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The New Yorker

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Booth busy at work in a 1980 photo. File photo by Maxine Hicks

The New Yorker cartoonist and former Stony Brook resident George Booth died on Nov. 1 at his home in Brooklyn. He was 96. The cartoonist died a few days after his wife, Dione, who passed away on Oct. 26.

George Booth drew some cartoons for Frank Melville Memorial Park, including the one above. Image from Kerri Glynn

According to his obituary in The New York Times, the cause of his death was complications of dementia.

Booth was known for his cartoons that featured various quirky characters depicted as cats, dogs, mechanics, cave dwellers and churchgoers in the weekly magazine over 50 years. The magazine’s unofficial mascot was a bull terrier that appeared in several of his cartoons. 

While living in Three Village, Booth and his work was featured in The Village Times and The Village Times Herald. In 1980, he was named the paper’s Man of the Year in Media.

According to the 1980 article, the former Stony Brook resident lived in a house that once belonged to a sea captain. In the interview, he said fellow residents “let me put them in my cartoons.” However, he didn’t divulge any names.

He also received inspiration from his wife.

“Dione has been an education to me on the subject of plants, minuets and pussycats,” he said.

In The Village Times article, he said he and his two brothers grew up in Missouri, where his father trained him as a printer’s devil, an apprentice in a printing establishment. His mother was a cartoonist and musician, and she served as inspiration for his character Mrs. Ritterhouse.

In the 1980 article, he said he developed an interest in auto mechanics while living in Cold Spring Harbor. He had a Model A that always had issues.

“In order to keep it running I had to live at Bohaty’s garage in Centerport,” he said.

Among his favorite artists were Fred Lasswell, who created the “Snuffy Smith” comic strip, and portrait artist Thomas Hart Benton.

When asked which one of his cartoons he would put in a time capsule, he said “Ip Gissa Gul,” which means “ape gets a girl.”

a recent photo of George Booth taken for the documentary ‘Drawing Life.’ Photo rom Nathan Fitch/Drawing Life LLC.

He was born in Cainsville, Missouri, on June 28, 1926, according to The New York Times obituary and grew up on a farm near Fairfax, Missouri. His parents were teachers.

Booth was drafted in 1944 and joined the U.S. Marine Corps. Eventually he became a cartoonist for the Marine magazine Leatherneck. He attended the Chicago Academy of Fine Arts, the Corcoran School of Art in Washington, D.C., and the School of Visual Arts in New York City, on the G.I. Bill. After moving to New York in 1952, he sold art to publications such as Collier’s, Look and The Saturday Evening Post. The cartoonist and his wife married in 1958.

Booth sold his first cartoon to The New Yorker in 1969. He also illustrated children’s books, including “Wacky Wednesday” by Dr. Seuss (as Theo LeSieg) and “Here, George!” by Sandra Boynton. His art career also led him to advertising campaigns, greeting cards and animation. 

In recognition of his work, Booth won the Gag Cartoon Award by the National Cartoonists Society in 1993, and the society’s Milton Caniff Lifetime Achievement Award in 2010. He was an honorary member of Colgate University’s Class of 1939 and was awarded an honorary doctorate of fine arts from Stony Brook University in 2003,. He is the subject of “Drawing Life,” part of The New Yorker Documentary series.

Local reflections

Jeffrey Levinton, of Stony Brook, said he and his wife, Joan Miyazaki, were the Booths’ neighbors. He described George Booth as a kind man. The cartoonist would invite Levinton’s son Nathan when he was younger to his Stony Brook studio to see his cartoons.

Levinton added George Booth loved to tell stories and jokes.

“They often had punchlines I did not understand, but George would laugh out loud after telling them,” Levinton wrote.

He remembers one of The New Yorker covers Booth showed them.

“Dracula and a cat at the dinner table – cat with a bowl of milk and Dracula with a bowl of blood,” he said. “George also had a truly amazing pair of drawings of a carnival ride, built in his backyard — you could see the steeple of the church on Christian Avenue. The ride was physically impossible, but George had an explosion diagram of all the impossible parts of a ride where a guy zoomed about the yard and landed in a couch. This masterpiece is apparently lost.”

Levinton remembered a story that Dione Booth told him about her husband that he feels reveals the cartoonist’s character best.

“They met and George asked her out,” he said. “He told her to wear a formal dress and he appeared at her door, also dressed formally. He took her out on a very expensive night in Manhattan, night clubs and the rest. Then she didn’t hear from him for a month, and he called again, making the same invitation, same night on the town. And again. She thought, ‘Wow, I have met a rich guy.’ But he was only inviting her after selling a cartoon, blowing the whole fee on a night out. As Dione said, ‘I thought he was rich but eccentric, and I learned that he was only eccentric.’”

A recent photo of George and Dione Booth taken for the documentary ‘Drawing Life.’ Above image from Kerri Glynn; inset photo by Maxine Hicks; photo below from Nathan Fitch/Drawing Life LLC.

East Setauket architect Robert Reuter considered George Booth a treasured friend and worked in the same Stony Brook building with the cartoonist where they both had studios.

“It was sometimes just hilarious because I would be working on the other side of the wall, and all of a sudden there would be a bellow of laughter where he had drawn something or written something or whatever that just cracked him up so much,” Reuter said. 

He would often get a peek at some of The New Yorker cartoons, and Booth gave Reuter’s son, Jordan, drawing lessons “from the time he could hold the pencil.”

The architect said the cartoonist was a generous man, creating illustrations for Frank Melville Memorial Park and other organizations and people.

Reuter said over the years Booth used BIC and similar pens because he liked the “blobby ink.” Often he would draw a few versions of a character and then choose one to put into the cartoon by copying and pasting. He also was known for using Wite-Out.

Reuter said Dione was a brilliant gardener. “There was a time when her abilities as a decorator and designer, especially in landscapes, was highly revered.”

Nancy Bueti-Randall, of Stony Brook, met the couple in the 1980s when she lived in Brooklyn and was running a studio sale in St. James, and they both bought a piece of jewelry each from her. She reconnected with them when she moved to Three Village nearly 30 years ago.

“They were such an integral part of the community,” she said.

Bueti-Randall and Dione Booth belonged to the Creative Women’s Group. At each meeting, women would talk about their careers and creative pursuits.

Dione was a delightful, kind and loving person who was extremely supportive of her husband’s work and devoted to him, Bueti-Randall said. She added George consulted with his wife often.

She remembered Dione’s gardening, too, and said she made “flower arrangements that would knock your socks off.”

Bueti-Randall was also fortunate to see George Booth’s drawings in progress, and she said he always had a full workload.

“George was the most humble person,” she said. “You would never guess this man was at the top of his field.”

Bueti-Randall said Booth would go to 7-Eleven in the morning, and sit in his car for about an hour and observe people.

“He loved all kinds of people, and he was just an observer of life,” she said. “That’s what he brought to his cartoons. That was part of his work, just to sit there and observe and try to see something that was funny to him or ironic.”

The Ward Melville Heritage Organization president, Gloria Rocchio, and her husband, Richard, knew Booth and his wife. Rocchio said the cartoonist would read children stories and children’s books at the Educational & Cultural Center during WMHO’s Hot Cocoa Series.

“Richard and I admired him,” she said. “He had a very interesting life. He and his wife lived in Stony Brook for a very long time, and they wanted to be very unassuming. To many people George was a world-renowned cartoonist, and rightly so, but to many of us in Stony Brook he was just our friend George.”

George and Dione Booth leave behind their daughter Sarah, who lives in Brooklyn.

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A scene from ‘The Killing Fields of Dr. Haing S. Ngor.’ Photo from PJDC

The arrival of cooler weather signals the start of a perennial favorite, the Port Jefferson Documentary Series.

Supported by the Greater Port Jefferson-Northern Brookhaven Arts Council and grants from the New York State Council on the Arts and the Suffolk County Film Commission, the PJDS begins its 22nd season on Monday, Sept. 21, at Theatre Three in Port Jefferson. The fall series, which will run through Oct. 27, marks the program’s 11th anniversary and the 22nd season of documentaries.

“We are very, very excited,” Lyn Boland, co-director of the film committee that has arranged the documentary series since 2005, said in a recent phone interview. Along with Boland, the committee — nicknamed the Film Ladies — includes co-director Barbara Sverd, Wendy Feinberg, Honey Katz, Phyllis Ross and Lorie Rothstein.

Seven award-winning documentaries will be featured this season, each complemented by a guest speaker who will answer questions at the end of the screening. This year’s selections will explore topics such as genocide, drug cartels, the online black market, art, tradition, cartoons and government cover-ups.

The process of choosing the documentaries is labor-intensive.“[The volunteer committee] gathers the movies from several different sources,” Boland explained. The members go to film festivals like the Hamptons International Film Festival and “try to personally grab one of the directors from one of those films. … We did that with ‘Meet the Patels,’ which was at the Hamptons last fall, and we showed it in the spring and it’s opening in theaters in September. So that’s like the dream sequence.”

‘Peggy Guggenheim: Art Addict,’ Photo from PJDC
‘Peggy Guggenheim: Art Addict,’ Photo from PJDC

Other festivals they regularly attend include the Tribeca Film Festival, the Stony Brook Film Festival and the American Film Institute’s festival in Washington, D.C. “So we try to go to festivals, we keep an eye on what’s going on in the news and we keep an eye long distance on the big festivals like Toronto, Sundance,” Boland added. “We also get a lot of emails from documentary organizations.”

The committee aims to screen films that people could not easily find elsewhere, so they avoid films that are streaming on services like Amazon or on television, for example.

When selecting the films, “We look for a great story that needs to be told,” Boland said. “We look for a film that’s well made because we really want to keep the standards up. We look for a subject that we haven’t shown too much of; something that’s new. We look for balance in the season. We also have to worry about our budget, being sure that we can afford the speaker and afford the distribution fee.”

Boland is most excited about the screening of the action-drama “Cartel Land.” She called the film — whose credits include executive producer Kathryn Bigelow, who directed “The Hurt Locker” and “Point Break”  — “an amazing story.”

“For a documentary to come out and be picked up by somebody who is as famous as she is and who is a feature director, it’s just an additional testament to how amazing this film is.”

The first five documentaries will be screened on Mondays at Theatre Three, 412 Main St., Port Jefferson, at 7 p.m. The last two will be screened at the Charles B. Wang Center on the Stony Brook University campus at 6 p.m., also on Mondays. Doors open one half-hour before showtime. Tickets for all films are $7 and will be sold at the door. Admission is free for undergraduate students at the Stony Brook screenings.

The group is always looking for volunteers of all ages to help out at the event.

“We want this to go on beyond us and it would be great to have enough volunteers to have a continuing staff that keeps renewing itself,” Boland said.

For more information or to volunteer, call 631-473-5220 or visit www.portjeffdocumentaryseries.com.

Film schedule
• The fall season will kick off at Theatre Three with “Deep Web” on Sept. 21 at 7 p.m. The documentary reveals the inside story of Ross William Ulbricht, the convicted 30-year-old entrepreneur accused of being the “Dread Pirate Roberts,” creator and operator of the online black market Silk Road. Winner of Best International Feature at the Global Visions Festival, the film explores “how the brightest minds and thought leaders behind the deep web are now caught in the crosshairs of the battle for control of a future inextricably linked to technology, with our digital rights hanging in the balance.” Narrated by Keanu Reeves, the guest speaker will be director Alex Winter, who played Bill S. Preston, Esq. alongside Reeves in “Bill and Ted’s Excellent Adventure.”

An image from ‘Love Marriage in Kabul.’ Photo from PJDC
An image from ‘Love Marriage in Kabul.’ Photo from PJDC

• The second film in the series, “Very Semi-Serious” by Leah Wolchock, to be screened on Sept. 28 at 7 p.m. at Theatre Three, delves into the history of The New Yorker magazine’s cartoons and gives a behind-the-scenes look at the cartoon department. Cartoon editor Bob Mankoff provides “revealing access to his weekly pitch meetings where aspiring and established cartoonists present their work, and where pride is left behind, as hundreds of submitted cartoons get rejected.” It is the winner of the best Bay Area documentary feature at the Golden Gate Awards following the San Francisco International Film Festival. Guest speaker will be New Yorker cartoonist and former Stony Brook resident George Booth, who is featured in the film.

“Cartel Land,” to be screened on Oct. 5 at 7 p.m. at Theatre Three, focues on the Mexican drug war, especially vigilante groups fighting Mexican drug cartels. The film focuses on Tim “Nailer” Foley, the leader of volunteer border patrol group Arizona Border Recon, and Dr. José Mireles, a Michoacán-based physician who leads the Autodefensas, one of the vigilante groups. Matthew Heineman won the Best Director Award and Special Jury Award for Cinematography for the film in the U.S. Documentary Competition at the 2015 Sundance Film Festival. The guest speaker will be producer Tom Yellin.

The fourth film, titled “The Russian Woodpecker,” will be screened at Theatre Three on Oct. 12 at 7 p.m. The documentary follows Ukranian artist Fedor Alexandrovich, who believes the catastrophic Chernobyl nuclear disaster of 1986 was an elaborate government cover-up designed to mask a failed 8-billion-ruble antenna, known as the “Russian Woodpecker,” intended to interfere with Western radio frequencies and located near the radioactive site. Rich with Soviet history and the stories of the area’s former residents, this documentary chronicles the history of one of the most chilling events of our time as well as Alexandrovich’s attempts to spread the word of his theory. Winner of the World Documentary Grand Prize at the Sundance Film Festival. Director Chad Gracia will be the guest speaker of the evening.

• The series continues on Oct. 19 with a screening of “Peggy Guggenheim: Art Addict” at Theatre Three at 7 p.m. Director Lisa Immordino Vreeland uses recently unearthed audio recordings from 1978-79 of the art collector’s last interviews and archival photos to create a portrait of one of the most powerful women in the history of the art world. The film premiered at the Tribeca Film Festival this spring. Guest speakers will be producers Dan Braun and David Koh. Gallery North in Setauket is co-sponsoring the event.

“The Killing Fields of  Dr. Haing S. Ngor,” to be screened at the Charles B. Wang Center at Stony Brook University on Oct. 26 at 6 p.m., is seen through the eyes of one of the most well-known survivors of the Cambodian genocide, Dr. Haing S. Ngor. The film recently won the Best Documentary Audience Award at the Los Angeles Asian Pacific Film Festival. The guest speaker will be Dr. Ngor’s niece, Sophia Ngor Demetri, who escaped from Cambodia with Dr. Ngor and appears in the film, and his nephew, Wayne Ngor, who narrates the film.

• The final film in the series, “Love Marriage in Kabul,” will be screened at the Charles B. Wang Center at Stony Brook University on Nov. 2 at 6 p.m. The film follows the quest of an Afghan-Australian woman, Mahboba Rawi, as she “passionately negotiates and challenges old traditions” to make a love marriage happen in Kabul. The film provides a rare glimpse into the courtship and marriage customs of Afghanistan. In English and Persian with English subtitles, this film was the winner of the Audience Choice Award at the Sydney Film Festival. The guest speaker, via Skype, will be producer Pat Fiske.