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Common Ground

Actor Laura Dern, center, with 'Common Ground' directors Rebecca Harrell Tickell and Josh Tickell.

Reviewed by Jeffrey Sanzel

According to the Chesapeake Bay Foundation, regenerative agriculture “describes holistic farming systems that, among other benefits, improve water and air quality, enhance ecosystem biodiversity, produce nutrient-dense food, and store carbon to help mitigate the effects of climate change. These farm systems are designed to work in harmony with nature, while also maintaining and improving economic viability.” Regenerative agriculture includes practices like no-tillage, planting cover crops, reducing chemical use, and planned grazing. 

In 2017, Josh Tickell published Kiss the Ground: How the Food You Eat Can Reverse Climate Change, Heal Your Body, & Ultimately Save Our World. The book purports that climate change is reversible through changing diets based on harvests from soil-nourishing, regenerative agriculture. 

Tickell (along with Rebecca Harrell Tickell) produced and directed the documentary Kiss the Ground (2020), which explored the issues raised in the book. The film shares interviews with farmers, scientists, and environmentalists. The focus is the power of healthy soil and its healing powers for humanity and the earth as a whole. Narrated by Woody Harrelson, the film features the well-known {model/ U.N. Good Will Ambassador Gisele Bünchden, NFL quarterback Tom Brady, etc.) along with authors and environmentalists. Kiss the Ground was lauded for its good intentions but received criticism for an often simplistic approach to the solution, especially concerning climate change. 

The follow-up, Common Ground, which launched globally on Amazon Prime on April 22 in honor of Earth Day, covers some of the same territory, with a spotlight on preservation of the soil. Again, central is the importance of properly cultivating the soil through regenerative agriculture. 

Common Ground opens with a letter “written” by various celebrities. Each is presented with a sonorous voiceover steeped in gravitas. The letter ends with, “It’s a matter of life and death.” If the information presented in Common Ground is even twenty percent accurate, this dark statement is harbinger of long-term and perhaps irrevocable damage. The film begins with a detailed explanation of regenerative agriculture, comparing it to the other less environmentally-friendly approaches. 

The film is most interesting and effective when it addresses agribusiness issues driving the market. Following the money trail exposes the private sector’s influences on government and education, with money filtered through land grant universities. Larger corporations have suppressed scientists and pressured the USDA, influencing the Farm Bill and driving subsidies into soy, wheat, and corn—all commodity crops. Agribusiness possesses the largest lobbying industry with twenty-three registered lobbyists for every member of Congress.

An exploration of the rise of industrial farming in post-World War II highlights the uses of chemicals in the forms of pesticides and toxic herbicides, labeled “the Green Revolution.” Most notably, Monsanto Company’s glyphosate product, Roundup, led to the 1980s genetically engineered crops—“ready grains”—that could resist Roundup. Gradually, revelations held Roundup responsible for damaging the health of thousands, leading to multiple successful lawsuits. (Monsanto sold the company to the German Bayer AG for sixty-three billion dollars.)

Common Ground gives a bleak picture of the small farmer who lives in hundreds of thousands of dollars of debt. The Farm Bill Cycle of Debt is a cyclical trap of the system dictating what (and how) to grow, boosting corporate profits, consumer illness, and farmers’ debt. Suicide rates among farmers are five times higher than the general population. Additionally, Common Ground touches on the racial disparity in farming, with the system showing an overwhelmingly biased preference towards white people. The discriminatory nature of the industry has only increased over the years.

While the film emphasizes much of the negative, it celebrates those who have succeeded in abandoning industrial farming. The alternatives are shown to have health and economic benefits—all linked back to regenerative agriculture.

The tone and style—and much of the documentary—shift from dark shadows to pastoral sunshine to peripatetic imagery. At times, Common Ground feels like clumsy public service announcements; at other points, it plays with the jarring cuts of a music video, with blaring, on-the-nose lyrics. The “behind the scenes” look at the stars — Laura Dern, Jason Momoa, Woody Harrelson, Ian Somerhalder, Donald Glover, Rosario Dawson, and many others recording their narratives is oddly and ineffectively “meta.” But Common Ground is well-paced and presents a clear path to transformation. 

Documentaries habitually select their focus as the greatest existential threat. Whether AI, plastics, water pollution, corporate manipulation, or conspicuous consumption, each sees its topic as the direst and the most important to be solved. Many point to the destruction of the environment, but each selects a different “demon” as the most dangerous. Common Ground is no different in this respect, and therefore, even in its specificity, it lands as a generic call-to-arms (or farms, as the case may be).

“The quality of what you eat determines the quality of your health. And a living soil is where it all begins.” While it might not convert the doubters, Common Ground is another reminder that through commitment and collaboration, environmental change is possible. 

The documentary is now streaming on Amazon Prime.

The Como Brothers head to the Jill Nees Russell Stage at 2 p.m.

Peace, love and music will be the themes of the day when the first annual Port Palooza heads to Harborfront Park’s Jill Nees Russell stage, 101 E. Broadway, Port Jefferson on Saturday, July 31 from 11:50 a.m. to dusk.

A mini music festival on the harbor, the day will feature an invocation by Jeffrey Sanzel and music by Jonathan Fritz, Cole Fortier, The Como Brothers, MJT Band, School of Rock All Stars, Common Ground, Grand Folk Railroad and the Frank Catalano Jazz Group.

Bring seating and a picnic. Free. Questions? Text 516-939-8960.

I’m starting a new movement. I’m going to call it CCDD, for CounterCulture Dan Dunaief.

Hey, look, if other people can put their names on buildings, airlines and bills that become laws, why can’t I, right?

My movement is all about trying to get away from a world in which large groups of people line up on either side of an issue, without much consensus or common ground in between. The polar opposites are like a barbell, with heavy weights on either end and a thin line between them. The counterculture lives along that line.

So, I’m going to establish my own rules for CCDD. For starters, I’m not going to hurry to do anything. I’m going to smile when the person in front of me doesn’t hit the gas as soon as the light turns green. I’m going to let people go ahead of me. Let’s not get ridiculous about this, right? I mean, if I’m waiting for a sandwich and I’m starving, I’m not going to let everyone go, but, I’m just saying, I’m going to take my foot off the accelerator and stop acting as if I have to race to every event.

OK, I’m also going to stop acting as if I know everything. Everyone is supposed to know everything, or at least fake it. Besides, if we don’t know something, we can check on the internet, which is the greatest source of information and misinformation ever invented. I’m going to say, “I don’t know,” and try to reason through what I recall from my education, from my reading and from people around me before asking Siri, Alexa or any other computer created voice for help. I can and will try to figure it out on my own.

I’m not going to read anything shorter than the length of a tweet message. No offense to Twitter, but the president of the galaxy vents his extreme frustration with people inside and outside his cabinet regularly through this system, so strike while the iron is hot, right? Except that I don’t want to read short ideas, short sentences or shorthand. I want to read a full, detailed thought and idea.

I’m going to care more than I ever have about grammar and spelling. I’m going to encourage others to care about the difference between counsel (advice) and council (a collection of people) because words matter.

I will look carefully at nature whenever I have the chance. I plan to consider the importance of the journey, even as I head toward a destination. The ends will not justify the means, even if it’s easier to cut corners and to take small liberties along the way.

I will believe in facts. This one might be the hardest to live by because, after all, what is a fact today? How do we know, for sure, that something is true? I will research information and will make my own informed decision.

In CCDD, I’m going to listen to people who speak to me, and ignore those who shout to get my attention. If what you say is important and relevant, the value should speak for itself.

Finally, I’m going to celebrate my differences with other people. I’m not going to assume someone passionate about a belief different from my own is wrong. I am going to try to listen attentively, so that I can meet them somewhere closer to that barbell line. If they can change me, maybe I can change them?

The Long Island Museum will unveil a new traveling exhibition organized by the Rock and Roll Hall of Fame and Museum in Cleveland on May 20. Photo from LIM

By Melissa Arnold

There’s something especially memorable about going to a concert. Showing up with hundreds or even thousands of music fans creates an energy that’s hard to find anywhere else, and hearing a favorite song performed live can be pretty emotional and even lead to societal change.

This summer, the Long Island Museum in Stony Brook will celebrate the global impact of music festivals on culture with an exhibit called Common Ground: The Music Festival Experience.

“This is a really exciting opportunity for us here (at the museum),” says Joshua Ruff, director of collections and interpretation. “It gives us a chance to display some material that people wouldn’t normally associate with the museum.”

Common Ground is a traveling exhibit that was developed in 2014 by the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio. The Long Island Museum will be the only East Coast venue for the exhibit, which will move on to Austin, Texas, this fall.

Visitors will be taken back in time to some of the biggest music festivals in the world, including the Newport Festivals, Woodstock, Live Aid, Coachella and more. Ambient sounds of bands tuning up, people chatting and even radio ads from each era will provide a true “you are here” feel.

Additionally, you’ll be treated to music and video footage from each festival, along with some special artifacts. Some noteworthy items are guitars from Davey Johnstone of the Elton John Band, Muddy Waters and Chris Martin of Coldplay; a guitar pick from Jimi Hendrix; and a corduroy jacket from John Mellencamp.

“The festival experience is one that brings people together from all walks of life. They’re memories that last a lifetime,” Ruff said. “This exhibit has items that will appeal to everyone, from baby boomers to contemporary concertgoers.”

A corduroy jacket from John Mellencamp will be just one of the many items on display at the exhibit. Photo from LIM
A corduroy jacket from John Mellencamp will be just one of the many items on display at the exhibit. Photo from LIM

While the exhibit will honor many musical superstars, the LIM is giving special attention to Bob Dylan this weekend as it marks his 75th birthday.

On Sunday, they’ll host musicians from all over the country who will play nearly 20 songs from Dylan’s career, which began in the 1960s and continues today. Dylan’s new album, “Fallen Angels,” drops tomorrow.

The concert is one of the final events for this year’s Sunday Street Concert Series. The series has its roots in a radio show of the same name on Stony Brook University’s WUSB-FM.

Radio personality Charlie Backfish has hosted the show since the 1970s, and was a part of launching similar live events at the university’s UCafe in 2004.

“Dylan is such a monumental figure in the acoustic world — he caused quite a controversy when he used an electric guitar and a full band at the Newport Folk Festival in the 1960s,” Backfish explained. “We thought it would be cool to make our last concert of that first year all Bob Dylan music.”

The Bob Dylan concert has since become an annual tradition for the Sunday Street Concert Series, which relocated to the Long Island Museum in January due to upcoming university construction, but Backfish is thrilled with the move’s success.

“We’ve had a tremendous welcome from the LIM, and we’ve had sold out audiences for most of our shows since we’ve moved there,” he said. “It’s very exciting that we’ll be able to celebrate Dylan’s 75th birthday the same weekend as the opening of Common Ground. The timing couldn’t be more perfect.”

Backfish hosts “Sunday Street Live” from 9 a.m. to noon each Sunday on 90.1 WUSB. This Sunday’s show will feature all Bob Dylan hits. Listen online or learn more at www.wusb.fm/sundaystreet.

Common Ground: The Music Festival Experience will be on display at the Long Island Museum, 1200 Route 25A, Stony Brook, through Sept. 5. For hours and admission prices, call 631-751-0066 or visit www.longislandmuseum.org. The Sunday Street Concert featuring covers of Bob Dylan will be held at the museum on Saturday, May 21, from 7 to 9 p.m. Tickets are $30 and extremely limited. To order, visit www.sundaystreet.org.