Authors Posts by Heidi Sutton

Heidi Sutton

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From left, Dana Bush, Michael Giordano, James D. Schultz, Frank Gilleece, Amanda Geraci and Sue Anne Dennehy in a scene from ‘The Pied Piper’ at Theatre Three. Photo by Sari Feldman/Franklin Inc.

Currently in production on the Mainstage, Theatre Three’s Children’s Theatre brings us a kinder, gentler musical version of the classic fairy tale “The Pied Piper.” Written by Jeffrey E. Sanzel and Kevin F. Story and adapted from “The Pied Piper of Hamelin” by the Brothers Grimm, it tells the tale of a town that has a bit of a rodent problem. Millions of rats, some the size of toasters, have taken over every nook and cranny. Even the cats are afraid of the rats!

The mayor decrees that anyone who can come up with a successful plan to rid the town of the rats will receive 100 gold pieces. A mysterious stranger appears and convinces the mayor to pay him 974 gold pieces. With a handshake and a promise, a deal is made and the Pied Piper lures the rats away by playing his magical flute. When the mayor has a change of heart and refuses to pay the full amount, the piper seeks revenge by placing the children under a magical spell and leading them out of the town and into a mountain.

With six talented adult actors at the helm, the cast also includes 45 young actors from the theater’s summer Dramatic Academy workshop who portray the children of Hamelin. Frank Gilleece plays Mayor Bruce Armbuckle who does whatever his wife, Mrs. Hilda Arbuckle, played by Sue Anne Dennehy, tells him to do, which includes going back on his word. James D. Schultz plays the bumbling Police Chief Henry Kahnstible and his wife, Mrs. Natasha Kahnstible, is played with aplomb by Amanda Geraci. Dana Bush as Mrs. Lavinia Brewster, the richest woman in town, is terrific.

However, it is the amazing Michael Giordano as the Pied Piper who steals the show. Making his entrance toward the end of the first act, he commands the stage with his wonderful rendition of “I Can Rid You of the Rats.” The audience is entranced as he sings and dances and performs his signature one-handed cartwheel.

While all the young actors did a fine job, special mention should be made of Jamie Terlecki, as Lydia, the lone child left behind. A bright future awaits her on the theater stage.

Accompanied on piano by Steve McCoy, the songs are playful and fun. Choreography by Sari Feldman is top notch, especially with “Hope Springs Eternal” and “The Blame,” as are the costumes, designed by Amanda Geraci.

Sanzel and Story’s play goes beyond the traditional tale of the Pied Piper with messages about keeping your word, cheating, forgiveness and, for the parents, that children are more valuable than gold. And that is the real magic behind this wonderful production.

Meet the cast in the lobby after the show and take a selfie. Next on the agenda is “Squawk: The Live Bird Show” on Aug. 23, a brand new musical titled “Alice’s Wonderland Adventures” from Oct. 3 to 30 and a Halloween Party for ages 4 and up on Oct. 24.

Theatre Three, 412 Main St., Port Jefferson will present “The Pied Piper” on Aug. 7, 8, 14 and 15 at 11 a.m. and Aug. 8 and 15 at 2 p.m. Tickets are only $10 each. For more information, call 631-928-9100 or visit www.theatrethree.com.

Historian pens new book on local amusement parks of yesteryear

Actors, including local resident Jane Owen playing the notorious outlaw Belle Starr, pose in front of the bank at Dodge City in Patchogue. Photo from the Eaton family

Living in Suffolk County, we’ve all heard of Splish Splash, Chuck E. Cheese’s, Dave and Buster’s, Boomers, Adventureland and the Long Island Game Farm. But how many of us have ever heard of Frontier City, Fairytown USA, Dodge City or Turner’s Amusement Park?

Photo from The History Press
Photo from The History Press

Historian Marisa L. Berman’s latest book, “Historic Amusement Parks of Long Island: 118 Miles of Memories” (The History Press) takes us on a nostalgic journey to explore the kiddie parks of Queens, Brooklyn, Nassau and Suffolk that are now just a distant memory. According to Berman, this book is “a celebration of the amusement parks that Long Islanders have loved and unfortunately have lost. … [It] will tell the story of Long Island through the memories of its children.”

Berman’s first book centered on Nunley’s Amusement Park in Baldwin, which she often visited as a child. At book signings, according to her second book’s introduction, many people would mention other parks on Long Island that they had fond memories of and she “quickly realized that there were many more stories that needed to be told.”

The author reached out to sources on Facebook and received many photographs, stories and memorabilia from people who had visited these parks. After much research and numerous interviews, the book finally came together.

All of the 33 amusement parks featured in the book opened in the 1940s and ‘50s, with the exception of Playland Park in Freeport, which opened in 1924 and closed in 1931. Berman attributes this to the many veterans who moved east from the city to Long Island to raise their families after World War II and the need to “entertain the masses.”

Each park is described in vivid detail, from inception to closing, from admission prices to rides, including what is in that location today — almost always a shopping mall or store. The wonderful black-and-white photographs, 80 in all, pull everything together.

Many of the kiddie parks featured a petting zoo, carnival rides and a train, but each had its own special niche. In our neck of the woods, there were western-themed parks like Dodge City in Patchogue, on the corner of Sunrise Highway and Waverly Avenue, and Frontier City in Amityville, on Route 110, complete with a bank, jail, cemetery, general store and sheriff’s office.

Children ride the miniature train at Lollipop Farm in 1952. Photo by Kathryn Abbe, courtesy of SPLIA
Children ride the miniature train at Lollipop Farm in 1952. Photo by Kathryn Abbe, courtesy of SPLIA

Fairytown USA in Middle Island, which was located across from Artist Lake on Middle Country Road, consisted of a storybook-inspired village and sections with themes like Planet Mars and Mother Goose. Farther west, Lollipop Farm in Syosset had a miniature train that carried children around the four-acre farm. The train miraculously survived, stored in pieces in a barn, and was recently lovingly restored by the Greenlawn-Centerport Historical Association.

The majority of the defunct parks’ artifacts, however, have been lost forever. Mostly family-owned and operated, Berman attributes the parks’ demise to the decline of the baby boom in the mid-1960s.

By the end of the book, Berman will have the reader yearning for a simpler and more innocent time, “a time when there was nothing better than your parents bringing you to your park so you could play and just enjoy being a kid.”

Todd Berkun, founder of the Facebook page “Long Island and NYC Places That Are No More,” sums it up perfectly in the foreword: “Whether you spent time in these parks growing up or live on the Island now and have wondered about their glorious past, this book is for you. As a testament to an era of great fun and enjoyment on the Island, this work describes a vibrant and important part of Long Island’s history.”

“Historic Amusement Parks of Long Island: 118 Miles of Memories,” $21.99, is available at local retailers and online bookstores. It is also available through Arcadia Publishing and The History Press by calling 888-313-2665 or by visiting www.arcadiapublishing.com.

‘Jack and the Beanstalk’ comes to Theatre Three

The cast of ‘Jack and the Beanstalk’ at Theatre Three. Photo by Peter Lanscombe, Theatre Three Productions Inc.

It’s important to be honest, right? That’s the message Theatre Three is spreading in its latest endeavor, “Jack and the Beanstalk” or “The Boy Who Cried Giant.” With book and lyrics by Jeffrey Sanzel, the musical production follows the original fairy tale closely with a sprinkle of “The Boy Who Cried Wolf” and makes for great entertainment.

Jack lives in a small village with his mother and his best friend, Filpail the cow. Blessed with a vivid imagination, Jack has “a habit of making the truth look like a pretzel.” He has told so many tall tales (“I can even wash a cat!”) that no one believes him anymore. When he finally tells the truth — that he climbed up a beanstalk to a giant’s castle — it falls on deaf ears and therein lies the moral of the story.

For an hour and a half, the talented cast of eight adult actors, directed by Sanzel,  whisk the audience away to a magical faraway land filled with song, dance and much laughter. From the first musical number, the “Song of Boasting,” accompanied on piano by Steve McCoy, you know you are in for a real treat. With music and lyrics by Kevin F. Story, and choreography by Sari Feldman, all the songs are terrific, with special mention of the “Ballad of the Empty Pail” and “Song of the Beans.”

Michael Giordano is perfectly cast as Jack and quickly draws the audience in with his energetic personality. His one-handed cartwheels and leapfrogs over Filpail are impressive and keep the young audience on the edge of their seats. For many, these acrobatics are as magical as anything in the story.

Olivia Andrunik, new to Theatre Three’s stage, plays Jack’s mother with just the right amount of scolding and love. Tamralynn Dorsa plays the Fairy Mary Goodwing who just can’t seem to say goodbye. Her rendition of “Song of Truth-Telling” was beautiful. James D. Schultz is hilarious as the giant’s wife, and he commands the stage with his solo, “Song of the Giant’s Wife.” Frank Gilleece plays the butcher in the first act and the giant in the second, and does a fine job as always.

Amanda Geraci and Andrew Gasparini make a great team as Margot and Marco — the thieves who trick Jack into trading his cow for magic beans — and switch roles effortlessly in Act II as Henrietta the Hen and Harry the Harp.

But it is the indefatigable Kevin F. Story as Filpail the cow who steals the show with his “mooving” rendition of “Song of the Cow.”

Add special effects like a magical beanstalk, hilarious props such as a giant shoe and terrific costumes designed by Geraci, and the end result is an enjoyable afternoon of live theater that your kids and you will love. Meet the cast up close and personal in the lobby after the show.

Theatre Three, 412 Main St., Port Jefferson, will present “Jack and the Beanstalk” through Aug. 7. Tickets are $10. For more information, call 631-928-9100 or visit www.theatrethree.com.

The delightful musical “Cinderella’s Glass Slipper” opened at the Smithtown Center for the Performing Arts on June 27. Written by Vera Morris with music and lyrics by Bill Francoeur, the tale follows the original classic closely with a few twists along the way. There are additional characters in the musical version like an apprentice to the fairy godmother, a talking pumpkin and a queen instead of a king. No bibbidi-bobbidi-boo here, just a beautiful fairy godmother in an glitzy evening gown and instead of Lucifer, the mean cat, there is a sweet cat named Attilla. Somehow it all works and makes for a wonderful afternoon of live theater.

Alexa Brin is Cinderella in the SCPA’s production of ‘Cinderella’s Glass Slipper.’ Photo by Dean Cestari
Alexa Brin is Cinderella in the SCPA’s production of ‘Cinderella’s Glass Slipper.’ Photo by Dean Cestari

Bobby Montaniz, making his directorial debut at the SCPA, has assembled a talented cast of adult actors who put on a great show. Montaniz, a fine actor in his own right, also serves as the choreographer.

Alexa Brin is Cinderella, the poor girl who is forced to do chores all day long for her wicked stepmother and rotten stepsisters and is not allowed to go to the Royal Ball. Her sad predicament is noticed by her fairy godmother’s apprentice, played by Sierra Romano. The apprentice summons the Fairy Godmother, played by Caitlin Nofi, who steps in to make things right.

Tommy Castelli is perfect in the role of the horrid stepmother and he can sure rock those high heels! Stepsisters, Brunhilda and Cleopatra, are played by Julia Bevilacqua and Samantha Foti, respectively.

Eric Schell is the handsome prince. His duet, “Behind the Mask,” with Brin is terrific and his scenes trying to escape the clutches of the stepsisters, who refer to themselves as “Prince Bait,” is fun to watch.

Ryan Cavanaugh plays Attilla the cat, and does a fine job.  His waltz with Cinderella in anticipation of the ball is very sweet.

Special mention must be made of Tommy Ranieri, who doubles as Troubadour and Captain. His rendition of “Once Upon a Time,” as the prologue and reprise is simply wonderful. Also, Hans Hendrickson exhibits boundless energy as Majordomo and delivers a wonderful rendition of “Did You Hear the News?”

Hayley Phaneuf as the queen, Andrew Wehnke as Pumpkinhead and the butler, and Bella Lardaro as Mistress Haughty round out the supporting cast.

The colorful costumes by Ronald Green III from Cinderella’s rags to the beautiful ball gowns and  are spot on.

Stay after the show to meet with the actors, and take a photo. The back page of the program serves nicely for autographs.

The Smithtown Center for the Performing Arts, 2 E. Main St., Smithtown will present “Cinderella’s Glass Slipper” on Saturdays at 2 p.m. and Sundays at 11 a.m. through Aug. 23  There are no performances on July 4 and 5. Tickets are $15. For more information, call 631-724-3700 or visit www.smithtownpac.org.

The Chicken Hill community was located in the area of Route 25A and Main Street in Setauket. Photo from the Three Village Historical Society

The American Association for State and Local History (AASLH) recently announced the winners of the 70th annual Leadership in History Awards, the most prestigious recognition for achievement in the preservation and interpretation of state and local history.

Of 60 national awards honoring people, projects, exhibits, books and organizations, the Three Village Historical Society in Setauket was chosen to receive the 2015 Leadership in History Award of Merit for its current exhibit, “Chicken Hill: A Community Lost to Time.” The Award of Merit is presented for excellence in history programs, projects and people when compared with similar activities nationwide.

“The Leadership in History Awards is AASLH’s highest distinction and the winners represent the best in the field,” Trina Nelson Thomas, the awards chair and director of AASLH said in a statement.

The distinction is one Frank Turano, the curator of the exhibit, is very excited about.

“It’s an honor, a privilege,” he said. “It puts our organization in very elite company. The AASLH does not give out this award in every state every year, so it is a very, very selective award.”

“Chicken Hill: A Community Lost to Time” explores a particular neighborhood, formed in the mid-nineteenth century, that surrounded the Setauket United Methodist Church on Route 25A and Main Street in Setauket. At its height in the 1930s and 1940s, it was a community of workmen/laborers and businessmen comprised of immigrants from Poland, Lithuania, Russia and Italy as well as African Americans and Native Americans.

According to Turano, the Chicken Hill community dispersed in the 1960s when the Three Village area became a suburban community.

Asked what the inspiration was for creating this display, Turano said, “This exhibit honors people who have been the backbone of this community for as long as this community existed and people [who] were largely overlooked. They helped build the community, they help maintain the community today, and they largely are taken for granted or overlooked.”

The Chicken Hill exhibit has been warmly received by the community but Turano noticed that the general public “simply did not know that this community existed.”

“If someone spoke of Chicken Hill [in the past], more often than not, it was in disparaging terms and what I wanted to do with this exhibit was have people recognize the significance of that community,” he said.

The exhibit is constantly evolving, as the society is always accepting more memorabilia, stories and photos from the community. Since its inception last June, the Chicken Hill exhibit has now almost three times as many photos in its archives, which have been scanned and placed on digital frames. “We’ve built flexibility into the exhibit,” explained Turano. In addition, the exhibit includes a video featuring stories from residents who grew up in the community and an 1860 Robert Nunns piano recently restored by Michael Costa of Costa Piano Shoppes in Port Jefferson Station.

The award will be presented at a special banquet during the 2015 AASLH annual meeting in Louisville, Ky., on Sept. 18.

“It’s been a privilege working with the people that called Chicken Hill home and I have to thank society Archivist Karen Martin, Carlton “Hub” Edwards and the members of the [Three Village Historical Society] Rhodes committee who provided the information used to put the exhibit together,” Turano said.

“Chicken Hill: A Community Lost to Time” is currently available for viewing at the Three Village Historical Society, 93 North Country Road, Setauket, from 1 to 4 p.m. on Sundays and by appointment. For more information, call 631-751-2676 or visit www.tvhs.org.

The entire company of ‘Puss in Boots’ at Theatre Three. Photo by Sarah E. Bush, Theatre Three Productions Inc.

For too short a time, Theatre Three’s Children’s Theatre is presenting a delightful adaptation of “Puss in Boots” on the Mainstage. Written by Steve McCoy and Jeffrey Sanzel, the story is loosely based on the 17th century fairy-tale by Charles Perrault, sans the ogre and with a surprise ending.

In Theatre Three’s version, ‘Boots’ chronicles the journey of a poor boy named Christopher. Kicked out of his home by his two older brothers and their wives, with no possessions but his father’s cat, Puss, Christopher sets off to the palace of King Vexmus to seek his fortune. He soon discovers that the cat can talk and wants to help him. A plan is hatched to pose as the rich Marquis of Carabas to win the heart of Princess Anafaizia and the adventure begins.

Jeffrey Sanzel directs a cast of 10 adult actors who deliver a first-rate performance. Hans Paul Hendrickson shines in the leading role of Christopher and also serves as storyteller. His kind and sweet personality quickly gains the sympathy of the audience. Amanda Geraci is wonderful as Puss. Your ‘basic cat of all trades,’ she sings and dances in practically every scene with boundless energy.

Jenna Kavaler is the beautiful Princess Anafazia, who quickly reveals that her beauty is only skin deep. Bobby Montaniz and Andrew Gasparini are a terrific team as Christopher’s mean brothers, Amos and Shank. Their antics up and down the aisles to try to catch Christopher with a large net are priceless. James D. Schultz is in top form as the bumbling King Vexmus. Hilarious as usual, he clearly enjoys being onstage, making children and adults laugh. Schultz is perfectly matched with newcomer Tiffany Bux as Queen Ire. Bickering like an old married couple, they are very entertaining. Dana Bush as Ida, Marquéz as Missy and Gabrielle Comanda as Julia are a great supporting cast.

Choreographed by the super talented Marquéz and accompanied on piano by Steve McCoy, the musical numbers are a real treat, from the sweet duet “Take a Moment for Yourself,” sung by Geraci and Comanda, to the catchy tune of “Song of the Marquis of Carabas.” At last Sunday’s performance, many children were observed rocking back and forth in their seats to the music, taking it all in.

The set is simple but effective, utilizing props from the set of the theater’s evening performances of “Oliver!” Imagination is called for, especially when Puss takes the royal family on a tour of her master’s lands. The costumes, designed by Aimee Rabbitt are spot on, with sharp contrast between the rich and the poor.

Overall, Theatre Three’s “Puss in Boots” is funny, entertaining and a perfect introduction to the magic of live theater. Meet the cast in the lobby after the show for a meet-and-greet and photo opportunities.

Theatre Three, 412 Main St., Port Jefferson, will present “Puss In Boots” on June 6 and 13 at 11 a.m. followed by “Jack & the Beanstalk” from July 10 to Aug. 7 and “The Pied Piper” from Aug. 7 to 15. Tickets are $10 each, with group discounts for 10 or more. For more information, please call 631-928-9100 or visit www.theatrethree.com.

The Greater Port Jefferson Chamber of Commerce held its sixth annual Health & Wellness Expo on Saturday, May 9, from 9 a.m. to 1 p.m. in the Earl L. Vandermeulen High School gym.

The free event, with the theme “Healthy Living — It’s Your Choice,” kicked off with a 2K Fun Run hosted by the Port Jefferson Royal Education Foundation, and included free health screenings by Stony Brook University Hospital, St. Charles Hospital and John T. Mather Memorial Hospital. More than 40 vendors showed up and there were prizes, giveaways, games and raffles for free movie tickets to the Port Jeff Cinemas every 15 minutes. A mini-farmer’s market was held outside that featured Fairway Market and Sweet Melissa’s Dips, Cornucopia Cafe gave cooking demonstrations of healthy recipes and Starbucks and Phountain Water provided free refreshments. In addition, there were performances by members of the Port Jefferson high school choir and the Port Jefferson Jazz Combo.

Benner’s Farm in Setauket held a May Day festival on Sunday, May 3, much to the delight of the local community. The festivities included a dance around a maypole, live music and other activities.

Standing in front of Jay Gatsby (Robert Redford) at Port Jefferson Free Library's tea party are, from left, Linda Gavin; Earlene O’Hare; Carol Stalzer; Shirley Weiner; Stephanie Costanzo; Lucio Constanzo; Francesca Lutz; and Deborah O’Neil. Photo by Heidi Sutton

In celebration of the 90th anniversary of the publication of F. Scott Fitzgerald’s literary novel “The Great Gatsby,” the Friends of the Port Jefferson Free Library held a Gatsby Tea Party fundraiser on Wednesday, April 29.

Guests enjoyed a wonderful lunch and dessert and sipped tea from their favorite teacups. Shirley Weiner presented a lecture on F. Scott Fitzgerald and his literary works which was followed by a raffle drawing.

The Port Jefferson Historical Society loaned a period costume exhibit, featuring a flapper dress, a man’s tuxedo and a bridal trousseau, for the occasion.

Proceeds from the event will be used to fund projects at the library such as its Living Heritage programs, Dickens Festival events, music programs, Baby Book Welcome Bags, Vets Memorial Project, family carnival and more.

From left, Bobby Montaniz, Amanda Geraci and James D. Schultz in ‘The Littlest Pirate.’ Photo by Peter Lanscombe, Theatre Three Productions, Inc.

Avast ye! Theatre Three’s world premiere of the musical adventure, “The Littlest Pirate,” which opened last Saturday, takes us from a baseball diamond to a treasure hunt on Diamond Isle and is a rollicking home run.

Written by Tim Peierls and Jeffrey Sanzel, the play tells the story of Annalise, a young girl who wants to play on the Petaluma Pirates Little League baseball team who are always losing to the Rovers from Roger’s Refrigeration. When the coach tells her that the only way she can be on the team is to cheat, Annalise is torn between playing a sport she loves and doing the right thing. She falls asleep on a bench and is swept away into a Pirate Dreamland where she faces the same dilemma when she encounters a band of pirates who want her to switch a real treasure map with a fake one.

Sanzel, who also directed the show, has gathered an enormously talented group of seven adult actors who all tackle duel roles with inexhaustible energy. The petite Amanda Geraci is the perfect choice to play Annalise, the littlest pirate. An incredible actress and singer, Geraci’s solo, “Always Wanted to Play Baseball,” is amazing.

James D. Schultz shines as Coach Wallop and Captain Pyrate who only speaks Pyrish. The one and only Bobby Montaniz is hilarious as he tells numerous jokes as Bobbo and Pirate Parrot. Hans Paul Hendrickson plays the role of twins, Fred and Norville and the Pirate Forvilles, which wasn’t an easy task, but he pulls it off with ease. Jenna Kavaler is wonderful as Jenny, the Petaluma Pirates’ best baseball player who really just wants to play the oboe. Evelyne Lune, as Erin Petaluma and The Pirate Queen, is the all-knowing matriarch of the group and switches roles effortlessly. Rounding out the cast is Andrew Gasparini as Boyd and Pirate Boyd, a terrific actor who has found his own niche on stage and clearly enjoys what he’s doing.

Although the set is minimal with only a few props, costume designer Margaret Ward has spared no expense with matching baseball uniforms and colorful pirate outfits. Choreographed by Marquéz Stewart and accompanied on piano by Peierls and on bass by David Goldberg, the musical numbers are superb, especially “How to Speak Pyrish” and the delightful “Great Day for a Treasure Hunt,” which you will be humming on your way out of the theater.

As with most children’s shows at Theatre Three, there are moral lessons sprinkled throughout the performance. In this case, kids will learn about cheating and the everlasting lesson of “it’s not whether you win or lose, it’s how you play the game.” It is no easy task getting a young audience to sit still for periods at a time, but “The Littlest Pirate” does the trick. No restlessness here  — just children sitting wide-eyed on the edge of their seats, enthralled by the enchantment of live theater. Kids of all ages will enjoy “The Littlest Pirate.” It is funny, entertaining and a great way to spend a Saturday morning.

The entire cast will be in the lobby after the show for a meet and greet and photo opportunities.

Theatre Three, 412 Main St., Port Jefferson will present “The Littlest Pirate” on Saturday mornings at 11 a.m. through May 9. Tickets are $10 per person. For more information, call 631-928-9100 or visit www.theatrethree.com.