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Melissa Arnold

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Katherine McLaughlin and Sean Yves Lessard in a scene from the show. Photo by Michael DeCristofaro

By Melissa Arnold

I never thought I’d cheer for a murderer. Nor did I ever imagine laughing so much at a show about murder. There’s a first time for everything, I guess.

Directed by Trey Compton with musical direction by James Olmstead, “A Gentleman’s Guide to Love and Murder” has a deceptively simple title, one that probably makes you think of a classic, suspenseful whodunit. What you get instead is a fast-paced, absurdly funny comedy that will keep you laughing from start to finish.

Based on the 1907 Roy Horniman novel “Israel Rank: The Autobiography of a Criminal,” the Tony Award-winning musical, with book by Robert L. Freedman and music by Steven Lutvak, ran on Broadway from 2013 to 2016.

Danney Gardner in a scene from the show. Photo by Michael DeCristofaro

As the show begins, we find ourselves looking in on a young man feverishly writing his memoirs from a London jail cell, seeking to preserve his story if he should face execution the next day. That man, Montague “Monty” Navarro, is the newly minted Earl of Highhurst, and his rise to nobility wasn’t exactly noble. Two years earlier, while grieving his mother’s death in 1907, an impoverished Monty learned that she was related to the powerful, aristocratic D’Ysquith family. The D’Ysquiths, however, disowned her when she chose to marry a commoner. Despite this, Monty was the ninth descendant in line to become the earl.

Monty hoped his newfound lineage would impress Sibella Hallward, the posh and sultry woman he loves, but she ultimately abandoned him to marry a wealthy man. With no one else to turn to, he attempted to make inroads with his new relatives, and in the process had a sinister thought: What if he killed the D’Ysquiths? What if he could become the earl? The show follows Monty through flashbacks of the past two years as he eliminates his cousins in a variety of zany and unexpected ways.

Wojcik/Seay Casting consistently assembles stellar casts for the Engeman’s shows, and this one is no exception, featuring a host of Broadway and national theater vets. Sean Yves Lessard plays Monty, and he is earnest, polished and entirely believable. You’ll empathize with his poverty and join him on an emotional roller coaster as he sneakily offs the D’Ysquiths. Beyond that, Lessard’s smooth, controlled vocals are a real treat, especially in the waltzing “Poison in My Pocket” and steamy “Sibella.”

What makes “Gentleman’s Guide” stand out is that eight of the D’Ysquith cousins are played by the same actor, Danny Gardner. He makes the transition from young to old, gay to straight and even male to female characters look entirely effortless. Each D’Ysquith has his or her unique quirks, and Gardner is so astoundingly versatile that you almost won’t believe it’s the same person. He also deserves accolades for impossibly fast costume changes and impressive tap dancing.

A torrid love triangle sits at the heart of Monty’s escapades. Despite her marriage to a wealthy man, Sibella (Kate Loprest) still comes knocking, especially as Monty ascends the line of succession. At the same time, Monty quickly finds himself falling for his distant cousin Phoebe D’Ysquith (Katherine McLaughlin), a good-hearted and pious lady that just wants to love and be loved.

Loprest makes the self-absorbed Sibella almost lovable with charming wit and confidence. She’s also a delight to listen to, a crystal clear soprano that’s strong without being overpowering. McLaughlin’s Phoebe is demure and sincere, a perfect foil to Sibella. She shines in songs like “Inside Out,” and the trio’s performance in “I’ve Decided to Marry You” is one of the show’s highlights.

Scene and props designer Nate Bertone deserves particular mention for his creative work on the detailed, Edwardian set of “Gentleman’s Guide.” To help audience members keep track of the D’Ysquiths, the stage is framed with massive portraits of Gardner in his various incarnations. Spotlights and laser X’s on those portraits will alert you to who’s still kicking and who’s been taken out. The effect is a lot of fun and adds to the show’s overall silliness.

The bottom line: “A Gentleman’s Guide to Love and Murder” is hilarious from the first line, and so enjoyable that I’d love to see it again. The show isn’t gory, but there’s plenty of innuendo to go around, and there are occasional loud noises and use of light fog throughout.

The John W. Engeman Theater, 250 Main St., Northport will present “A Gentleman’s Guide to Love and Murder” through April 28. Runtime is approximately 2 hours and 20 minutes with one 15-minute intermission. Tickets range from $73 to $78 with free valet parking. For more information or to order, call 631-261-2900 or visit www.engemantheater.com.

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'Matinee' by AM DeBrincat, oil and acrylic paint and transfer print on canvas

By Melissa Arnold

In the coming weeks, Mother Nature will show us both sides of her personality as the cold darkness of winter melts into colorful spring. It’s a time of opposites, with life and death at the center of it all.

The Smithtown Township Arts Council’s Mills Pond Gallery in St. James is reflecting on these themes with its newest fine art exhibition, In the Garden of Eden: Artist Reflections, on display now through April 14.

‘Mirror’ by Yvonne Katz

“Each artist I selected helped tell a story for me — the origin of choice, good and evil, light and darkness, the origin of creation,” said guest curator Melissa Masci, who developed the concept for the exhibit. “The premise of this show is that there’s balance to every aspect of life, in the experiences we have and the decisions we make that define us. There’s a duality at play — you can create something incredibly light and beautiful from the darkest experiences.”

It is the first time that STAC director Allison Cruz has invited a guest curator to the gallery, and while she admits it wasn’t easy to hand over the reins, she knew Masci’s vision had to be shared.

Masci, a Seaford resident, is a graduate of the Fashion Institute of Technology in Manhattan. Her career has led her from designing women’s apparel and store window displays to teaching art classes for children. Cruz invited her to teach at the St. James gallery, and they’ve built a fierce friendship since.

“Melissa visited the gallery just by chance about seven years ago, and we struck up a conversation,” Cruz recalled in a recent interview. “She fell in love with the space — the light and the spirit of it. And she’s such a genuine and creative person.”

The unique exhibit, which fills four gallery rooms and the center hall gallery on the first floor of the historic 1838 Greek Revival mansion, will feature the works of eight artists using a variety of mediums and styles, including oil, acrylic, mixed media and sculpture.

All of the artists are contemporary, and the majority are local to Long Island. Masci aimed to choose artists from a mix of backgrounds and experiences to expose visitors to something new, she said.

‘Ode to Giuseppe Sanmartino’ by Nicholas Frizalone

Brooklyn-based painter AM DeBrincat creates layered works on canvas, blending painting, digital photography and even printmaking for a unique style. She uses images pulled from online searches and Xerox transferring for her pieces, which explore how we create a sense of self in the digital age. “I have always felt compelled to make art, ever since I was young. I’m not sure why, but it’s always been such a strong impulse and brought me joy, so I don’t over analyze it – I just go with it,” she said.

Nicholas Frizalone of Lake Grove attended Stony Brook University and Long Island University before becoming an art educator and creator. He paints, draws and creates prints that explore the implication of language in art. “Through the use of painting, drawing, and printmaking, I wish to investigate the implications of language in art, and communicate in a way words will never be able to accomplish,” he said.

Jennifer Hannaford is more than just an artist ‒ the Port Jefferson resident is also a forensic scientist. To get in touch with her creative spirit, Hannaford began to create artistic mug shots using her fingerprints. Working primarily in oils, she enjoys exploring themes that include life, ascension and balance.

Ashley Johnson of Buffalo works with ceramics, collage and photography but expresses her creativity most through stippled ink drawings and large-scale ink paintings. “Creating art is a therapeutic way for me to work through my emotions … to dig deep and explore my trauma, joy, confusion, anger, love, and anything else I need to release,” she said.

Smithtown artist Yvonne Katz believes art is the “elixir that allows us to fluidly slip and break the threshold of all boundaries.” She loves working with oil and bronze because there is a maneuverable interaction with these mediums, as if the materials collaborate in the process of realizing the results.

‘Flower Puzzle’ by Neta Leigh

Neta Leigh is a surreal-impressionist photographer from Locust Valley. Inspired by the sights and locales that surround her daily life, Leigh is most drawn to photograph in natural light during times of fog, clouds, snow or rain. She also enjoys photographing fruit and flowers in her dining room before and after destruction.

Peter Bragino of Copiague is a multidiscipline, mixed-media artist, designer, treasure hunter and soul searcher. “In the same way we build layers in life to become who we are as human beings I allow my creations to take on the same life, the same layering, the same history. This process naturally led me to a mixed-media workflow where any medium is a viable medium to complete the formation of the life that the creation would like to take,” he said. Bragino will be collaborating with artist Kevin Corcoran for this exhibit.

“I’m always looking for something unique to bring into the gallery – not just landscapes or realism or abstracts all the time,” said Cruz. In regards to the exhibit, “I had only seen a few of the pieces initially. But the themes in it are so evident, strong and beautiful. It’s unlike anything else in this area, and I think people will really enjoy the experience.”

The community is invited to an opening reception on March 16 at 5:30 p.m.

The Mills Pond Gallery is located at 660 Route 25A, St. James. Hours are Wednesday through Friday 10 a.m. to 4 p.m., and Saturday and Sunday from noon to 4 p.m. Admission is free. Visit www.millspondgallery.org or call 631-862-6575 for more information.

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Viviane Kim, winner of the 2018 Stony Brook Young Artists Program Concerto Competition, will be this year’s special guest artist. Photo by Erica Murase

By Melissa Arnold

Classical music has a long-held reputation for being upscale — there’s something about it that feels refined, polished and graceful. The Department of Music at Stony Brook University is passionate about demystifying the genre, making the works of Mozart, Brahms and others enjoyable for everyone.

Each year, the Stony Brook University Orchestra invites the community to join them for their Family Orchestra Concert, an hour-long performance meant for all ages, including young children. This year’s concert will be held at 7:30 p.m. on Tuesday, March 5 at the Staller Center for the Arts’ Main Stage.

Viviane Kim, winner of the 2018 Stony Brook Young Artists Program Concerto Competition, will be this year’s special guest artist. Photo by Erica Murase

“[This event] used to be called the children’s concert, but we didn’t want to give the impression that it’s just for children — the whole family comes along, and there’s something for everyone to enjoy,” said conductor Susan Deaver, who’s led the orchestra since 2000.

The ensemble is comprised of over 70 Stony Brook students, both undergraduate and graduate, as well as a handful of area high schoolers. Many of the students aren’t music majors and come from a variety of disciplines. In fact, the majority are studying biomedical engineering.

“So many of these students have been in music all their lives and don’t want to let it go,” Deaver said. “We have a lot of great players, and it’s a real blend of disciplines, the common denominator being a love of playing orchestral music.”

 This year’s concert theme will highlight dance in orchestral music, with each piece either having “dance” in its title or creating a sense of dance and movement. The repertoire features recognizable pieces including selections from Tchaikovsky’s Nutcracker Suite and Bach’s Minuet in G, along with some that might be unfamiliar, like Strauss’ Thunder and Lightning Polka. 

The program will also feature works by Brahms, Shostakovich, Stravinsky and Borodin. Dancers under the direction of SBU’s faculty member Amy Yoop Sullivan will collaboarte with the orchestra.

A highlight of each year’s concert is a solo performance from a grade school musician in Stony Brook’s Young Artist program. Open to grades 6 through 12, the program allows young musicians to enhance their musicianship and ensemble performance skills. Students are encouraged to enter an annual concerto contest, where a panel of impartial judges chooses a student to play at the concert.

This year’s contest winner, 12-year-old pianist Viviane Kim, will play Haydn’s Piano Concerto in D Major.

“I wasn’t really nervous because I’d practiced a lot. I played the song for my family, my friends, and anyone else who came to our house,” said Viviane, a seventh-grader at Port Jefferson Middle School. “It also helped that only three people were listening,” she joked.

Viviane, who also plays the flute, comes from a musical family — her father, Alan Kim, plays piano as well, and her grandmother is a violinist. “I played piano all the time when Viviane was a baby, and she took a natural interest in it. She started playing around the same time she started reading,” her father said. 

Michael Hershkowitz, executive director of Community Music Programs for the university, sees the annual concert as a chance to expose the audience to something new and wonderful.

“It’s important for classical musicians to be as accessible as possible and to break down barriers for people wanting to try it. A lot of people have an impression that classical music is just old and stuffy,” Hershkowitz said. “I think that dance is one of my favorite themes we’ve done — so much of music is tied to motion and bringing people together. And once you see a classical concert, you want to do it more.”

All seats for the Family Orchestra Concert are $5. For tickets and information, call 631-632-2787 or visit www.stallercenter.com.

For more information about the University Orchestra, contact the Stony Brook Department of Music at 631-632-7330 or visit www.stonybrook.edu/music.

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The Smithtown Historical Society will host its first Victorian Tea Party on Sunday, April 14. Photo from Smithtown Historical Society

By Melissa Arnold

Whether it’s a holiday celebration or a football party, a rite of passage or a family outing, there’s something about food and drink that brings people together. In families, shared meals can be the perfect setting for passing down traditions, memories and personal history.

Cienna Rizza knows this intimately. A self-described “dyed-in-the-wool Long Islander,” some of Rizza’s fondest memories involve sharing tea with her mother and British grandmother. 

Rizza valued those experiences so much that she began to share them, hosting tea parties for friends that eventually grew to include their friends and even strangers. Armed with a deep knowledge of tea party symbolism and rituals, she created the Mad Harlot Tea Society, an organization seeking to empower and connect people from all walks of life. Taking on the persona of Miss Penelope Proper — a whimsical, rabble-rousing British authority on all things tea — she has shared her message of joyful, unapologetic confidence with women of all ages.

“Penelope is a free spirit, a leader for women who want to get out of the box. Although she is a character, she brings out the best in people and is still very ‘me,’” Rizza said. “While every tea party is a bit different, you can always expect a warm, loving atmosphere.”

On April 14, the Smithtown Historical Society will welcome Miss Penelope as she hosts a Victorian-style royal tea for ladies in the beautiful Frank Brush Barn. Proceeds from the afternoon will benefit the historical society.

“The Smithtown Historical Society works to preserve the historic properties in our town, and we seek to expand and improve upon programs for both adults and children,” said Executive Director Priya Kapoor. “All these activities require funding, and we have been fortunate enough to have the support of our wonderful friends and neighbors in Smithtown.”

The historical society holds a variety of fundraising events throughout the year, but this is its first tea party, Kapoor said. The idea was suggested by Myra Naseem, co-owner of Elegant Eating caterers in Smithtown.

“As a Smithtown resident since 1960, I feel that it is my town and I want to help it to be the best it can be. In the past, we’ve catered tea parties for bridal and baby showers and occasionally a Red Hat party — occasions when someone is looking for a dainty experience,” said Naseem. “I met Penelope Proper some time ago at a tea party where she was seated at our table. You can’t just sit next to that lady without totally enjoying her character.”

Naseem and Miss Penelope have carefully crafted the menu for tea time, which includes traditional fare — fresh-baked scones, tea sandwiches, berries and clotted cream, minicakes, tarts and more. Each guest will have her own individual teapot with a variety of teas to sample and enjoy, along with sparkling water or cider.

Miss Penelope loves revelry, so she’ll lead the group in some games and raffles throughout the afternoon, as well as the opportunity for pictures on the grounds. In addition to the food and frivolity, guests will be treated to a brief lesson on the history of tea and tea parties on Long Island, which grew in popularity following World War I. 

The Royal Victorian Tea fundraiser will be held at the Smithtown Historical Society’s Frank Brush Barn, 211 E. Main St., Smithtown on April 14 at 1:30 p.m. Please note, this event is limited to 30 people and is for women only.  Hats, gloves and costumes are encouraged (though not required) and prizes will be awarded for the fanciest hat and most historic costume. Tickets are $50. To reserve your seat or for further information, please call the society at 631-265-6768.

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The cast, from left, Gabriel (Scott Hofer), God (Evan Donnellan) and Michael (Jordan Hue). Photo by Courtney Braun
A scene from 'An Act of God'
A scene from 'An Act of God'
A scene from 'An Act of God'
A scene from 'An Act of God'
A scene from 'An Act of God'
A scene from 'An Act of God'
A scene from 'An Act of God'

By Melissa Arnold

Why is there so much suffering in the world? Why do children die? Is there a God, and does He really answer prayers? Plenty of us grapple with those questions from time to time, and the Smithtown Center for the Performing Arts has tracked down the Big Man Himself to get some answers in the one-act comedy, “An Act of God.” The show opened last Saturday.

The 90-minute play is a stage adaptation of “The Last Testament: A Memoir,” a satirical book written by “God,” aka David Javerbaum. Javerbaum has won more than a dozen Emmy Awards over the course of his comedy career, most of them earned as the head writer for “The Daily Show with Jon Stewart.” He’s also the voice behind the snarky Twitter account @TheTweetOfGod, which has amassed 5.6 million followers  – no pun intended. 

“An Act of God” isn’t your typical Broadway show with a neatly packaged storyline. Instead, it’s meant to treat audiences to a live and in-person encounter with God (Evan Donnellan), who’s not exactly the embodiment of divine goodness. In fact, God is fed up with the way He has been misrepresented by organized religions and has come to Broadway to set the record straight. He’s even got a new and improved set of commandments to share, among them “Thou shalt not tell others whom to fornicate.”

Donnellan oozes charisma and command as God, who is at once charming and narcissistic. His jokes are shocking and laugh-out-loud funny, but Donnellan creates striking dissonance during his character’s pessimistic rants and self-absorbed navel gazing. He also deserves serious kudos for the amount of preparation involved for this show – the majority is a monologue.

Supporting God’s appearance are his faithful archangels, Gabriel (Scott Hofer) and Michael (Jordan Hue). Hofer’s Gabriel is obedient but goofy, adding his own comedic touches as the show’s Bible reader and peanut gallery. In contrast, Michael is often sullen as he wanders through the crowd, asking God those tough questions and seeming unsatisfied with His answers. The trio has great chemistry, and watching God try to keep the two of them in line is a lot of fun.

It’s obvious that director Christine Boehm and the cast have taken some liberties with the original script, but that’s a good thing. Early in the show, they make fun of their own decor – it seems they’ve decided to leave much of the set for the children’s theater production of “Aladdin Jr.” in place, since the shows run concurrently until Feb. 24. They also reference the ticket prices, Smithtown and Evan Donnellan’s looks and personality, as well as the original Broadway production’s lead, well-loved “Big Bang Theory” star Jim Parsons. 

Be prepared, God is always watching – He’ll make a point of drawing attention to and potentially embarrassing random audience members during the show. Don’t take it personally.

The bottom line is that while the cast is very talented and the special effects are cool, this show is simply not for everyone. The script aims for satire but often either misses the mark or drifts into territory that’s just offensive. 

Those with deeply rooted religious beliefs might want to give this one a pass, unless you can handle 90 minutes of unapologetic cynicism and crude blasphemy. But if you keep an open mind and a sense of (twisted) humor, you might feel inspired by the show’s overarching message that you should believe in yourself. Or you might feel nothing at all. Your mileage may vary.

See “An Act of God” through March 3 at the Smithtown Center for the Performing Arts, 2 E. Main St., Smithtown. Tickets are $38 adults, $34 seniors, $25 students. Contains strong language, references to drugs and strong sexual content throughout. For tickets and info, call 631-724-3700 or visit www.smithtownpac.org. 

All photos by Courtney Braun

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A drawing from Torrey’s book, ‘My Dog, Bob’

By Melissa Arnold

For most of his childhood, Richard Torrey dreamed of becoming the world’s first pro hockey player/cartoonist. His father, Bill Torrey, brought home multiple Stanley Cups as a general manager in the National Hockey League. Following in his father’s footsteps was practically his destiny. But young Rich found that his passions were leading elsewhere.

Torrey has spent more than 30 years engaging readers, first as a comic strip creator and later as the author and illustrator of more than 15 children’s books. In February, the North Shore Public Library in Shoreham will showcase his childlike imagination with an exhibit titled, Richard Torrey: The Creative Process.

The cover of Torrey’s ‘Almost’ book

Born in Los Angeles, Torrey grew up all over the U.S. and Canada, spending long summers in a Canadian cabin without TV or other technological distractions.

“I was always drawing,” recalls Torrey, 59, who now resides in Shoreham. “My mind would wander, and I was always coming up with new ideas. I used to cut out the Sunday comics and try to figure out how to draw the characters.”

As luck should have it, Torrey had a chance opportunity to meet beloved Peanuts cartoonist Charles M. Schulz thanks to his father’s career in hockey. Schultz was a diehard fan and season ticketholder for the now-defunct Oakland Seals, where the elder Torrey was general manager in 1970. Rich approached Schulz during a hockey game, eager to present him with a drawing of a horse he’d done recently.

“He wrote feedback on the back of my drawing, and was so kind,” Torrey recalled. “That moment hooked me.”

Still, he found art classes in school terribly boring and too structured, and while he first majored in pre-med at Allegheny College, he knew immediately it wouldn’t work. He got a degree is psychology mostly out of obligation and spent the next several years working with his father, directionless.

But there was plenty of downtime on the job, and Torrey always found himself drawing. Despite self-doubt, his big break finally came in 1984 when his first comic strip, “Heartland,” was picked up for syndication in 180 newspapers.

Torrey would go on to create a successful sports-themed strip called “Pete and Clete,” but as the newspaper industry began to change, he wondered what else he might do for work. 

“Ally-saurus & the First Day of School”

“I looked for avenues that would be a good fit for my style of illustration, and children’s books seemed like the answer,” he said. While Torrey first took jobs illustrating for others, he continued to fill notebooks and reams of cheap paper with drawings, bits of text and storylines of his own. He knew he had to try writing his own books.

“Nine times out of ten it’s going to be a horrible idea, but if you generate enough of them, something is bound to be good,” Torrey said. “All kinds of things inspire me — it might be something on the radio or something my kids did growing up, or just lines that pop into my head.”

Today, Torrey considers himself an artist that writes. His award-winning stories, including “Ally-saurus & the First Day of School” (Sterling), “My Dog, Bob” (Holiday House) and the series “Why,” “Almost” and “Because” (HarperCollins), are drawn or painted almost entirely by hand in a variety of mediums.

Lorena Doherty, adult program coordinator and art coordinator of the North Shore Public Library, said that Torrey is a regular library user and has occasionally read his books to children during special programs there. He is also a well-known speaker at area schools and an instructor at the Art League of Long Island. “Illustrators are genuine artists, and we love to feature local members of our community,” Doherty said. “He uses quick, simple pencil lines in his drawings, and there’s a storyboard quality about them. He’s very playful. This exhibit is different in a fresh way, and I believe it has a wide appeal.”

The exhibit will feature approximately 25 illustrations from Torrey’s career in varied stages of completion, along with text from Torrey explaining his inspirations and work process.

“I think people will enjoy getting a peek into the way I operate when I’m doing a book,” Torrey said. “I talk to kids often, and I tell them that none of it is magic. It’s a lot of work, and a lot of mistakes. There is no single route for creativity. I want people to see the bumps and bruises [in my work]. The path to success isn’t a straight line, it’s more like a ball of yarn.”

See Richard Torrey: The Creative Process from Feb. 1 through 27 at the North Shore Public Library, 250 Route 25A, Shoreham. Torrey will also speak at the library’s Art Forum meeting on Wednesday, Feb. 13 at 7 p.m. For more information, please call 631-929-4488.

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Miller Place Boy Scout Troop 204 attend a wake for Andrew McMorris where they stood as honor guard. Photo by Kyle Barr

By Melissa Arnold

All across Long Island, as Boy Scout troops gather for regular meetings, they reaffirm their commitment to the organization’s oath and law. Time and again, they promise to be loyal, trustworthy and brave and to “help other people at all times.”

Whether it’s running fundraisers, washing cars, visiting seniors or fixing up neighborhood points of interest, the Boy Scouts in local troops are often the driving force behind Suffolk County community service efforts.

Town of Brookhaven Councilwoman Jane Bonner (C-Rocky Point) and Suffolk County Legislator Sarah Anker (D-Mount Sinai) said they believe that all Scouts, boys and girls alike, stand as a positive example to our community, and that everyone should strive to join them in living a life of respect, leadership and helpfulness.

“The town always has a ‘wish list’ of projects we’d love to take on, but simply don’t have the funding for,” Bonner said. “The Scouts really complement the work that we do, but even beyond that, they make a tremendous impact in so many different areas of our community.”

Many of the organization’s service projects are dreamed up and implemented by the most senior Scouts, boys approaching their 18th birthday who are striving to obtain the highest rank: Eagle Scout.

Troop 204 uniform

In Miller Place’s Troop 204, anywhere from six to eight boys make Eagle Scout each year. The process is rigorous, and the Scouts run every aspect from initial planning and fundraising to completing the project and writing a final report. According to Scouting Magazine, less than 10 percent of all Boy Scouts go on to become Eagle Scouts.

“It’s great watching the boys come in as novices and grow and mature and become good citizens,” said Joe Argento, scoutmaster of Troop 204. “It’s special to see kids I’ve known since they were young go on to make Eagle.”

This year, the troop’s newest Eagle Scouts from Troop 204 protected wildlife at Cedar Beach with the installation of fishing line receptacles, made massive repairs to a large storage facility at Trinity Evangelical Lutheran Church in Rocky Point and spruced up the Miller Place signs and Center for Environmental Education and Discovery in Brookhaven, among several other projects.

While the Boy Scouts are known for serving their neighbors, they are also fiercely loyal to one another. The strength of those ties was on display this fall when Andrew McMorris, a Scout from Troop 161 in Shoreham, was struck and killed by an alleged drunk driver during a day hike in Manorville Oct. 1. Several other Scouts were injured in the episode as well. In the days after Andrew’s death, Scouts from across the region banded together to hang hundreds of red ribbons from Riverhead to Wading River and beyond. 

On the day of Andrew’s wake, they came out in force to stand vigil for their brother. Troop 204 served as an honor guard.

“No matter what kind of Scout you are, it’s all one big family,” said Ann Colletta, membership coordinator for the Benjamin Tallmadge District of the Suffolk County Boy Scouts. “Troop 161 is very dear to Troop 204, and we all wanted to show them that we have their backs. It could have been any of us.”

The Scouts would go on to raise more than $20,000 for a memorial fund in Andrew’s memory that went to support Troop 161. In addition, the troop is raising funds to build a 3,200-square-foot Adirondack cabin at Baiting Hollow Scout Camp in Wading River, which will be named McMorris Lodge in honor of Andrew. 

Scoutmaster of Troop 161 Matthew Yakaboski said the troop is only just beginning to heal after the tragedy in October, but they still have a long way to go. 

“To have that life cut short like that is awful,” Yakaboski said. “We’re just trying to celebrate his life and do what we can.”

Along with the effort to build a cabin in Andrew’s honor, Troop 161’s scoutmaster said a number of their Scouts are planning several Eagle projects in the upcoming year, all of which will honor Andrew and the other Scouts injured on that day. One Scout is doing his Eagle project at the Robert S. Reid Community Center in Shoreham creating a paved brick patio and garden around a tree the troop originally planted in honor of Andrew. Yakaboski’s son, also named Matthew, is going to work on a project in conjunction with nonprofit Mothers Against Drunk Driving at the Jones Beach Theater. He will be renovating the area around a flagpole to create a brick path in the shape of a ribbon with each brick engraved with the name of people who have been killed or injured during DWI incidents. 

Anker was quick to note that troop leaders and parents are also worthy of praise for the time, effort and support they contribute to the organization.

“We have to give the scoutmasters credit, too — they’re more than just leaders or supervisors. They’re true mentors and role models that challenge the Scouts to grow not just physically, but emotionally and spiritually. And when you have strong leadership in Scouts, it perpetuates strong leadership for the next generation.”

With additional reporting by Kyle Barr.

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The cast of 'Elf'
Christianne Tisdale, Zachary Podair and Erik Gratton
Erike Gratton and Ensemble
Zachary Podair and Erik Gratton in a scene from the show.
Christianne Tisdale, Zachary Podair and Erik Gratton
Caitlin Gallogly and Erik Gratton
Gordon Gray as Santa

By Melissa Arnold

Whether you’ve been playing carols for weeks or are just now contemplating putting up the tree, the end of Thanksgiving signals the official arrival of the holiday season. If this is the most wonderful time of the year in your house, there’s no better way to enjoy it than by catching “Elf`The Musical” at the John W. Engeman Theater in Northport.

Based on the beloved 2003 film starring Will Ferrell, “Elf” tells the story of a little boy who crawls into Santa’s gift bag and ends up at the North Pole. Raised as an elf, the ever-growing Buddy has no idea he’s really human, even though he’s a terrible toymaker. When Buddy learns the truth about his identity, he sets out on a journey to New York City to reconnect with his roots and find his family.

Insulated by the always cheery atmosphere of Christmastown, it’s an understatement to say Buddy faces culture shock upon arriving in the Big Apple. But it will take a lot to keep Buddy from spreading Christmas cheer, especially to the person that needs it most: his Scrooge-y father.

“Elf” made its Broadway debut in 2010 with book by Bob Martin and Thomas Meehan and music by Michael Sklar and Chad Beguelin. Devoted fans of the film will appreciate the show’s faithfulness to the original script, including Buddy’s classic one-liners that make it so iconic. The musical numbers aren’t especially memorable and feel unnecessary at points, but they do open up the opportunity for some great dance routines.

The production begins with Santa (Gordon Gray) inviting the audience to join him as he reads the story of Buddy the Elf. There’s something so fun about these moments that allow actors to interact with the crowd and draw viewers in. And the little details in Santa’s scenes (his oversized chair with a bag of Doritos and the remote control stuffed in the cushion) feel genuine and cozy. Gray’s portrayal of Santa is effortless, funny and truly believable — his belly laughs will make you wonder if he’s the real deal.

Erik Gratton is no stranger to the role of Buddy. He also starred in the national tour of “Elf” and last year’s Madison Square Garden production. While it’s hard to shake off the image of Will Ferrell in that famous green hat, Gratton leaves it all on the stage with tons of energy and all the zany enthusiasm Buddy deserves. His first experience and subsequent obsession with a paper shredder will have you in stitches. It’s also worth noting that he approaches the show’s rare emotional moments with surprising tenderness. Gratton will break your heart at the end of the first act during “World’s Greatest Dad (Reprise).”

After fantasizing endlessly about what life with his dad will be like, Buddy meets his overworked, agitated publisher father, Walter Hobbs (Joe Gately). Tension rolls off Gately in waves, and when Hobbs loses his temper, Gately fills the theater with powerful, roaring tirades. He’s a wonderful foil to Christianne Tisdale and Zachary Podair, who play Hobbs’s wife Emily and young son Michael. Tisdale and Podair have great chemistry as mother and son, and their duets in “I’ll Believe in You” and “There Is a Santa Claus” were personal favorites.

Of course, Buddy’s life is further turned upside down when he finds himself smitten with a beautiful, yet world-weary Macy’s employee, Jovie (Caitlin Gallogly). Gallogly is delightfully edgy and jaded for the majority of the show, making her character’s eventual thawing that much more enjoyable. She also has one of the strongest voices in the cast, and her vocals in “A Christmas Song” and “Never Fall in Love With an Elf” are a treat for the ears.

The ensemble in “Elf” has several different roles to play, from elves in Santa’s workshop to retail employees and bitter mall Santas. They deserve major props for their elf scenes — since elves are tiny, the actors perform on their knees. It’s no small feat to sing and dance to “Christmastown” from that position!

Choreographer Mara Newbery Greer and associate choreographer Tiger Brown are to be applauded for their hard work with the cast. The intense tap dancing in “Nobody Cares About Santa” is another impressive surprise.

Set designer Nate Bertone creates a whimsical backdrop for the show, grounded by huge arches covered in snowflakes. The giant logos for Macy’s and Greenway Press are eye-catching, as are the creative use of props and background silhouettes to show scene changes in real time. While musical director Charlie Reuter and the small orchestra are tucked out of sight in the pit, they provide the perfect, almost cartoonish, accompaniment to this silly show.

All told, director Matt Kunkel has led the Engeman’s cast of “Elf” in a production that’s loads of fun for the whole family — a perfect fit for the holiday season.

A note on content: “Elf” does contain some brief mild language and lighthearted innuendo that most children won’t notice. The show is generally appropriate for all ages.

If you have some extra money to spare, consider making a donation after the show to the Ecumenical Lay Council Food Pantry, which supports more than 150 local families each week. Cast members will collect donations as you leave. For more information, call 631- 261-4357.

See “Elf The Musical” now through Dec. 30 at the John W. Engeman Theater, 250 Main St., Northport. Tickets range from $73 to $78 with free valet parking. For more information or to order, call 631-261-2900 or visit www.engemantheater.com.

Photos by Michael DeCristofaro

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The cast of '26 Pebbles'. Photo by Heidi Sutton

By Melissa Arnold

In the world of high school theater, it’s pretty common to see a troupe of eager teens take the stage to perform a lighthearted comedy or timeless musical. David Kramer knows that, and he’s certainly enjoyed directing shows in those genres many times before. But in the past several years, the director of Mount Sinai High School’s theater program has moved to exploring deeper topics for the benefit of both actors and audiences.

Kramer has devoted more than 40 years to arts education. He taught music in the Miller Place School District for 39 years and was also involved with the after-school theater program. In 2014, he was hired to direct both the annual drama and musical for Mount Sinai High School. The opportunity has enabled him and his students to be able to bring plays that “hope to spark conversations of timely, mature social issues” to the community, including “The Laramie Project,” “And Then They Came for Me,” “Twelve Angry Jurors” and “Our Town.”

On Nov. 13 and 17, Mount Sinai High School will present “26 Pebbles,” a poignant and timely one-act drama about how the citizens of Newtown, Connecticut, grieve and attempt to recover in the wake of the Dec. 14, 2012 massacre of 20 children and 6 adult staff members at Sandy Hook Elementary School.

This show builds upon Mount Sinai’s growing reputation for tackling difficult topics and societal issues through its drama program.

“I always thought there should be high-quality shows that expose young adults to different aspects of the human condition as well as theater skills,” Kramer said. “I’m not looking to crush them. I’m looking to help them develop a sensitivity to what’s going on in society. My goal is to use theater to encourage change.”

Kramer selected “26 Pebbles” for its focus on current events, including gun violence and the ensuing debate about safety in schools. Several school districts on Long Island now employ armed guards, so Kramer found the show relevant to local audiences. He was also touched by the story of a former student whose child attended Sandy Hook Elementary School at the time of the shooting.

While some of the auditioning students admitted that they initially weren’t excited over Kramer’s selection, he said they all agreed it was an important story that needed telling. During auditions, Kramer showed students a trailer of the show and asked them to read from portions of the script. The result is a cast that connects deeply to the show’s message and is passionate about sharing it with audiences.

Playwright Eric Ulloa spent months in Newtown conducting dozens of interviews for “26 Pebbles,” which uses a docudrama format to tell the story of Sandy Hook through a variety of perspectives. While the original script calls for each actor to play multiple characters, Kramer chose to expand the cast by assigning individual roles. The stories of parents, teachers, first responders, clergy and community members are all represented by a cast of 24 students in grades 9 through 12. The set for the show is deliberately sparse and unfinished, conveying that both the national conversation on gun violence and Newtown’s recovery are ongoing.

Kramer is extremely proud of his students and their dedication to telling the story of Sandy Hook with respect, honesty and powerful emotion. To prepare for the show, Kramer asked the cast to write mock sympathy notes to families who lost loved ones in the shooting, allowing them to connect and empathize with the people they portray.

“The souls of [the people of Newtown] are embedded in these students for the hour and a half they’re on that stage … they have shown incredible realism and growth. I think whoever comes to this show will be incredibly taken by it.”

Mount Sinai High School, located at 110 N. Country Road, Mount Sinai, will present “26 Pebbles” at 7 p.m. Nov. 13 and 17. Tickets are $10 at the door. Runtime is approximately 90 minutes. There is no violence in the show, but it is recommended for mature audiences only. For information, call 631-870-2800 or 631-870-2882.

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By Melissa Arnold

Entertainer and comedian Bob Nelson has spent more than four decades doing what he loves most — making people laugh by taking them out of their problems and into his world.

“The greatest blessing for me is when people — families — have come up to me at a show and said they’ve been doing my routines together at the dinner table for years, that it’s gotten them through hard times, that it brings back memories of people they’ve lost — there’s no better feeling,” said Nelson in a recent phone interview.

The Massapequa native’s career has taken him from coast to coast, performing with greats including Eddie Murphy, Rosie O’Donnell and Rodney Dangerfield. And while he doesn’t travel as much these days, he’s begun treating Long Islanders to a hilarious, fast-paced monthly show at Theatre Three in Port Jefferson.

 

Bob Nelson as Eppy Epperman

Nelson said he’s thrilled to be returning to his comedic roots for this residency, blending observational sketches with his unique portrayal of multiple characters at once. Characters such as the lovable nerd Eppy Epperman, punchy boxer Jiffy Jeff and chicken rancher Wilby Stuckinson aren’t the most politically correct, but they are one of a kind, memorable and hysterically funny.

“My earliest shows involved using three doors on the stage as well as the two wings to create dialogue between different characters,” Nelson explained. “I’ll say something as one character, exit through one of the doors, and then re-enter and respond as someone different. It’s a very physical show, but I love doing a kind of comedy you don’t see every day.”

The development of Nelson’s career was far from linear. In fact, he landed his first comedy gig on a fluke. In his late teens, one of his job responsibilities was fact-checking advertisements in phone books by making cold calls. Nelson sometimes did impressions on the phone to make his co-workers laugh, and during one such call, he impressed a man who was working on opening a new comedy club.

That club, the White House Inn in Massapequa, became Nelson’s first stage.

“The first night I went, I just got the bug for comedy and kept going back,” he said.

Not long after, Nelson changed his major at Nassau Community College from communications to theater, declaring to his family that he planned to make a life of entertaining.

“My dad wasn’t thrilled about that decision. He said, ‘You’re never going to make anything of yourself,’ and told me to move out,” Nelson recalled. “So that’s what I did. I was 20. In the end, I made it work, and my dad is now my biggest fan. We have a great relationship.”

Nelson did more than just make it work — his career has led him to clubs all over the country, he’s acted on stage and in film, and starred in multiple comedy specials on HBO. His most popular special, “Nelson Schmelson,” can be found on YouTube.

Reflecting on his career, Nelson prides himself on delivering clean comedy routines that are appropriate for all ages.

“When I think of the people that have inspired me — Ernie Kovacs, Danny Kaye, Jerry Lewis — those guys were truly talented, and truly funny. They didn’t need to resort to cursing, dirty jokes or mocking people to make people laugh like so many entertainers do today. That’s just not funny to me,” he said. “I want everyone to be able to come to the show and get away from their troubles for a while.”

Bob Nelson in the role of Jiffy Jeff

Douglas Quattrock, special events coordinator for Theatre Three, remembers first seeing Bob Nelson perform while watching “The Tonight Show Starring Johnny Carson” when he was growing up. He immediately memorized every word of the skit. 

“I always thought he was the most fascinating comic I’ve ever seen,” Quattrock said. “You never know what you’re going to get from him. He’s just pure comic genius.”

With the help of Paul Anthony from the Long Island Comedy Festival, the theater was able to contact Nelson about a performance. That show sold out and feedback from the audience was overwhelmingly positive, leading  the theater to invite Nelson for a residency. 

“He’s been so receptive and we’re all thrilled to have him call Theatre Three his new home,” said Quattrock. “You’ll get to see your favorite skits and characters from Bob, but what makes this show special is that he also takes audience requests. He’s hoping to develop new characters during his time here as well, which would be historic for us to be a part of.”

Bob Nelson performs monthly, 90-minute shows at the Ronald F. Peierls Theatre on the second stage of Theatre Three, 412 Main St., Port Jefferson. Tickets are $39. The next two performances are Nov. 15 and Dec. 6. The bar is open for refreshments during the show. For information on upcoming performances and to purchase tickets, visit www.theatrethree.com or call 631-928-9100.

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