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Chris Brady

From left, Rachel Greenblatt, Brittany Lacey, Jenna Kavaler and Amanda Geraci in a scene from ‘Legally Blonde: The Musical.’ Photo by Peter Lanscombe, Theatre Three Productions, Inc.

By Michael Tessler

“Legally Blonde” is the sort of film I’d usually enjoy bundled up in a blanket on a cold winter day, perhaps while digging into a pint of Ben and Jerry’s, laughing loudly to myself. And yet Saturday night at Theatre Three in Port Jefferson I found myself sharing in that same wholesome joy surrounded by hundreds of others equally filled with laughter and milewide smiles. “Legally Blonde: The Musical” doesn’t shy away from its film roots but rather embraces them, incorporating songs and themes that deliver the story like never before!

Jeffrey Sanzel, the show’s director, continues to demonstrate a mastery of theater worthy of Broadway or the West End. This is not a compliment I deliver lightly, but it is so rightfully deserved. His ability to transcend genre and create flawless spectacles of comedy, drama, music and dance have stunned me continuously through the many shows I’ve now reviewed. Not once have I left the theater’s Athena Hall without being uplifted or captivated by the raw, genuine emotions neatly packed within the confines of a Theatre Three production.

Brittany Lacey as Elle Woods in Legally Blonde: The Musical. Photo by Brian Hoerger
Brittany Lacey as Elle Woods in Legally Blonde: The Musical. Photo by Brian Hoerger

“Legally Blonde,” while a light-hearted romp, was certainly no exception to that rule. After a long and difficult week I found myself leaving the theater feeling lighter than air. Not even for a moment is the beautiful illusion of theater ruined, undoubtedly because of Sanzel’s magic touch. His actors are so well-paced, so well-trained, a truly regimented troupe of thespians. Their stage comes to life.

Our protagonist is the stuff of “Greek” legend, and by that I mean she’s the president of the Delta Nu sorority at UCLA. Elle Woods, your quintessential popular blonde stereotype, is awaiting an overdue dinner with her longtime college boyfriend (played with lovable arrogance by Chris Brady) whom she expects to propose. Hilarity ensues as quite the opposite happens. Without spoiling too much, Elle begins on an unlikely adventure to Harvard Law School, a place not exactly known to be fashion forward!

This show is filled to the brim with comedic caricatures playing on our preconceived notions in a delightful way. From the hunky UPS man played to comedic perfection by Kyle Breitenbach to the rude, snobby, love-to-hate law student Vivienne Kensington played impressively by Caitlin Nofi, to the “blood in the water” lawyer Professor Callahan played by Theatre Three veteran Steve McCoy.

Brittany Lacey and Brett Chizever in a scene from 'Legally Blonde: The Musical' byPhoto by Brian Hoerger
Brittany Lacey and Brett Chizever in a scene from ‘Legally Blonde: The Musical’ byPhoto by Brian Hoerger

At the show’s center is actress Brittany Lacey. Her performance as Elle Woods is local theater at its finest. Her voice both powerful and soft, her delivery of lines so expressive and authentic, and most impressively her ability to dance in flawless precision while belting notes that require two and a half lungs. Many times throughout the production, I wondered if the show’s original writers had somehow met Lacey and based the show’s protagonist after her. Casting could not have been better. She’s accompanied by the awkwardly lovable Emmett played with a special tenderness by Brett Chizever. Before the show’s end you’ll love these two!

Randall Parsons has built a set of simplistic brilliance, the entire stage enclosed by an ever-changing border of glowing lights complemented perfectly with Robert W. Henderson’s lighting design. Shining in the spotlight is the brightest pinks I’ve ever seen with gorgeous costumes by Su Jung Weaver. All these elements are coordinated seamlessly by stage manager Peter Casdia. Jeffrey Hoffman, the show’s musical director, expertly leads a “Greek” chorus and a cast of superb vocal talents. From the show’s opening number, “Omigod You Guys,” to the more touching “Ireland” it seems there was not a mark to be missed! Don’t miss out on seeing this show. I guarantee it’ll take a “chip off your shoulder!”

Theatre Three, 412 Main St., Port Jefferson kicks off its 47th Mainstage season with “Legally Blonde: The Musical” through Oct. 29. Tickets range from $20 to $35. For more information, call 631-928-9100 or visit www.theatrethree.com.

The cover of Chris Brady’s new children’s book. Photo from Brady

By Melissa Arnold

On Dec. 14, 2012, 20 children and six adults were killed in a mass shooting at Sandy Hook Elementary School in Newtown, Conn. Chris Brady, 33, of Rocky Point, was profoundly impacted by the events of that day and has spent the past three years developing “Twenty-­Six Angels,” a children’s book inspired by those who died. The book was published on Nov. 13, and Brady hopes it will inspire children and adults alike to spread peace in our world.

I recently sat down with Brady to learn more about the book and what he hopes for the future.

Tell me a bit about your background.  What got you interested in writing?
I’ve always had an artist’s spirit. Writing has always been my way of chronicling my life. I have a book of probably a hundred poems that have gotten me through so many experiences. But I always wanted to be an actor and singer, so those things were always in the forefront. I’ve worked in retail and in the fitness industry, and also have a master’s degree in health care administration. Writing is kind of my hidden talent, but this story was something I needed to share.

How would you describe the book to someone who hasn’t read it?
It covers the theme of nonviolence and how the power of youth can combat evil in any circumstance. It’s about putting down your weapons, whether that’s guns, negative emotions or poor treatment of others.
In the book, the halos of angels light up when they sing. That light banishes everything evil in the world. When the book begins, there aren’t enough angels and the world is in despair. Then, 26 new angels are born. They face a lot of doubt from the older angels, but they’re given a try and are sent to bring a message of peace and nonviolence to the world.
I stayed away from any kind of religious elements. ­­ I chose to use angels because of the way they’re glorified in our culture, and there’s something cherubic about children. I thought it would be a nice symbol to use.

Chris Brady photo from the author
Chris Brady photo from the author

What inspired you to write about the Sandy Hook tragedy?
(The day of the shooting), I remember pulling my car over and listening to all the broadcasts. ­­ I was fixated on them. It was horrible listening to parents wondering if their child was alive, and I couldn’t imagine what they were going through. On 9/11, I was downtown (in New York City) and used writing to work through that, so it’s not surprising that I felt the need to write about this as well.
I was the choreographer for three years at Rocky Point Middle School and worked with sixth-, seventh- and eighth-graders. The book was partially linked to that experience of collaborating on an art that teaches the students to use their talents in a positive way.
Having worked with middle schoolers, I asked myself, what would I say to these kids? I’ve found myself suffering through tragedy and trying to cope with things I couldn’t understand, and I thought about what I would say to a younger me, as well as the families and loved ones of children who have lost their lives.
There’s something so unbelievably pure about first-graders. I told myself there has to be a way to brighten people’s lives in the absence of these children, and it’s happening. You can choose to either wallow in the darkness or make something brighter out of life. This was my way of balancing out the darkness with light and combat unspeakable evil with incredible good.
Obviously, one story can’t fix everything. But if we continue to give back to the people left behind, light really will shine through that darkness.

Who is the ideal audience for “Twenty­-six Angels”?
The book says ages 4 to 8, but I really think it would be appropriate for kids 6 to 10 or even 6 to 12. It can speak to all children and has a timeless feel. The poetry is a little bit elevated, but because it’s sing­song (in style) and rhymes, it’s easy for young children to grab onto. I read the book to a group of 4-­year­-olds and they definitely understood the message, which was great to see. Beyond that, it’s really for anybody looking for comfort. I’ve had an equally strong response from adults and children.

The book is written entirely in rhyme. Why did you choose this format?
With this subject and the idea of creating a song together, I thought rhyme would be most effective for the message.

How can parents or other adults use this book to help the children in their lives?
The first thing that you can teach a child is the difference between play and reality. We can play pirates and Jedis, but they really have no business with a weapon. That might be an unpopular opinion for some, but it’s what I believe. All of us are capable of violence, and children need to learn to channel their passions in a positive way.

What are your plans for the future?
I’m hoping to take any proceeds from the book and use them to help the people of Newtown in any way I can. I learned recently that many people are just showing up there to help out. This book belongs first and foremost in the hands of the people affected by the tragedy. It’s not about the profits for me.

Where can we get the book? How much is it?
You can find the book at all of the major online retailers, as well was www.archwaypublishing.com. The more interest there is, the more likely we’ll be to get it on shelves in the future, too. It’s available in hardcover for $22.95, softcover for $16.95 and as a digital e­book for $3.99.

Where can people learn more about you or contact you?
You can always email me at [email protected]. You can also find out more on the book’s Facebook page, “Twenty­Six Angels ­ Children’s Book Launch.”

Chris Brady will hold a book signing on Saturday, Jan. 16, at Theatre Three, 412 Main St., Port Jefferson, at 11 a.m. For more information, call 631-928-9100.