Sitting Pretty
Jay Gammill of East Setauket took this gorgeous photo of a female black swallowtail butterfly taking a sip of nectar from tall garden phlox in his backyard in August.
Send your Photo of the Week to [email protected].
Photo of the Week
Photography
Fotofoto gallery’s latest exhibit blossoms with floral beauty
By Rita J. Egan
Spring is here and flowers are blooming all over the island. Yet, whether found in a garden or a vase, the beauty of a flower is fleeting, unless a photographer captures the image of a bloom. Then, not only can its beauty live eternally, but also every nuance can be seen, and the image may even inspire one to see the flower in a new way.
To celebrate the fine art of floral photography, fotofoto gallery in Huntington will present photographer Holly Gordon’s exhibit, FLORAbundance, through May 28. To complement her solo show, Floral Bouquet, with works from individual gallery artists, will be on display as well.
Gordon said that fotofoto gallery, which was founded almost 15 years ago by a group of Long Island-based photographers, is the oldest fine art photography collective gallery in the area that provides a space for professional contemporary photographers to display their work. Each month a group member has a chance to feature his or her art, and Gordon chose the month of May.
The photographer, who explained her work starts out as photographs but grows into something different in the digital “darkroom,” said May is the perfect time of year for her to display her floral images. Gordon said while a young mother she would plant vegetables and flowers and then take photos of her garden. “A lot of my evolution as an artist has evolved from the garden, and I thought May would be a perfect time to let my gallery space explode with the color and profusion of these wonderful blooms after a cold, gray season,” she said.
Gordon said she uses a 35mm Canon EOS 5D camera with a Tamron 28-300 zoom lens or a Sony RX1 with a fixed lens, and she varies her techniques when photographing subjects. She sometimes shoots with a shallow depth of field so the background blends in, and other times sets her camera out of focus so she can capture a more impressionistic view of what is in front of her. She said everything is manual because she feels, “it’s not the camera, it’s the person who is using the camera. I do not want a little box making decisions for me.”
At times, Gordon will take one shot in focus, and then, without moving or changing the focus or depth of field, she’ll keep taking photos. Once she has the photos on her computer, she uses Photoshop to layer them over each other and changes the opacity to make it look almost like cellophane to create an image that is recognizable yet at the same time represents her vision. Many times her photographs have been compared to a painting, which is no surprise since Gordon has a background in that art form, too.
“I’m always looking for creating my own vision, because you can set up a zillion cameras, and let the camera make all the decisions, and all you do is snap the picture, but I want to have a more personal response and reaction to what it is that I am looking at,” she said.
The photographer said she calls the paired exhibits at fotofoto The Focus Is Flowers, and the name of hers, FLORAbundance, is a play on the words floral and abundance. Gordon has 10 of her prints on display, and in Floral Bouquet 10 gallery artists are participating: Patricia Beary, Sandra Carrion, Lawrence Chatterton, Patricia Colombraro, Susan Dooley, Rosalie Frost, Andrea M. Gordon, Kristin Holcomb, Seth Kalmowitz and Lois Youmans.
Gordon said photographers will each have one piece on display in the group exhibit, and their signature styles inspired the title Floral Bouquet. “Because each artist in the gallery has his and her own unique vision, that’s why it has become a floral bouquet. That’s what’s so fascinating, and it’s absolutely wonderful, because it just shows so many different approaches to photographing flowers,” she said.
The photographer hopes that visitors to the gallery will look at flowers differently after viewing the exhibit and that serious photographers may even be inspired to share their work with art lovers at fotofoto gallery. “I hope that it expands the way they see. That they look at the world much more sensitively and as a natural work of art, and that it might inspire them to see differently when they use their camera . . . not just to rely on the technology of the camera to snap something, but to be a more active player in choosing what to take and to realize that being an artist is a rare and special gift,” she said.
Gordon said she once read something that Monet said to the effect of “look beyond the bloom.” “What I took that to mean, and maybe that’s something that I would like people to take away from seeing my work, what he was saying, ‘look beyond the bloom,’ see it for more than the fact that it’s a tulip, or a rhododendron, or a rose or a daisy,” she said. “See it as colors and shapes and patterns, and how those colors and shapes and patterns and textures play with all the other colors and patterns and textures around it. And, that’s how I view the world; I see it as art elements.”
The exhibit is the first of a number of events for Gordon in the next few months. The photographer is scheduled to display her FLORAbundance pieces at the Bay Shore-Brightwaters Library from June 1 through 30 and will also present a slide show based on the artwork at the library on June 13. Another slide show with Gordon, presented by the Long Island Horticulture Society, is scheduled for Sunday, June 28, at Planting Fields Arboretum in Oyster Bay.
In addition to her solo work, the photographer is currently working with watercolor painter Ward Hooper on the artistic endeavor, The Brush/Lens Project, which compares Long Island landscapes in both a photograph and painting to show how the brush and lens relate. The Long Island MacArthur Airport Gallery will host an exhibit by The Brush/Lens Project with Gordon’s photographs as well as Hooper’s paintings from July 1 through August 12.
Gordon said an artist reception at fotofoto will be held on Saturday, May 7, from 5 to 7 p.m., and the gallery will also be part of Huntington Village’s first Art Walk taking place on Saturday, May 14. “I certainly hope that people will tiptoe through the streets of Huntington and come back to fotofoto gallery because I’m going to be there, too,” she said.
FLORAbundance by Holly Gordon and Floral Bouquet by fotofoto gallery artists will run through May 28. The gallery is located at 14 W. Carver St. in Huntington and admission is free. For more information on the exhibit, visit www.fotofotogallery.org or call 631-549-0448. To discover more about Gordon’s photography, visit www.hollygordonphotographer.com.
Soup kitchen volunteers honored at photo exhibit
By Melissa Arnold
For more than 25 years, the volunteers of Welcome INN have gathered week after week to prepare meals for local people in need.
They’ve never sought out the spotlight for their work — all of them are unassuming folks who just want to lend a helping hand, says the organization’s president Marge Tumilowicz.
But this week, the Port Jefferson Village Center will unveil a photo exhibit to showcase and honor their commitment to service in the community.
Soup kitchens have been a constant presence in the Port Jefferson area since the 1970s, when members of local religious groups saw countless families struggle during a recession. Over time, these independent groups determined they could do the most good under the umbrella of a larger organization.
In 1989, four area soup kitchens joined the Interfaith Nutrition Network (INN), which feeds and houses people throughout Long Island. Today, Welcome INN serves up to 100 people per meal, five nights a week.
It takes a village
Tumilowicz says it truly takes a village to pull off a meal that large on a weekly basis, but volunteers are never hard to come by. Over 200 people play a part at the INN’s kitchens, helping with setup, cooking, cleaning and anything in between. They are a well-oiled machine.
“Early in the morning, cars will go to the local supermarket for pickups, then bring them back to the [kitchen] for sorting. Whatever supplemental food is needed gets picked up by the coordinator. Then, in the afternoon, the cooks and setup people arrive. By 5:30 [p.m.], our servers are in place and the doors are opened,” Tumilowicz explains.
Guests are given appetizers immediately when they arrive, says Susan Davis, coordinator of Friday night dinners at First Presbyterian Church in Port Jefferson. “We want to make sure our guests have something to eat right away because some of them come to us as their only meal for the day and they’re very hungry.”
Then comes a from-scratch soup, fresh salad, a main course with a protein, starch and veggie and dessert. Guests are also sent home with a sandwich or leftovers.
Coordinator Terri Arrigon oversees Monday night meals at Christ Church Episcopal in Port Jefferson. She noted that many of the guests that frequent Welcome INN are not homeless. Some are unemployed or underemployed, and others are simply looking for camaraderie.
“We want to respect their privacy so we don’t really ask personal questions, but sometimes guests will open up about their situation,” says Arrigon, a volunteer for the past three years. “Working with the INN has really opened my eyes to the diversity of communities here on Long Island.”
The value of volunteers
As for the photo exhibit, Tumilowicz jokes that there’s an unusual backstory: Last fall, Welcome INN was given the Humanitarian of the Year Award by Jefferson’s Ferry, a retirement community in South Setauket. With the INN’s volunteers scattered all over Long Island, Tumilowicz approached the Port Jefferson Village Center about displaying the award there for all to see.
They offered her something even better — why not display an entire collection of photos from over the years?
Tumilowicz reached out to Welcome INN’s graphic designer Karen Loomis, and the result compiles shots of all four soup kitchens in action along with inspirational quotes.
“It’s demanding work — we’re on the go the whole time and many of us do not have young bodies — but we’re there because we want to be there and we love it,” Arrigon says. “I’m delighted that we’re getting this opportunity to recognize the value of our volunteers, to show them how much we appreciate them. And it’s a great way to let the community know that we’re out there.”
The Welcome INN exhibit is on display for the rest of this month on the third floor of the Village Center, 101 East Broadway, Port Jefferson.
To learn more about Welcome INN, including meal times and volunteer information, visit https://the-inn.org/programs/soup-kitchens/welcomeinn.
Welcome INN operates out of the following locations:
St. Paul’s Evangelical Lutheran Church, 309 Patchogue Road (Rte. 112), Port Jefferson Station, NY 11776
Hours of operation: Serves lunch Sundays from 1 to 2 p.m. and dinner Wednesdays from 5:45 to 6:45 p.m.
Christ United Methodist Church, 545 Old Town Road, Port Jefferson Station, NY 11776
Hours of Operation: Serves dinner Tuesdays, 5:45 to 6:45 p.m.
Christ Episcopal Church, 127 Barnum Avenue, Port Jefferson, NY 11777
Hours of operation: Serves dinner Mondays, 5:45 to 6:45 p.m.
First Presbyterian Church, Corner of Main and South Street, Port Jefferson, NY 11777
Hours of operation: Serves dinner Fridays, 5:45 to 6:45 p.m.
Earth, Air and Water photography exhibit opens
Update, Feb. 11, 1:10 p.m.: According to the Huntington Arts Council, the opening reception scheduled for Feb. 5, originally postponed due to snow conditions, has been moved to Friday, Feb. 19, from 6 to 8 p.m. at the Main Street Gallery.
The Huntington Arts Council’s Main Street Gallery will present its latest exhibit titled “Earth, Air and Water: A Celebration of Tri-State Wildlife and Nature” from Feb. 5 to 27. An opening reception will be held on Feb. 5 from 6 to 8 p.m. All are welcome to attend.
Participating artists in the juried photography show include Talia Amorosano, Irene Andreadis, Debra Baer, Amy Bisagni, Holly Black, Winifred Boyd, Laura Rittenhouse Burke, Terry Canavan, Dorothy M. Chanin, Tom Colligan, Joseph Cutolo, Leonard Digiovanna, Jessie Edelstein, Monica Friedrich, Jay Gammill, Shannon Gannon, Susan Geffken Burton, Phyllis Goodfriend, George Gough, Jovanna Hopkins, Patrick Keeffe, John Killelea, Susan Kozodoy Silkowitz, Julia Lang-Shapiro, Mark Lefkin, Matthew Levine, Elizabeth Milward, Vera Mingovits, Trish Minogue Collins, Howard Pohl, Tom Reichert, Burt Reminick, Spencer Ross, Max Schauder, Harry Schuessler, Ruth Siegel, Don Thiergard, E. Beth Thomas, Susan Tiffen, Mac Titmus, Pamela Waldroup and Joan Weiss.
The exhibit was judged by Andrew Darlow, a New Jersey-based photographer and digital imaging consultant whose photography has been exhibited internationally and has been featured in numerous magazines and websites. He has lectured and conducted seminars and workshops around the world. Of the 154 pieces of work submitted, Darlow chose 42 photographs to appear in the show.
“Photography is like magic. In a fraction of a second, a moment can be captured that will never be repeated exactly the same way again. This is especially true when our images include wildlife and nature,” said Darlow. “The entries for this show truly showcased the natural beauty and splendor of New York, New Jersey and Connecticut. In addition to many spectacular images of animals, flowers and breathtaking water scenes, I selected some photographs that include people and man-made structures. This balance between the human and natural worlds fascinates me, and I really look forward to viewing the exhibition on the gallery walls,” he added.
Best in show went to “Crab Meadow Sunset” by Irene Andreadis, and honorable mentions were “Osprey in the Rain” by Tom Reichert and “Cutchogue Barn” by George Gough. Congratulations!
The Huntington Arts Council’s Main Street Gallery is located at 213 Main Street in Huntington. It is open Monday to Friday from 9 a.m. to 5 p.m. and Saturday from noon to 4 p.m. For more information, call 631-271-8423 or visit www.huntingtonarts.org.
Former teacher turned photographer captures nature through his lens
By Rita J. Egan
Photographer Jerry McGrath has a keen eye when it comes to capturing the beauty of wildlife and landscapes, and through the end of February, nature lovers can enjoy his work at the North Shore Public Library in Shoreham. The exhibit will include approximately 20 images — the majority taken right here on Long Island with a couple from his trips to Alaska — printed on canvas from the Wading River resident’s collection.
The library’s art coordinator Hildegard Kroeger said a few years ago when the library displayed McGrath’s photos, they were well received. She said library patrons will enjoy the new exhibit with stunning photos that capture the impressive wingspans of birds or the eye color of the creatures. “He captures them in a very artistic way, and it may open up the eyes of people to look at things differently,” Kroeger said.
McGrath said becoming involved in photography opened up a whole new world for him. A former fifth-grade teacher at Wading River Elementary School for 30 years, the educator’s love of the art form developed slowly over the decades. He said he bought his first 35mm camera in 1968 while stationed in Vietnam. At the time, it was to simply record his experiences there. He never imagined the purchase would one day lead to the passion it has become for him the past five or six years as well as a small source of income.
McGrath said when he prepares for an exhibit he sees the images coming out of the printer, and he becomes energized knowing that he was part of creating the work and just wants to share it with others, and it can be difficult to choose his favorites to display.
“I just love when the picture comes out of the printer, and I see how that final product looks. And when it looks really sharp and crisp, just the right subject, it’s just something that I get a charge out of. I don’t know what it is,” he said.
An avid fisherman, McGrath was inspired to become more involved in photography after a fishing trip to Alaska that led to winning a photo contest. The photographer, who is also a former licensed charter boat captain and conducts a fishing course through the Suffolk County Department of Parks, Recreation and Conservation, has been visiting Alaska for fishing trips annually for over 15 years.
A few years ago during one trip, he caught a halibut that weighed over 200 pounds. McGrath asked his friend Mike to take a photo of him with his catch, while he held the tail of the fish and sat down with his feet stretched out next to the head of the halibut to give perspective of just how big it was. When he returned home, he entered the picture in a fishing photo contest sponsored by Alaska Airlines and won. With this win, he thought about how he coordinated the photo and started thinking that he may have a knack for capturing a moment.
Winning two round-trip tickets to wherever the airline traveled, he and his wife Cathie decided to take a trip to Hawaii. McGrath said he felt that not any camera would do for such a scenic vacation so he purchased his first DSLR (digital single lens reflex) camera. The photographer said he found it easier to use than previous manual exposure cameras that he owned, as well as an inexpensive way to take photos, and he began taking more.
He said places such as Hawaii and Alaska are beautiful spots to take stunning photos. “You can’t take a bad picture of the sun creeping behind the mountains at sunset at 11 o’clock at night up in Elfin Cove, Alaska. It’s just spectacular,” McGrath said.
However, while he has taken gorgeous photos on vacations, the Long Islander said his favorite spots to take photos are close to home. He said he loves going to the Wading River Marsh Preserve where he easily finds birds by the water or even deer in the woods to photograph.
He added that his own backyard is a great place to take photos, especially of birds such as cardinals, blue jays and mourning doves. McGrath said he never paid much attention to birds, but once he started photographing them he started reading up on the different types and now can identify many of them.
“It opened a whole new world for me,” McGrath said.
A tender photo of a mother fox and her cubs that will be on display at the library was taken on Fire Island. According to McGrath, many of his wildlife photos are possible not only due to a good deal of patience while waiting for the perfect shot, but also by using a 300mm lens and 2x extender, which enables him to get great shots even when he is relatively far away from the subject. He now has a collection of three DSLR cameras, and from time to time, he will use a monopod to remain steady.
Visitors to the library exhibit who are interested in purchasing prints will be able to do so directly from McGrath. The photographer said after his first exhibit at the North Shore Public Library a few years ago, he displayed his work at the former Grind Cafe in Wading River and realized people wanted to buy his photos. He said he was amazed when during the two months of the café exhibit he sold 14 or 15 pieces that started at $150 or more. While the sales encouraged him to try to sell more of his photos, he said, “I just love taking the pictures. I would take the pictures whether I was getting paid or not.”
The North Shore Public Library, 250 Route 25A, Shoreham, will present McGrath’s exhibit through Feb. 27. An artist reception, hosted by the Friends of the Library, will be held to meet the photographer on Feb. 7 from 2:30 to 4 p.m. For more information, visit www.northshorepubliclibrary.org or call 631-929-4488. To view McGrath’s work, visit www.facebook.com/CapturedMcgraphicsPhotosByJerryMcgrath.
Barns of the North Fork exhibit takes final bow
Port Jefferson Village Center hosts traveling exhibit’s last stop
By Ellen Barcel
The Port Jefferson Gallery at the Port Jefferson Village Center is currently showing The Barns of the North Fork, a photographic exhibit by Mary Ann Spencer, of the disappearing agricultural heritage of Long Island.
Spencer, who was a board member of the Society for the Preservation of Long Island Antiquities, has long been interested in local history. The exhibit was first shown in SPLIA’s gallery in Cold Spring Harbor.
“I’ve been driving out east since I arrived here 30 years ago,” said Spencer in an interview 10 years ago when she first completed the exhibit. Originally from Wyoming, the East Setauket resident had spent several years documenting these vestiges of Long Island’s agricultural past and present. Most of the photos are from the Southold area.
Spencer became so closely associated with the history of barns that people began to recognize her not by name but as “The Barn Lady.” So, Spencer added, “My husband got me a vanity plate that says, ‘Barn Lady’.”
Now, 10 years later, when asked how many of the barns are now gone, Spencer noted, “That’s an interesting question. I have been out there (recently) and a few are gone, but not a large number. It’s a good thing to hear.”
“The exhibit was inspired by the book [of Spencer’s photos]. It represents the antiquity of the barns which are vanishing. It preserves that important history of Long Island when we were basically farmland,” said Sue Orifici, administrator of Graphic, Archival and Special Projects of the Village Center. While the book and exhibit are not intended to be a detailed history of each barn, basic information is provided such as town, approximate date if known, use and other miscellaneous information.
Noting that this is the last time that the traveling exhibit will be shown, Orifici added, “It’s a great show for cultural reasons. That’s our focus at the gallery. As you go through the exhibit [with the blown-up photos] there is information on the background, the architecture, the names of the types of barns and their purpose … It’s not just a photo essay.”
Spencer, a freelance photographer, added that while she has hung the exhibit many times, “the time that was the most fun was the State Fair in Syracuse because I’m a fan of state fairs,” another part of local history.
All of the photos in the exhibit — there are approximately 70 of them — were taken with film. So, now, 10 years later, how does Spencer feel about digital photography? “I did come into this century. My work is now digital. I started the (barn) survey in 2001, all in film. I had negatives everywhere.” The negatives were specially printed in a custom lab. “Now that I’ve gone digital I do all my own printing, matting and framing.”
Spencer noted that in going digital, she bought a very expensive camera, but added, “I haven’t taken a picture (digitally) that I think is as fine as film,” and that while most people can’t see the difference, “I can see the difference. There’s a depth in a print made from film,” that you just don’t see in digital images. “I used film for 40 years. To my eye it was better.” Now it’s hard to even find film in stores. “Now you have to go into the city to develop color film.”
While this is the last time she plans to show this exhibit, she still does a PowerPoint presentation on the barns. She changes the presentation based on the audience’s interests and locale. She can be reached at [email protected].
Don’t miss this exquisite show, which was partly funded by Suffolk County under the auspices of the Cultural Affairs office and the New York State Council of the Arts. It is open now through Feb. 28. A reception, which is open to the public, will be held on Friday, Jan. 15, from 7 to 9 p.m. at the PJVC. Spencer’s book, “The Barns of the North Fork” (Quantuck Lane Press, 2005), is available locally and online. She will also have copies of the book available for sale at the reception.
The Port Jefferson Village Center, 101-A East Broadway, Port Jefferson, is open daily from 9 a.m. to 9 p.m. The center can be reached at 631-802-2160 or go to www.portjeff.com.
Mimi Hodges: North Shore visions in black and white
Many of us may think that black-and-white photographs are not interesting. Mimi Hodges, an enthusiastic photographer and Sound Beach resident, doesn’t agree. She likes to take black-and-white photographs of local places. As she puts it, “color can sometimes be a distraction.”
Port Jeff man cared about SBU campus community
Richard Solo, known as Dick or Doc to those he loved, died on Nov. 27 at age 79, after a four-year struggle with cancer.
Solo was the beloved husband of Nomi for 56 years; father of David, Julie and Michael (Susan); and brother of Marge Seltzer.
Friends remember Solo walking around in nature, Stony Brook University, his beloved Port Jefferson or other parts of the world, camera in hand, ready to photograph, in his special way, the world around him. He loved his family, students, nature, the Red Sox and a good bowl of chili.
Solo had a joyous and productive and giving life. From his early days in Brookline High in Massachusetts to his years earning a bachelor’s at MIT and his Ph.D in chemistry from Berkeley, he was involved with student life, sports, and music.
When he moved to Port Jefferson in 1970, he became involved in the village and was an integral part in the development and building of the Village Center.
Solo came to the SBU on its opening day in August 1962, after a research stint at Aerospace in Los Angeles. Since that time, he had dedicated his heart and soul to it, beginning as an assistant chemistry professor. He set up a first-rate lab, but his main love was the student body. For 10 years, he taught chemistry classes of 110 to 150 students, including an introductory seminar on science and ethics before it was fashionable. The blend of teaching and research was a source of excitement, fun and satisfaction, and he was a first-rate teacher and communicator.
He became an integral part of student affairs, getting involved in counseling and helping to create an orientation course for incoming freshmen, ultimately developing an orientation program that was lauded throughout the state. He affected the lives of thousands of students, leading to his role as director of new student orientation, one of the first contacts an incoming student had with the university after admission. To the end, students who went through the program visited and corresponded with Solo and have used it as an example of how it made them grow as individuals.
Any student or faculty member who worked with Solo’s orientation program would agree that the spirit of genuine empathy is what made all the difference in the effectiveness of the program. Solo, along with his carefully chosen administrative assistants, molded freshmen and transfer orientations each year to the changing needs of incoming students. The process went beyond just registering for classes — there were social activities and workshops that included food, films, sports and a family-like spirit. His goal was to reach the attendees, to make a difference in their lives by caring about and understanding them.
His service to the SBU community spans half a century, during which Solo served on and chaired numerous committees and boards, including the University Senate, the first Student Affairs Affirmative Action Committee, the presidential search that chose Jack Marburger, the president’s advisory board on the disabled, and the Faculty Student Association. He was the unofficial photographer of Stony Brook history in the making.
Solo cared about every facet of the campus and students, attending many athletic events each season. After he semi-retired, he went back to teaching chemistry and did student advising at both summer and winter orientation programs.
Rabbi Joseph Topek from the university described Solo as a pioneer. He introduced many new ideas that have become university tradition — it was Solo who first thought of the Roth Pond Regatta.
A memorial visitation will be held on Wednesday at Bryant Funeral Home in East Setauket, from 4 to 8 p.m. In lieu of flowers, donations may be made to Good Shepherd Hospice or to the Staller Center for the Arts via the Stony Brook Foundation.
Jay Gammill captures beauty of feathered friends
By Ernestine Franco
Like many sons, Jay Gammill has followed in his father’s footsteps, a U.S. Navy photographer during World War II. “My father had a tremendous amount of photographic experience. We even set up our own darkroom for processing pictures in our basement. Dad was always the guy with the camera,” said Gammill.
Born and raised in Long Island City, Queens, Gammill spent his entire life on Long Island, with the exception of his four years in the U.S. Air Force, 1968-1972. He met his wife Janet after returning home from the service. They married in 1976 and moved into their first home in Levittown. In 1999, they moved to their current home in East Setauket.
Gammill received his first camera, a Brownie Starflash, as a young boy. “Boy, was I happy! No one could turn around without a flashbulb going off in their face,” he said. And so began a lifelong passion.
When Gammill entered high school at Rice High School in upper Manhattan, he was in the yearbook photography club, and his parents bought him his first 35mm camera. “That camera was glued to me; if there was any kind of school activity, you could be sure I was taking pictures. It was very gratifying to have many of my pictures published in my senior yearbook,” he said.
Gammill purchased his second 35mm camera while in the Air Force and used it for many years after returning home. “Friends always whined when I was taking pictures at parties and social events but those pictures are now filled with golden memories that can really make people smile.”
Retiring as the director of the maintenance training department of New York City Transit in 2009 gave him more time to pursue this unique hobby.
Sitting outside on the deck of his home, Gammill started taking pictures of birds. He found it wasn’t easy. “Then it became a challenge, and I knew I could do better,” he said. “I have an advanced digital camera now {a Nikon D610}, and birds have become my favorite subjects. My wife, who spent summers in Sound Beach growing up, and I go to parks, ponds, nature areas — anywhere birds may be feeding or nesting.”
Gammill has some advice for anyone interested in photography. “Taking photographs will expand your horizons. It is a very enjoyable hobby, getting you out of the house into the fresh air, not to mention some exercise, which I recommend to anyone.” For himself, he has lots of plans. “Now I want to increase my efforts into landscapes, sunsets, night photography and other areas,” he said.
Mimi Hodges, a resident of Sound Beach and long-time friend of Janet Gammill and her family, credits Jay Gammill with revitalizing her own enthusiasm for photography. At a family get-together last year, Gammill invited Hodges to join a closed Facebook photography group.
“The result is that, for the past year, my interest in photography has been revived and I am truly enjoying this renewed passion. I owe it all to Jay,” said Hodges.
Gammill has posted some of his own photographs on Facebook and was surprised that so many people enjoyed them. When asked by friends how he finds these birds, Gammill answers, “They are all around; you just have to look.” And when Gammill looks through his camera, what he sees is spectacular!
Brush and lens come together at Art League of Long Island
By Talia Amorosano
When photographer Holly Gordon was asked to describe her relationship with painter Ward Hooper, she relayed a Hopi Native American tale about a paralyzed clown and a blind mudhead who are only able to flee their village when disaster strikes by individually compensating for what the other lacks: the mudhead provides mobility by carrying the clown on his back and the clown provides direction by acting as a set of eyes for the mudhead. “[Ward] was opening up my eyes, and I was using my camera to bring him the visions,” said Gordon. “There’s really such a synergy between us.”
For Hooper and Gordon, who met on Facebook through a mutual friend and typically get together once a week, the term “synergy” applies to both life and art, realms which, according to Gordon, are often indistinguishable from one another. Hooper plays the role of navigator for Gordon, who drives them both to diverse locations along the north shore of Long Island, including Huntington, Northport, Centerport, Kings Park and Cold Spring Harbor, some of which Hooper “hasn’t been to in 20 years.” The result is individual reinterpretations of the same settings made more complete by access to each others pre-existing work.
Sometimes Hooper’s paintings provide the initial inspiration, and other times Gordon’s photographs play this role. “That’s the beauty of our collaboration,” said Hooper. “Holly would show me something and challenge me to create something compatible with what she selected.”
“[When using Ward’s painting as the initial artistic reference] I knew that I was going to have to stretch my vision and stretch my technical skills to make my work even more fluid than it was previously,” said Gordon. “Art is usually a solitary thing, and among some artists you find a certain competition, but Ward and I have just been so supportive in sharing and helping each other grow and evolve and develop and create. It’s been an absolutely magical experience.”
52 of the artistic results of this experience — pairing the new photographic art of Gordon with the watercolor paintings of Hooper — will be on display at the Art League of Long Island’s Jeanie Tengelsen Gallery, from Aug. 8 to 23, in an exhibit appropriately titled The Brush/Lens Project.
“We’re hoping that viewers will be inspired,” said Gordon, “that they will come to see and appreciate the beauty that is right here on Long Island [by viewing art that was largely created in and inspired by Long Island].”
The exhibit will highlight versatile pieces of art, arranged in 26 sets, which encompass all four seasons and a variety of subjects. “We overestimated the number of pieces [that we would be able to include in the exhibit],” said Hooper. “Between the two of us, we have nearly 100 years of art,” continued Gordon, “there’s a book here.”
Both Hooper and Gordon are grateful that they have been afforded the opportunity to work with one another and plan to continue to do so in the future: “When you put yourself out there and you’re not afraid to share and interact, there’s so much beneath the surface to discover,” said Gordon, on her rewarding decision to reach out to Hooper. “Art brought [Holly and me] together,” Hooper emphasized. “We think, on many levels, the same way.”
With Gordon in the driver’s seat and Hooper as navigator, there’s no telling where their artistic visions will lead them next. “There’s no end to this journey. There’s no road map,” said Hooper. “We’ll just see where it takes us.”
The Art League of Long Island is located at 107 E. Deer Park Road, Dix Hills. Hours are Monday through Thursday, from 9 a.m. to 9 p.m., Friday, from 9 a.m. to 4 p.m., and Saturday and Sunday from 11 a.m. to 4 p.m.
The community is invited to an art reception on Aug. 9, from 2 to 4 p.m. The artists will take part in a Gallery Talk on Aug. 16, from 2 to 4 p.m. For more information, call 631-462-5400 or visit www.artleagueli.net.
Prev
