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Long Island Museum

Mose Allison
Evening will honor the music of longtime Smithtown resident

By Kevin Redding

Mose Allison. Photo by Michael Wilson

A reporter once asked the late jazz and blues pianist and singer Mose Allison — regarded among musicians like Bonnie Raitt, Leon Russell, Pete Townshend and Van Morrison as “one of the finest songwriters in 20th century blues” — why he wasn’t more famous.

“Mose, you were a social critic before Bob Dylan, satirical long before Randy Newman and rude before Mick Jagger,” the reporter said. “How come you’re not a big star?” Allison, who was born in Mississippi and moved from New York City to Smithtown in the mid-1960s to raise a family and spent much of his time walking in the local woods and swimming in the Long Island Sound, responded: “Just lucky, I guess.”

On Saturday, March 24, The Long Island Museum, in partnership with WUSB-FM’s Sunday Street Concert Series and the Greater Port Jefferson-Northern Brookhaven Arts Council, will give the 2006 Long Island Music Hall of Fame inductee his proper due with The Word From Mose: A Celebration of the Music of Mose Allison, a tribute concert in the Carriage Museum’s Gillespie Room at 7 p.m.

Jack Licitra

The concert, following the tradition of other Sunday Street Series shows organized by Charlie Backfish, Stony Brook University history lecturer and host of the university’s weekly radio program “Sunday Street,” will feature local and outside musicians, who will strum and sing through decades of Allison’s breakthrough material, including his more well-known tracks “Your Mind Is on Vacation,” “Everybody’s Crying Mercy” and “I Don’t Worry About a Thing.”

Allison, who died Nov. 15, 2016, just four days before turning 89, was a four-time Grammy nominee and frequent collaborator with jazz greats Zoot Sims and Stan Getz whose songs spanned more than 30 albums — The Rolling Stones, Diana Krall, The Who, The Pixies and Elvis Costello are among those who have recorded Allison’s songs.

Pete Kennedy

The lineup includes “Sunday Street” regular and New York-based singer-songwriter Pete Kennedy; Pat Wictor, electric and slide guitarist of the group Brother Sun; Jack Licitra, a Sayville-based keyboardist and guitarist as well as the founder of the music-teaching studio South Bay Arts in Bayport; and Abbie Gardner, an acclaimed Dobro player who has toured for many years as part of the trio Red Molly. Some members of Allison’s family, including his daughter and singer-songwriter Amy Allison, will also be in attendance.

The evening will also include a screening of a short BBC documentary on Allison called “Ever Since the World Ended,” featuring interviews with Costello, Morrison, Raitt and Loudon Wainwright III and footage of Allison performing.

“Not only is he such an important artist, Mose Allison was someone who lived in this area for many decades and we thought it was time to do something like this for him,” Backfish said of the decision to honor the musician. “When he wasn’t on tour, which was quite often, he would be back in the area and playing shows at the Staller Center at Stony Brook University or jazz clubs in Port Jefferson.”

Pat Wictor. Photo by John Mazlish

Backfish said he also had the opportunity to interview Allison on his radio program many years ago. “He had such an incredibly rich catalog in so many ways and these artists are going to get together and play both well-known songs of his and the deep tracks,” he said. “I would hope that if people aren’t aware of Mose, they’ll suddenly find someone they will check out and listen to, and for those who know him, this will be a great way to celebrate his music and listen to artists reinterpret his songs.”

Wictor, a longtime Allison fan who, with his band, recorded a version of “Everybody’s Crying Mercy,” said Backfish approached him to participate in the concert for his “affinity” for the man’s work. “I love Mose partly because he cannot be categorized easily,” Wictor said. “He sort of mixed jazz and blues, and social commentary, in a way that nobody else did. And I like his sense of humor in his lyrics, which were always a little sardonic and mischievous. He comes across as a person that doesn’t suffer fools gladly and that’s always enjoyable to me. The songs themselves are very musically interesting, too — blues-based but they always have a unique musical and lyrical quality unlike anything else.”

Abbie Gardner

Kennedy said Allison was unusual among jazz musicians in his time because he wrote a lot of songs with lyrics, while others primarily stuck to instrumental compositions. “Allison actually wrote songs that he sang and that’s what we’re focusing on during the concert,” said Kennedy, who noted that he’s had a lot of fun examining Allison’s songs more closely and learning them in anticipation of the show. “His songs sound totally modern to me now, even the old ones from the 1950s and ’60s. The writing is really clever, really humorous and had a little bit of social commentary to it, but not in a negative way.”

Licitra, too, expressed his excitement over his involvement, calling Allison’s music “the thinking man’s blues.” “I’m really looking forward to giving people a taste of his style of intellectualism and humor,” he said. “And for me, this is all about the group of performers on the bill. I’m a big fan of all of them and so I’m excited about playing with them and seeing how they each interpret Mose’s [work].”

The jazz legend’s son John Allison, who grew up in Smithtown, said while his father was a true “musician’s musician” and beloved in many artist’s circles, he was as low profile as could be at home. “There he was, living in Smithtown, so unassuming that even our neighbors, for 15 years, didn’t know what he did until they saw him on TV with Bonnie Raitt for a PBS concert at Wolf Trap,” John Allison said, laughing. “He just wanted to do his thing. He read books and played music. I’d come home from high school and he’d be listening to some weird Chinese, classical music and just laughing and loving it … [and] sometimes he did tai chi in the living room.”

The Long Island Museum is located at 1200 Route 25A, Stony Brook. Advance tickets to the tribute show are $25 through Friday, March 23 at www.sundaystreet.org with tickets at the door for $30 (cash only). Beer, wine and cider will be available for purchase. For more information, please call 631-751-0066.

‘The Judge’ offers a unique portrait of Kholoud Al-Faquih, above, the first woman judge to be appointed to the Middle East’s Sharia’a courts.
Popular film festival gives voice to stories that need to be told

By Heidi Sutton

Islamic law, autism, the stock market — these diverse subject matters and more will be explored at length as the Port Jefferson Documentary Series (PJDS) kicks off its spring 2018 season Monday evening, March 19.

Sponsored by the Greater Port Jefferson-Northern Brookhaven Arts Council, the Suffolk County Office of Film and Cultural Affairs and the New York State Council on the Arts, the PJDS will present seven award-winning documentaries on Monday nights through April 30, alternating between two venues — Theatre Three in Port Jefferson and The Long Island Museum in Stony Brook. Each screening will be followed by a Q&A with guest speakers.

The documentaries were handpicked by a seven-member film board that includes co-directors Lyn Boland, Barbara Sverd and Wendy Feinberg along with Honey Katz, Phyllis Ross, Lorie Rothstein and Lynn Rein. The “film ladies,” as they are affectionately known, each choose one film to present and then a seventh film is chosen unanimously by the group.

It is a system that has worked well since 2005. “I have learned that almost everybody [on the board] has their fingers on the pulse of some segment of our audience,” said Boland in a recent phone interview. “I think that we all have slightly different ways of judging the films that we are attracted to,” which the co-director says is a good thing. “You really want a balanced season that appeals to a lot of people.”

According to Boland, the goal of the festival has always been the same. “What we want most is to give our community the kind of access to important well-done documentaries that are fresh, shown the way they were created to be shown, on a big screen with a good sound system at an affordable price. A guest speaker will amplify the experience.”

This spring’s exciting lineup was selected after the members attended screenings at DOC NYC and the Hamptons Film Festival. When choosing the selections, Boland said she looks for a story “that really grabs me, that I think is dramatic, important, … a must see film,” adding “It is our hope that [the film selection] is really adding to the public discourse — that this is something people will talk about and think about.”

Kicking off the festival is the Long Island premiere of “The China Hustle.” “[This film] is one of those cool movies that is like a slow reveal — a financial mystery that you just start putting the pieces together as the film goes on and you really see what a ‘hustle’ the whole situation is with these fake Chinese companies that grabbed American investors,” Boland divulged. “It is absolutely fascinating.”

The co-director is most excited about sharing “The Judge” with festivalgoers. The documentary follows Kholoud Al-Faqih and her journey to be the first female judge in a Shari’a court in Palestine. “I think it is particularly appropriate to be screened now during Women’s History Month. [Al-Faqih] is a very mesmerizing figure — practical, smart, stubborn and just totally dedicated. That appealed to me,” said Boland. “[The film shows] how family disputes were negotiated in a Muslim religious court. As a former matrimonial attorney I was amazed how similar the issues were [to the United States] and how similarly they were handled.”

She is also enamored by “This Is Congo.” Skillfully directed by Daniel McCabe, Boland describes it as “an incredibly risky showing about what’s going on in Congo that nobody’s talking about, nobody’s writing about. This is a story that needs to be told and we have to do our part to get some of these things out.” Boland’s favorite part of the evening is the Q&A, which this year will feature for the first time six directors and one screenwriter.

The documentary series wouldn’t be possible without the support of numerous volunteers. Every season, help is needed for each part of the process, from distributing flyers and running the ticket booths to tracking down directors and even recommending new films. “We need volunteers not only to help the evenings go more smoothly but we would really love to have more people on the board,” said Boland. If you love documentary films and would like to volunteer, please call 631-473-5220.

The board was recently notified that the PJDS was chosen by Bethpage Federal Credit Union’s Best of Long Island survey as the Best Film Festival on Long Island, beating out the Stony Brook Film Festival, the Hamptons International Film Festival and the Gold Coast Film Festival for the second year in a row for “its devotion to documentaries — which are evocative, thought provoking, and shed light on often-unrepresented segments of our population.” To Boland, it is affirmation that the group’s tireless work is paying off. “I am just thrilled,” she gushed. “Every time we have our first meeting to start work on the next series … I am just amazed at how everybody hangs in there … just because they really love films and love to bring them to the community. That’s the bottom line.”

The Port Jefferson Documentary Series will be held at 7 p.m. every Monday night from March 19 to April 30 at Theatre Three, 412 Main St., Port Jefferson or The Long Island Museum, 1200 Route 25A, Stony Brook. Tickets, sold at the door, are $7 per person. (No credit cards please.) New this year at the Long Island Museum’s screenings is the Cinema and Chardonnay program. For $5, participants can purchase a glass of chardonnay and/or a $1 bag of pretzels and then enjoy the wine and snack while watching the film. For more information, visit www.portjeffdocumentaryseries.com.

Film schedule

▶ The spring season will kick off with a special screening of “The China Hustle” at Theatre Three on March 19. The documentary exposes a new financial crime perpetrated by Wall Street where investors dumped their money into Chinese businesses that turned out to be fraudulent. The hook of the story is that everyone involved is guilty, including the investor who called out the fraud in the first place. Guest speakers will be Director Jed Rothstein by Skype and Juan Carlos Conesa, chair of Dept. of Economics, Stony Brook University.

▶ “Sammy Davis, Jr: I’ve Gotta Be Me,” to be screened at the Long Island Museum on March 26, is the first major documentary to examine Davis’ vast talent and his journey for identity through the shifting tides of civil rights and racial progress in 20th century America. With interviews from Billy Crystal, Norman Lear, Jerry Lewis, Whoopi Goldberg and Kim Novak along with photographs, television, film and concert. Moderated by Tom Needham, host of “Sounds of Film” on WUSB, guest speaker will be screenwriter and co-producer Laurence Maslon.

▶ The series continues with “The Judge” on April 2 at the Long Island Museum. The Muslim Shari’a courts in the Middle East have excluded women for centuries, and the influential religious legal system has never appointed a woman as a judge — until Kholoud Al-Faqih came along. The documentary follows the Palestine judge’s brave journey as a lawyer, her tireless fight for justice for women and her drop-in visits with clients, friends and family. Guest speaker will be Director Erika Cohn.

▶ “This Is Congo,” to be screened at Theatre Three on April 9, is a riveting, unfiltered immersion into the world’s longest continuing conflict and those who are surviving within it. Following four compelling characters: a whistleblower, a patriotic military commander, a mineral dealer and a displaced tailor — the film offers viewers a truly Congolese perspective on the problems that plague this lushly beautiful nation. Moderated by Shimelis Gulema, professor of Africana studies and history, SBU, the guest speaker for the evening will be Director Daniel McCabe.

▶ The series continues on April 16 at Theatre Three with an impressionist, fly-on-the-wall portrait of the life and glorious music of Israeli-born Itzhak Perlman, widely considered the greatest living violinist. Titled “Itzhak,” the documentary follows the virtuoso around the world for a year, portraying his huge passion and spirit. Wheelchair-bound from childhood polio, Perlman recounts overcoming obstacles with humor and talent. Featuring archival materials and performance clips, the guest speaker will be Director Alison Chernick.

▶ “Love, Cecil,” which will be screened at the Long Island Museum on April 23, brings to life the glamorous world of fashion/celebrity photographer and stage set designer, Cecil Beaton (1904-1980) through the use of archival footage, interviews and readings from his diaries by actor Rupert Everett. Guest speaker for the evening will be Director Lisa Immordino Vreeland.

▶ The final film for the spring 2018 season, “Mole Man” will be screened at the Long Island Museum on April 30 and follows Ron Heist, a 66-year-old autistic man who built a 50-room structure, consisting solely of scrap materials, on the land behind his parent’s home in Western Pennsylvania. His creation was built without the use of nails or mortar and keeps expanding, as he collects, classifies and displays objects from a deserted cluster of homes in the woods. This is the story of an extraordinary life, a family and the beauty of thinking differently. Director Guy Fiorita will be the guest speaker.

All photos courtesy of the PJDS

‘Lure of the Butterfly,’ c. 1914-15, oil on canvas, private collection

‘My great and absorbing passion is the love of beauty. Beautiful things give me pleasure. As fine art is the application of the principle of aesthetics or beauty, painting has especially appealed to me as an outlet.’

­— Jane Peterson interview with The Garden Magazine, 1922

By Heidi Sutton

After a brief hiatus in January, the Long Island Museum in Stony Brook opens its 2018 season with a new traveling exhibition featuring the works of artist Jane Peterson. Titled Jane Peterson: At Home and Abroad, it was organized by the Mattatuck Museum in Waterbury, Conneticut, and was initially on view there from November 2107 to January of this year. The show, which opened last weekend in the Art Museum on the hill, will run through April 22 and will be accompanied by a number of gallery tours, workshops and other public programs.

Jane Peterson sketching on the beach, Jane Peterson Papers, 1907-1981, Archives of American Art, Smithsonian Institution.

Jane Peterson was a modernist painter whose artistic journey provided a vital link between the impressionist and expressionist art movements in the United States. Born in Elgin, Illinois, in 1876, her love of art led her to Pratt Institute in Brooklyn and after graduation she studied oil and watercolor painting at the Art Students League in New York City. Peterson went on to have a formidable and successful career as an award-winning artist and was featured in more than 80 solo exhibitions until her death in 1965 at the age of 88. Today her artwork can be found all over the country in various museums, galleries, institutions and in the hands of private collectors. 

For those of you who have never heard of Jane Peterson you are not alone. But her artwork is so extraordinary that the public deserves to be enlightened and that is precisely why this show was created, according to its curator, Cynthia Roznoy of the Mattatuck Museum.

“From the time of her one-person show in Boston in 1909 Peterson exhibited frequently right through the 1950s when she is already in her 70s,” said Roznoy during a recent phone interview. “During the high point of her career from the teens through the 30s she had multiple exhibitions a year. By the 1950s she had one exhibition per year, but that was still a great accomplishment for a woman painter at the turn of the century.”

‘Tiger Lilies’, Mattatuck Museum

According to Roznoy, the idea to create a solo exhibit on Jane Peterson occurred rather serendipitously. While visiting the Liros Gallery in Blue Hill, Maine, in 2013, the director of the Mattatuck Museum, Robert Burns, was immediately drawn to two paintings by Peterson. Intrigued, he purchased one of the works, “Tiger Lilies,” and upon returning to the museum asked Roznoy if she had ever heard of this artist. She had not and after some quick research “we decided it was time to do a show and bring her back to public recognition,” said the curator. 

Jane Peterson: At Home and Abroad brings 85 of Peterson’s incredible paintings together for the first time in over 45 years along with photographs and archives that provide a glimpse into her personal life. An enormous undertaking, the process took two years to complete and included the collaboration of over 30 museums including Hofstra University Museum in Hempstead, the Metropolitan Museum of Art in New York City and the Brooklyn Museum as well as many galleries and private collectors nationwide. 

While researching Peterson, Roznoy was most impressed by how evolutionary and versatile she was as an artist. “What I learned about her is her scope of technique,” she said. “I always admire an artist who evolves — who doesn’t do the same sort of paintings all the time … [Peterson] never stopped learning and she loved to study and to learn from other artists and also she always enjoyed expanding her repertoire … her style, her subject matter, her interests all changed as she developed, professionally and personally.” 

‘Tiffany’s Garden,’ c. 1913, watercolor and gouache on paper, Long Island Museum, gift of the Estate of Miriam Godofsky.
Image courtesy of LIM

The decision to turn the show into a traveling exhibit was an easy one for the curator. “There were a couple of reasons. The first one was our perceived notion that she was an artist who deserved to be better known and one way to do that was to travel it. Another one was after 45 years this is the first retrospective exhibition and it is the first museum exhibition and we felt other museums would be interested in doing so. Once we started talking to other institutions, everyone said ‘Great idea! Why didn’t we think of this before?’ So it was like tapping into that zeitgeist where everyone says yes, time to do it, and we were the ones to get it started,” said Roznoy.

Entering the art museum at the LIM, a lovely portrait of Peterson by Elsie Southwick Clark beckons you to explore the life and art of this American master. Divided into several sections, the exhibit explores Peterson’s early years; her travels to Europe as well as Egypt and Turkey; her home cities of New York, Palm Beach and Glouchester, Massachusetts; portraits of women; her floral still lifes; and the grand gardens of Laurelton Hall, Louis C. Tiffany’s Oyster Bay estate. The Long Island Museum contributed Peterson’s “Tiffany’s Garden” to the show. Preferring to work in oil, watercolor, gouache and charcoal, the artist often combined a few of the mediums together to create colorful, vibrant scenes.

As a whole, Roznoy is personally most impressed with Peterson’s Glouchester street scenes. “I think they are the most enchanting works in the exhibition. They’re just beautifully painted, with very intricate composition.” She also enjoyed investigating the Tiffany garden paintings. “The link was very interesting to me because of Tiffany [and] the fact that he would invite artists to Laurelton Hall and Peterson was one of the artists who painted the gardens.” 

‘Girl with Fruit,’ c. 1914, oil on canvas, collection of Mr. and Mrs. Dale B. Finfrock

“It’s just a great exhibit. We are very thrilled to have it,” said Joshua Ruff, curator at the Long Island Museum during a recent tour. “She’s not a name but boy she was good,” he gushed. “It’s always exciting to do a [solo] exhibition about an artist [that people are not familiar with].” Roznoy agreed, saying “It is every curator’s wish to find an underknown artist and to bring them to public attention and there is that whole scholarly pursuit that is so satisfying.”

An accompanying catalog, written by Roznoy and Arlene Katz Nichols with an introduction by J. Jonathan Joseph and a foreword from Burns, is available for sale in the LIM gift shop or at www.mattmuseum.org. After April 22 the exhibit will travel to the Columbia Museum of Art in Columbia, South Carolina, from May 13 to July 22 and then head upstate to The Hyde Collection in Glens Falls from Aug. 5 to Oct. 14. 

Roznoy hopes visitors to the exhibit will see Jane Peterson as a conduit to modernism in the early 20th century, gather enjoyment of her work and also experience “a sense of satisfaction in seeing a woman in the early 20th century succeed.”

The Long Island Museum, a Smithsonian affiliate, is located at 1200 Route 25A in Stony Brook. The museum is open Thursday to Saturday from 10 a.m. to 5 p.m. and Sunday from noon to 5 p.m. Admission is $10 adults, $7 seniors, $5 students, children under 6 free. For more information, call 631-751-0066 or visit www.longislandmuseum.org.

Images courtesy of Long Island Museum and Mattatuck Museum

Sloan Wainwright. Photo courtesy of LIM

Save the date! On Sunday, Jan. 21 at 3 p.m. the Long Island Museum, 1200 Route 25A, Stony Brook will welcome Sloan Wainwright, performing live in the Carriage Museum’s Gillespie Room as part of the Sunday Street Music Series presented by WUSB-FM radio and the Greater Port Jefferson-Northern Brookhaven Arts Council.

The singer/songwriter is at ease in a variety of American musical styles — pop, folk, jazz and blues — all held together by the melodious tone of her rich contralto. Her family tree (brother and folk music luminary Loudon Wainwright, nephew Rufus Wainwright, nieces Martha Wainwright and Lucy Wainwright Roche) reads like a who’s who of contemporary folk music.

Wainwright’s incredible gift is not only her unique songwriting ability but also her dramatically voiced rendition of original songs. Wainwright brings original songs from a new album, “Bright Side of a Rainy Day,” to this performance, along with her interpretations of songs by Joni Mitchell, Bob Dylan, Paul Simon and others. She will be accompanied by her longtime guitarist and collaborator Stephen Murphy for this performance.

Advance sale tickets are $25 online through Friday, Jan. 19 with tickets at the door for $30 (cash only). Please call the museum at 631-751-0066 the day of the show to confirm ticket availability.

'Back Porch Pumpkin' by Al Candia

By Irene Ruddock

Artist’s statement:  I hope that my paintings create a deeper sense of the relationship between ourselves and the splendid world in which we live, and are moving through too quickly. — Al Candia

 

Al Candia

Al Candia, a Stony Brook resident, has been interested in art since childhood. He began painting seriously while teaching English at Commack High School, continuing his studies of art at Stony Brook University. His workshops and private study included courses with many noted artists, including Joseph Reboli. Candia has become an award-winning artist exhibiting extensively in galleries all over Long Island. Chosen as Honored Artist by the Setauket Artists in 2015, Candia is October’s Artist of the Month at The Long Island Museum.

Can you elaborate on your artist’s statement?

I concentrate on the immediate world around me. I try to avoid “grand” subjects and tend to focus on the common, ordinary things that I find meaningful, but that we are sometimes too busy to notice: a farm fence in an open field, ancient beach chairs frozen in the snow, a jetty marching down into the ocean, flowers stuck in an old bucket, a small pumpkin on the steps.

How did you learn to paint?

The most important teacher is “the doing.” I can’t tell you how many acres of canvas I went through to arrive at a level where I began to consider myself as an artist.

It has been said that your paintings ‘touch the heart’ and are soulful. Why do you think that is?

Perhaps by going through life so fast, people might secretly yearn for a simpler way of life. They may enjoy slowing down a bit to “take a breath” and see the ordinary and realize it can be extraordinary.

You were an English teacher for 36 years before becoming a full-time artist. How did teaching influence your work?

For me, there is wonderful connection between fine art and literature. Writers and poets deal very much in the creation of images. An image can haunt us, fill us with joy. It is what makes a written work alive and vivid. It is what made me want to become a painter. I would see something — a broken seashell, a window in the late afternoon shadows — that would move me deeply and would be heavy with meaning. I very much wanted to celebrate that in a painting.

‘Back Porch Pumpkin’ by Al Candia

How do you find inspiration for a painting?

Robert Frost said that a poem begins with a lump in the throat. He was talking, of course, about being moved or shaken by something — an idea, an experience, an object — that needs to be expressed. That is true for me also. Recently, I came across a pumpkin on the worn steps of a back porch. I was so taken with this simple object that hardly anyone would see. I thought of the person who placed it there out of a some personal gesture. I thought it would make a touching painting that reveals some small aspect of our humanity.

What is your method?

I usually begin with a bunch of photos. I take these back to my studio and begin to work up a drawing idea for the painting. This is an important step where you design the composition, simplify, arrange the elements, and begin to think of color and light. From there, I proceed as many oil painters do by washing the canvas with a thin mixture of warm color diluted with mineral spirits. Next I begin to lay in the large shapes. Essentially I am carrying on a dialogue with the canvas, finding out what is working and what is not.

Why have you chosen oil painting over other mediums?

I think the medium choose me. It somehow fits my personality. Oil painting is slow moving and deliberate. It often will take a few days to allow the painting to dry before moving on to the next step. During these intervals the painting is percolating in my brain, trying to make the painting as good as it possibly can be. I compare it to a child with a wind up toy, winding that toy as tight as possible in order to release it to its maximum effect.

What is the biggest difficulty you encounter in the creation of a painting?

After working with a painting for a couple weeks, you can lose the sense of it, you lose perspective. You can begin to doubt yourself: did I make all the right decisions, is the color just right, did I overwork it, does it still capture what you set out to do? At this time, for me, it is important to have honest feedback from others. My wife is an important part in keeping me on track.

‘Hydrangeas in a Bucket’ by Al Candia

After all that work and effort, it must be difficult to let a painting go.

Not at all. I love the entire process of painting from the initial moment of finding a subject, to creating a design, through the struggle of execution. And hopefully someone will come along and appreciate the painting enough to buy it and hang it in their home. For me that completes the cycle, and the painting begins its life.

Beside the Visitor’s Center at The Long Island Museum in October, where can we see your work?

I will be exhibiting at the Setauket Neighborhood House in the 37th annual Setauket Artists exhibit from Oct. 22 to Nov. 20. People are always welcome to visit my studio by appointment. You can contact me by visiting my website at www.alcandia.com.

Slaid Cleaves. Photo by Karen Cleaves

The Long Island Museum, 1200 Route 25A, Stony Brook will welcome Austin-based Slaid Cleaves in concert this Saturday, Oct. 21 at 7 p.m.

Cleaves’ self-penned biography simply says: “Grew up in Maine. Lives in Texas. Writes songs. Makes Records. Travels around. Tries to be good.” A busy tour schedule, fueled by an engaging stage personality, have won Cleaves a devoted fan base which includes novelist Stephen King, who wrote the liner notes to Cleaves’ album, Everything You Love Will Be Taken Away.

Slaid gained national attention with his 1997 recording, No Angel Knows, produced by the legendary Gurf Morlix. Cleaves’ follow up album, Broke Down, brought him national airplay with the title song (a co-write with Rod Picott) and “One Good Year,” a Cleaves/Steve Brooks co-write. Six albums later, Slaid Cleaves continues to write powerful songs as evidenced by his brand new album, Ghost On The Car Radio. (www.slaidcleaves.com)

This is Slaid’s only area appearance on his current U.S. tour. He’ll be accompanied by mandolin and fiddle player, Chojo Jacques.

Advance sale tickets: $25 at www.sundaystreet.org through Friday, October 20th. Tickets at the door on the day of the show are $30 (cash only). For more information, call 631-751-0066.

 

OUR REVOLUTIONARY STORY The weather cooperated as the community came out in droves for the 3rd annual Culper Spy Day on Sept. 16. Ticket holders were able to visit 15 locations in the Three Village and Port Jefferson area and learned how people lived during the Revolutionary War with blacksmithing and colonial cooking demonstrations, and about the infamous Culper Spy Ring which originated from Setauket. Historic churches and the oldest home in Brookhaven, the Brewster House, opened their doors to tours on this rare occasion.

All photos by Greg Catalano

By Heidi Sutton

The Long Island Museum in Stony Brook kicked off its latest juried art competition, Animal Kingdom: From Tame to Wild, with an artist reception on Sept. 15. This year the museum invited amateur and professional artists from across Long Island to submit up to three pieces of art representing the Animal Kingdom, whether it be a favorite pet, a memorable adventure or a scene from nature.

Neil Watson, executive director of the LIM, congratulated the artists and thanked them for addressing the theme of the exhibit. “We are really thrilled with the quality of this exhibition. Humans have had a really complicated relationship with animals — friend, foe, food — so looking at the different aspects of animals and of wildlife is a really rich subject.”

‘Pecking Order’ by Jeanette Dick received an honorable mention at the juried art show.

“We wanted to pair an exhibition like this with the show up at the Art Museum that is about dogs; so we thought this is the perfect opportunity and you all embraced the subject so beautifully,” he said.

A panel of museum staff members selected 75 finalists from a pool of 300 submitted works. Two judges, Seung Lee, professor of art and director of Fine Arts & Graduate Studies at LIU Post, and Christina Mossaides Strassfield, museum director and chief curator at Guild Hall, selected a first-, second-, third- and fourth-place winner along with two honorable mentions.

“Just being in the show itself [selected] from hundreds of entries we had was really significant and you should all be very, very proud. Thank you for giving the museum a beautiful exhibition,” said Lisa Unander, director of eduction at the museum, before announcing the winners.

Facing stiff competition, Paul Edelson of Setauket captured first place with “Yellowstone Bison,” oil on canvas. According to the jurors’ notes, the abstracted theme caught both of them immediately. “The treatment of the material shows experience; well done; powerful brush strokes. You can feel the animal ready to jump out,” they wrote.

Neil Leinwohl of Rockville Centre garnered second place with “Animal Farm,” multimedia on print; Kelynn Z. Alder of St. James was the third-place winner with “Dog on Carpet, Osita,” oil on canvas; and Nicholas Frizalone of Lake Grove captured fourth place with his solar plate etching on paper, “Anticipation.” Honorable mentions were handed to Jeanette Dick of Port Jefferson for her pastel titled “Pecking Order” and Donald Sadowsky of Roslyn Heights for his movable plastic model, “King Kong.”

The exhibition will be on view at The Long Island Museum, 1200 Route 25A, Stony Brook through Oct. 22 in the Visitors Center. For more information call 631-751-0066 or visit www.longislandmuseum.org.

All photos by Julie Diamond

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Be inspired and create! On Thursday, September 28 from 6 to 8 p.m. the Long Island Museum, 1200 Route 25A in Stony Brook will welcome local artist Annemarie Waugh, who will host Sip and Create Art, an adult painting workshop with local fine wines. The work of women artists such as Joan Mitchell, Agnes Martin and Beatriz Milhazes will be the inspiration as participants create their own masterpieces will enjoying a selection of fine, local wine.

Annemarie Waugh

Annemarie Waugh is a painter from England who lives and works on Long Island. Waugh weaves perception into form by way of an interdisciplinary approach. Inspired by the intersection of art and science as well as the subtle structures of visual communication, the artist utilizes motifs found within the fringe of mainstream culture. Her representations of abstract and figurative forms elicit the close relationship that exists between line and color as well as illusion and fantasy, investigating research-based details and the disenchantment of fictitious desire. To see Annemarie’s work, visit annemariewaugh.com.

Fees for this fun-filled workshop are $30 per person, $25 members and include paints, supplies and wine. Pre-registration and pre-payment are required. Anyone interested in participating may contact the museum’s Education Department at (631) 751-0066 x212.

 

 

 

The season will open with a screening of ‘An American Veteran’ on Sept. 11. Photo from PJDS

By Heidi Sutton

The ravages of war, arranged marriages, police corruption, high fashion — these topics and more will be explored in detail as the Port Jefferson Documentary Series kicks off its Fall 2017 season on Monday, Sept. 11.

The series, which is sponsored by the Greater Port Jefferson North Brookhaven Arts Council, the Suffolk County Office of Film and Cultural Affairs and the New York State Council on the Arts, will present eight award-winning documentaries through Oct. 30, with the first and last to be screened at the Long Island Museum in Stony Brook and the rest at Theatre Three in Port Jefferson. Each film will be followed by a Q&A with guest speakers.

The documentaries were hand-picked by a seven-member film board which includes co-directors Lyn Boland, Barbara Sverd and Wendy Feinberg along with Honey Katz, Phyllis Ross, Lorie Rothstein and Lynn Rein.

This season will mark the series’ 12th year which is just fine for the film ladies, as they are affectionately called. “I think after 10 years I started to become a believer that it was actually going to have some staying power,” said Boland in a recent phone interview. “I was always holding my breath hoping that we would be there the next year … now I believe that the show will go on.”

Boland said working with the group is “an absolute pleasure. I’m really dumbfounded that everyone sticks around every year,” she laughed. “It seems like the amount of work that has to get done just gets bigger each time because we add things every year — the audience award, surveys, sponsors, concerts. We want to add something ‘special’ to each season.”

This fall’s dynamic line-up was selected after the members attended the Stony Brook Film Festival, DOC NYC, the Hamptons Film Festival and the Tribeca Film Festival.

The group as a whole is most excited about presenting “Restless Creature: Wendy Whelan,” a behind the scenes look at the New York City Ballet’s long-time principal dancer Wendy Whelan as she faces injury and retirement. “It just took everyone’s breath away,” gushed Boland. “The film just wins you over, plus if you love watching ballet, the ballet sequences are just the perfect length to see how great she was.” Whelan will appear in person at the screening.

Personally, Boland is looking forward to sharing “City of Ghosts” with the audience. “I think it is the most important film this season because it’s really an inside look at what is going on in Syria,” she said. “When you see it, it’s just so horrifying. We knew we had to get this story out — that people have to see this. What’s going on there is so devastating that you can’t believe it’s not on the news every night.”

Boland is also excited to share “House of Z” which traces dress designer Zac Posen’s career. “I think that the fashionistas and ‘Project Runway’ fans in the audience are going to love every minute of ‘House of Z’ because you really get to see behind the scenes [of the fashion industry],” she said.

One film that has garnered a lot of interest from music lovers, especially blues fans, is the series’ final film, “Sidemen: Long Road To Glory.” The documentary highlights the lives and legacies of Pinetop Perkins, Willie “Big Eyes” Smith and Hubert Sulin, all Muddy Waters and Howlin’ Wolf sidemen and will be preceded by a special blues concert with Scott Sharrard, lead guitarist for the Gregg Allman Band, who makes an appearance in the film.

 

The film ladies are grateful for the support of the local venues that host their films. “Theatre Three is our home, that’s where we started. It’s a great size, 400 seats, and we have a wonderful relationship with Jeff Sanzel,” said Boland. With 129 seats, the Long Island Museum’s Gillespie Room in the Carriage Museum “provides for a more intimate experience and the films screened there tie in to one of the museum’s exhibits.”

Boland relishes the positive feedback she receives after each screening. “I love it when someone is really ‘woke’ by the film, but I also love it when they just love the film and the subject.” For her, the goal of the PJDS is to provide “insight into something and in a very, very small way, cause disruption of people’s previously held ideas and open up a discussion.”

The Port Jefferson Documentary Series will be held at 7 p.m. every Monday night from Sept. 11 to Oct. 30 at Theatre Three, 412 Main St., Port Jefferson or The Long Island Museum, 1200 Route 25A, Stony Brook. Tickets, sold at the door, are $7 per person. (No credit cards please). If you would like to volunteer, please call 631-473-5200. For more information, visit www.portjeffdocumentaryseries.com.

Film schedule

The season will open with a screening of ‘An American Veteran’ on Sept. 11. Photo from PJDS

▶ The fall season will kick off with a screening of “American Veteran” at The Long Island Museum on Sept. 11. Filmed over a five year period, the documentary follows Army Sergeant Nick Mendes, paralyzed from the neck down by an explosive device in Afghanistan, from the V.A. hospital bed where he spent 7 months, to the fully accessible home where he now lives with his wife Wendy. Winner of the Panavision Showcase at the Syracuse International Film Festival, the film is co-sponsored by Jim and Theresa Tsunis and The Northwind Group of Hauppauge. Guest speaker will be director Julie Cohen.

‘House of Z’

“House of Z,” which will be screened at Theatre Three on Sept. 18, chronicles the meteoric rise of fashion designer Zac Posen at the age of 21, his brand’s falling out of favor several years later and his challenge to rebuild his company and his reputation. The documentary peeks past the glamour of the runway and the red carpet to show audiences a true portrait of Posen as both an artist and businessman. Guest speaker, via Skype, will be director Sandy Chronopoulos.

‘Bombshell: The Hedy Lamarr Story’

▶ Theatre Three will screen “Bombshell: The Hedy Lamarr Story” on Sept. 25. Produced by Susan Sarandon, this illuminating documentary explores Lamarr’s career as a 1940s Hollywood actress (Snow White was created in her image) and later as the secret inventor of secure wifi, bluetooth and GPS communications. The screening is co-sponsored by the Department of Technology and Society at Stony Brook University. Director Alexandra Dean will be the guest speaker for the evening.

‘A Suitable Girl’

▶ The fourth film, titled “A Suitable Girl,” will be screened on Oct. 2 at Theatre Three and tackles the subject of arranged marriages, an issue which has become increasingly controversial to the Western world as women have rightfully embraced their independence. Winner of the Albert Maysles New Documentary Director Award at the 2017 Tribeca Film Festival, “A Suitable Girl” follows several young, modern women in India looking to get married over the course of four years and intimately capturing their thoughts on arranged marriage, giving them a voice, and offering a unique perspective into the nuances of this institution. Guest speaker will be director Sarita Khurana.

‘Frank Serpico’

▶ The series continues on Oct. 9 with a screening of “Frank Serpico” at Theatre Three. As an NYPD officer in the hippie era, Frank Serpico blew the whistle on the corruption and payoffs running rampant in the department. He was shot in the face during a drug arrest that was rumored to be a setup and most famously became the subject of Sidney Lumet’s classic film, “Serpico.” Forty-plus years later, Serpico talks about his Southern Italian roots, his time as an undercover officer, and his post-NYPD life. The documentary gives a powerful portrait of an always-committed public servant who still walks the walk in his very own unique way. Guest speaker will be director Antonino D’Ambrosio.

‘Restless Creature: Wendy Whelan’

“Restless Creature: Wendy Whelan,” to be screened at Theatre Three on Oct. 16, offers an intimate portrait of prima ballerina Wendy Whelan as she prepares to leave the New York City Ballet after a record-setting three decades. One of the modern era’s most acclaimed dancers, Whelan danced ballets by George Balanchine, Jerome Robbins as well as new works by modern standout choreographers with many roles made specifically for her. Co-sponsored by the Law Offices of Michael S. Ross, P.C. in Hauppauge; Backstage Studio of Dance in Port Jefferson Station; and Amy Tyler School of Dance in Port Jefferson. Guest speaker will be Prima Ballerina Wendy Whelan.

‘City of Ghosts’

“City of Ghosts,” which will be screened at Theatre Three on Oct. 23, follows the efforts of “Raqqa Is Being Slaughtered Silently” (RBSS), a handful of anonymous activists who banded together after their homeland was taken over by ISIS in 2014. With deeply personal access, this is the story of a brave group of citizen journalists as they face the realities of life undercover, on the run, and in exile, risking their lives to stand up against one of the greatest evils in the world today. Directed by Matthew Heineman, “City of Ghosts” was the winner of the Grand Jury Award at the Sheffield Documentary Festival. Guest speaker TBD.

‘Sidemen: Long Road to Glory’

▶ The final film for the Fall 2017 season, “Sidemen: Long Road to Glory,” will be screened at the Long Island Museum on Oct. 30. An intimate look at the incredible lives and legacies of piano player Pinetop Perkins, drummer Willie “Big Eyes” Smith and guitarist Hubert Sumlin, all Muddy Waters and Howlin’ Wolf sidemen, the film captures some of the last interviews and their final live performances together before their deaths in 2011. Co-sponsored by the Long Island Music Hall of Fame and the Long Island Blues Society. A Q&A will be conducted by Tom Needham of the Long Island Music Hall of Fame and WUSB with guest speakers director Scott Rosenbaum and lead guitarist for the Gregg Allman Band, Scott Sharrard. A pre-film blues concert will be held at 6 p.m. featuring Scott Sharrard. Tickets for both the concert and film are $14.