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Movie

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File photo by Kyle Barr

After more than seven months being shuttered, PJ Cinemas is looking to have people back in their seats Friday, Oct. 30.

It’s something that’s been a long time coming for Phil Solomon, the owner of the Port Jefferson Station-based theater. The local cinema had to close down in March due to COVID-19. Gov. Andrew Cuomo (D) made the announcement that movie theaters could open again at 25% capacity starting Oct. 23.

Solomon said his theater is going heavy with new filters, including MERV 13 filters, but also new HVAC ductwork units that purifies the air in each individual theater.  

“Not only is it doing what Governor Cuomo has asked but it goes beyond that,” the theater owner said. “We’re doing this to keep the public and especially our staff safe.”

All staff are mandated to wear face masks and face shields. The theater will also be added tempered glass barriers around the box office and concession stands, both on the main floor and upstairs. Each barrier is given a mahogany wood border that Solomon said makes it look like the place “has been built this way.” 

Capacity is limited for each of the seven theater rooms. There will be stanchions to mark which seats are available and which are not. Every other row will be blocked off, and in between showings the occupied row will be sanitized. While each row is cleaned, the seats originally blocked off will be made available for the next showing.

The question of what movies would be available once theaters could reopen was something that has dogged the theater owner for months. However, his booker gave Solomon the good news there were several available, including “Come Play,” “The War with Grandpa,” “Honest Thief,” 

 “Tenet” and “On the Rocks.” He said despite everything it’s a good selection, including a Robert De Nero flick (“Grandpa”), which often gets butts in seats, and Christopher Nolan’s mind-bending thriller (“Tenet”) that originally came out earlier this year, but never aired in New York.

“Right now, product is a big issue because distributors are not moving a lot of the product for six months or a year,” Solomon said. The seventh screen remains unused, and Solomon said they are waiting to see what can be used to fill that space. 

Of course, all this work won’t help unless people come back to the theater. Solomon went by the old proverb of “book it, and they will come,” and he’s “hoping it works now — we’re giving it our best shot.”

It’s been a difficult few months since he was made to close, saying it had been “frightening.” After he closed he had to furlough his workforce. He said he was able to apply for and get a Paycheck Protection Program loan, which he used to pay a few employees and use the rest to pay for intervening costs. Though even if he wanted to open in that time, there were very few new movies coming out to show.

“A hamburger store could be told, ‘OK, you can open,’ and they have hamburgers,” Solomon said. “We were like the hamburger store that had no hamburgers, we would have none to sell to the public.”

Because of the slate of movies on offer, he said it’s working out better than he originally feared. The man is known for recording entertaining voicemail descriptions of each movie on offer when people call up the theater, with his recognizable, “Heeeeyyyy,” being the first thing they hear. Now, moviegoers will get the opportunity to hear it again. The theater purchased large signs to put out on the road to let people know PJ Cinemas is open again. On the front window of the theater there’s now a sign reading “Heyyyyy! Reopening Fri, Oct. 30!”

“The community appreciates us as an asset, and we appreciate the community,” he said.

From left, Ruth Hussey, Jimmy Stewart, Cary Grant and Katharine Hepburn in a scene from ‘The Philadelphia Story’. Photo courtesy of Fathom Events

Fathom Events, Turner Classic Movies and Warner Bros. Entertainment are bringing the timeless classic “The Philadelphia Story” to select cinemas nationwide for a special two-day event on Sunday, Feb. 18 and Wednesday, Feb. 21 as part of the TCM Big Screen Classic Series.

Winner of two Academy Awards including best writing, screenplay (Donald Ogden Stewart) and best actor (Jimmy Stewart), “The Philadelphia Story” is a  1940 romantic comedy directed by George Cukor and starring Cary Grant, Katharine Hepburn, Stewart and Ruth Hussey that was adapted from Philip Barry’s Broadway hit play of the same name.

Katharine Hepburn and Jimmy Stewart in a scene from the film. Photo courtesy of Fathom Events

In one of her most famous roles, Hepburn plays Tracy Lord, the daughter of a well-to-do Pennsylvania family. On the eve of her wedding, her blue-blood ex-husband, C.K. Dexter Haven (Grant), returns. C.K. discovered that a national tabloid plans to do an exposé on Tracy’s philandering father and has agreed to smuggle a reporter (Stewart) into her wedding if the magazine kills the story on the elder Lord. But C.K. never expects that the woman he still loves will suddenly fall for the undercover reporter. Now, before the evening is over, Tracy will be forced to take an unflinching look at herself and to realize which of these three men she truly loves.

Hepburn won a 1940 New York Film Critics Circle Award for her performance, and the film was named one of the 10 best of the year by Film Daily. Adapted in 1956 as the MGM musical “High Society,” starring Bing Crosby, Grace Kelly, Frank Sinatra, Celeste Holm, in 1995 “The Philadelphia Story” was deemed “culturally, historically, or aesthetically significant” by the Library of Congress and was selected for preservation in the United States National Film Registry.

The two-day event will also feature an exclusive commentary from TCM host Ben Mankiewicz who will give insight into this classic film.

Participating movie theaters in our neck of the woods include AMC Loews Stony Brook 17, 2196 Nesconset Highway, Stony Brook (at 2 and 7 p.m. on both days); Farmingdale Multiplex Cinemas, 1001 Broadhollow Road, Farmingdale (on Feb. 18 at 2 p.m. and Feb. 21 at 7 p.m.); and Island 16 Cinema de Lux, 185 Morris Ave., Holtsville (on Feb. 18 at 2 p.m. and Feb. 21 at 7 p.m.).

To purchase your ticket in advance, visit www.fathomevents.com.

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Almost everyone likes movies. But have you ever fantasized about making a movie? Now I’m not talking about a home movie of the kids swimming or starring in a play. I mean the big stuff, with lights, camera, action, Hollywood director’s chair, first-tier actors and bullhorn. Well, our newspapers are now in the filmmaking business, and it was history that made us do it.

History, particularly our local history about the Revolutionary War – the battle of Long Island, the Battle of Setauket, Nathan Hale and the Setauket Spies are as exciting to read as any stories today. In fact, they are remarkably relevant, as aspects of the Constitution are regularly part of our political discussions today. For what were the Patriots fighting, putting their lives and possessions on the line, bleeding and dying? And what are we doing with that heritage?

History makes for great storytelling, as the producers of “TURN” on AMC discovered over the last four years. Their version of history was inspired by fact but strung together by fiction. So on the anniversary of the Setauket Spy Ring last year, we  filmed a dramatic narrative of the Culper Spies wholly based on fact. To our great delight, that short film, which is on our website and YouTube, Facebook and other places, won first prize from the New York Press Association for video made by a newspaper.

Encouraged by our success and entranced by the many triumphant and also heart-wrenching stories that happened right here on Long Island some 240 years ago, we are making a full-length film this year, and we begin shooting locally this weekend. This time we are going all the way, with a cast of professional producers, directors, actors and first-rate equipment. The set is a work of art in itself, a recreation of the fort in the Battle of Long Island in Brooklyn Heights. We have 135 re-enactors coming from distant parts — Saratoga, New York; members of our own Long Island Third New York regiment; Murrysville, Pennsylvania; and Fairfield, Connecticut — to stage the battle that almost lost the Revolutionary War before it even truly began. They will be carrying authentic muskets, shooting gunpowder, spilling blood and gore profusely (thanks to our famous special effects person) and otherwise re-creating history. Best of all about this film, we are delving into the lives and personalities of the historic figures whose actions made victory possible. Be assured that we are characterizing them authentically, both colonists and British, fleshing out what details have come down to us from historians and corroborated by our local historical societies.

Several local organizations, institutions and residents are helping to support and underwrite this ambitious production: The Ward Melville Heritage Organization, the Three Village Historical Society, The State University at Stony Brook, the Society for the Preservation of Long Island Antiquities (SPLIA), Theatre Three and the law firm of Glynn Mercep & Purcell. Some support is not so local, perhaps including the Fraunces Tavern Museum in New York City and the Nathan Hale Homestead Museum in Coventry, Connecticut. Many places have indicated their interest in showing the film, including some local teachers and administrators. What a painless way to teach local history.

As we have been reaching out to the many people involved in this venture, we have come across many enriching details. For example, the Sherwood-Jayne Farm, where some of the action takes place, has original planking from Founding Spy Benjamin Tallmadge’s home, the Brewster House was a tavern and home of a cousin of fellow Culper Spy, Caleb Brewster, historic Benner’s Farm where we are doing some of the filming, comes down to us over the centuries, and the 1709 Thompson House, home of a local doctor, is one the beautiful preservations of the WMHO. And by the way, the Caroline Church on the Green in Setauket has a musket ball lodged in its steeple.

History is the glue that holds a community together, and our particular history is the platform on which our nation was built. We are proud to bring these stories to you on film, as well as in print, and we invite any organizations, businesses and residents who might like to be credited with making this production a reality to contact us directly. Call me at 631-751-7744 and become a part of the history of our hometowns.

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He survived all manner of close calls when he saved the world seven times but my favorite James Bond, Sir Roger Moore, succumbed to cancer earlier this week at the age of 89.

Many of my friends and contemporaries thought Sean Connery’s suave and debonair flair for the super spy with all the right moves and the smooth delivery of his “vodka martini, shaken not stirred” line was hard to top.

There was something, however, about my age when I saw the Bond films with Moore that put him at the top of my list in the 1970s and ’80s. The endless combination of gadgets and arched eyebrows made him a welcome distraction in the midst of the Cold War.

I didn’t have any particular need to delve into his psychological profile or his family history, topics the more modern films have tackled. Moore’s Bond was a man of action, staving off disaster from wealthy, eccentric and egotistical villains who often had colorful, mercenary sidekicks.

Watching Moore battle with Richard Kiel, who played the impossibly strong, metal-toothed Jaws in “The Spy Who Loved Me” and “Moonraker” was pure entertainment for me as an adolescent.

The Bond movies, which started in 1962 with “Dr. No” and are still going strong 25 films later, have had many memorable opening scenes. Told to “pull out” of his mission in Austria, Bond skis away from Russians determined to kill him, but not before shooting several of them, including the lover of someone who would later become his partner in the movie.

He escapes by skiing off a cliff, where he seems to fall for an impossibly long time, kicking off his skis and flying through the air with a red backpack that seemed irrelevant until he pulls a string and a parachute with the British flag emerges, accompanied by the blaring Bond music. Moore tugs on the strings of his parachute, as he floats toward the screen.

That’s when Carly Simon’s music takes over. I suspect we’ll hear “Nobody Does it Better” in the next week or so.

Growing up surrounded by water on Long Island, I reveled in Moore’s journey into an undersea world in a car that turned into a submarine. Moore and Barbara Bach (who played Major Anya Amasova, aka Agent XXX) battled against Karl Stromberg (acted by Curd Jürgens), whose plan involved encouraging war between the United States and Soviet Union so life could begin again in the oceans after humans destroyed themselves.

Enemies in “The Spy Who Loved Me” and for much of “Moonraker,” Moore and Kiel team up at the end of “Moonraker” after Bond convinces Jaws that the villain Hugo Drax has no need for Jaws or his bespectacled girlfriend, Dolly, in his new colony of flawless humans. When Kiel speaks at the end of the movie, saying only, “Well, here’s to us” to Dolly (played by Blanche Ravalec), his voice is almost impossibly normal and tender, adding to the ongoing tongue-in-cheek nature of these high-action films.

After Kiel died in 2014, Moore said how “totally distraught” he was at the death of “my dear friend.”

While most of us never met Moore, many fans of the franchise felt a sense of loss to hear of Moore’s death. Through his seven Bond films, Moore delivered memorable lines, often with a self-confident smirk, such as when he pushed Drax out into space, encouraging him to “take a giant step for mankind.”

While all of the seven films that starred Roger Moore weren’t equally good, there were times — especially in “The Spy Who Loved Me” — where nobody did it better.

Marisa Vitali, creator of “Grace,” speaks after the screening of the film. Photo by Victoria Espinoza

Community members from all around the Huntington area packed into the John W. Engeman Theater on Tuesday night for a premiere screening of “Grace,” a short film about heroin recovery.

Marisa Vitali, the film’s creator and a Northport native, based the film on her own struggles with drug addiction and rehabilitation.

“I would have never been able to do this without all of you,” Vitali said after receiving a round of applause once the film ended. She shot the motion picture in Northport, primarily at Tim’s Shipwreck Diner, and used members of the community as extras in the film.

During the unveiling, Vitali said she realized that she has been clean for 14 years, four months and four days, to the day.

“I am so grateful,” she said. “I am so grateful I didn’t wake up dope sick today and I am so grateful I didn’t have to use. Everything else is just a blessing on top of that.”

She then spoke to the people in the room who may be currently going through the same challenge or have a loved one who is.

“I’m sure there are people here who are struggling, who don’t know where to go … but I want to let you know there is a light at the end of the tunnel. We do recover.”

The event was hosted in partnership with the Northport-East Northport Drug and Alcohol Task Force. Profits from tickets, food and raffle tickets sold at the event went toward the Youth Directions and Alternatives, a nonprofit organization serving communities throughout Huntington by developing services and sobriety programs for youth in the communities.

According to Anthony Fernandino, chair of the task force, the event had raised $7,500 before raffle ticket proceeds were counted.

Fernandino has been working with Vitali for almost four years trying to get the event together and was ecstatic to see it all come together.

“It feels great,” he said before the screening. “We sold out and exceeded our expectations. I’m excited because we have a house full of people that we will be able to educate and bring awareness to this issue.”

Northport Mayor George Doll, who Vitali said was a vital part of making the film, was proud to be a part of the event.

“This is a fantastic thing,” he said. “We have people coming here all the time to do films, but hers was special.”

Northport Police Chief Bill Ricca agreed that it was a unique and important approach to combat addiction.

“From a law enforcement standpoint, we can’t arrest ourselves out of this problem,” he said. “We need the community’s help, we need treatment, prevention, and education.”

After the film, there was a question and answer portion in which audience members asked Vitali about how she first got into drugs, got clean and continues to live a healthy life. Barry Zaks, director of Huntington Drug & Alcohol Counseling Center, also answered questions on how and when parents should start having conversations about drugs with their kids.

Jon Cryer and Molly Ringwald in a scene from ‘Pretty in Pink.’ Photo from Fathom Events

The 1980s teen classic “Pretty in Pink” turns 30 this year and Fathom Events and Paramount Pictures invite you to celebrate the cult film’s 30th anniversary when it returns to 575 select cinemas nationwide for a special two-day event on Sunday, Feb. 14 and Wednesday, Feb. 17 at 2 p.m. and 7 p.m.

John Hughes’ romantic comedy-drama film about love and social cliques in 1980s American high schools first arrived in theaters on Feb. 28, 1986, and secured the No. 22 spot on that year’s list of highest box-office earners by grossing $40.5 million over its 14-week run.

“It is exciting to celebrate 30 years of Pretty in Pink by showing it back in movie theaters for Valentine’s Day,” John Rubey, the CEO of Fathom Events, said in a statement. “Many from this generation have never seen it on the big screen and now they have two very special chances.”

Featuring outstanding performances by Molly Ringwald, Andrew McCarthy, Jon Cryer, James Spader, Harry Dean Stanton and Annie Potts plus a phenomenal rock soundtrack, “Pretty in Pink” is a funny and bittersweet love story that stands the test of time.

In our neck of the woods, screenings will be held at Island 16, 185 Morris Ave., Holtsville; AMC Loews Stony Brook 17, 2196 Nesconset Highway, Stony Brook; and Farmingdale Multiplex 1001 Broadhollow Road, Farmingdale.

Tickets are available online at www.FathomEvents.com and at participating theater box offices.

Steve Sacco’s character Matthew Moon captures a ghost in a scene from ‘Distiller.’ Photo from Andy Schroeder

There’s no genie in the Distiller’s bottles — only ghosts. The community can catch a glimpse of these ghosts in H.A.M. Studio’s spooky film “Distiller” at a free Long Island premiere screening at Emma S. Clark Memorial Library in Setauket this Friday evening.

Filmed partially on Long Island, “Distiller” includes scenes shot locally along the North Shore and was produced by the husband and wife filmmaking team of Andy and Erin Schroeder, residents of Port Jefferson Station.

The film follows renowned ghost hunter Matthew Moon, who hunts and captures menacing ghosts in liquor bottles until his disappearance. Twenty years later, Moon’s niece Blue inherits his belongings and estate along with Moon’s collection of ghostly bottles. Moon’s niece and nephew Charlie discover what gives their uncle’s liquor bottles their kick when they open the bottles during their Fourth of July party.

Above, actress Amy Ciupek, left, and Andy Schroeder finalize audio for the film Distiller. Photo from Andy Schroeder
Above, actress Amy Ciupek, left, and Andy Schroeder finalize audio for the film Distiller. Photo from Andy Schroeder

Andy Schroeder, who also directs the film, came up with the idea for the film in the summer of 2012 with the help of Steve Sacco, who plays the part of Matthew Moon in the film.

Sacco and Schroeder teamed up to write the script, which took four months to complete. Filming followed shortly after and extended into 2013. Although less than two weeks was spent filming the actors’ scenes, Schroeder said more than 280 days was devoted to filming the movie’s numerous effect shots.

Schroeder wanted to take an “old school” approach to the film when it came to props and special effects. Puppets, real animals and other tangible props were used to add depth and authenticity to the film. This approach to special effects allowed the film to attract adults and kids alike. “We felt like there’s really not a lot of movies you can watch with kids that are under 13,” said Schroeder. “It’s definitely a movie for adults but we made it to be a family-friendly film … We didn’t want it to be a blood and guts kind of movie.”

Actor Dan Noonan, 31, who plays Charlie Moon, said people should look beyond the old school effects. “I think in this day and age in regards to just the tone of the movie, go in with an open mind expecting to have a good time,” Noonan said. “People get way too involved in how effects should look.”

Noonan lives in Albany but he met Schroeder in college more than 10 years ago. He said Schroeder reached out to him about playing Charlie for the film. Noonan added that filming was an eye-opening experience that left him wanting to make more movies. Noonan is waiting to pursue acting opportunities until after the film’s official release.

The film may not have many big name actors, but it does includes local actors and actresses like Ward Melville High School graduate Kerry Logan. Logan also appeared in the CW’s “Carrie Diaries” and played Piper’s cousin in “Orange Is the New Black.”

Members of the cast and crew of ‘Distiller,’ from left, Ritch Harrigan; Amy Ciupek; Erin and Andy Schroeder; Dan Noonan; and Steve Sacco. Photo from Andy Schroeder
Members of the cast and crew of ‘Distiller,’ from left, Ritch Harrigan; Amy Ciupek; Erin and Andy Schroeder; Dan Noonan; and Steve Sacco. Photo from Andy Schroeder

While the “Distiller” cast tackles their ghosts, the community can catch glimpses of Emma S. Clark Memorial Library in Setauket, Port Jefferson Village and the Berkshires in the film. Schroeder and his cast and crew utilized Emma S. Clark’s historic periodical reading room in several scenes, which was the original library building in 1892 according to Andy’s wife Erin who helped produce the film alongside her husband.

“It looks very rich and regal,” said  Erin, about the older section of the library. The couple thought filming scenes in these areas of the library would improve the look of the film and save money at the same time. As a library assistant at Emma S. Clark, Erin helped secure the location for the film.

While her husband majored in music engineering and producing at SUNY Oneonta, Erin wasn’t as familiar with producing a film. She chose to help the film behind the scenes by designing props and helping her husband with effects, saying, “It was the two of us, Andy and I, doing all the editing, music production, doing all the sound effects.”

Andy Schroeder once worked at the Setauket library as a page while he was attending Ward Melville High School. Now he produces the Town of Brookhaven’s TV Channel 18 on Cablevision as an audio-video production specialist and is also the artist of a weekly comic strip based on “Distiller,” which follows “Uncle Matt,” the film’s ghost hunter, on his supernatural misadventures. While he has produced other short films and music videos in the past, this is Schroeder’s first feature film.

While Schroeder doesn’t plan on creating a sequel to “Distiller,” the money earned from this production will go toward creating more films in the future. While he grew up in Setauket, Schroeder and his wife currently reside in Port Jefferson Station with their parakeets Doc, Cuddles, Quattro and Baby.

Residents can find out what happened to Moon and his ghosts at the film’s free screening on Friday, Jan. 8, at 7 p.m. at the Emma S. Clark Library, 120 Main St., Setauket. Andy and Erin Schroeder will be in attendance to answer questions and the film crew will distribute free “Distiller” posters and comics based on the film’s characters during the premiere. The film will be available nationally on digital Video-On-Demand on iTunes, Amazon Prime and Google Play this Friday.

For more information on the film, to view the trailer or to see behind the scenes footage, visit www.distillerthemovie.com.

Wrestler Dave Otunga films a scene at the Long Island Pour House in Port Jefferson Station for ‘What Happened Last Night.’ Photo by Giselle Barkley

What really did happen last night?

That’s what audiences will figure out in writer and director Candice Cain’s film “What Happened Last Night,” an independent film that puts a spin on and takes a comedic approach to breakups, new flames, friends and college life. The film retraces the steps of a group of college students after a fraternity party and opens with main characters Sarah and Danny, played by Alix Kermes and Clayton Snyder.

Brookhaven resident Cain brought her cast and crew to Long Island on Nov. 28 and started filming a bar scene at the Long Island Pour House in Port Jefferson Station. Although the film focuses on college students, actress Rebecca Boughton said there’s something for everyone, whether in high school, college or adulthood.

“It’s just very relatable because it’s a story about relationships,” Boughton said. “It’s about coming of age and figuring out who you are and what you want to do with your life.”

Boughton plays Laila, a pretentious advisor for the Alpha Delta Pi sorority. While Boughton is a member of the sorority in real life, that’s not the only thing that attracted her to the film. She and the cast agree that Cain’s script has natural dialogue, making the interaction between characters realistic.

“You know she comes from a theater background,” actor Jake Thomas said. “It’s a very long script, but it does flow very quickly because the dialogue just jumps from one thing to another.”

Like many of the cast, Thomas is no stranger to the stage. As a kid, he played alongside Hilary Duff as Lizzie McGuire’s little brother Matt on the 2001 Disney television series of the same name. Thomas is making an appearance in Cain’s film as Dave, the main character’s ex-boyfriend. Snyder, who played Ethan Craft on the same Disney Channel show, recommended the production to Thomas.

Cain wrote the story in three days, when she was a 19-year-old George Washington University student. The idea came about after she woke up at a friend’s place after attending a party the night before. Cain was sick during the party and took Nyquil before attending, and her friend allowed her to stay overnight after alcohol spilled on Cain and soaked her clothing. She woke up to the smell of bacon but couldn’t immediately remember where she was.

“I started thinking to myself, ‘What if there was someone in bed with me and I woke up? How would I have reacted?’” Cain recalled.

The writer and director performed her story at her university’s theater, acting as Sarah. Two decades later, this past April, Cain found the script in her basement.

“Everyone who’s been in a relationship knows that breakups suck,” Kermes said. “They’re hard especially in college when you start thinking about your future.”

Big name stars like Amber Rose and WWE wrestler David Otunga, who’s engaged to singer Jennifer Hudson, will also appear in the film, which hits theaters next year. Otunga heard about the film through his agent and took on the role of Tiny, a large bartender who comes to the rescue of Sarah’s friend Mindy, played by Diana Durango.

“I’m really happy to be able to support independent films,” Otunga said. “I feel like these are so much fun because it’s truly about the art. It’s not super-huge budgets and everything, but we make it work and make such an awesome looking project and it’s really cool to be a part of that.”

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‘We have parts of the plane and we also have the pilot, who is quite alive and kicking. The pilot is in Moscow and so are parts of the plane.’  Soviet Premier Nikita Khrushchev, 1960

By Rich Acritelli

It was a great time to be alive within American society during the 1950s and 1960s. Our nation defeated the fascist powers of Germany and Japan and was the strongest country to emerge from the fighting of World War II. These decades saw the growth of Levittown, Mickey Mantle hitting home runs, massive goods and services being consumed by our citizens and “Leave It to Beaver” and “The Honeymooners” on television.

While this nation enjoyed these positive times, the United States was engulfed in the Cold War. These concerns are depicted through Steven Spielberg and Tom Hanks’ production of “Bridge of Spies.” Once again these two Hollywood icons have created a unique film that will not only be well perceived in movie theaters but will be used by future high school and college teachers to describe the impact of this epic conflict.

Directed by Spielberg, this movie does a masterful job of showing how our government functioned during those tumultuous years at home and abroad. Hanks portrays James B. Donovan, a New York insurance lawyer who was part of the prosecuting team that convicted the top Nazis at Nuremberg in 1945. He was also approached in 1957 by the government to provide a capable defense for Soviet spy Rudolph Abel, played by Mark Rylance, who was arrested with American military intelligence.

While he was apprehensive at first to take this case, he understood that even enemies of the state were entitled to due process. Through this part of “Bridge of Spies” Spielberg depicted how Donovan was able to see both sides of the Cold War through the Soviet perspective. This aspect becomes dominant within the film when Francis Gary Powers’ U-2 spy plane was shot down over communist territory in 1960. The creators of this movie supremely showed the paranoia that our Central Intelligence Agency held in training its pilots for the dangerous and secret operations that it conducted.   

Powers, played by Austin Stowell, understood the gravity of the Cold War and accepted the risks inherent in taking high-altitude pictures of enemy troop movements and weaponry. When Powers was shot down, it presented a dilemma for our leadership, which did not want our pilot to be executed for espionage.

During and after his defense of Rudolph Abel, Donovan stressed the need for our government not to execute this spy and to treat him with some decency. Although these were humanitarian views, Donovan continued to counsel the government about the need to show fairness out of the fear that eventually one of our own spies would be caught by the enemy. Well, the movie shows how his assessment comes to fruition.   

Allen Dulles, the head of the CIA, played by Peter McRobbie, pushed Donovan to travel to East Berlin to engineer an exchange of the Russian spy for Powers’ release from captivity. From a historical point of view, Spielberg produced the hysteria of the earliest moments when the communists erected the Berlin Wall. “Bridge of Spies” teaches the viewer how the communists tried to isolate the eastern part of Berlin from the western world, the chaos between these powers and the pressure that was placed on Powers to break under imprisonment.

Donovan was tasked with not only getting Powers back but also an American student who was caught behind the wall. With common sense, intelligence and poise, Donovan understood that this incident could have triggered a massive war between these two political and military foes.

The all-star cast also includes Alan Alda, Amy Ryan, Billy Magnussen, Michael Gaston, Domenick Lombardozzi and Eve Hewson.

Once again the combination of Spielberg and Hanks has made a film that will be respected by moviegoers that never get tired of watching this type of American history. It is possible that these two men could be one of the best teams to ever make movies of this magnitude. “Bridge of Spies” is a historic thriller that will continually show you how difficult the Cold War was to wage for our government and the serious national threats that were always present against our citizens during and after this time period.

‘Bridge of Spies,’ is now playing in local theaters. Rated PG-13.

James D. Schultz as Bill Reach in a scene from ‘Down the Road.’ Photo by David Morrissey Jr.

By Stacy Santini

One of the most daunting scenes in film is in the final minutes of 1974’s “Texas Chainsaw Massacre” when Leatherface is dancing his own murderous ballet wielding a chainsaw at sunset. It is a stunning visual into the disturbed psyche of a serial killer. There is no need to delve back into celluloid archives to experience this phenomenon once again, as Bluebox Theatre Company is brilliantly exploring this unsettling subject matter in its presentation of Lee Blessing’s “Down the Road,” at The Performing Arts Studio of New York in Port Jefferson Village.

Directed by Bluebox’s David Morrissey Jr., the play opens with an abrupt spasm disrupting the cozy darkness in this intimate blackbox theater; a large flat-screen TV center stage begins flashing familiar images. The audience is reminded of William and Kate’s royal wedding, the West Nile virus outbreak and other popular “newsworthy” stories.

In a short time the broadcasts turn extremely dark, focusing on people the public has come to know all too well: Ed Gein, John Wayne Gacy, Ted Bundy and Charles Manson. Interview after interview, clip after clip, Morrissey begins to open up our doors of perception and draw us into the minds of these haunted men, the actions that have made them media icons and their stories a sad reality.

“Down the Road” is a psychological drama about serial killer Bill Reach, who has murdered and raped 19 women. While Reach is incarcerated, a young married couple, Dan and Iris, both of whom are journalists, are contracted to write a book about Reach. Initially approached as a fact-compiling endeavor, the couple soon begin to unravel not only Reach’s subconscious but their relationship as well and at the same time explore demoralizing themes.

As their ambition bounces their physical bodies into a cheap motel room in this rather beige part of the world, the audience is first introduced to Iris and Dan. Played by Marquez Stewart and Bluebox mainstay Bryon Azoulay, their connection is palpable. Consumed by passion for one another discussing their dreamy expectations of starting a family, they seem like tender lambs unaware that they are being led to slaughter.

As the play progresses, their different styles of interviewing Reach are apparent as well as the way each character reacts to the intensity of their exchanges with him. Communicating their thoughts on their individual interviews with Reach into a recorder, their distractions also become evident and the toxicity of Reach’s aura slowly twists and torments not only their ability to proceed with the task at hand but their relationship as well.

It is undeniable that Stuart portrays Iris with all the confrontational, aggressive boldness that her role demands. She is terrific and perfectly balances her character’s vacillation between being drawn to Reach while at the same time being repulsed by him. When asked by Reach if she is afraid of him, she snidely responds, “Desperately,” without disrupting her dead on stare.

Azoulay’s Dan is much more accommodating and at times submissive to Reach. He begins his interactions with Reach obligingly as a great inquisitor, but his growing fear eventually arrests his questioning and manifests in a dichotomy between his desire to run and his addiction to Reach’s mania. His impassioned solo scripted moments invoke the same angst and confusion into the viewer that his character is experiencing.

James D. Schultz as Bill Reach — that should be the play’s tag line. Schultz, a solid acting member of the Theatre Three family for several years, is a prodigy. Watching Schultz sprint to the top of our local acting pyramid in such a short time has been not only a joy for his followers but an awe-inspiring accomplishment. Probably his most challenging role to date, he more than nails it — he surpasses it, so much so that audience members were shaking when his presence loomed on stage unlit, allowing the other actors to take the baton. It was horrifyingly beautiful. All were scared to death of the diabolical monster Schultz passively and slowly created.

Embarking on the stage, Schultz is handsome and inviting. With the exception of his handcuffs, his attire is mainstream — jeans, a button-down shirt and designer eyeglasses.

He looks so normal, so familiar; but then the exchanges begin between him, Dan and Iris, and we are perversely aware that there is nothing normal about Bill Reach or James Schultz for that matter.

A chronological questioning commences, and it is here we see the true talent of Schultz. Expectations of a rabid, crazed lunatic who takes life from people is anticipated, but this is not the case with most serial killers, and Schultz’s restraint in this regard is stupendous. With a blank stare, a severe sociopathic being comes alive as he describes his killings in a matter of fact tone. The audience is hearing it, but in the back of our minds we are not really believing it. Methodically, he unwinds the details of his carnage. He says things like, “It wasn’t murder, murderers have motives, I kill,” and “Don’t insult me, most people don’t torture what they hunt.”

As Schultz describes what it feels like to kill, the theater was eerily quiet, audience captivated and for a moment almost simulated a poetry reading. Eventually we see outbursts and violence from Reach that Schultz brings to a new level. He frightens the audience with a lingering energy and so much so that when his character is not the focal point, the audience is still very much aware that evil is in the room. Absolutely incredible and only the work of a true master.

David Morrissey Jr. governs this production with the intensity and passion of a veteran director. Part of the talented triad team that makes Bluebox Theatre Company tick, Morrissey creates synergy among his characters and movement on stage that will surprise you. Coached by his counterparts, Joe Rubino and Andrew Beck, this play secures their place among our local theaters and stages. Transmitting themes that might be difficult to digest such as how the media is responsible for making monsters like Reach into celebrities and identifying internal motives for these inexplicable acts of hatred and violence is no easy feat, but this small green production company succeeds on every level.

The Performing Arts Studio of New York is a special place and keeps the urban culture of the big city alive in a small town, but seating is limited. Walk fast, sprint, no run to see “Down the Road” as it won’t be here for long. For mature audience only.

The Performing Arts Studio of New York, 11 Traders Cove, Port Jefferson, will present “Down the Road” through Sept. 6. Tickets are $19 adults ($15 online), $13 students ($11 online). For more information, call 631-928-6529 or visit www.blueboxtheatrecompany.com.