Authors Posts by Rita J. Egan

Rita J. Egan

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Director Robert Ozman leads members of the Harbormen Chorus during a concert at the Unitarian Universalist Fellowship at Stony Brook in E. Setauket on June 27. Photo by Heidi Sutton

By Rita J. Egan

Current and former members of the Harbormen Chorus are warming up for a special luncheon scheduled on Aug. 13 at Lombardi’s on the Sound in Port Jefferson. The North Brookhaven chapter of the Barbershop Harmony Society, well known in the area for its four-part harmony chorus and quartet performances, is celebrating its 50th anniversary and decades of musical memories.

Chapter president Fred Conway is looking forward to the celebration commemorating decades of business in the community. “I don’t think there are a lot of organizations in Brookhaven, especially in North Brookhaven, that have achieved that,” he said.

Conway said on hand for the anniversary luncheon will be Chris Moritz and Ray Gape, the chapter’s first musical director and president, respectively, who in 1965 took out an ad looking for men who were interesting in singing. Also, on hand will be Don Van der Kolk who was a member of the Three Village Four Quartet along with Moritz, Gape and the late Bill MacDevitt.

The organization, which officially became a chapter in 1966 of what was then known as the Society for the Preservation and Encouragement of Barbershop Quartet Singing in America Inc., held its first meeting in 1965. That meeting drew a handful of potential members, and by their first performance in the fall of 1966, there were approximately two dozen men performing. In early 1967, the group had its first annual show.

Since then the Harbormen’s barbershop quartets have performed at the Good Shepherd Hospice Memorial Service, the Port Jefferson Village Dickens Festival, the annual Brookhaven Town Fair, New York Mets and Long Island Ducks baseball games, as well as offered Singing Valentine quartets to serenade local sweethearts.

The chorus, which meets every Monday at the Unitarian Universalist Fellowship in Stony Brook, is open to men of all ages, who are interested in singing a cappella versions of Doo Wop, show tunes, love songs and other old favorites, even if they can’t read music. Conway, who has been a member for 47 years, said his experience with the group is a perfect example of how one doesn’t need to read music.

He was sitting on a crate in his new first house in Rocky Point while watching Super Bowl III when his neighbor knocked on his door and asked if he had seen the announcement in a newspaper. Conway said the ad asked: “Do you like to sing in the shower or in a bar?” “So the two of us went to the chapter meeting, and I stayed there ever since,” Conway said.

He said it took him three years before he could sing in a quartet due to not being a music reader. Since then he has been in nine registered quartets, including his current group Antiquity. Conway, who sings lead, uses a tape recorder to learn. “I form the quartet around myself being a weak link. Those other three guys they all play piano and organ and guitar and they read music, understand music,” he said.

On June 27 the chorus celebrated its first graduating class of “Ready, Set, Sing,” which included 14 men from college to retirement age interested in singing. Conway said the program is a “teaching mechanism.”

“The stipulation was that you have a love of music. You didn’t have to read music or really understand the science involved in it,” Conway said.

Chorus Director Rob Ozman said they don’t turn interested singers away as long as they can carry a tune and like to sing. “It’s nice if someone has a little bit of basic ability, and you just teach them everything they need to know to be able to sing, to work in the chorus,” he said.

The chapter’s director, a music teacher at Mattituck-Cutchogue school district, Ozman started in the chorus in 1980 and in 1981 became music director. He stepped down as director in 1995 to raise his family and was replaced by Antiquity member Gary Wilson as director. He returned a year and a half ago to direct the singers once again.

With over 30 current members as well as former members on hand for the luncheon on Aug. 13, there will be plenty of stories to share. Among Ozman’s favorite memories with the Harbormen is a visit to a local hospital to sing to patients during Christmastime. “There was a young woman who was in a coma and we went into the room, and we were singing for her and she woke up in the middle of the singing. She had been out for quite a while, a number of weeks. And, I’m not saying that we brought her out of it either, we may have just happened to be there at the time, but it’s sure was kind of neat to think well maybe there was just something about it that registered in her brain and woke her up,” Ozman said.

Like Ozman, chapter secretary David Lance, a member for 10 years, has many favorite memories from his years with the chorus. One is a show the group performed in 2012, “Return of the Pirate Chorus.” The chapter secretary said the singers donned pirate costumes while singing parodies such as “Don’t Walk the Gang Plank” to the tune of “Under the Boardwalk.”

He said the Good Shepherd Hospice Memorial Services, where they perform “Irish Blessing” and “I Believe” twice a year, are also special to him. Over the last few years, the Harbormen Chorus has donated part of the proceeds, totaling over $16,000, from their annual show to the health care organization.

“The Good Shepherd Hospice Memorial is the most moving of all because when we sing for them it gives them such encouragement and comfort,” Lance said.

The singer added that anytime the audience responses to the music that “appeals to an older crowd but is not only for them” is a good memory for him. He said they have had many great responses with people singing along, especially at nursing homes. He has witnessed a patient in a wheelchair standing up to direct the chorus and one patient that was practically catatonic perking up upon hearing a song.

Ozman said one of the interesting things about singing in a barbershop quartet for him has been meeting people from all different backgrounds. He said sharing an interest in the four-part harmony genre has brought so many people together.

“You can meet up with people you don’t know, you never sang with them before, but you can sing a song together,” Ozman said.

Among its milestone anniversary activities this year, the chorus will also hold its 50th anniversary annual show at the Unitarian Universalist Fellowship at Stony Brook in Setauket on Oct. 15 at 2 p.m. and 7 p.m. For more information about the Harbormen Chorus and its 50th anniversary party at Lombardi’s on the Sound, call 631-476-6558 or visit www.harbormen.org.

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Hans Paul Hendrickson, second from right, with the cast of ‘Godspell’ at Theatre Three. Photo by Peter Lanscombe, Theatre Three Productions Inc.

By Rita J. Egan

When it comes to the lead role in “Godspell,”  one important trait for the actor to have is charisma. During a recent interview with Hans Paul Hendrickson, it was obvious that he not only possesses this important characteristic but also enthusiasm for the musical’s upcoming run at Port Jefferson’s Theatre Three, as well as working with his fellow cast members and director Jeffrey Sanzel.

The company member was in middle school when he first saw the production at a local high school. “I was just blown away by how it was so different than anything else I had known in the musical theater realm,” he said.

After seeing the show, Hendrickson bought the album on iTunes. “I bought it and I lived it. I listened to it over and over again. And then, when I found out that they were doing it this year when I was signing my company contract, I was very much excited, and very eager to get a chance to get a crack out of it,” the actor said.

While it’s a role he always wanted, Hendrickson explained his reasons have changed since rehearsals started. He also said he finds himself getting along even easier with people, and taking the stance of turning the other cheek when someone does him wrong. “Originally I wanted to play it because it’s the lead, and he has great songs, and who wouldn’t want to play Jesus Christ. And also, the person who played it at the high school was someone I admired through doing theater and looked up to, which made me want to play it even more,” he said.

“But as I’ve gotten the role it’s kind of become a situation where, I’m not saying I’m becoming the character, but I’m adopting his teachings. I’m becoming able to relate to what he’s saying because a lot of what he says in the show is straight out of the Bible, and it’s not exactly written in the most plain of terms, but through my work with Jeff I’m able to connect that stuff with my life. And I’m able to adopt these ideals and these thoughts and these concepts of this man, and the character and the actor are becoming one,” he added.

The actor said the play asks, “If this charismatic character came into your life for one day, how will he change you?”

“In our production, we kind of take the name of Jesus out of the play. We are focusing more on the teachings and the identity, the being, the idea of Jesus. Rather than them addressing me as Jesus and me wearing a beard and long hair, we kind of focus on the love aspect,” said Hendrickson.

“Throughout the rehearsal process, Jeff [Sanzel] has been emphasizing the idea to me of leading from behind. Yes, [Jesus] is the leader but he kind of is the gas in the tank of the ensemble. He helps them to realize that they have all the teachings and understandings in themselves. And as he teaches them to tell these parables and these stories, not only do they learn the lessons about the stories but they learn lessons about themselves.”

The actor explained that the Theatre Three production takes place in an old theater, and as the musical opens, we are introduced to characters representing theater regulars such as the shining star, the understudy, the costumer and the director. While the beginning number shows disconnect, the Jesus character, who happens to be the janitor, comes in to help connect everyone. “We kind of wanted to emphasis the idea that he could be anyone. It’s not about, yes, he was the son of God, but he’s also the son of man.”

While Hendrickson has a number of favorite moments in the musical, he said he loves how the cast comes together in “Save the People” and feels a surge of energy that he said organically came along in the rehearsal process. The number first starts with Hendrickson and Patrick O’Brien, who plays Judas, on stage, and then everyone joins in with the band dropping out for about four measures where everyone sings a cappella.

“There’s such a surge of energy. And, it’s something that you don’t get in every production, and it’s something that you can’t take for granted as a performer, because it’s so genuine of everybody coming together for this one purpose. I’m getting goose bumps just talking about it,” Hendrickson said. “They’re almost coming together to be together. They’re not entirely sure why they are coming together but there’s something pulling them, there’s something bringing them in. Their vocals are just so on point at that moment.”

As for his fellow cast members, Hendrickson said they all bring different energies and personalities, and they jokingly refer to themselves as the God Squad. “There’s not a weak link up there.”

The actor credits Sanzel for bringing out the best in all of the cast members. He explained the director doesn’t just simply direct but also pulls the best from each actor, discussing with each their thoughts about the role and any problems they may encounter. Hendrickson said Sanzel also understands how to take into account the actors’ ideas of approaching a role and making the entire cast feel connected. “He’s created a completely judgment-free zone, which we’re able to try, and which we’re able to grow, and which we’re able to love and love each other, and love the work that we’re putting together.”

After “Godspell,” Hendrickson said he will appear at the theater in the one-act play “OK Computer” by Tom Moran  at the Ronald F. Peierls Theater on  the Second Stage at the end of April and as Pinocchio in the Mainstage musical “Shrek” in May. The 23-year-old plans to take the summer off and then audition, something Hendrickson said he’s more confident about than in previous years due to this past year as a Theatre Three company member.

Theatre Three, 412 Main Street, Port Jefferson, will present “Godspell” from Feb. 27 to March 26. For more information, please visit www.theatrethree.com or call 631-928-9100.

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George Liberman reprises role for 9th year

Alexander Yagud-Wolek and George Liberman in last year’s performance of ‘A Christmas Carol.' Photo by Elizabeth Castrogiovanni, Kayline Productions

By Rita J. Egan

In the classic tale “A Christmas Carol,” a glimpse of his younger years working for Mr. Fezziwig provides a delightful vision of Christmas past for Ebenezer Scrooge. This holiday season, for the 9th year in a row, actor George Liberman will take on the role of the miser’s former boss in Theatre Three’s adaptation of the holiday classic.

It’s a character the actor loves portraying and one whose kind-hearted spirit he captures perfectly, with great energy and a jovial laugh.

The Ghost stopped at a certain warehouse door, and asked Scrooge if he knew it. “Know it!” said Scrooge. “Was I apprenticed here?”

They went in. At sight of an old gentleman in a Welsh wig, sitting behind such a high desk, that if he had been two inches taller he must have knocked his head against the ceiling, Scrooge cried in great excitement: “Why, it’s old Fezziwig! Bless his heart; it’s Fezziwig alive again!”

Old Fezziwig laid down his pen, and looked up at the clock, which pointed to the hour of seven. He rubbed his hands; adjusted his capacious waistcoat; laughed all over himself, from his shows to his organ of benevolence; and called out in a comfortable, oily, rich, fat, jovial voice.

Excerpt from Charles Dickens’ “A Christmas Carol,” 1843

“Fezziwig was a good businessman, but he believed that a happy workplace is a prosperous workplace, exactly the opposite of the environment that Scrooge is working in. His workplace was miserable; he was miserable. The Fezziwig workplace was totally different. You kind of see that when you go into the whole Fezziwig sequence in the show. It’s just a happy place,” said Liberman, who has played this role more than 400 times.

“The Fezziwig party — he’s inviting all of his workers, regardless of their class. He’s inviting his neighbors in; he’s having a great time. He wants everyone to enjoy themselves,” the actor said. “He’s bubbly, he’s happy; he has a great relationship with his wife. That’s kind of the way I try to portray him — being very, very happy and very bubbly, very full of life — and that’s what I love about the role.”

Douglas Quattrock, director of development and marketing, and group sales and marketing coordinator, who has played Bob Cratchit in the production for the last 12 years, said Liberman has a great understanding of the Fezziwig role. Quattrock explained that the character adds that touch of humanity to the story, where the most important thing is love.

“I think George embodies that. I’ve noticed that tenderness grow over the years. Every year he’s brought that nuance to it that a lot of actors who might play the role once or twice might not capture,” Quattrock said.

Liberman’s relationship with Theatre Three began in 1991, when he attended a performance of “Sweeney Todd.” The actor enjoyed the show so much he began auditioning and through the years has appeared in “Man of La Mancha” (Captain of the Inquisition), “Guys and Dolls” (Rusty Charlie) “Fiddler on the Roof” (Lazar Wolf), as well as others.

Jeffrey Sanzel, Theatre Three’s executive artistic director, describes Liberman as a go-to person who always has great chemistry with his castmates. “George is one of the easiest people to work with. I have never heard anybody say anything other than he’s wonderful,” Sanzel said, who also directs “A Christmas Carol” and stars as Scrooge.

Liberman’s interest in performing began during his days at Adelphi University. While a student there, he was a member of the Adelphi University Octet. The singing group would perform throughout New York State, and he appeared in one of the university’s musicals, “Little Mary Sunshine.” However, he said after graduating from college, due to working full-time and family responsibilities, he didn’t perform again until 1991, appearing in Theatre Three’s production of “Man of La Mancha”.

It wasn’t until the husband and father retired from working as an administrator for the New York State Office of Mental Health nine years ago that he approached Sanzel about participating in “A Christmas Carol.” He explained that the holiday production’s rehearsal and performance schedule would have been too demanding for him while working full-time.

Sanzel said he knew Liberman was perfect for the role of Fezziwig. “He’s very warm. There’s a real honesty about George, which comes across on stage because he’s that way in life,” the director said.

Liberman’s participation in “A Christmas Carol” keeps him, as well as the other actors, extremely busy the last few months of the year. Rehearsals this year began in the beginning of October, when the cast met downstairs to run through their lines, and on Oct. 26, they began rehearsing on stage, with a good percentage of the set constructed. Liberman, who loves to golf, said jokingly that he’s not quite sure what he would do this time of year if he weren’t rehearsing and performing on stage, especially with golf season being over.

Jenna Kavaler, George Liberman and Jeffrey Sanzel in last year’s performance of ‘A Christmas Carol.' Photo by Elizabeth Castrogiovanni, Kayline Productions
Jenna Kavaler, George Liberman and Jeffrey Sanzel in last year’s performance of ‘A Christmas Carol.’ Photo by Elizabeth Castrogiovanni, Kayline Productions

Liberman said he enjoys working with his fellow “A Christmas Carol” actors, both those who have returned from previous years and newcomers. He said Michelle Cosentino will be playing Mrs. Fezziwig for the first time and is wonderful in the role.

Cosentino enjoys working with Liberman as well, and she said she appreciates how welcoming and patient he is. “He’s pretty much Christmas 24/7. It’s like happiness is bursting out of him,” Cosentino said.

Liberman said he continually learns more about the story and the role and has added some refinements over the years, and he said he has grown as an actor as well. The growth has occurred not only due to playing Fezziwig each year, but also by watching Sanzel take on the role of Scrooge every holiday season. Liberman said he has learned a lot by watching the director, especially with how he shades his character in different ways.

In addition to his appreciation for what Fezziwig stands for, Liberman said the theme of “A Christmas Carol” also brings him back each year. He said, for him, the classic holiday story shows that even when you are as mean as Scrooge is, a person can learn the errors of his way.

“The message of the show is a very uplifting, positive message, as it progresses through the show. So I really enjoy doing it,” the actor said.

Liberman hopes that theatergoers will enjoy the message of the holiday story as much as he does. “I would hope that when people walk away, they’re inspired, and they come away with the notion that even the meanest of characters, the meanest of people, can be redeemed and can change, can see the positive in people and can do something positive for those around them,” he said.

Theatre Three, 412 Main Street, Port Jefferson, will present its 32nd annual production of “A Christmas Carol” from Nov. 14 to Dec. 27. Ticket prices range from $15 to $30. For more information and show times, visit www.theatrethree.com or call 631-928-9100.