CLOSE
Tags Posts tagged with "Long Island Museum"

Long Island Museum

by -
0 104
Above, Beverly C. Tyler, Lindsey Steward and Donna Smith stand next to the Samuel H. West Blacksmith Shop on the grounds of The Long Island Museum, which will be open for blacksmith demonstrations on Culper Spy Day from 10 a.m. to 3 p.m. Photo by Heidi Sutton
Organizations team up for island-wide event

On Saturday, Sept. 16 from 9 a.m. to 4 p.m., The Long Island Museum and the Ward Melville Heritage Organization in Stony Brook and the Three Village Historical Society and Tri-Spy Tours in Setauket will host a day of spy-related tours and activities for the third annual Culper Spy Day, named for the Culper Spy Ring founded by Benjamin Tallmadge, George Washington’s chief intelligence officer during the Revolutionary War.

The Three Village area, which includes Stony Brook, Setauket and Old Field, is full of hidden intrigue and stories of how America’s first spy ring came together secretly to provide General George Washington the information he needed to turn the tide of the American Revolution.

The 3rd New York Regiment demonstrates musket firing on the Village Green in Setauket at last year’s event.

This year’s event has expanded to include other areas that played key roles in the Culper Spy Ring. Fans of the AMC hit series “Turn,” which has completed its final season, are familiar with Hollywood’s version of the Long Island-based spy group. On Sept. 16 visitors can learn what really happened while enjoying tours, Colonial cooking demonstrations, reenactments and many more family-friendly activities in the Three Villages and across Long Island.

The Long Island Museum will host a lecture at 2 p.m. with John Staudt, adjunct assistant professor of history at Hofstra University. Staudt will present “The Terrible Force of War: Eastern Long Island in the American Revolution.” In addition, blacksmith demonstrations will be ongoing from 10 a.m. to 3 p.m. and a special display of Revolutionary War artifacts will be on display.

Among other Culper Spy Day activities, the Three Village Historical Society hosts an interactive Culper SPIES! exhibit and a book signing with award-winning novelist and nonfiction author Selene Castrovilla. Visitors will also enjoy invisible ink demonstrations and Anna Strong’s famed clothesline, used for sending signals to Culper spies working off Long Island’s shores.

Above, living historian Diane Fish will give a Colonial cooking demonstration at the Brewster House during the event. Photo by Heidi Sutton

Ward Melville Heritage Organization will host Colonial cooking demonstrations and tours of historic structures that served as home bases for several spy ring members. Stony Brook University’s Special Collections department will display original letters written to Benjamin Tallmadge from George Washington, and the 3rd New York Regiment will demonstrate musket firing and marching drills on Setauket’s Village Green. The Country House Restaurant will offer a spy-themed lunch and the Ketcham Inn of the Moriches will host a guided tour and dinner at the home of noted spy Benjamin Havens.

Organizations participating in the Culper Spy Day event include The Long Island Museum, the Three Village Historical Society, the Ward Melville Heritage Organization, Tri-Spy Tours, Stony Brook University Special Collections, Emma S. Clark Memorial Library, Frank Melville Memorial Park, Three Village Community Trust, Caroline Church of Brookhaven, Setauket Presbyterian Church, Incorporated Village of Port Jefferson (Drowned Meadow Cottage), History Close at Hand, the Country House Restaurant, Times Beacon Record News Media, Raynham Hall, the Smithtown Historical Society, Discover Long Island, Ketcham Inn of the Moriches, and Sagtikos Manor in Bay Shore.

Tickets, which are available at www.tvhs.org, are $25 for adults and $5 for children ages 6 to 12. Children under the age of 6 and veterans will receive free admission. Tickets may be picked up at the Three Village Historical Society, 93 North Country Road, Setauket from Sept. 11 to 15. At that time, visitors will receive a bracelet and a copy of the Culper Spy Day map with all event listings. Tickets are good for admission to participating organizations for Saturday and Sunday, Sept. 16 and 17. Additional fees may apply for meals. For a full list of Culper Spy Day activities please visit www.culperspyday.com.

by -
0 1569
Above, a portrait of Leonard A. Zierden, age 4, March 1900, with his Jack Russell Terrier (Star Studio, Johnsonburg, PA) will be on view at The LIM through Dec. 31.

By Jill Webb

As the dog days of summer are brought in with the August heat, The Long Island Museum in Stony Brook will also put dogs in the spotlight. Starting Aug. 11, the Art Museum on the hill will feature an exhibit titled Dog Days: Portraits of Man’s Best Friend. The exhibit’s collection will focus on works from the 1840s to the 1960s featuring dogs.

Ernest BJ Zierden, age 7, March 1900, with his Jack Russell Terrier (JYL Photo Studio, Johnsonburg, PA)

“This gallery tends to be devoted to changing exhibits drawn from our permanent collection,” Assistant Curator Jonathan Olly said of the room currently preparing for the Dog Days exhibit. The exhibit will open tomorrow, Aug. 11, and run through Dec. 31.

Beneath the gallery resides the vault storing the museum’s art collection. “It’s kind of a continuing challenge of coming up with new ways to look at the collection and put together themes,” Olly said.

Olly got the idea to draw together works highlighting dogs after gaining inspiration from a cat-centric exhibit at the Worcester Art Museum in Massachusetts. Realizing the fact that Long Islanders love their dogs led him to curate the Dog Days exhibit. “When most people were living on a farm, farms had dogs because they were pets but they’re also practical. They could catch pests, they could guard the homestead from intruders,” he said.

There are about 20 major works in the gallery, from watercolor and oil painting to photographs. There will also be a display case featuring smaller objects such as dog show tags, ribbons from the North Shore Kennel Club in St. James, postcards that have advertising containing dogs, ornaments that were pinned on horse wagons leather straps and even a pair of slippers with dog’s faces embroidered on them.

William Sidney Mount’s Esqimaux Dog, 1859

Famous artists William Sidney Mount and William Moore Davis have pieces on display. Mount was a 19th-century genre and portrait painter who lived in Setauket and Stony Brook. The museum has the largest collection of his works. Davis, a friend of Mount’s, resided in Port Jefferson and is known for his landscape paintings.

“They are the two artists that are most strongly represented in the show. That’s because they were local people and they both depicted scenes of regular people on Long Island at work, at play, at rest — and often dogs were part of the scene,” Olly said.

The interesting part of the gallery is that in most of the works the dogs are not the most prominent part of the piece. Often, they were just another component in the scene, which draws a comparison to how they were (and are) just another part of Long Islander’s lives.

“A lot of the things that we’re working with in here tend to be things that have come into the collection not because they’re dog-related, but the fact they have dogs is almost accidental,” Olly said.

This is the case in Alexander Kruse’s 1969 painting “Bicycle Parking Fire Island,” which is the most current piece in the exhibit. “He didn’t paint it because of the dog, but he just happened to include a dog,” Olly said.

One of the most interesting pieces featured, according to Olly, is a painting illustrating a scene of the Meadow Brook Hounds. Fox hunting was a popular sport for Long Island’s elite in the late-nineteenth and twentieth centuries. There were three main fox hunting organizations on Long Island during this time: The Meadow Brook Hounds (1881-1971), Suffolk Hounds (1902-1942) and Smithtown Hunt (1900-present).

The painting of the Meadow Brook Hounds is particularly interesting because it’s one of the few where the dogs are a major part of the scene. The painting is accompanied by a label that not only names important figures portrayed in the piece, like Theodore Roosevelt, but also credits the dog’s names. “The dogs are actually getting equal billing with the people,” Olly said.

In conjunction with the Dog Days exhibition, The Long Island Museum will present its third Summer Thursday event on Aug. 17 from 6 to 8 p.m. with a concert by the Cuomo Family Band. Visitors are encouraged to pack a picnic dinner and bring chairs or blankets. Admission to the grounds and exhibit is free.

Shelter dogs from Last Chance Animal Rescue will be available for adoption and The Middle Country Public Library’s Mutt Club, which partners with animal rescue organizations, will be collecting donations for shelter pets including pet food, toys, treats, collars, cat litter, toys, cleaning supplies and peanut butter.

Dog Days: Portraits of Man’s Best Friend is a chance for North Shore residents to see the beloved pets in an artistic light. Stop by the gallery to see just how man’s best friend has been captured over the past centuries on Long Island.

The Long Island Museum, a Smithsonian Affiliate, is located at 1200 Route 25A in Stony Brook. Regular museum hours are Thursday through Saturday from 10 a.m. to 5 p.m. and Sunday from noon to 5 p.m. For more information, call 631-751-0066 or visit www.longislandmuseum.org.

by -
0 157
Above, seated from left, LIM Executive Director Neil Watson, Jennifer Lawrence and Paul Lamb; standing from left, Christopher A. Miano and Michael J. Opisso. Photo above from LIM

Passengers traveling through Stony Brook past The Long Island Museum on Route 25A might have noticed a new bit of landscape recently. The Long Island Museum unveiled the Betty and William F. Howind Memorial Garden, funded by the North Suffolk Garden Club, at a ribbon-cutting and dedication ceremony on June 29. The event celebrated the Howinds as longtime supporters of the museum and Betty as a devoted member of the garden club.

A view of the new memorial garden with the sculpture, ‘Three Sheets to the Wind,’ by Drew Klotz in the foreground. Photo by Michael J. Opisso

“Betty and Bill Howind were longtime supporters of LIM and Betty enjoyed working in The LIM’s Emma Lee Blackford Rockwell Herb Garden, designed and maintained by North Suffolk Garden Club. The garden club wanted to honor Betty and Bill for their generosity and for Betty’s devoted service to the club. So NSGC felt The LIM campus was a perfect place to create a lasting memorial to the Howinds and LIM agreed!” commented Jennifer Lawrence, NSGC president, who was instrumental in the project.

The North Suffolk Garden Club has been maintaining the Emma Lee Blackford Rockwell Herb Garden on the grounds of The Long Island Museum since 1993. The Howind garden is the most recent highlight of this long-standing partnership. Together, The LIM and the garden club selected Michael J. Opisso to design the garden.

A key feature of the space is a beautifully designed black walnut bench by Christopher A. Miano. When LIM Executive Director Neil Watson proposed Miano’s design to Lawrence, he mentioned that Miano works only in black walnut. It happened that Lawrence and her husband Brewster had 600 board feet of black walnut from trees on their Nissequogue property and Miano was able to use some of the wood for the bench. “It really is a local product,” said Lawrence.

The Betty and William F. Howind Memorial Garden provides several key elements to the museum property including delineated walkways, a resting spot for visitors on their way into Stony Brook Village and a beautiful focal point to celebrate the new vision of LIM as a community destination. The new garden will enhance the museum grounds for years to come and will be enjoyed by thousands of Long Islanders throughout the seasons.

by -
0 2876
Watercolor study of “Steeds of Apollo” for the Apollo XIII insignia. Photo courtesy of Alex Katlan
New exhibit at The LIM showcases a modern-day Renaissance man

‘I always thought I was born under a certain star because I’ve been lucky my whole life.’  

– Lumen Martin Winter

By Heidi Sutton

Lumen Martin Winter (1908 —1982) was an American public muralist, sculptor, painter and mosaic artist for more than 50 years. His most famous works are displayed at the U.S. Air Force Academy Chapels in Colorado Springs, at the AFL-CIO Headquarters and the National Bank in Washington, D.C., and at the Church of St. Paul the Apostle, Lincoln Center and the United Nations in New York City.

Through Sept. 17, The Long Island Museum in Stony Brook will present an exciting new exhibit titled Lumen Martin Winter: An Artist Rediscovered in the Art Museum on the hill. The exhibit, which includes 90 of Winter’s works of art along with photographs, letters and audio tapes, was made possible through a major donation by Alexander Katlan, a conservator for the museum, who began to collect artwork from the Winter family estate in 2015. Additional items are on loan from private collections and other museums.

“This is the first [solo] exhibition on this artist in a museum setting,” said Director of Collections and Chief Curator, Joshua Ruff. “Winter had been featured in other museums in small ways as parts of other projects; but this is the first time there has been a full-scale retrospective study of this artist in any museum anywhere.”

‘Mission’ by Lumen Martin Winter

Divided into several galleries, the diverse exhibit explores Winter’s art and career from his early works as a cartoonist at a newspaper and as a student in art school, his years spent in Europe, time spent out West in the 1960s and his final years in New Rochelle. Display cases further showcase Winter’s work as an illustrator of books and magazines, stamps and medallions, including one for the Apollo XIII lunar mission.

“Lumen Winter was a name that I didn’t know a few years ago,” said Ruff during a recent guided tour. “This is a guy that made his bread and butter on public art commissions. These were projects that were done all around the United States — a lot of them were centrally located around the New York Metropolitan area.”

According to Ruff, “many of Winter’s biggest commissions and biggest projects were large-scale murals.” As a result, much of the artwork on view at the museum are preparatory works. For example, the large colorful mural that greets visitors at the entranceway to the exhibit is a preliminary corner panel for “The Fisherman,” a 14- by 28-foot mural on view at the HSBC bank in Sheepshead Bay, Brooklyn, at the corner of Avenue U and 17th Street.

Winter’s favorite artist was Leonardo da Vinci and his mural replica of Leonardo’s “Last Supper,” which is the same size as “The Fisherman,” still hangs in the South Dining Hall at the University of Notre Dame. In the exhibit, a recurring video plays next to a colored print of “The Last Supper” in which Lumen describes his process in re-creating the famous work.

Ruff spent many hours researching and planning the exhibit in chronological order, visiting many of Winter’s murals in areas in and around New York, Washington, D.C., and even interviewing members of Winter’s family. “Many of Winter’s works were untitled, often not dated, so there was a lot of detective work” that needed to be done, said the curator.

Lumen Martin Winter in front of ‘Venus of the Lakes’ at the Sheraton Hotel in Chicago, 1961. Photo courtesy of The LIM

According to Ruff, Winter started his academic career at the Cleveland Academy of Art and trained at the National Academy of Design and Grand Central Art Academy. He lived in New Rochelle from the late 1950s until his death in 1982 and had a studio in lower midtown Manhattan as well as out in Taos, New Mexico, for many years. “As a New York area artist, he was connected to the New York and Long Island artists that we have in our [museum] collection and knew them well.”

Winter did 13 different public commissions for public schools in New York City including “Voice of the Bell” a reference to the Verrazano Bridge, which was commissioned for a school on Staten Island. Some were marble sculptures but most of them were mosaic murals for the entranceway of the schools, said Ruff. Winter was also commissioned to do a lot of lobby work for the Sheraton Hotels across the country.

The exhibition is accompanied by a catalog that documents Winter’s works including what still exists and what is gone. Said Ruff, “We documented in the catalog all the projects that [the museum] had good details on. Unfortunately there are many that are gone or were moved elsewhere.”

For Ruff, creating an exhibit on an artist where most of his large significant commissions are gone or are in places that are hard to get to and see was a challenge. “What we have is the design work, the reference work, but then also what we really have is paintings that show his skill as a watercolorist and as an oil painter that he was doing for the love and joy of doing the art — without a profit motive.”

Winter once said that he had an intrinsic feeling that he could do anything. Scanning the exhibit, it is incredible how that statement rings true. It seems as if whatever medium Winter tried he mastered, including watercolor, red conte, gouache, graphite, oil, ink, charcoal, bronze and marble. There are incredible landscapes on one wall, abstract art on another and portraits on yet another.

Preparatory works for massive sculptures are also on view including sketches and designs for the Kansas State Historical Society’s “White Buffalo” marble sculpture, which depicts a Navajo Indian on horseback with a buffalo. This was Winter’s final commissioned piece and he passed away before finishing it. His son William, working from the designs of his father, saw the statue to its completion in 1983.

“I don’t think that people even realized in Winter’s lifetime how much he had really accomplished,” said Ruff, adding “Hopefully this exhibition and the catalog we’ve reproduced is a start and I’m hoping that continuously going forward this museum and other museums will be able to do more about him in the future, make more discoveries and that we’ll be able to connect him to other artists. It’s been a great journey so far …”

The Long Island Museum, 1200 Route 25A, Stony Brook will present Lumen Martin Winter: An Artist Rediscovered through Sept. 17. For more information, call 631-751-0066 or visit www.longislandmuseum.org.

by -
0 79

The Long Island Museum in Stony Brook will welcome food historian Sarah Lohman, on Sunday, July 30 at 2 p.m. Lohman will discuss her latest book, “Eight Flavors: The Untold Story of American Cuisine,” in conjunction with the museum’s Edible Eden exhibition. A self-proclaimed historic gastronomist, Lohman will take an in-depth look at locally grown crops and their origins. This program is free with regular museum admission.

Located at 1200 Route 25A in Stony Brook, The Long Island Museum is open Thursdays through Saturdays from 10 a.m. to 5 p.m. and Sundays from noon to 5 p.m. Regular museum admission is $10 adults, $7 for seniors 62 and older and $5 for students ages 6 to 17. For more information, call 631-751-0066 or visit www.longislandmuseum.org.

by -
0 58
LIM senior curator Joshua Ruff, center with red tie, stands in front of ‘Fishermen’s Mural’ by Lumen Martin Winter with members of New York City’s Salmagundi Art Club after the tour. Photo by Heidi Sutton

By Heidi Sutton

The Long Island Museum in Stony Brook welcomed members of the Salmagundi Art Club last Saturday morning to view its latest exhibit, Lumen Martin Winter: An Artist Rediscovered. A guided tour of the collection was led by the museum’s senior curator Joshua Ruff followed by a live jazz performance and lunch in the Carriage House Museum.

Lumen Martin Winter was an important American public artist for more than 50 years, with major murals and commissions at the United Nations in New York and the AFL-CIO Building in Washington, D.C. In the late 1960s, he was chosen by NASA to design the official insignia for lunar missions Apollo 13 to 15. After his death in 1982, Winter’s name became as obscure as some of the fading frescoes produced in the prime of his career. Now, for the very first time in a museum setting, his work is being reappraised with new light being shed on this prolific but not fully appreciated artist.

The exhibit, which features 90 works of art from paintings to sculpture, runs through Sept. 17.

by -
0 126
Beaucoup Blue, from left, David and Adrian Mowry. Photo from Charles Backfish

Coinciding with the Midnight Rum: Long Island and Prohibition exhibition on view at The Long Island Museum, the Sunday Street Series, joined by the Long Island Blues Society, will welcome Beaucoup Blue in concert on Sunday, July 9 at 7 p.m. Join them for a very special evening of great blues as well as some great brews for your enjoyment provided by The Port Jeff Brewing Company. Wine will also be available.

Beaucoup Blue is the father and son Philadelphia-based duo of David and Adrian Mowry. Although blues is a staple of their repertoire, they also cite musical influences from folk, soul, R&B, jazz, country and bluegrass. A handsome range of instruments, including 6- and 12-string guitars, slide guitar, and dobro and their two soulful voices blend together like only family members can. You’ll hear their original compositions but also blues classics. They have recently released their fourth CD, “Elixer.”

Bob Westcott will open the show. An accomplished finger-style guitarist, Westcott promises to share some songs from the Prohibition Era with the audience including Clayton McMichen’s 1930 classic, “The Prohibition Blues.”

Advance sale tickets are $20 at www.sundaystreet.org through Friday, July 7, with tickets at the door for $25 (cash only). For more information, call 631-751-0066.

by -
0 110
Above, a scene from ‘Sour Grapes’ Photo courtesy of PJDS

The Long Island Museum, located at 1200 Route 25A in Stony Brook, along with the Port Jefferson Documentary Series, will host the 2nd Summer Thursday event on Thursday, July 6, with a film screening of the 2016 documentary “Sour Grapes,” followed by a Q-and-A with the film’s co-director and free admission to the Long Island Museum’s newest exhibition, Midnight Rum: Long Island and Prohibition. The festivities begin at 4:30 p.m.

Set in the super-fast, super-rich world of LA and New York during the financial boom of the early 2000s, in the lead up to the 2008 financial crash, and featuring the obsessive collectors, outraged wine producers, suspect auction houses and specialist FBI sleuths, “Sour Grapes” is an “Emperor’s New Clothes” fable for the modern age.

The film traces the story of the millions of dollars made from the sale of fake vintage wine, which flooded a susceptible luxury market with counterfeits that still lie undetected in cellars across the world. The film was awarded Winner of Best Documentary at the Key West Film Festival. Critics have called the film “highly entertaining” (The Guardian) and “real-life comic mystery fit for Hercule Poirot” (Variety).

In addition to the film, there will be a wine reception (courtesy of Pindar Vineyards Port Jefferson Wine Shop) and a chance to meet Reuben Atlas, who co-directed the film, from 5 to 6 p.m. Advance tickets to the film and reception, which are selling out fast, are available for $12 at www.portjeffdocumentaryseries.com through July 5. Tickets for the film only will be available at the door for $7 (no credit cards please). Ticket holders will receive complimentary admission to the Midnight Rum exhibition from 4:30 to 6 p.m. in the Visitors Center. The reception begins at 5 p.m. in the Carriage Museum’s Gillespie Room and the film begins at 6 p.m.

For more information and to purchase tickets, please call 631-473-5220.

by -
0 2363
Above, a 1927 Ford Motel T greets visitors at the entrance of the exhibit. Photo by Julie Diamond

By Susan Risoli

Prohibition made the 1920s roar. Long Island was the center of all the glamour and danger of that whirlwind time, as we now know from Midnight Rum, a new exhibit on display through Sept. 4 at The Long Island Museum in Stony Brook.

“Being on a coast and having so many inlets, Long Island was a natural” for running illegal alcohol, said LIM Executive Director Neil Watson. Proximity to New York City was another factor. The exhibit, which Watson described as “unusually stimulating and rich,” reveals the daring and ingenuity of people making the most of an era that lasted from 1920 to 1933. “When alcohol was banned, it flourished,” he said, “but it flourished in a different way.”

Above, a still used by Roy Edwin Thompson of Roosevelt in the 1920s and ’30s. Photo by Julie Diamond

A massive car built for adventure greets the visitor to the gallery. Was this 1927 Ford Model T touring car one of the vehicles involved in illegal activity? We don’t know for sure. But memories and newspaper accounts reveal that similar Model Ts were the car of choice for smuggling booze. The one in the LIM show is a black chariot with a black leather interior. The running board alone could hold a small gang, and the button-tufted back seat looks made for shenanigans.

Assistant curator Jonathan Olly said he originally wanted to find a rum runner boat to display. He found someone willing to loan one for the exhibit. But the motorboat was just a foot too wide to fit into the gallery. “It was a disappointment,” he recalled.

After contacting multiple car collecting clubs and individuals, “some of whom are very elderly,” Olly turned up the Model T in the exhibit. The owner was willing to drive it out to Stony Brook from Bayside, Queens — no easy journey, given the distance and the car’s top speed of 40ish miles per hour. “We lucked out,” Olly said.

A vignette depicting the Suffrage movement. Photo by Julie Diamond

Olly and his colleagues found the perfect accompaniment to the car: vintage wooden crates just like those that would have been used to store liquor, “from a guy who sells reconditioned Jeep parts out in Riverhead.” The idea came from a 1924 newspaper article that described a Model T, found in a shed by authorities, with 13 cases of liquor hidden in it.

Midnight Rum is a feast of details. Some are luxurious, some are practical, but no less fascinating. A vignette of objects portraying a speakeasy includes a hand-beaded dress and a beautiful cut-glass bowl for punch (spiked, of course). A still based in somebody’s kitchen occupies another vignette, complete with beautifully preserved stove and the tubs and pots needed to cook up some home brew. Over in the corner, tacked up on the kitchen wall, is another LIM find: actual old recipes, written in carefully cursive penmanship. But this is not your grandmother’s coffee cake recipe. “Place in tub as is, stems and grapes,” says the instructions.

Other vignettes tell the story of the strong connection between the drive to make alcohol illegal and the fight for women’s suffrage. Equally compelling are the artifacts and objects that reveal how women, growing in political savvy and connections, helped lead the movement that ultimately repealed Prohibition.

Midnight Rum is a multimedia exhibit. The sounds of oral histories, projected on a screen, draw the viewer in. A short film on the perils of drink is entertaining, while it explains the thinking and emotions that led to Prohibition in the first place. The film’s string- and woodwind-filled score might be familiar to anyone who remembers the Little Rascals or Bugs Bunny.

A speakeasy vignette. Photo by Julie Diamond

Olly said although Long Island played a key role in what he called “a very extreme moment in American culture, when alcohol suddenly became illegal,” there were challenges in putting the exhibit together. “Everyone has some sort of anecdote about Prohibition,” he said, but often anecdotes are … well … only anecdotal. Finding all the objects needed to tell the story properly was a complex task, he said, and consequently “a lot of the objects are borrowed. It’s not a story we could tell without a number of lenders.”

Olly and his colleagues found parallels between the Prohibition era and today’s America. There was economic inequity, with poor people being affected more directly by the alcohol ban than their wealthy counterparts who could afford to stockpile liquor or frequent fancy speakeasies.

Many of the alcohol brewers of the time, in the New York metropolitan area, were German-American. And saloons were important places for Italian and German immigrants to gather, to find out about work and socialize in what Olly called “a public drinking culture.”

“There was some anti-immigrant sentiment, a nativism,” he said. “There were issues of citizenship — who should have access to resources and who shouldn’t.”

The Long Island Museum, 1200 Route 25A, Stony Brook will present in the Visitors Center through Sept. 4. The museum is open Thursday through Saturday 10 a.m. to 5 p.m., and Sunday 12 to 5 p.m. Regular admission is $10, $7 for seniors and $5 for students ages 6 to 17. Children under 6 and museum members are admitted free. For more information, call 631-751-0066 or visit www.longislandmuseum.org.

by -
0 277

By Kevin Redding

Strap in, old sport. The Long Island Museum in Stony Brook is bringing you back to the roaring twenties for a special fundraiser and examination of F. Scott Fitzgerald’s 1925 literary masterpiece. Chasing Gatsby: The Journey from Book to Film is a one-night event Saturday, May 6 from 5 to 7:30 p.m. that explores the enduring power of “The Great Gatsby,” Fitzgerald’s universally revered novel about excess and tragedy in the fictional town of West Egg on Long Island in the summer of 1922.

“To me, it doesn’t get any better than this for a program,” Neil Watson, the museum’s executive director, said. “We’re all really proud of what we’ve put together because it really pushes the limit for us of what’s possible in programming — it will bring theater, performance, the written word and Hollywood under one umbrella. There’s nobody else putting this kind of event together.”

Hors d’oeuvres and cocktails will be served to attendees as they follow the classic novel’s progression and interpretations throughout the years with the help of an impressive panel of guest speakers.

John Bedford Lloyd

Actor John Bedford Lloyd, known for his film roles in “Crossing Delancey” and “The Abyss,” will join Tony Award-nominated actress Anne Twomey, best known for originating the stage role in “Nuts,” in reading selected excerpts from the book.

Christine Vachon, award-winning producer of the new Amazon series “Z: The Beginning of Everything,” based on the life of Fitzgerald’s infamous wife, Zelda, will discuss how three Hollywood film adaptations — the 1949 version starring Alan Ladd and Betty Field, the 1974 version starring Robert Redford and Mia Farrow and the 2013 version starring Leonardo DiCaprio and Carey Mulligan — approached the source material differently and show clips from each.

Maureen Corrigan, book critic for NPR’s “Fresh Air” will also be there to talk about her 2014 book, “So We Read On: How the Great Gatsby Came to Be and Why It Endures.”

Julie Diamond, director of communications, said the program has been in the works for about six months and will coincide with the museum’s Prohibition on Long Island exhibition May 5. “We try to organize public programs that correspond with our exhibitions, so Gatsby is complementary to that era of Prohibition in the 1920s and is highly regarded as one of the best examples of American literature,” she said.

Maureen Corrigan

Watson, who referred to “The Great Gatsby” as one of his favorite books of all time, said it didn’t take long for the program to take shape. “It started with the idea of just doing readings [from it] and really evolved quickly from that into a much more interactive experience,” he said. “To have this right in our backyard on Long Island, where the novel takes place, is wonderful.”

“We want the public to look at our museum and see this museum is about exhibitions we do, the carriage collection, the education programs we do, but also about this kind of program,” said Watson. “It’s really looking at the museum as a cultural hub for the area, and we want everybody to really take advantage of it because there’s so much here and the more we can do and the more we get the community responding we can up our game too.”

Watson called on his wife, Judy Blundell, a National Book Award recipient and successful author of books for young adult and adult readers, to moderate the event. “I’m so thrilled,” Blundell said in an email. “I can’t imagine a better group to discuss how and why this gorgeous novel manages to capture the imagination of generation after generation. In only nine chapters and 50,000 words, Fitzgerald delivers an iconic American story told in language and images consistently fresh every reading.”

“I think it’s a smart program and it has everything — it’s entertaining, it’s dramatic and it’s fun and you learn something too, which is great,” said Watson. “I think it’s going be a wonderful evening.”

Tickets for the event are $35 per person or $75 for premium seating and may be purchased online at www.longislandmuseum.org/events. The museum staff expects the limited-seating program to sell out, so act quickly, old sport.

The Long Island Museum, a Smithsonian affiliate, is located at 1200 Route 25A in Stony Brook. For more information, please call 631-751-0066.

Prev1...8910...12Next Page 9 of 12
TBR News Media is your local news and entertainment website.
We provide you with the latest breaking news and information for your community.
Contact us: [email protected]

Most Viewed

©