lay the groundwork for a weekly opportunity for original songwriters and performers to present their original songs in a welcoming and relaxed atmosphere,” said Toby Tobias, a Huntington-based singer-songwriter who launched the open mic series at a small coffee shop in Northport in the fall of 2013.

One of the longest running weekly original open mics on Long Island, NOOM has reincarnated itself at quite a few North Shore locations through the years — most recently at Finley’s in Huntington.  Although the COVID-19 pandemic precluded NOOM from taking place in-person since March 2020, songwriter Richard Parr has been livestreaming the open mic every week since then and will also be playing a major role when it resumes in-person.

“We invite singer-songwriters of varying skill levels and those who love live music, to gather at the Cinema Arts Centre to listen to songwriters, dedicated to the craft of writing and singing their songs, play and talk about their original music in an environment of goodwill and open-mindedness,” said Tobias. He noted that each NOOM will also include a featured 20-minute performance by a known/emerging local or touring songwriter starting at around 8 p.m. “I am very excited to be a part of this,” he said.

Michael Kornfeld, longtime president of the Folk Music Society of Huntington, shares their excitement. “FMSH is delighted to extend its partnerships with both NOOM and the Cinema Arts Centre and to help provide opportunities for local singer-songwriters to share their music with our community,” he said. “NOOM has been an Acoustic Ally of FMSH for a number of years. We’ve cross-promoted each other’s events and presented a couple of joint livestreams over the past two years.”

Affording local artists opportunities to share their talents with appreciative audiences in an intimate listening room atmosphere was the initial impetus behind the nonprofit presenting organization’s Hard Luck Café concert series many years ago, Kornfeld noted.  That series now features a mix of local, regional and national touring artists. The Cinema Arts Centre has partnered with the Folk Music Society of Huntington and hosted the monthly Hard Luck Café concerts in its Sky Room for more than a decade. That series resumes on October 19 with featured act No Fuss and Feathers and will take place on the third Wednesday of each month, from 7-9:30/10 p.m. An open mic also precedes most Hard Luck Café concerts.

Upcoming dates include:

October 12, 26

November 2, 9, 30

December 7, 14, 28

Sign up here.

For more information, visit www.cinemaartscentre.org.

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Bay House owner Brian Warasila will be featured in A World Within a World: Long Island's Bay Houses. Photo by Martha Cooper, 2015

By Tara Mae

We are all islanders here, whether by birth or by choice. Individual relationships with the water may vary, but for many it is a core component of cultural identity: a source of relaxation, recreation, sustenance, and survival. 

The Maritime Film Festival, presented by Cinema Arts Centre in Huntington in conjunction with Long Island Traditions in Port Washington and The Plaza Cinema & Media Arts Center in Patchogue, explores the flow and ebb of people’s connections to the sea and the lifestyles it provides. 

The festival will feature three films that are anchored in an appreciation of welcoming and weathering the elements of island life. Each documentary will have its own screening and be followed by an audience Q&A session with the filmmakers and others involved in the projects. [See schedule below.]

The festival begins with The Bungalows of Rockaway on Tuesday, June 14 at 7:30 p.m. Narrated by Academy Award winner Estelle Parsons, the film chronicles 100 years in the tragicomic tale of New York’s biggest summer bungalow colony. 

“The Bungalows of Rockaway illustrates, through the detailed, eloquent, diverse voices of historians, bungalow residents, and Rockawayans and the use of archival images, the long history, meaningful to residents past and present and the city as a whole,” said producer Elizabeth Logan Harris who will participate in the post-screening discussion.

A World Within a World: The Bay Houses of Long Island will be screened on Tuesday, June 21 at 7:30 p.m. This film explores from historical and contemporary perspectives the lives, histories, and experiences of bay house owners in the Town of North Hempstead. 

“The bay houses have a rich history going back to the 18th century and are a part of Long Island’s heritage that many, including myself, knew little about. Besides their aesthetic beauty — giving unparalleled access to the beauty of the marshlands on the south shore — they also offer a glimpse into a sub-culture of families who maintain and love the houses for many generations,” co-director Greg Blank said. 

Co-director Barbara Weber and folklorist Nancy Solomon, who helped put together the festival, will join Blank to talk about the documentary after the viewing.

The festival concludes with Maiden, on Tuesday, July 12 at 7:30 p.m. The documentary is the story of the first all female crew, assembled by British sailor Tracey Edwards, to compete in the 1989 Whitbread Round the World Race, a 32,000 mile global circumnavigation competition.  

“We were just people racing around the world and trying to win. The social impact was not apparent to us until later and it is incredible how the story resonates 30 years later,” crew member Dawn Riley, now Executive Director of Oakcliff Sailing Center, said. 

She and Edwards will reunite to answer questions and reflect on their experiences. 

While Maiden has previously been shown at Cinema Arts Centre, this is the first time The Bungalows of Rockaway and A World Within a World: The Bay Houses of Long Island are being presented there.

“We are thrilled to have such a great range of films,” said Dylan Skolnick, co-director of the Cinema Arts Center.

Nancy Solomon, a folklorist who specializes in maritime culture and Executive Director of Long Island Traditions, a nonprofit that focuses on recording local architecture, organized the film festival as a way to promote and ideally preserve the ethnography of Long Island.

“Long Island is becoming overdeveloped, especially along its coastlines. So the traditions of boat builders, boatyards, fishermen, baymen, bay houses, are in danger. If we don’t start learning about people carrying out these traditions, we are going to lose them,” Solomon said.  “The purpose of this festival is to introduce [audiences] to a very rich heritage of people and places that are part of our cultural identity.” 

She pitched the idea to Skolnick, who hopped on board. 

“It is a true collaboration,” Skolnick said. “At the Cinema, we try to bring great movies from around the world and bring great stories from the local community. These movies fit perfectly with the sort of stories we want to tell.” 

A continuation of a film series that began at Plaza Cinema and Media Arts Center in April, Solomon worked closely with both Plaza Cinema and Cinema Arts Centre to create a celebration of coastal culture through cinematic storytelling.

“I want the festival to help educate people about maritime culture of Long Island and how we can preserve it. The films we selected are all about different places in our region and topics relating to struggles of local people,” she said.

The festival was made possible through grants from the Suffolk County Office of Cultural Affairs, Robert L. Gardiner Foundation, and National Endowment of the Arts. 

The Cinema Arts Centre is located at 423 Park Avenue in Huntington. Tickets to the Maritime Film Festival are $17 for the general public and $12 for members of Cinema Arts Centre. For more information about the festival and films, please visit www.cinemaartscentre.org.

Film Schedule:

■ The festival kicks off with a screening of The Bungalows of Rockaway on June 14 at 7:30 p.m. Narrated by Academy-Award winner Estelle Parsons, The Bungalows of Rockaway tells 100 years of the tragicomic story of New York City’s largest summer bungalow colony, that of the Rockaways. With enticing vintage postcards, archival photography, Marx Brothers home movies, hilarious boardwalk tales, personal accounts recounted by bungalow residents and Rockawayans alike, all grounded by historians, the film brings viewers close to the highs and lows of a large, thriving, affordable, urban seaside resort. The film, directed by Jennifer Callahan and co-produced by Jennifer Callahan and Elizabeth Logan Harris, will be followed by a Q&A with Harris.

■ Up next is A World Within a World: Long Island’s Bay Houses on June 21 at 7:30 p.m. A World Within a World explores the lives, history, and experiences of bay house owners in the Town of Hempstead from both a historical and contemporary perspective. Based on fieldwork by folklorist and maritime ethnographer Nancy Solomon of Long Island Traditions, local filmmakers Barbara Weber and Greg Blank capture the essence of how bay house owners have persevered and endured through severe storms and hurricanes as well as eroding marshlands all while preserving traditions that began in the early 19th century. The film profiles Long Island families who have owned bay houses for over 100 years including the Muller, McNeece, Burchianti, Warasila, Jankoski families. The screening will be followed by a Q&A and discussion with directors Greg Blank and Barbara Weber and folklorist Nancy Solomon.

■ The festival closes with a screening of Maiden on July 12 at 7:30 p.m. In 1989, long dismissed and belittled as the only woman crewmember on the ships where she worked, British sailor Tracy Edwards set out to prove herself in the biggest way possible. She assembled the world’s first all-female international crew and entered the Whitbread Round the World Race, a 32,000 mile global circumnavigation competition that, until then, had been the exclusive domain of male seafarers. The screening will feature a Q&A with Maiden Captain Tracy Edwards and sailor Dawn Riley, Director of Oakcliff Sailing School.

 

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CAC Theater Operations Director Ryan T. Perry with Barry Sonnenfeld
Barry Sonnenfeld being interviewed by Waldo Cabrera, Producer of MyLongIsland
CAC's co-director Dylan Skolnick with Barry Sonnenfeld
Kristen Ryan Shea
Jeremy Schwartz

The Cinema Arts Centre in Huntington had a charmingly “kooky” evening on March 5 with renowned film director Barry Sonnenfeld. 

Cinema Arts Centre co-director Dylan Skolnick interviewed Barry Sonnenfeld on stage, showing a series of clips from Sonnenfeld’s films (including The Addams Family with Raul Julia and Anjelica Huston, and Get Shorty with John Travolta and Gene Hackman). 

Sonnenfeld, a noted raconteur, cinematographer for When Harry Met Sally and Big, and then director of the Men in Black trilogy and Coen Brothers films as well as the two Addams Family movies, held forth hilarious stories that were “creepy, spooky, and altogether ooky,” to the delight of the CAC audience. 

Afterwards, in a reception with entertainment by New York Times acclaimed jazz guitarist Mike Soloway, attendees met Sonnenfeld personally as he signed copies of his new book, “Barry Sonnenfeld, Call Your Mother: Memoirs of a Neurotic Filmmaker.” The event was curated and produced by Jud Newborn, the Cinema Arts Centre’s Curator of Special Programs, as part of his on-going series of celebrity guest appearances.

Photos by Andy Attard/ Flashback Photography

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Edith Storey, third from left, in a scene from 'A Florida Enchantment'

By Victoria Espinoza

“I want to be a bit different from the girl across the aisle.” — Edith Storey

Town of Huntington residents may be surprised to learn a Hollywood actress from the early 20th century once lived a stone’s throw away from their own backyards. Silent film star Edith Storey, who has a star on the Hollywood Walk of Fame, lived in Northport for a considerable amount of her life, and in celebration of her career, the Cinema Arts Centre will be showing two of her films this week. 

Edith Storey in 1917

A special screening of “A Florida Enchantment” (1914) followed by the 1916 short “Jane’s Bashful Hero” will take place on Wednesday, May 16 at 7:30 p.m. Film historian Steve Massa will speak at the event, and the film will have live theater organ accompaniment by Ben Model.

Considered one of her best films, “A Florida Enchantment” stars Storey as a strong-willed young woman named Lillian who is irritated with her much-older fiancé, Dr. Cassandene, played by Sidney Drew, who also directs the film. Lillian finds magic seeds that transform her into a man and enjoys the newfound freedoms she gains with her switch of gender. She kisses other women, dances with them, smokes cigarettes, applies for a man’s job and dresses in men’s clothing. When she starts secretly feeding the magic seeds to those around her, including her unsuspecting fiancé, pandemonium ensues.

Born in New York City in 1892, Storey began acting in Vitagraph productions at the age of 16, appearing in “Francesca da Rimini.” From 1908 to 1921 she starred in over 140 films and shorts in a variety of film genres including comedies and westerns. Reportedly an excellent horseback rider, one of her director’s commented that Storey could “ride anything with hair and four legs, throw a rope and shoot with the best of the cowpunchers.” During that time she was one of the most celebrated actresses on the American screen.

Dylan Skolnick, co-director at the Cinema Arts Centre said he happened upon Storey’s life story quite accidentally during a visit to the Northport Historical Society. 

“They had a display of Northport’s history and significant people and there was this section about her,” Skolnick said in a phone interview. “I was shocked, I had never heard this story before.”

Skolnick said he reached out to Massa, who had written about Storey in his book “Slapstick Divas: The Women of Silent Comedy” to learn more about the movie star.

“He was like, ‘Oh, of course, Edith Storey.’ His knowledge is so deep,” Skolnick said. The co-director said after learning more about the actress he reached out to the Library of Congress, which confirmed it had some of her films and would loan them to the Cinema Arts Centre.

Massa called Storey a “talented character actress” and outstanding in “A Florida Enchantment” in a recent email. He said during World War I she took time off from acting to drive an ambulance that transported wounded returning soldiers to New York hospitals.

After retiring from films in 1921 at the age of 29, she moved to a house in Asharoken where she eventually became village clerk, a position she held from 1932 to 1960. According to Skolnick, in the 1930s there was no village hall in Asharoken so elections were held at her house. During World War II, her front yard served as the drop spot for scrap metal. Children who grew up in the neighborhood later recalled how she would tell them stories of her movie career. Storey passed away in Northport in 1967 at the age of 75.

Skolnick is looking forward to this special evening dedicated to the silent film star. “It all sort of came together and here we are,” he said. “Audience members will have a really good time. The film is a delightful comedy and will be accompanied by some wonderful live music.”

The Cinema Arts Centre is located at 423 Park Ave., Huntington. Tickets for this event are $16, $11 members. For more information, please call 631-423-7611 or visit www.cinemaartscentre.org.

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Burton Gilliam, center, in a scene from ‘Blazing Saddles’
Burton Gilliam set to host special screening of 1974 classic 

By Kevin Redding

Harrumph harrumph harrumph. On Saturday, April 28, the Cinema Arts Centre in Huntington invites one and all back to Rock Ridge circa 1874 for a screening of the groundbreaking, controversial and hysterical “Blazing Saddles” more than 44 years after its original release, featuring a very special appearance from one of its stars.  

It was February 1973 when Burton Gilliam, a Dallas, Texas, firefighter of 14 years and a Golden Gloves champion boxer during his time in the Coast Guard, got a phone call from a fast-talking “little ball of energy” from Hollywood he’d never heard of named Mel Brooks. 

Brooks, best known at the time as a staff writer on the Sid Caesar-led variety program “Your Show of Shows,” the co-creator of “Get Smart” and the writer-director of the 1968 film “The Producers,” was offering Gilliam the role of a cowboy in his upcoming film, a then-untitled Western-themed comedy. Gilliam laughed and thanked “Mr. Brooks” before hanging up. 

Just one of his buddies at the fire station putting him on, he thought. “‘Cuz that’s what firemen do to each other,” Gilliam, 79, recalled, laughing.

Months prior, Gilliam, who was 35 at the time, had responded on a whim to an ad in the Dallas newspaper about a local casting call for extras in director Peter Bogdanovich’s film “Paper Moon,” starring Ryan and Tatum O’Neal. 

Despite having no acting experience, Gilliam showed up with his big old grin and even bigger Texan exuberance. Over the course of a few weeks, he beat out hundreds of people in the audition process and impressed Bogdanovich enough to be given a small speaking part as a desk clerk named Floyd. After filming in St. Joseph, Missouri, wrapped, he returned to Dallas and his job at the fire department, looking forward to the June release of the film and thankful for his brush with movie stardom. 

But that phone rang again 10 minutes after he hung up and it was Brooks once more, explaining that he had seen a rough cut of “Paper Moon” and wanted Gilliam to meet with him to play this part. Gilliam was hesitant to abandon his job and $12,000 a year salary to go to Los Angeles and commit to the film. He wound up meeting with Brooks and producers three times before finally agreeing to come aboard.

“I remember that first time I met [Mel] — this little guy jumped over a desk and ran over to me and jumped into my arms, pushing me against the wall,” Gilliam said. “He was like a koala bear. I had no other thought but to like him. He was so open and funny.”

Between Gilliam’s first and third trip to Hollywood, Brooks and his team expanded his once-tiny role as Lyle, a dim-witted and callous antagonist to the film’s hero Sheriff Bart (played by Cleavon Little), into a much heftier one that sets the stage for the entire film (“What about ‘De Camptown Ladies’?”). 

He received a call of persuasion from Richard Pryor, one of “Blazing Saddles’” many writers, and Brooks promised to pay him his yearly salary at the fire department in the three weeks he’d be filming for, plus overtime.

Burton Gilliam and Slim Pickens

“About four weeks later, I quit the fire department,” said Gilliam, one of 10 members of his family to serve as a fireman. “I was the only one that ever quit. And after I did, everyone came out of the woodwork to tell me how crazy I was. But I went to Hollywood and stayed for 23 years! And what a great 23 years it was.”

Since appearing in Brooks’ 1974 classic, Gilliam has acted in more than 50 films and television shows, including “Fletch” starring Chevy Chase, “Back to the Future Part III,” “Honeymoon in Vegas” with Nicolas Cage, and episodes of “Mama’s Family,” “The Dukes of Hazzard,” “Knight Rider” and “Walker, Texas Ranger.” He has also appeared in countless commercials and has even lent his instantly recognizable voice to video games. 

“To me, the most rewarding part has been meeting the people working behind the scenes — the makeup people, the wardrobe, lighting, sound departments,” Gilliam said. “They were all so good to me.”

When he isn’t in front of the camera, Gilliam has become a staple at various charities across the country. 

Through it all, the actor said he never gets tired of answering questions about, and quoting lines from, the movie that made him famous. Although, he admits he never would’ve guessed “Blazing Saddles” would remain so popular and beloved nearly 50 years later, especially one that very clearly could never be made today.

“It’s really a mystery almost that something like this can last this long, and it’s going to last a lot longer,” Gilliam said. “And Mel Brooks is as surprised as anybody that it’s lasted this long. I don’t know what to make of the whole thing. When we did the picture, Mel always said the people at Warner Brothers gave him $3 million and told him to go have a good time. And that’s it right there … it’s something that had never been done before, saying those words and doing those things we did and getting away with it.”

Burton Gilliam as Lyle, right, in a scene from ‘Blazing Saddles’ with Slim Pickens as Taggart

The film, of course, about the arrival of a black sheriff in an over-the-top racist town, is a raunchy (it’s the first film to feature a flatulence scene!), chaotic, uproarious, surreal, wholly politically incorrect and brilliant satire of the western film genre and a no-holds-barred takedown of racism and prejudices. 

In the opening of the film, Gilliam’s character Lyle, joined by his gang of thuggish cowboys, orders a group of black members of a railroad crew, led by Little, to sing a song while they work, saying “When you was slaves, you sang like birds.” Lyle expounds a series of racist comments here, including the N-word, which he recalls made him uncomfortable while filming the scene on set. 

“It was the second week I was there and I had to say those words to about 25 black guys, saying these things that had never been spoken before in movies and that was a bit hard,” Gilliam said. “So after we were on the scene for probably 25 minutes, they were switching cameras for somebody’s close-up, and Cleavon said, ‘Hey let’s take a walk.’ He told me, ‘Listen, I know you’re having a little bit of trouble saying these things but this is a movie and we’re having fun. Be comfortable and call me anything you want to … it’s okay, this is all fun…”

But, Gilliam said, Little warned him, “After they say ‘Cut!,’ if you call me that, we’re gonna go to fist city.’”

Cinema Arts Centre co-director Dylan Skolnick said he considers “Blazing Saddles” one of the funniest movies ever made, and remembers seeing it in theaters when it came out. While it’s been shown at the theater several times, he said he’s excited to have Gilliam emcee the screening.

“Burton’s one of those guys — his name’s not necessarily famous, but when you see him, since he’s been in a lot of movies and things as a character actor, it’s like, ‘Oh! That guy! I love that guy!’” Skolnick said. “It was great to be able to build an event around somebody like him, where he can be the star for the evening … It’s such an iconic movie and he has a crucial scene in one of the most famous moments.”

Gilliam said he’s looking forward to meeting and talking with the fans, and reminiscing about the making of the movie. “I enjoy those things because I get to talk a lot,” Gilliam said, laughing. “And I always get new questions; I have to be on my toes a little bit and I like that.”

As part of its Cult Cafe series, The Cinema Arts Centre, 423 Park Ave., Huntington will present a special screening of “Blazing Saddles” on April 28 at 9:45 p.m. with a Q&A with Burton “Lyle” Gilliam. Tickets are $15 per person, $12 members. To order, call 631-423-7611 or visit www.cinemaartscentre.org.

Photos courtesy of Bobby Bank 

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