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Nancy Solomon

Bay House owner Brian Warasila will be featured in A World Within a World: Long Island's Bay Houses. Photo by Martha Cooper, 2015

By Tara Mae

We are all islanders here, whether by birth or by choice. Individual relationships with the water may vary, but for many it is a core component of cultural identity: a source of relaxation, recreation, sustenance, and survival. 

The Maritime Film Festival, presented by Cinema Arts Centre in Huntington in conjunction with Long Island Traditions in Port Washington and The Plaza Cinema & Media Arts Center in Patchogue, explores the flow and ebb of people’s connections to the sea and the lifestyles it provides. 

The festival will feature three films that are anchored in an appreciation of welcoming and weathering the elements of island life. Each documentary will have its own screening and be followed by an audience Q&A session with the filmmakers and others involved in the projects. [See schedule below.]

The festival begins with The Bungalows of Rockaway on Tuesday, June 14 at 7:30 p.m. Narrated by Academy Award winner Estelle Parsons, the film chronicles 100 years in the tragicomic tale of New York’s biggest summer bungalow colony. 

“The Bungalows of Rockaway illustrates, through the detailed, eloquent, diverse voices of historians, bungalow residents, and Rockawayans and the use of archival images, the long history, meaningful to residents past and present and the city as a whole,” said producer Elizabeth Logan Harris who will participate in the post-screening discussion.

A World Within a World: The Bay Houses of Long Island will be screened on Tuesday, June 21 at 7:30 p.m. This film explores from historical and contemporary perspectives the lives, histories, and experiences of bay house owners in the Town of North Hempstead. 

“The bay houses have a rich history going back to the 18th century and are a part of Long Island’s heritage that many, including myself, knew little about. Besides their aesthetic beauty — giving unparalleled access to the beauty of the marshlands on the south shore — they also offer a glimpse into a sub-culture of families who maintain and love the houses for many generations,” co-director Greg Blank said. 

Co-director Barbara Weber and folklorist Nancy Solomon, who helped put together the festival, will join Blank to talk about the documentary after the viewing.

The festival concludes with Maiden, on Tuesday, July 12 at 7:30 p.m. The documentary is the story of the first all female crew, assembled by British sailor Tracey Edwards, to compete in the 1989 Whitbread Round the World Race, a 32,000 mile global circumnavigation competition.  

“We were just people racing around the world and trying to win. The social impact was not apparent to us until later and it is incredible how the story resonates 30 years later,” crew member Dawn Riley, now Executive Director of Oakcliff Sailing Center, said. 

She and Edwards will reunite to answer questions and reflect on their experiences. 

While Maiden has previously been shown at Cinema Arts Centre, this is the first time The Bungalows of Rockaway and A World Within a World: The Bay Houses of Long Island are being presented there.

“We are thrilled to have such a great range of films,” said Dylan Skolnick, co-director of the Cinema Arts Center.

Nancy Solomon, a folklorist who specializes in maritime culture and Executive Director of Long Island Traditions, a nonprofit that focuses on recording local architecture, organized the film festival as a way to promote and ideally preserve the ethnography of Long Island.

“Long Island is becoming overdeveloped, especially along its coastlines. So the traditions of boat builders, boatyards, fishermen, baymen, bay houses, are in danger. If we don’t start learning about people carrying out these traditions, we are going to lose them,” Solomon said.  “The purpose of this festival is to introduce [audiences] to a very rich heritage of people and places that are part of our cultural identity.” 

She pitched the idea to Skolnick, who hopped on board. 

“It is a true collaboration,” Skolnick said. “At the Cinema, we try to bring great movies from around the world and bring great stories from the local community. These movies fit perfectly with the sort of stories we want to tell.” 

A continuation of a film series that began at Plaza Cinema and Media Arts Center in April, Solomon worked closely with both Plaza Cinema and Cinema Arts Centre to create a celebration of coastal culture through cinematic storytelling.

“I want the festival to help educate people about maritime culture of Long Island and how we can preserve it. The films we selected are all about different places in our region and topics relating to struggles of local people,” she said.

The festival was made possible through grants from the Suffolk County Office of Cultural Affairs, Robert L. Gardiner Foundation, and National Endowment of the Arts. 

The Cinema Arts Centre is located at 423 Park Avenue in Huntington. Tickets to the Maritime Film Festival are $17 for the general public and $12 for members of Cinema Arts Centre. For more information about the festival and films, please visit www.cinemaartscentre.org.

Film Schedule:

■ The festival kicks off with a screening of The Bungalows of Rockaway on June 14 at 7:30 p.m. Narrated by Academy-Award winner Estelle Parsons, The Bungalows of Rockaway tells 100 years of the tragicomic story of New York City’s largest summer bungalow colony, that of the Rockaways. With enticing vintage postcards, archival photography, Marx Brothers home movies, hilarious boardwalk tales, personal accounts recounted by bungalow residents and Rockawayans alike, all grounded by historians, the film brings viewers close to the highs and lows of a large, thriving, affordable, urban seaside resort. The film, directed by Jennifer Callahan and co-produced by Jennifer Callahan and Elizabeth Logan Harris, will be followed by a Q&A with Harris.

■ Up next is A World Within a World: Long Island’s Bay Houses on June 21 at 7:30 p.m. A World Within a World explores the lives, history, and experiences of bay house owners in the Town of Hempstead from both a historical and contemporary perspective. Based on fieldwork by folklorist and maritime ethnographer Nancy Solomon of Long Island Traditions, local filmmakers Barbara Weber and Greg Blank capture the essence of how bay house owners have persevered and endured through severe storms and hurricanes as well as eroding marshlands all while preserving traditions that began in the early 19th century. The film profiles Long Island families who have owned bay houses for over 100 years including the Muller, McNeece, Burchianti, Warasila, Jankoski families. The screening will be followed by a Q&A and discussion with directors Greg Blank and Barbara Weber and folklorist Nancy Solomon.

■ The festival closes with a screening of Maiden on July 12 at 7:30 p.m. In 1989, long dismissed and belittled as the only woman crewmember on the ships where she worked, British sailor Tracy Edwards set out to prove herself in the biggest way possible. She assembled the world’s first all-female international crew and entered the Whitbread Round the World Race, a 32,000 mile global circumnavigation competition that, until then, had been the exclusive domain of male seafarers. The screening will feature a Q&A with Maiden Captain Tracy Edwards and sailor Dawn Riley, Director of Oakcliff Sailing School.

 

A portion of Sunrise Highway during Hurricane Gloria, 1985. Photo from LIM
Exhibit examines the many facets of dangerous storms

By Rita J. Egan

Five years after Hurricane Sandy hit the shores of Long Island, and as our country continues to recover from recent hurricanes, the new exhibit, In Harm’s Way, at The Long Island Museum in Stony Brook delves into the effect such storms can have on communities.

The aftermath of Hurricane Sandy, Oct. 30, 2012. Photo by Edward Kent

Nancy Solomon, executive director of Long Island Traditions, an organization dedicated to preserving local traditions and heritage, curated the exhibit. Through artifacts, hands-on activities, photographs and paintings dating back to the 1938 hurricane nicknamed “Long Island Express” and earlier, Solomon has created various vignettes where museum visitors can discover how residents and government agencies prepared and recovered from natural disasters through the decades.

“It’s really about how we have coped and prepared for storms both on a personal level and on a community level through history up to the present and looking forward,” Solomon said.

The curator said In Harm’s Way is an exhibit she’s been working on for a few years. Before Sandy hit Long Island, she was working on an exhibit about boaters and boatyards and talking to those who worked and lived along the coastlines.

“During Sandy I said to myself these people are going to have to cope with a lot of damage and to think forward to how they are going to prepare for this [in the future] since these storms are becoming more frequent,” she said. “And I thought of that while [Sandy] was happening. Chances are there are things they know that other people might benefit from, as well as things they don’t know that we might learn from that have happened over the last 100 years.”

Solomon, who has a M.A. degree in Folklore and American Studies from George Washington University and is an active member of the American Folklore Society, said the title of The Long Island Museum exhibit came about after talking to a fisherman who explained to her that those who work on the water have many ways of monitoring conditions to get out of harm’s way. “Ordinary people have tremendous knowledge, and we can learn from those things,” she said.

Solomon said one story she was told was about a boat captain who noticed the barometer went down one full point in an hour, signifying a tremendous drop in atmospheric pressure, during Hurricane Carol in 1954. While he used a ham radio to alert other captains to head back to shore, they didn’t heed his warning. While his crew made it back safely to Jones Inlet, the others didn’t. Solomon said the story had a big impact on her.

“That was my first major understanding that there are things that you have to pay attention to,” she said. “You have to pay attention to bird migration. You have to pay attention to fish migration because they are natural warning signs that fisherman are keenly aware of as well as people who live in places like Fire Island.”

A 1938 clock with a watermark from the “Long Island Express” hurricane. Photo by Rita J. Egan

Visitors to the exhibit will find it separated into three sections. The first — Looking Backwards — includes museum objects and items from personal collections from the 1938 Long Island Express to the 1991 Halloween nor’easter. Among the pieces are damaged items from 1938 including a clock that was mounted high on a garage wall that still bears the watermark from the Long Island Express hurricane.

A second section is dedicated to the hurricanes Irene, Lee and Sandy that occurred in 2011 and 2012 and their impact on Long Island and upstate New York. A featured artifact is a piece of the Long Beach boardwalk. Another piece that is a favorite of Solomon’s is a bay house, built by museum staff member Joseph Esser, where visitors can see what measures one can take to protect themselves when in harm’s way, including the use of bags filled with sand or clamshells.

The last section of the exhibit, Looking Forwards, focuses on solutions such as flood-proof homes and new technologies. There is also an interactive table where museum-goers can build their own home or community, taking into account safety measures for those who live along the coastline.

The museum’s curator Joshua Ruff compared the timely subject of battling storms to how generals and military planners talk about how the last war is still being fought as a new one is starting.

“I think that the exhibition really does a wonderful a job of looking at recent memory and looking at how memories have been guiding experiences for Long Islanders storm after storm after storm,” Ruff said.

Neil Watson, director of the museum, said he is pleased with the collaboration with Long Island Traditions and the exhibit that he said is informative and entertaining due to being visually stimulating. “For our museum to do a show that is focused on Long island and has a global overreach, I think is really terrific,” he said. “It’s what we do. It’s the mission of the museum to have an exhibit of this caliber, especially at this time given what’s happened recently, it’s become almost a timeless problem.”

The remnants of a steeple from the Old Whaler’s Church in Sag Harbor destroyed by the 1938 hurricane. Photo by Rita J. Egan

Watson said the narrative is personal for everybody and the objects included in the exhibit are varied and effective. “They really give you a sense of place,” he said. “They put you in the moment as opposed to looking at a photograph of a house. So, I think in that way it’s a very ambitious installation of the exhibition, and it’s very effective. It’s pretty wonderful in that way.”

Solomon hopes that visitors will think about how waterfront and coastline communities are changing after viewing the exhibit. During her research, she said she learned a lot about the importance of high dunes and how hardening the shoreline may not be the best approach. “I hope they start asking questions of planners and our public agencies about the rationale for doing things and when there might be some better ways,” she said.

The Long Island Museum will host In Harm’s Way until Dec. 31. Special programs include the symposium “In Harm’s Way: Past, Present and Future” Oct. 28, a panel discussion “Learning from our Neighbors” Nov. 12 and the curator’s gallery tour Dec. 3. The museum is located at 1200 Route 25A in Stony Brook. For more information call 631-751-0066 or visit www.longislandmuseum.org.