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Sue Contessa

By Tara Mae

After a 3 year absence, Local Color returns to Gallery North, a proclamation of the connection between art, artist, and community. On view from Aug. 19 to Sept. 26, the exhibit is presented in conjunction with the North Shore Artists Coalition and includes a reception and Open Studio Tour. 

The beautiful show features artists whose work is both universal and local in impact, meaning, and appeal. 

“[Executive Director] Ned Puchner and I decided to bring Local Color back this year and re-envision it to show through these artists what local culture is about. The exhibit is defining the role artists play in shaping identity of community and showing diversity of how artists define community: creating culture, creating beautiful and impactful work, adding to the identity through their outreach, etc,” said curator Kate Schwarting. 

The show’s art is as varied as its interpretation of theme, featuring oil and acrylic paintings, photography, sculptures, and digital renderings. Thirty artists, from St. James to Mount Sinai, will be featured including Kelynn Alder, Arts.codes (Margaret Schedel and Melissa Clarke), Fred Badalamenti, Joan Branca, Sheila Breck, Pam Brown, Nancy Bueti-Randall, Sue Contessa, Micheal Drakopoulos, Paul Edelson, Peter Galasso, Han Qin, LoVid, Flo Kemp, Karen Kemp, Jim Lecky, Jim Molloy, Carlos Morales, Patricia Morrison, Patricia Paladines, Mel Pekarsky, Alicia R. Peterson, Doug Reina, Joseph Rotella, Angela Stratton, Mary Jane van Zeijts, Lorraine Walsh, Annmarie Waugh, Marlene Weinstein, and Christian White.

“What is so special about this exhibition is that each artist brings a different thing to the exhibition,” explained Schwarting. “A plein air painter captures the essence of a familiar location and allows us to see it in different light; someone else [deals] with a scientific topic that is so difficult to comprehend, but creates art that enables us to know through physical form and visual cues.”   

Several of the participants are also activists who champion social, technological, and environmental awareness and change through their art. 

According to Schwarting, a number of the artists were recruited through the gallery’s association with the North Shore Artists Coalition, while others were invited by her and Puchner. 

Pam Brown, a sculptor who lives in Stony Brook and co-founder of the coalition, helped facilitate the partnership between the group and the gallery. Her piece, Armour, is a sculpture fabricated out of sheet metal, wire, boar bristles, and vinyl. Brown’s efforts in facilitating the relationship between Gallery North and the North Shore Artists Coalition reflect the connection she sees between art and community outreach. 

“Community engagement creates an opportunity for the arts and artists to be seen by their communities — it initiates new ways for the public and artists to build connections between different groups. It brings together communities so they can articulate their own history and culture and to acknowledge that art is taking place in a larger context,” she said. 

For artist Doug Reina of Stony Brook, who has exhibited at Gallery North in the past, showing his work in Local Color is reconnecting with a “fun, summertime tradition.” 

“My work is about sharing the interesting, touching, emotional, funny, beautiful, sad human things that mean something to me with the viewer,” said Reina. His oil painting, titled Boys Night Out, depicts 4 teenage boys sneaking out of the house on a summer night. “The painting is based on real life experiences we had when our son was that age,” he explained.

Interpersonal connection is a recurring subject of the show’s art. This focus extends outward into explorations of our interactions with and responsibility to the world-at-large.

Han Qin of St. James will be entering her cyanotype on paper, White Goddess, which incorporates digital photo editing, drawing, and papermaking. It was inspired by two poems: “The White Goddess” by Robert Graves and “Quiet Night Thoughts” by Li Bai. 

“I started the White Goddess series during my pregnancy and have been developing it until now. Poetry and life experience are the main inspirations. The idea behind the artwork becomes a shared experience that brings people together,” she said.

“We as a people have a long continuous personal storyline. Artwork is the moment on the storyline. My moment connects with others’ moments in their individual storylines; thus, a web of emotional connections builds up. That is a community, too,” said Qin.

Such cultural connections are enhanced through community involvement. In this spirit, exhibiting artists of Local Color will also be featured in an Open Studio Tour hosted by the North Shore Artists Coalition and Gallery North on Sept. 25 and 26, from 11 a.m. to 6 p.m. each day. 

“With one piece from each of the selected artists in the exhibit itself, the Open Studio Tour allows for an expanded view of the individual artists,” said Schwarting. 

Gallery North, 90 North Coutry Road, Setauket presents Local Color from Aug. 19 to Sept. 26. Join the artists for an opening reception tonight, August 19, from 6 to 8 p.m. The gallery is open Wednesday to Saturday from 11 a.m. to 5 p.m. and Sunday from 1 to 5 p.m. For more information, call 631-751-2676 or visit www.gallerynorth.org.

By Tara Mae

Abstract art invites an audience to use its imagination and interpret meaning. 

Gallery North’s newest exhibit, Laminar Rituals, celebrates the creation and explores the impact of mark making and non-objective art through the works of artists Sue Contessa of St. James and Anne Raymond of East Hampton. The show opens today, April 8.

Featuring Contessa’s acrylic paintings and Raymond’s monotypes and oil paintings, the title of the exhibit refers to their artistic styles, which incorporate transparent or translucent layers of paint that laminate, protect, and enhance their marks and brushstrokes. 

“Both artists really work in a very intuitive manner … Sue’s work is really about the experience the viewer has in front of the [art]. Anne is much more interested in transient qualities we find around ourselves — things like change in weather patterns, changes in light over the course of the day … trying to capture those fleeting moments around us,” said Gallery North Executive Director Ned Puchner. “I think when put together, this exhibit is really presenting records of our experience out in the world.” 

Rather than seeking inspiration from outside sources, Contessa finds meaning in the methodology of crafting her art. She uses acrylic paint and occasionally graphite pencil to build marks on the canvas. This technique creates a perceived visual depth to her paintings.

“The work is about repetition … The paintings are more about formal art issues, and the repetition allows for that form of meditation that I always hope will happen. I just have to trust my process. I tend to work rather thinly and transparently, so you are always seeing something from underneath, which impacts each layer,” said Contessa.

For Raymond, the development of her palette is an essential part of her creative process. “I work from a palette based on what I feel like at the time. If I don’t like it, I completely change it,” she said. “I float back and forth between doing monotypes and painting. I think this helps me stay fresh.”

Raymond uses plexiglass plates for her monotypes, making unique single prints with oil-based, pigment-rich, lithography inks. Unlike oil paint, the inks dry fairly quickly so Raymond is able to produce a few in a single session. 

The process of working in these mediums is different, but its influences are largely the same. Her art, although abstract, is impacted by the natural world. 

“Almost all of my work has reference to landscape, seascape, or sky. I feel really lucky. The beauty of Long Island is my muse,” Raymond said. 

Classically trained, Contessa and Raymond each studied art in college and then attended the School of Visual Arts in New York City. They worked in traditional, realistic mediums like figure drawing and still life before becoming abstract artists. 

After taking classes at the Art League of Long Island in Dix Hills, Contessa was asked to teach figure and basic drawing classes there. 

“I have a background in realistic painting, but it wasn’t satisfying for me. It wasn’t what I wanted to paint. I wanted to paint something that didn’t exist before,” Contessa said. “When you create an [abstract] painting, it is something that you created. The reason for doing it in the first place is that I don’t know what it’s going to look like.”  

Raymond worked as an illustrator, for a newspaper, and in the travel industry before fully transitioning to a career as an abstract artist. “When I was studying, I did a lot of live drawing … I appreciate the skill, but it was not exciting in the way that working abstractly is. While working as an illustrator, I was already doing abstracts … I think it is creatively engaging to invite surprise into your process,” she said. 

Their complementary mindsets about composing abstract art is part of what initially inspired Puchner to pair their art for an exhibit. “I saw common features with both of them,” he said. 

It is the first show that Contessa or Raymond have done since the pandemic began. The exhibit is part of Puchner and Gallery North’s ongoing effort to introduce patrons to the work of local artists and provide the local artists with additional exhibition possibilities. 

“I’m really trying to present more artists and give more artists more opportunities to show. I have fun trying to create these pairings and expose our audience to more local artists,” Puchner added. 

Gallery North, 90 North Country Road, Setauket presents Laminar Rituals through May 16. The exhibit will be open to the public during the gallery’s normal hours, Wednesdays to Saturdays from 11 a.m to 5 p.m., and Sundays from 1 to 5 p.m. All onsite events are socially distanced and masks are mandatory for entry.

In conjunction with the exhibit, Raymond will lead a monotype workshop for a class of up to six people at the Studio at Gallery North on April 10 from 2:30 to 4:30 p.m. Contessa and Raymond will participate in a Virtual ArTalk on April 24, from 6 to 8 p.m. 

For more information, to register for these programs, or to learn more about Laminar Rituals and other upcoming exhibits, visit www.gallerynorth.org or call 631-751-2676. 

 

‘Pathway,’ acrylic and pencil on canvas. Image from Ripe Art

By Ernestine Franco

Local artist Sue Contessa will have a solo show at the Ripe Art Gallery in Huntington from May 9 to 27. Meet the artist at a reception from 4 to 7 p.m. on May 9.

The focus of Contessa’s art is the process and ritual of repetitive mark making. The color and depth in the paintings are created by alternating many layers of brush strokes and pencil lines. In discussing how she prepares for a new piece, Contessa said, “I establish criteria such as scale, color, size and placement of the marks. Making [these] decisions first allows me to proceed without interruption. Working this way, the act of painting becomes a form of meditation.”

Contessa is a longtime resident of St. James who has exhibited her work in Manhattan, England, and extensively across Long Island in solo and group exhibitions since the 1990s.

The Ripe Art Gallery is located at 1028 Park Ave., Huntington. For more information on the gallery, call 631-239-1805 or visit www.ripeartgal.com. For more information on the artist or to see more of her  paintings, visit www.suecontessa.com.