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From left, Daniel Henshall as Caleb Brewster, Jamie Bell as Abraham Woodhull, Heather Lind as Anna Strong and Seth Numrich as Benjamin Tallmadge. Photo from AMC Networks

The history of the Culper Spy Ring is nothing new to Setauket and North Shore of Long Island residents. This Sunday, April 6, thanks to the new AMC show “Turn,” Setauket and some of its most legendary residents will become household names throughout the country.

Based on Alexander Rose’s 2006 book, “Washington’s Spies,” the show stars Jamie Bell as Abraham Woodhull, the Setauket farmer turned spy for Gen. George Washington’s Continental Army during the Revolutionary War. Enlisted in 1778 by Major Benjamin Tallmadge (Seth Numrich), Woodhull along with Caleb Brewster (Daniel Henshall) and Anna Strong (Heather Lind), among others, worked together to send messages — often in code — about the British troops to Washington.

In a telephone interview, show runner and executive producer, Craig Silverstein — responsible for The CW Television Network series, “Nikita” — said he had heard about the Culper ring before, but didn’t know exactly what they had done until fellow executive producer, Barry Josephson, introduced him to Rose’s book in 2008 while they were working together on Fox’s “Bones.” He thought it would make a great show. “They were very good at what they did,” Silverstein said of the spy ring.

Silverstein, who admitted to not being much of a history buff prior to working on the show, described the show as “a spy thriller,” with a great international cast. He said one of the most surprising things to learn about was how intimately connected the characters were to George Washington.

“There weren’t a ton of layers,” Silverstein said. “[That] brought him more down to earth.”

Interestingly enough, Bev Tyler, the historian for the Three Village Historical Society who runs the SPIES! exhibit at the society’s headquarters, agreed often times films and shows based on the American Revolution make Washington the opposite of what Silverstein described. “They can’t do it without deifying him, without making him larger than life,” Tyler said.

Silverstein said he found it interesting how few American Revolution-based films and television shows exist. He said much of what is out there is “very ‘Schoolhouse Rock!’” referring to children’s-type programming. “The real truth is much more complicated,” he added.

While maintaining historical accuracy was important, Silverstein said writers could take some creative license because a lot of what the spies did is still unknown.

However, in an effort to get the facts right, Rose is working as a consultant on the show. Silverstein said some the crew visited Setauket; Tyler, who said he would definitely be watching on Sunday, took one of the show’s writers on a society walking tour.

Silverstein said he thinks everyone, even those who aren’t history buffs, will enjoy the series as it is an exciting depiction of the American Revolution. “It’s only a world that you thought you knew,” he said.

“Turn” premiers with a special 90-minute episode on Sunday on AMC Networks, Optimum channel 43, at 9 pm.

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Northport’s artistic identity on display in some businesses

Campari Ristorante restaurateur Danyell Miller stands in front of one of her favorite curated pieces, ‘Psychoblue’ by local artist Michael Krasowitz. Photo by Chris Mellides

By Chris Mellides

Inside the dimly lit dining hall at Campari Ristorante on Northport’s Main Street, Danyell Miller arranges the place setting on one of the dinner tables and takes a moment to admire the artwork of Michael Krasowitz, whose vibrant paintings adorn the room’s walls.

Miller, the new owner of the establishment, makes her way to the head of the room as the sound of a jazz piano drifts through the still air.

Campari is unlike your traditional eatery; it also doubles as an art gallery.

“I’ve always had a vision that if I ever had a public space, I’d want to include a gallery space for artists,” Miller said. “The first month I had it, I had met an artist, and we had a rotating exhibit of local artists every month. There was always somebody new.”

Campari Ristorante isn’t alone: more businesses on Main Street have been dressing their walls with art than before, according to the Northport Arts Coalition. Some of those stores include The Wine Cellar on Main and Caffé Portofino.

Kristy Falango, an employee of Caffé Portofino, admits to not knowing exactly when the coffee house began curating the work of local artists, but that since the practice began, it’s garnered a lot of attention.

“I just think that a lot of people that live in the community like to come in and see pieces of art that represent our town,” Falango said. “It started bringing a lot more people in.”

According to the barista, town residents have several destinations to choose from when they feel like indulging in the arts. Northport has a tradition of embracing the arts, and the village serves as a hub for local artists wanting to introduce their work to the public.

“Anything in the arts is going to enhance the community, and having art in the storefront is putting it out there. It’s putting it out there to the public,” said Isabella Eredita Johnson, founder and former chairwoman of the coalition.

Established in 1998, the goal of the coalition is to create a vibrant hub for the arts and humanities in Northport. The organization works to “inspire and support artists and to help them make connections with other artists and with the larger community,” according to the group’s website.

“I had kind of rounded up a whole group of people from the various arts and we really spearheaded sort of a cultural organization,” said Johnson, “and of course it was filled with musicians, visual artists, poets and singer-songwriters.”

When Johnson resigned as chairwomen in 2006, the coalition had already made significant contributions to the art community in Northport, including Happenings on Main Street, which promotes local street music and gives musical performers the ability to reach a larger audience, and Art in the Park, a free family event featuring artists displaying their photography and fine art pieces.

Down the block from Campari and Caffé Portofino is Wilkes Gallery. The gallery is a prominent fixture in the neighborhood and specializes in custom framing services and the sale of fine art. The business will be celebrating its 50th anniversary next year. Its long-standing relationship with fine art publishers gives its owner the opportunity to display and sell the work of renowned artists.

Wilkes employee Linda Frey, who’s starting on her 22nd year with the company, stressed the importance of supporting artists on the local level.

“You’ll come down here in the summer and different artists are set up in different corners painting,” Frey said. “Everybody promotes the locals around here as much as they can.”

In the time she’s been working at Wilkes, Frey admits that she’s seen the local art community change, but believes that Northport’s passion for the arts is still alive and well among young people.

“It seems like even the high school is very into the arts; they promote art there and they do a lot of shows there,” said Frey. “This town is just very big on the arts.”

Echoing that sentiment is Dan Paige, the current executive director of the coalition. He believes that by giving back to the community, he and his coordinators are enhancing the level of opportunity for local artists to receive recognition.

“The major thing is helping artists get their art out there, and then by doing that, we’re serving a purpose of bringing the arts to the community,” Paige said.

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Louise Brett explains a painting of a ship called the Enchantress. Photo by Elana Glowatz

Louise Brett often paints and draws scenes from the past — a horse walking through the Belle Terre gate, ships in Port Jefferson Harbor, a buggy on East Main Street and the cottages at West Meadow Beach.

The area “is changing so fast,” she said. “I wanted to show everyone what it looked like when I was here.”

Louise Brett does drawings of the area in the past, including this one of a horse walking through the Belle Terre gate. Photo by Elana Glowatz
Louise Brett does drawings of the area in the past, including this one of a horse walking through the Belle Terre gate. Photo by Elana Glowatz

Some of Brett’s works are on display in Edna Louise Spear Elementary School, in the same room the Board of Education uses for its meetings. At the last session, the district presented Brett, who attended the high school but did not graduate, with a certificate of recognition and she received a standing ovation from the crowd.

Brett said in an interview at her home that the acknowledgement was exciting.

It isn’t the first time her work has been displayed — her paintings of a Victorian Port Jefferson appeared on the covers of the Charles Dickens Festival guides for 2006 and 2007. Under sunset skies, she included characters found in both Dickens novels and the village.

Brett, 83, was born in Old Field and moved to Port Jefferson 10 years later. She said she has always been able to draw well, but didn’t always have the resources — including pencils and paper. When she was growing up during the Great Depression, if she saw her teacher throw away a piece of chalk, she would take it home and — with her twin sister, Gussie — draw on the sides of their piano.

Louise Brett, above, paints almost every day. Photo by Elana Glowatz
Louise Brett, above, paints almost every day. Photo by Elana Glowatz

She got some help when she was in her teens while working as a soda jerk, operating the soda fountain at a local shop. On paper bags in the shop, “I would sketch anybody that walked in,” she said. The owner bought her a paint set and she took art lessons in Mount Sinai. At the Board of Education meeting, while presenting the certificate of recognition, elementary school principal Tom Meehan said Brett would walk to the lessons with her brushes in her boots.

While she was learning, she got in trouble with her mother for keeping dead birds under her bed to draw. “I had to know what they looked like,” Brett explained.

Years later, she still paints almost every day, even with her cats, Bonnie and Clyde, wandering around the room that holds her easel and past works. She said art is an outlet for her. When her husband of 54 years, Nicholas, had health problems a few years ago, she painted the Roe House using descriptions in letters former village historian Rob Sisler collected. Brett used details such as the fact that the Roes owned two oxen and carts — which led her to paint a barn with a thatched roof — to determine how to illustrate the scene. “You have to use your imagination,” she said.

Louise Brett's first oil painting was of the house next door to her childhood Port Jefferson home.
Louise Brett’s first oil painting was of the house next door to her childhood Port Jefferson home.

Brett signs all her paintings “Lou Gnia,” for her maiden name Gniazdowski. Her father, who died when she was 3 years old, came to the United States from Poland just before World War I. Brett once took a trip to her family’s village in Stare Miasto, in Poland’s Leżajsk County, a few hours southeast of Warsaw. The village name means “old city,” and she took photographs of various scenes to paint once she got home. In her Reeves Road house she has a “Polish room,” in which there are paintings of houses, cattle drinking from the San River and wagons with rubber wheels, like those on cars.

Paintings also line the walls of the rest of her home, including depictions of ships and beaches and a mural of grazing horses on the far side of the living room.

The artist said painting calms her, to the point where she can forget she is in the middle of cooking dinner. “I just go into a different world,” she said. “I love to paint. It’s just like a sickness.”

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