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Jenna Kavaler

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A scene from 'Grease' at Theatre Three.
The cast of 'Grease' at Theatre Three. Photo by Brian Hoerger
A scene from 'Grease' at Theatre Three.
A scene from 'Grease' at Theatre Three.
A scene from 'Grease' at Theatre Three.
A scene from 'Grease' at Theatre Three.
A scene from 'Grease' at Theatre Three.
A scene from 'Grease' at Theatre Three.
A scene from 'Grease' at Theatre Three.
A scene from 'Grease' at Theatre Three.
A scene from 'Grease' at Theatre Three.
A scene from 'Grease' at Theatre Three.
A scene from 'Grease' at Theatre Three.
A scene from 'Grease' at Theatre Three.
A scene from 'Grease' at Theatre Three.
A scene from 'Grease' at Theatre Three.

By Barbara Anne Kirshner

Do you ever think back to your teenage years, to the time you were hanging out at the beach, local candy store or park and you turned around to stare into the eyes of the most gorgeous person you’ve ever seen? That snapshot is lodged somewhere in the deep recesses of your mind, but when you allow it to surface, you get that sweet nostalgia of those “Summer Nights.”

Grease, now rockin’ the rafters at Theatre Three, is that journey down memory lane with 1950’s Pink Lady jackets, Greasers and Greased Lightnin’. It explores the innocence of youth, the pangs of first love and the teenage psyche when everything was a crisis and monumental. This effervescent romp brimming with electrifying familiar songs ignites the audience making it difficult not to jump up, dance and sing along with the spirited ensemble.

The team of Jim Jacobs and Warren Casey wrote the book, music and lyrics with the original concept derived from Jacobs’ personal experiences at William Taft High School in Chicago. The name was changed to Rydell High in deference to the pop 50’s singer Bobby Rydell. Grease was first produced at the Kingston-Mines Theatre Company, Chicago in 1971, then went to Off-Broadway before moving to Broadway closing on April 13, 1980. The show received seven Tony Nominations in 1972.

This story of teenage love centers around greaser Danny Zuko and innocent Sandy Dumbrowski who have a summer romance that ends as the new school year begins. To the surprise of both, they bump into each other on the first day of school. But this reunion is awkward at first. Danny, leader of a greaser gang, is not what Sandy thought he was and Danny doesn’t want his gang to know he fell for this prim girl. Supported by a cast of exuberant characters and bursting with hits, this show has continued to delight audiences for decades.

The success of the 1978 movie version launched John Travolta and Olivia Newton-John into movie history and their performances are etched in our brains making it a monumental task for other actors to compare, but Jon Sawyer Coffin as Danny and Jenna Kavaler as Sandy are charismatic. The moment Coffin struts down the aisle in his seductive first entrance, he has the audience eating out of his hands. Kavaler, with her sweet smile, emits wholesomeness and her floating soprano wraps Hopelessly Devoted to You with emotion. We are with this Sandy right from the start and cheer for her and Danny to get together. 

Director Jeffrey Sanzel has assembled a dazzling ensemble of supporting characters with Pink Ladies, Rizzo (Rachel Greenblatt), Jan (Alanna Rose Henriquez), Marty (Heidi Jaye) and Frenchie (Michelle LaBozzetta). They are the cool girls hanging out with the super cool Burger Palace Boys, Kenickie (Steven Uihlein), Doody (C.J. Russo), Roger (Eric J. Hughes) and Sonny (Darren Clayton). This powerhouse company attacks the rock and roll score with vigorous dancing and stunning voices.

There are many stand out performances. Greenblatt’s Rizzo is dynamic as she grasps the audience with her cynical teasing of Sandy in Look at Me, I’m Sandra Dee, then exposes her vulnerable side with There Are Worse Things I Could Do. Jaye’s Marty portrays sophistication beyond her years and her Freddie My Love is such fun. LaBozzetta’s bubble-headed Frenchie flunks out of beauty school, but finds guidance from her Teen Angel played with animated elan by Londel Collier. The not so cool Jan (Henriquez) teams up with the jokester Roger (Hughes) for a comical Mooning. And, of course, we can’t have Grease without a hot rod, so suddenly taking center stage is Kenicke’s dream car replete with big round headlights prompting the Burger Palace Boys into a lively Greased Lightnin’.

Costumes by Ronald Green III from Pink Lady jackets to black leather jackets mirror the personalities of the characters. Sandy is wrapped in white cardigan over pastel full skirt as opposed to Rizzo’s tight-fitting reds and blacks. The dream sequence of Beauty School Drop Out is a delight with silver curlers piled on the girls’ heads and the entire company swathed in silver beauty parlor capes.

Nicole Bianco’s choreography is bouncy and artistic with many dance routines ending in gorgeous tableaus. Born to Hand-Jive with its synchronized sequences is frenetic.

The multi-level set design by Randall Parsons allows action to flow seamlessly. Lighting design by Robert W. Henderson, Jr. sets the mood from bright to sultry and provides flawless continuity.

Music director, Jeffrey Hoffman, and his four-piece band underscores the fun with their sparkling orchestration. A standout is Bill Kinslow’s sexy saxophone in There Are Worse Things I Can Do.

Theatre Three is celebrating its 51st season of bringing fine entertainment to Long Island audiences by kicking off the festivities with the world’s most popular musical, Grease. Come join in the fun!

Theatre Three, 412 Main St., Port Jefferson presents Grease through Oct. 30. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. For COVID protocols, please visit the website at www.theatrethree.com. For more information, call 631-928-9100.

All photos by Brian Hoerger/Theatre Three Productions, Inc.

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Some of the cast members pose for photos at the end of last Saturday’s performance. Photo courtesy of John W. Engeman Theater

By Heidi Sutton

When the computer-animated fairy tale “Shrek” hit the movie theaters in 2001, it was a huge commercial success. Critics loved it also, calling it “an adorable, infectious work of true sophistication” (NY Daily News). The DreamWorks film went on to win an Academy Award for Best Animated Feature, sprouted several sequels (including one in 3-D) and eventually morphed into “Shrek The Musical.” With book and lyrics by David Lindsay-Abaire and music by Jeanine Tesori, the show ran on Broadway from 2008 to 2010.

Loosely based on William Steig’s picture book by the same name, it tells the story of a green ogre named Shrek whose life is turned upside down when all of the fairy tale creatures in the kingdom are banished to his swamp by order of Lord Farquaad. Shrek strikes a deal with Farquaad to rescue Princess Fiona from a tower guarded by a fire breathing dragon in order to get his land back. Along with his sidekick, Donkey, he sets off on an adventure that will change his life forever.

Now everyone’s favorite ogre and his fairy tale friends have set up camp at the Engeman Theater in a children’s theater production of “Shrek The Musical.” The show, which runs through Sept. 2, is a condensed version of the Broadway musical yet manages to keep many of its wonderful songs and beloved scenes.

Directed by Kevin F. Story, the 14-member cast embraces the clever script and runs with it. Evan Schultz is terrific as the grumpy hermit turned hero, Shrek, who has little patience for his chatterbox companion, Donkey, perfectly executed by Marlin D. Slack. Channeling his inner Eddie Murphy, Slack shines in “Make a Move” and steals the show.

Sari Feldman plays a sassy Princess Fiona who is waiting for true love’s first kiss in order to break a witch’s spell. Young audience members will love “I Think I Got You Beat,” which features a farting and burping contest between Shrek and Fiona. “Better out than in I always say,” quips Shrek. 

Daniel Schinina tackles the role of Lord Farquaad, the ruthless ruler of Duloc, on his knees and with ease, and Jenna Kavaler is wonderful as the ferocious dragon who keeps three knights alive in the castle to sing backup when she’s feeling blue.

The members of the ensemble — Veronica Fox, Katie Dolce, Amanda Geraci, Sam Kronenfeld, Samantha Masone, Meaghan McInnes, Robbie McGrath, Jojo Minasi, Daniel Schinina and Jeff Tierney — round out the talented cast and play multiple roles throughout the show.

Many of the beloved storybook characters from the film make an appearance, including Gingy, Big Bad Wolf, Peter Pan, Wicked Witch, the Three Blind Mice, Pinocchio (yes his nose grows!) and the Three Little Pigs. Several of the popular lines from the original script that made the movie so great have been recycled as well, from Shrek’s “Ogres are like onions. We both have layers” and Donkey’s “In the morning I’m making waffles!” and of course, “Men of Lord Farquaad’s stature are of short supply.” 

There’s a lot to enjoy about this show, whether you are amazed at Pinocchio’s nose, grinning at the creativity behind the Gingerbread Man or laughing at Lord Farquaad’s legs. In the end, the beautiful finale, “This Is Our Story,” teaches us that you shouldn’t judge someone before you know them and that what makes us special makes us strong. Take your kids or grandkids to see “Shrek The Musical” — they’ll love it and so will you!

Meet the cast in the lobby after the show for photos and autographs. An autograph page is conveniently located toward the back of the program. Booster seats are available.

The John W. Engeman Theater, 250 Main St., Northport will present “Shrek The Musical” through Sept. 2. Children’s theater continues with Disney’s “The Little Mermaid JR” from Sept. 22 to Oct. 28 and “Frosty” from Nov. 24 to Dec. 30. All seats are $15. To order, call 631-261-2900 or visit www.engemantheater.com.

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The cast of ‘Godspell’ at Theatre Three. Photo by Peter Lanscombe, Theatre Three Productions Inc.

By Michael Tessler

Theatre Three’s production of “Godspell,” which opened last Saturday night, is local theater at its finest. A musical by Stephen Schwartz and John-Michael Tebelak, it originally opened off Broadway in 1971 and has had many revivals since then. Uniquely reimagined by director Jeffrey Sanzel, Theatre Three’s production succeeds in every category with beautiful lighting, a fluid set, expert choreography, tremendous acting and voices that will leave you yearning for more.

Sanzel, who had previously directed several productions of “Godspell,” brings a refreshing twist to the story, having it take place in the here and now. The cast portray not characters, but their actual selves. Everything you watch is playing out in real time, and it genuinely feels like it’s happening for the first time. The result is miraculous, as it adds a depth and weight to the show that makes it all the more human.

Biblical Spoiler Alerts: Each touch, every moment of embrace, was so unique and powerful. You feel so connected with the magnanimous presence of Jesus, portrayed masterfully by Hans Paul Hendrickson. You sympathize with Judas (Patrick O’Brien) whose dynamic personality and lovability makes his betrayal all the more devastating and personal.

Broken into two acts, the first is a series of parables told by Jesus’ disciples through songs and skits. They will have you in stitches from laughing. Each parable contains a beautiful lesson of morality. In the second act you bear witness to the betrayal of Jesus. Though the tone of the show dramatically changes, the cast still delivers, showing off their impressive range as actors.

What’s most remarkable about this production is its cast. This ensemble effortlessly plays with your heartstrings as their harmonies echo through the belly of the theater. They don’t limit their stage to the stage. More often than not they’re in the audience sharing the experience with you. Their collective voice is so powerful, so beautiful, and instills you with a sense of togetherness. During the production you feel as though you’re a part of something very special.

Hans Paul Hendrickson as Jesus and Patrick O’Brien as Judas in a scene from ‘Godspell.’ Photo by Peter Lanscombe, Theatre Three Productions Inc.
Hans Paul Hendrickson as Jesus and Patrick O’Brien as Judas in a scene from ‘Godspell.’ Photo by Peter Lanscombe, Theatre Three Productions Inc.

In Act One, Amanda Geraci serenades with perfection in her rendition of the musical theater classic “Day by Day.” Bobby Montaniz’s booming voice rings perfectly during his soulful performance of “All Good Gifts.” Act Two, though darker in tone, does have some upbeat moments. Among them is the devilishly sexy “Turn Back, O Man” performed by the talented Elena Faverio. You’ll hold back tears during “By My Side,” a beautiful duet between Jenna Kavaler and Aria Saltini. In the audience, you can’t help but feel the urge to clap and sing along.

The show’s excellent choreography is also to be noted. With each musical number it feels the cast members outdo themselves. No doubt this can be attributed to choreographer Marquez Stewart whose vision translated wonderfully on stage. Her direction of Jesus and Judas during “All for the Best” is a real treat as the duo tap dances in tandem. Many of the musical numbers cleverly include American Sign Language, adding an extra dimension to an already beautiful repertoire of music. “Godspell’s” other great success is in its attention to ambiance. Lighting designer Robert W. Henderson Jr. programs some of the most impressive light sequences I’ve ever seen in a local show. “Heavenly” seems like a fitting adjective.

Behind the cast is Steve McCoy, musical director, who leads a team of expert musicians who brought the score to life in a way that only great instrumentalists can. Randall Parsons’ costume design was also a job well done with Jesus wearing his signature Superman shirt and Judas adorned in what I assume was a cleverly repurposed military coat from “Les Miserables.” Every cast member’s costume so perfectly fit the quirkiness of their personalities. Also deserving of credit is stage manager Peter Casdia who expertly ran the production from behind the scenes.

Arguably the highlight of the show is one particular scene that turns the stage into an old-fashioned slide projector. Comically narrated by Judas, the entire audience erupted into five minutes of non-stop bellyaching laughter. If for this scene alone, go see this show.

“Godspell,” while inspired by the Gospel of Matthew and the Gospel of Luke, isn’t exclusively a Christian show. Its message of community, love and compassion are delivered in a way that doesn’t require you to adhere to the Christian doctrine. Even as a secular Jew, I found myself humming along to “We Beseech Thee” and thinking to myself “I love Jesus!”

Theatre Three, 412 Main St., Port Jefferson will present “Godspell” through March 26. Contains adult themes. Tickets range from $15 to $30. For more information, call 631-928-9100 or visit www.theatrethree.com.

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Jenna Kavaler and Hans Paul Hendrickson in a scene from Theatre Three's 'Little Red Riding Hood' [1/28/16, 11:01 AM] Heidi Sutton ([email protected]): Photo by Peter Lanscombe, Theatre Three Productions, Inc.

By Heidi Sutton

Making its world premiere on Theatre Three’s Mainstage in Port Jefferson, “Little Red Riding Hood: A Tale of Safety for Today,” is a musical gem. Written by Jeffrey Sanzel and Kevin F. Story and directed by Sanzel, this modern version follows the classic Grimm fairy tale closely but also uses the tale as a tool to teach “stranger danger” in an effective way. The six-member adult cast, coupled with a clever and witty script, come together to create a truly special production.

The story revolves around Amanda Sally Desdemona Estella Barbara Temple, whom everyone calls Little Red Riding Hood because she always wears a red cape. Asked by her mother to go check on her grandmother, Granny Beckett, she ventures out over the river and through the woods to bring her some Girl Scout cookies. Her twin sisters, Blanche and Nora, accompany her halfway there; but Little Red Riding Hood sends them back home because Nora has a cold. Now alone, she encounters a stranger (William “Billy” de Wolf) and commits a series of safety mistakes, putting her grandmother and herself in grave danger.

Steven Uihlein serves as narrator and does a wonderful job introducing each scene. Uihlein also steps in periodically to play numerous supporting roles, including a policeman and a mailman.

Jenna Kavaler is perfectly cast as Little Red Riding Hood and tackles the role with aplomb. Her character’s changes in mood from annoyed to scared to confident are compelling.

The entire cast of ‘Little Red Riding Hood: A Tale of Safety for Today’ at Theatre Three. Photo by Peter Lanscombe, Theatre Three Productions, Inc.

Melanie Acampora shines in the delicious role of Mrs. Temple, Little Red’s mother, who is so forgetful she can’t even remember her children’s names or who’s who.

Granny Beckett is superbly played by Andrew Gasparini, who clearly enjoys the role, poking fun at himself with an occasional deep note. His solo, “Who’s at My Door?,” is terrific.

Compared to the original tale, the wolf — played to the hilt by Hans Paul Hendrickson — is a relative pussycat, asking the audience if they have any steak or a bone, as he is always hungry. And his howl is not too shabby. Spoiler alert: He doesn’t eat Granny Beckett — she gets away.

Perhaps the most difficult role in the show is the one of twins Blanche and Nora, both played by Amanda Geraci. Geraci switches roles effortlessly, skipping on stage as Blanche, disappearing behind a wall and then returning with a shuffle as Nora, who is fighting a terrible cold. It’s not an easy task, but she pulls it off with perfection. Any minute audience members expect both of them to appear on stage — Geraci is that convincing.

Sanzel knows his target audience well and does an excellent job keeping the story moving along in a fun and captivating way. The action scenes are a nice touch, as the wolf chases Granny and Little Red around Granny’s house and is then chased by the entire cast.

In the last 10 minutes of the show, the actors discuss the safety mistakes that Little Red Riding Hood made, including talking to strangers, and what she should have done instead, a valuable lesson in a less than perfect world.

Teresa Matteson’s costumes are spot-on, from the head-to-toe fake fur on the wolf to Granny Beckett’s nightgown and shawl to Little Red’s cape. The musical numbers, accompanied on piano by the multitalented Steve McCoy, are the icing on the cake, especially “Little Red Riding Hood” and “Granny, What’s Happened to You?” Choreography by Sari Feldman is as top-notch as always.

The great story line, the wonderful songs and the important message it conveys makes this show a perfect reason to step in from the cold. The entire cast will be in the lobby after the show for photo-ops.

Theatre Three, 412 Main St., Port Jefferson will present “Little Red Riding Hood – A Tale of Safety for Today” for ages 3 and up through Feb. 20. Tickets are $10 each.

The season continues with “The Adventures of Peter Rabbit” from March 5 to 26, followed by “Cinderella” from April 16 to June 11.  For more information, call 631-928-9100 or visit www.theatrethree.com.

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The entire cast of ‘Alice’s Wonderland Adventures!’ Photo by Peter Lanscombe, Theatre Three Productions, Inc.

Lewis Carroll’s beloved classic may be more than 150 years old, but “Alice’s Adventures in Wonderland” and “Through the Looking-Glass” still resonate with children and adults alike. Now Theatre Three’s creative geniuses Tim Peierls and Jeffrey Sanzel have written a brand new Alice-inspired children’s musical — “Alice’s Wonderland Adventures!” — that opened last Saturday. All the familiar characters are here, from the White Rabbit to the Mad Hatter, to the Queen of Hearts to the beloved Cheshire Cat. Throw in an appearance from Humpty Dumpty and Dorothy Gale, add a quick game of Wheel of Fortune for good measure, and you’ve got yourself a hit show.

Sanzel as director leads a talented group of seven adult actors, all of whom play multiple roles, through a delightful and clever production perfect for younger audiences. Seasoned actors Jenna Kavaler, Amanda Geraci, Hans Paul Hendrickson, Andrew Gasparini and Steve Uihlein are all outstanding, as are newcomers Mary Ortiz and Melanie Acampora, making their children’s theater in-house debut.

In the first act we meet Addison Carroll (Kavaler), an actress who is nervous that she will forget her lines as Alice in “Alice in Wonderland.” In a dream sequence, she finds herself transported to a magical land where the White Rabbit accidently takes her script. Addison spends the rest of the show chasing after the harried hare, trying to get it back. Along the way, accompanied by the Cheshire Cat, she has a tea party with the Mad Hatter, the March Hare and the Dormouse; plays croquet with the Queen of Hearts, who enjoys shouting, “Off with their heads!” a bit too much; and visits with Tweedledee and Tweedledum. Addison’s adventures help her gain confidence and she awakens from her nap, ready to take on the world.

Sanzel knows his target audience well. Every scene is full of song and dance, fast-paced and short. Riddles and jokes run rampant throughout the production: “Why do flowers work in the kitchen? Because you can’t make tarts without flour!”

The 12 original musical numbers by Peierls, accompanied by Steve McCoy on piano, are the heart of the show. Hendrickson is outstanding in his solos, “We’re All a Little Mad Here” and “The Tweedle’s Song,” in which he impressively performs both Tweedle roles, making his solo a duet. Geraci shines in “So Much to Do,” and the entire company’s “Wonderland Within You” is the perfect finale.

The actors utilize the set from the evening show, “Sweeney Todd,” but that’s OK because the costumes and puppets are so colorful and fun, a set is not even necessary. From the caterpillar with his six arms to the long red robe of the Queen of Hearts, costume designer Teresa Matteson has done an excellent job. It is the 13 puppets, however, designed and constructed by the brilliant Tazukie Fearon, that steal the spotlight. From the moment they make an appearance, the children are mesmerized. This is live theater at its best. Meet the cast in the lobby after the show.

Five-year-old Josephine Cunniffe, of Stony Brook, who said she loved the show, enjoyed the performance with her grandparents. Her favorite character was the White Rabbit.

Ashley Kenter, who’s been coming to Theatre Three since she was a little girl, said her favorite characters were “Alice … and the bunny” and her favorite scenes were when the Cheshire Cat told knock-knock jokes. The 10-year-old, who was having her birthday party at the theater, said she decided to celebrate the milestone at Theatre Three “because there is a lot of room here and they have a lot of good shows.” Her favorite show of all time is “Barnaby Saves Christmas,” which by coincidence is the theater’s next children’s show, from Nov. 27 to Dec. 26.

Theatre Three, 412 Main St., Port Jefferson, will present “Alice’s Wonderland Adventures!” through Oct. 24. Tickets are $10. For more information, call the box office at 631-928-9100 or visit www.theatrethree.com.

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