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Linda May

By Stephanie Giunta

Almost 180 years ago, Charles Dickens gave us the immortal gift of A Christmas Carol, which has become a pillar of holiday culture and a reminder to hold the spirit of the season near and dear. 

Port Jefferson’s Main Street, already adorned with wreaths on the lamp posts in preparation for its 27th annual Charles Dickens Festival, was only trumped by Theatre Three’s warmth and inviting decor during last Saturday’s opening night performance of the holiday classic. Carolers, singing familiar tunes before the show, further ignited the magic of Christmas in the air. 

Revisited, adapted, and never told quite the same way twice, Theatre Three’s version transports the audience back to 19th century England for an introspective, festive excursion that touches hearts and minds in a profound way. Jeffrey Sanzel, the show’s executive artistic director who doubles as the stingy curmudgeon, Ebenezer Scrooge, reinvents the show each season, bringing a unique twist and newfound beauty to the timeless tale. 

Sanzel’s versatility is remarkable; his expressive nature and ability to portray a character with such complex, emotional layers is exceptional. Along with the power of his reprimands, I could feel Scrooge’s sardonic “Good Afternoon!” down to my bones. I felt like I was being asked to leave the office along with his chipper and persistent nephew, Fred Halliwell (Sean Amato) and warm and loving clerk, Bob Cratchit (Ray Gobes Jr.) on Christmas Eve. Both Fred, joyful and optimistic, and Bob, loyal and dedicated, are talented bookends who symbolize the redemption, compassion, and transformative power of the Christmas spirit over even the harshest of humans. 

The Fezziwig duo, played by the talented Stephen T. Wangner and Ginger Dalton, are the essence of fanciful charm. Their playful interaction and bubbly nature personify the merriment of the season. I could smell their mince pies, plum porridge, and zest for life from a mile away. In tandem, daughter, Belle Fezziwig (Julia Albino), wonderfully captures Scrooge’s heart, but pivots beautifully to letting him go to his newfound love: money.

A flawless performance from the three spirits is not to forget. Cassidy Rose O’Brien is angelic as the Ghost of Christmas Past, walking Scrooge through a painful review of his mistakes and heartbreaks, including the loss of his relationship with Belle, and the deaths of his older sister, Fan (Alexa Eichinger, Brooke Morrison) and partner, Jacob Marley (Steven Uihlein). 

I was particularly enthralled with the scene in which townspeople are asking Scrooge to “Buy” or “Sell.” There are so many overlapping dialogues intersecting at once, providing the audience with a line of sight into Scrooge’s psyche, and how he may be processing the key occurrences of his past simultaneously. It was brilliant.

The Ghost of Christmas Present (Wangner) has a belly laugh that echoes throughout the theater, yet showcases the firm, tough love Scrooge needs to realize the gravity of matters at hand.

Lastly, I mouthed “wow” when the Ghost of Christmas Yet to Come (Amato) appeared on stage. What a vision! The scenes that follow produce a scared-straight version of Scrooge that even he didn’t know existed. 

I would be remiss in mentioning the short scene featuring Mrs. Dilber, Scrooge’s housekeeper (Dalton), in which she was inebriated on his gravesite. Her quick wit and boisterous mirth adds an unexpected and appreciated twang of comedy to the performance.

Randall Parsons and Jason Allyn truly bring 19th century England to Port Jefferson through beautiful production design and authentic costuming. The audience is transported through time with spine-tingling special effects by Robert W. Henderson Jr., and Brad Frey injects jollity into the atmosphere with signature Victorian carols and hymnal tunes. 

When I first saw A Christmas Carol about 20 years ago, I remember being impressed with Scrooge and the cast because they made the story feel so real. Through an adult lens, it was even more apparent. Somehow, Sanzel and the cast are able to draw out a variety of emotions, connecting you not only to Christmas, but the treasures of giving of yourself to those less fortunate, being kind to others, and finding happiness. It’s a show that plays on the heartstrings in so many different capacities, reminding children and adults alike of what is most important during the holidays.

Theatre Three makes Christmas spirit feel so tangible that you can wrap it up in a box with a big, red bow. Bravo to Sanzel and the cast for bringing something so wonderful to life! Be sure to stick around post-performance for a photo memento with Scrooge. The $5 charge contributes to the theater’s scholarship fund.

CAST & CREW: Julia Albino, Jason Allyn, Sean Amato, Karin Bagan, Steven Barile Jr., Kyle M. Breitenbach, Mairead Camas, Shannon Cooper, Ginger Dalton, Alexa Eichinger, Angelina Eybs, Sari Feldman, Griffin Fleming, Brad Frey, Julie Friedman, Christina Gobes, Ray Gobes Jr., Skye Greenberg, Tim Haggerty, Kathleen Arabelle Han, Robert W. Henderson Jr., Patrick Hutchinson, Zach Kanakaris, Linda May, Brooke Morrison, Cassidy Rose O’Brien, Randall Parsons, William Roslak, Jeffrey Sanzel, Finn Thomas, Isabela Thomsen, Melissa Troxler, Steven Uihlein, Addyson Urso, Stephen T. Wangner, Cassidy Worrell, Kaylin Zeidler and Stanley Zinger

Theatre Three, 412 Main St., Port Jefferson will present “A Christmas Carol” through Dec. 30. All tickets are $25 in November and range from $25 to $40 in December. To order, call 631-928-9100 or visit www.theatrethree.com.

See a trailer of the show here.

By Julianne Mosher

Theatre Three kicks off its 53rd season with the award-winning musical The Prom. Set in current day New York City and Indiana, The Prom brings humor and color to an important issue facing the nation — LGBTQIA rights.

Let me explain. Expertly directed by Jeffrey Sanzel, this high energy show starts off with four narcissistic Broadway stars who receive a terrible review about their latest play and their personalities. In order to gain positive feedback to counteract the reviewer’s comment of them being self-obsessed, they learn a trending news story happening in Indiana: a lesbian high school student was not allowed to bring her girlfriend to their prom which incited a riot of the local townspeople. 

The actors, Dee Dee Allen (Linda May), Barry Glickman (Ryan Nolin), Angie Dickinson (Sari Feldman) and Trent Oliver (Brian Gill) – along with the public relations rep, Sheldon (Jason Allyn) hitch a ride west to “selflessly” help the high schooler, Emma (Jae Hughes) gain back her prom. 

Set in a small town with big religious and conservative values, Emma is ostracized, bullied and is blamed for the school board cancelling the prom…until the stars show up dripping in glitter and voicing their opinions with their big personalities and  sharing with the world how they are helping Emma. 

With standout performances by Hughes, they make you feel strong emotion for the drama they are going through in the show. While the play has many highs, a lot of laughs and catchy musical numbers, the show will bring you to tears – especially if you know someone who has gone through a struggle with acceptance.

Interestingly, several details from The Prom were actually based on real-life events. In 2010, Mississippi student Constance McMillen was not admitted into her prom with her girlfriend – and the parents there also tried to separate the straight kids from the LGBTQIA students.

McMillen went to court. Her case was taken by the ACLU and was awarded a payment of $35,000 from the school district that hurt her. They then implemented a non-discrimination policy. 

But while Hughes’ emotional journey, and the main purpose of this show, is heavy and starting of a movement, you can appreciate May, Nolin, Feldman, Gill and Allyn’s silly, charismatic personalities to lighten the mood. You’d actually believe they are Broadway stars with their stellar performances. In fact, everyone on the stage from the main characters to the ensemble deserves constant standing ovations for their professionalism and talent. Even the smallest roles were noticed.

Throughout the show, secrets are unveiled, twists are made and conflict ensues, keeping the audience engaged from start to finish. The set design, by Randall Parsons, is completely reminiscent of a high school auditorium – especially when it gets decorated for the big dance. Allyn and Joe Kassner’s costume design are also impressive. The big personalities of the Broadway stars required a lot of glitter and that’s exactly what they had. Plus, Rico’s Clothing, based in Center Moriches, donated the men’s formal wear for the show. 

All in all, the show is something you could watch over and over, laughing and crying (in a good way!) every time. Theatre Three’s The Prom is an important play that will make people think the following: We are all human, love is love, and “I wish I had a friend like Barry to help me dress up for my prom!”

Don’t miss this one.

Theatre Three, 412 Main St., Port Jefferson presents The Prom on the Mainstage through Oct. 21. Tickets are $40 adults, $32 seniors, $20 students, and $20 children ages 5 and up. To order, please call 631-928-9100 or visit www.theatrethree.com.

By Heidi Sutton

Theatre Three continues its 52nd season with a lovely production of The Sweet Delilah Swim Club. The show opened last Saturday and runs through Feb 4.

Written by Jesse Jones, Nicholas Hope, and Jamie Wooten, the play features five very different Southern women who begin a friendship on their college swim team and make a pact to get together one weekend in August every year to catch up on their lives. For over 50 years, they meet at the same oceanfront beach cottage, the “Sweet Delilah,” on North Carolina’s Outer Banks for conversation, drinks, dinner and a dip in the ocean. 

The audience is treated to four of these reunions — the first is 22 years after their college graduation, the second and third 5 years apart, and a final visit to the cottage before it is to be demolished 23 years later. 

Expertly directed by Linda May and armed with a cleverly written script, the cast is superb and put on a beautiful show. 

Tamralynn Dorsa is perfect as Sheree Hollinger, the perennial team captain who is always governing the group, from serving healthy mung bean appetizers that the others quickly dispose of in a houseplant, to distributing a written itinerary for the week and even packing her friends’ suitcases. 

Stephanie Moreau is incredible as event planner Lexie Richards, the four-time divorcee who has her plastic surgeon on speed dial and is always on the lookout for the next cute guy to come along (think Samantha Jones from Sex in the City).

Lori Beth Belkin plays workaholic (and perhaps alcoholic) Dinah Grayson who has put her successful career as an attorney before her personal life and now has regrets. Armed with a dry martini, her character delivers some of the funniest lines in the show.

We see the most change in Elizabeth Ladd’s character, Jeri Neal McFeeley, aka Sister Mary Esther, who goes from being a nun to a single mother at age 44 and then finds the man of her dreams to spend the rest of her life with.

Suzie Dunn is outstanding as school teacher Vernadette Simms. Bad luck seems to follow her everywhere and she appears in each scene with a different cast. She also shares tales of her dysfunctional family, from an abusive husband to a jailbird son. Her appearance in the last scene suffering from dementia is one of the most poignant in the show.

The set, a cozy beach cottage designed by Randall Parsons; period costumes and wigs by Jason Allyn; and sound effects by Tim Haggerty tie everything together nicely. Grab the girlfriends, a box of tissues, and catch a performance of this hilarious and touching show before it’s gone. 

Theatre Three, 412 Main St., Port Jefferson presents The Sweet Delilah Swim Club on the Mainstage through Feb. 4. The season continues with Side By Side By Sondheim from Feb. 18 to March 18, Pride @ Prejudice from April 7 to May 6, and Something Rotten! from May 20 to June 24. Tickets are$35 adults, $28 seniors and students, $20 children ages 5 to 12. To order, call 631-928-9100 or visit www.theatrethree.com.

See trailer here:

By Heidi Sutton

“Marley was dead: to begin with. There is no doubt whatever about that.” And so begins one of the most popular, most-adapted and most relevant holiday tales ever written, Charles Dickens’ novella, A Christmas Carol. Published on Dec. 19, 1843, the initial print run of 6,000 copies sold out by Christmas Eve. More than 178 years later, it lives on as a story of redemption and hope and serves as a reminder to keep the spirit of Christmas in our hearts all year round. 

In the book’s foreword, Dickens writes:

I have endeavoured in this Ghostly little book, to raise the Ghost of an Idea, which shall not put my readers out of humour with themselves, with each other, with the season, or with me. May it haunt their houses pleasantly, and no one wish to lay it.

Now the pages of the Dickensian story come to life once again as Theatre Three in Port Jefferson presents its 38th annual production of A Christmas Carol. The curtain went up this past Saturday to a full house.

While preparations are still underway to transform the seaport village back to the Victorian era for its 26th annual Charles Dickens Festival on Dec 3 and 4, Theatre Three is already dressed head to toe for the holidays and carolers entertain theatergoers before the show, setting the  tone for what is to come.

Adapted for the stage by Executive Artistic Director Jeffrey Sanzel, A Christmas Carol tells the tale of Ebenezer Scrooge (played by Sanzel), a successful business man who has chosen money over everything else and has become bitter, lonely and stingy over the years, especially around the holidays. “I have devoted my life to the cultivation of business,” he explains.

We first meet the miserly curmudgeon on Christmas Eve, exactly seven years after the death of his business partner Jacob Marley (Stephen T. Wangner). Caught in a particulary bad mood, we witness him chase carolers from his office, turn away the needy and a pair of charity workers. He snaps at his underappreciated and underpaid clerk Bob Cratchit (Douglas J. Quattrock) and his chipper nephew Fred Halliwell (Sean Amato) the sole child of Scrooge’s deceased sister, Fan, who has dropped by to invite him for dinner. “Keep Christmas in your own way and I will keep it in mine,” he warns his nephew before kicking him out.

That evening Scrooge is visited by Marley’s tormented ghost who offers him one last chance at redemption. Draped in the chains he has forged in life, Marley tells Scrooge he will be visited by three spirits — the ghosts of Christmas past, present and future.

The Ghost of Christmas Past (Danielle Pafundi) appears soon after, all aglow in a white dress, and takes Scrooge to Wellington House, the boarding school he attended as a young boy alone; we meet his adored sister Fan and his apprenticeship at Fezziwig’s (played by Scott Hofer), where the audience is introduced to Scrooge’s one and only love, Belle. This is also where he meets Marley for the first time and where his choices take him down a dark path.

The Ghost of Christmas Present (Scott Hofer) takes Scrooge to meet Bob Cratchit’s family where he learns about Tiny Tim’s failing health and to a dinner party hosted by his nephew where guests play a fun game of Yes or No. 

In one of the most anticipated and frightful scenes, a towering Ghost of Christmas Future (operated by Sean Amato) shows Scrooge the shadows of what is yet to come, including  at trip to the cemetery to see his headstone, and how the people in his life are affected after his death, including a disturbing scene where Scrooge’s housekeeper Mrs. Dilber (Ginger Dalton) attempts to profit from his demise. It is just what Scrooge needs to shake him to the core. In the end, he learns that “life is not about facts and figures. It’s about joy and family and Christmas.”

Directed by Sanzel, the entire production is flawless and the talented cast (playing multiple roles) is excellent. As Scrooge, Sanzel is at his finest in a role he has played almost 1500 times. This is most evident when the Ghost of Christmas Past takes his character to one of Fezziwig’s famous holiday parties. While otherwise slightly hunched over with a slow walk, Sanzel suddenly jumps into the role of a younger Scrooge and  takes part in a Wassail dance (choreographed by Sari Feldman) with boundless energy.

Although in its 38th year, the show is always evolving, remaining fresh and exciting while maintaining its timelessness and important message. The Victorian set, costumes and creative lighting tie it all together to create a magical evening at the theater.

Get your ticket to see this wonderful production “before you dot another ‘i'” and make it part of your holiday traditions. It will make your heart full.

Stay after the show for a photo keepsake with Scrooge. The $5 fee goes to support the theater’s scholarship fund.

The Cast: Sean Amato, Ava Andrejko, Ginger Dalton, Ellie Dunn, Alexa Eichinger, Samantha Fierro, Griffin Fleming, Julie Friedman, Skye Greenberg, Kathleen Han, Scott Hofer, Patrick Hutchinson, Linda May, Brooke Morrison, Danielle Pafundi, Douglas J. Quattrock, Michaela Reis, Dylan Paige Rumble, Vivian Leigh Rumble, Jeffrey Sanzel, Jennifer Salvia, Steven Uihlein,  Addyson Urso, Hannah Waller, Stephen T. Wangner and Cassidy Worrell.

Theatre Three, 412 Main St., Port Jefferson presents Charles Dicken’s A Christmas Carol through Dec. 30. Tickets are $20 per person in November, and $35 adults, $28 seniors and students, and $20 children ages 5 and up in December. To order, call 631-928-9100 or visit www.theatrethree.com.

Jeffrey Sanzel in a scene from 'Every Brilliant Thing.' Photo by Steve Ayle/Showbizshots.com

By Heidi Sutton

You’re seven years old. Your mother is in the hospital. Your father said she’s “done something stupid.”

Thus begins the remarkable one-man play, Every Brilliant Thing. Written by Duncan MacMillan with Jonny Donahoe, the story starts in 1973 as a young boy finds out his mother has attempted suicide. In response, he begins to make a list of everything brilliant about the world, everything worth living for — 1. Ice cream, 2. Water fights, 3. Staying up past your bedtime and being allowed to watch TV, 4. The color yellow, 5. Things with stripes. When his mother returns from the hospital, he leaves the list on her pillow in hopes it will help her heal. She corrects his spelling and gives it back to him. 

Jeffrey Sanzel in a scene from ‘Every Brilliant Thing.’ Photo by Steve Ayle/Showbizshots.com

After his mother’s second suicide attempt ten years later, he brings the list out again and continues to add to it until it takes a life of its own. He leaves post-its all over the house in another attempt to reach out to her, to show her that life is truly worth living. When he falls in love with his future wife Sam, the list becomes a gift for her. When he struggles with his own depression, he rediscovers the list one final time until it reaches one million and helps him heal.

Now, in association with Response Crisis Center, the show heads to Theatre Three’s Ronald F. Peierls Theatre on the Second Stage for its Long Island premiere. Under the direction of Linda May, the show stars Theatre Three’s Executive Artistic Director Jeffrey Sanzel in an incredible performance.

The cabaret-style show recruits members of the audience to join Sanzel on stage to tell the story — the veterinarian who put his childhood dog Bark Twain to sleep — the character’s first experience with death; the father who prefers music over talking; and girlfriend Sam, who he meets in college.

Others participate from their seats  — his guidance counselor Mrs. Patterson, his favorite college professor — people who have made a profound difference in his life. Still others, when prompted, call out brilliant things from his growing list — 23. Mighty Mouse, 24. Spaghetti with meatballs, 25. Wearing a cape, 317. Stars Wars, 319. Laughing so hard you shoot milk out of your nose, 731. hammocks, 993. Having dessert as your main course.

Jeffrey Sanzel in a scene from ‘Every Brilliant Thing.’ Photo by Steve Ayle/Showbizshots.com

Sanzel’s performance is, for lack of a more fitting word, brilliant. His ability to improvise is impressive and his presentation is flawless. The audience, which he draws into the story, hangs on his every word from start to finish. The result is an intimate, funny, sad, emotional, heart-warming and cathartic experience that ends much too soon. 

While he works the room, Sanzel pauses often to addresses the audience about suicide prevention and depression:

“It’s important to talk about things — particulary things that are hardest to talk about.”

“It is common for children of suicides to blame themselves. It’s natural.”

“In order to live in the present we have to imagine a future that’s better than our past — because that’s what hope is.” 

And the final — “I have some advice for anyone contemplating suicide. It’s really simple advice. Don’t do it — things get better. They might not always get brilliant, but they get better.”

1092. Conversation, 2000. Coffee, 2005. Vinyl records, 9995. Falling in love, One Million. Listening to a record for the first time, turning it over in your hands, placing the needle down … and then sitting and listening while reading through the sleeve notes.

The list (and show) will change the way you see the world. Don’t miss this one.

Photo from Response Crisis Center

Theatre Three, 412 Main St., Port Jefferson presents Every Brilliant Thing every Sunday at 3 p.m. through Aug. 28. Running time is one hour with no intermission. All seats are $20 with 50% of the proceeds benefitting the Response Crisis Center. Staff members from the Center will be at each performance to answer questions and provide information. Audiences are encouraged to fill out their own “brilliant things” on provided Post-It notes in the lobby, which will be on display throughout the show’s run. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

CONTENT WARNING: Although the play balances the struggles of life while celebrating all that is “truly brilliant” in living each day, Every Brilliant Thing contains descriptions of depression, self-harm, and suicide. It is recommended that only audience members 14 and older attend. If you or somebody you know is struggling, call Response 24/7 at 631-751-7500 or the National Lifeline at 1-800-273-8255.

Jeffrey Sanzel in 'Every Brilliant Thing'

By Melissa Arnold

On any given day here in America, roughly 130 people die by suicide. Countless more are actively struggling with poor self-esteem, depression or self-harm. If it’s not you, then it’s likely someone you know and love. No one is immune. One bright spot: It’s also becoming more common to talk openly about mental health. More people are going to therapy or reaching out for help in other ways.

This summer, Theatre Three in Port Jefferson will present eight performances of an intimate, moving and funny one-man play called Every Brilliant Thing. The protagonist, a middle-aged man played by Jeffrey Sanzel, takes the audience along as he recalls his mother’s mental illness and multiple attempts at suicide, along with their impact on his own wellbeing.

Audience participation is a large part of ‘Every Brilliant Thing.’

What’s funny about that? Well, after his mother’s first attempt when he was seven years old, the young narrator sets out to make a list of everything in life that’s brilliant – like eating ice cream, or peeing in the ocean without getting caught. Some items on the list come with silly memories that put the honest, pure heart of a little kid on full display. And as he grows, so does the list. The hour-long show is equal parts heartbreaking and uplifting.

Sanzel, the theater’s executive artistic director, said he first discovered the show thanks to lighting director Robert Henderson.

“Robert attended the Utah Shakespeare Festival several years ago and bought the script [for this show] for me to read, just because he thought I’d enjoy it,” Sanzel recalled. “I thought it was a beautiful piece of writing, though I didn’t intend to do a production of it.”

Some time later, he bought a second copy of the script as a gift to his friend, director and actor Linda May.

“When I read the show, I said to Jeffrey, ‘Not only do I love this, but I think we need to do it, and we should do it together.’ Everything came together very quickly from there, and I feel like it was meant to be,” May said.

Every Brilliant Thing was originally set to open in July 2020, only to be tabled by the pandemic. May said the extra time has allowed them to delve much deeper into the show and its character.

Jeffrey Sanzel stars in the one-man show, ‘Every Brilliant Thing,’ on Theatre Three’s Second Stage through Aug. 28. Photo by Steven Uihlein/Theatre Three Productions, Inc.

“Jeffrey is very decisive and businesslike as a director, but I’ve had the opportunity to see a more vulnerable side of him as an actor,” she said. “This unnamed narrator really divulges personal parts of his life, and I knew that Jeffrey could bring that sensitivity and communicate how important it is to bring the issue of suicide into the open, without shame.” 

The show relies on some audience participation, with showgoers making brief appearances as significant people in the narrator’s memories — his father, a counselor, a young woman — and reading items from “the list” from Post-It notes they’re given on arrival. The resulting dynamic is personal and emotional, and each performance will have its own unique variations.

“I have to admit that audience participation isn’t my favorite thing, but it’s brilliantly woven into the fabric of the piece,” Sanzel said. “It’s very funny and balances out the darker elements, while remaining sensitive and respectful of the topic … In fact, this is probably the best play I’ve ever read on the subject of depression. It’s a common topic of discussion in theater, but this was captured in such a unique way.”

Theatre Three has partnered with Response Crisis Center of Long Island for this production. Founded in 1971 by volunteers after a suicide attempt at Stony Brook University, the center is now a 24/7 local hotline and chat service for people in crisis. They also function as a backup center for the National Suicide Prevention Lifeline, taking more than 5,000 additional calls, chats and texts from them each month.

“We want to give people the support they need and help them to stay safe. It’s hard to problem solve during a crisis situation — you can get a sort of tunnel vision and feel helpless. Talking to someone can help create distance from those feelings,” said Meryl Cassidy, the center’s executive director. “There’s tremendous relief that comes in sharing your story, having someone take the time to listen and help come up with a plan for safety.”

Sanzel approached Cassidy about using the performance to lessen stigma and shine a light on local resources.

Cassidy said that it was important to vet the play first to ensure its message was appropriate and accurate. While she had never heard of the play before, it was well-known to colleagues at the American Association of Suicidology, who were thrilled to endorse the production.

“People are afraid to say the word suicide or disclose thoughts of suicide, both because of stigma and fear of repercussions. But open and honest conversation about suicide saves lives — it’s so important to be able to speak frankly about what you’re feeling and know there are people you can talk to,” Cassidy said. 

Half of all gross ticket sales will directly benefit Response Crisis Center. Staff members from the center will be at each performance to answer questions, provide information and offer a listening ear. 

Audiences are encouraged to fill out their own “brilliant things” on provided Post-It notes, which will be on display throughout the show’s run — a constantly growing collection of reasons why life is worth living.

“It’s not only a lovely hour of theater — funny, sweet and poignant — but there’s something to take away from this show, and that’s being able to see people in crisis in a different way, without judgment,” May said. “If people walk away feeling more compassionate or less judgmental, or if someone finds the courage to reach out for help, then it’s a success.”

Every Brilliant Thing will run at 3 p.m. on Sundays from July 10 through Aug. 28 at Theatre Three, 412 Main Street, Port Jefferson. Performances are held downstairs on the second stage. Tickets are $20. For more information, call 631-928-9100 or visit www.theatrethree.com. Learn more about Response Crisis Center by visiting www.responsecrisiscenter.org. 

Note: Although the play balances the struggles of life while celebrating all that is “truly brilliant” in living each day, Every Brilliant Thing contains descriptions of depression, self-harm, and suicide. The show briefly describes attempted suicides and death by suicide. The show is recommended for ages 14 and up, with your own comfort level in mind. 

If you or someone you know is struggling, help is available 24/7 at 631-751-7500 or the National Lifeline at 1-800-273-8255.

By Barbara Anne Kirshner

Mention Steel Magnolias to anyone and the overwhelming response is, “Oh, I love that show!” It’s easy to see how this dramedy continues to be a fan favorite and Theatre Three’s production serves up an inviting dose of southern charm.

Playwright Robert Harling wrote this play as a tribute to his diabetic sister who died way too soon from kidney failure. She had been warned by doctors that childbirth could be dangerous to her health, but she ignored all warnings and gave birth, then died before her son reached school age. Harling first recounted this event in a short story as a catharsis, then adapted it into the play and eventually into the highly successful film.

To make this play shine, just the right actresses must be cast in these demanding roles so director Mary Powers dipped into the treasure trove of Theatre Three regulars to fill some of these roles. This resulted in a gifted ensemble that brings just the right mix of pathos and comedic timing.

Steel Magnolias brims with witty one-liners as it navigates through two years in the lives of six tightly-knit small-town women who share life’s ups and downs together. Set in the fictional Parish of Chinquapin, Louisiana, at flamboyant Truvy’s in-home beauty parlor, this shop doubles as the meeting place for the women of this town.

Truvy (Stephanie Moreau) has just hired shy Annelle, a beauty school graduate, as her assistant. Truvy’s first lesson is, “There is no such thing as natural beauty. Remember that or we’re out of a job.” Moreau’s Truvy exudes sunshine even when offering direction and support to Annelle played by Christine N. Boehm who delivers a dynamic performance as the insecure new kid in town who transforms into a spiritual and secure presence.

It is Shelby’s wedding day and she wants her hair styled in the fashion of Grace Kelly. Michelle LaBozzetta’s Shelby is as optimistic and bubbly as her favorite color pink, or as she likes to call it “blush and bashful,” but with a mind as determined and strong as steel. Nothing will stand in her way of accomplishing her deepest desire of becoming a mother, despite the warnings of her doctor that childbirth could be fatal.

Clairee, the widow of the former mayor, is played with gusto by Marci Bing. Clairee thrives on town gossip at the salon and she has some of the wittiest lines in the show like, “The only thing that separates us from the animals is our ability to accessorize.” That line can only be topped by her declaration, “If you can’t say anything nice about anybody, come sit by me.” Bing is a joy as the outspoken Clairee who flings quips into the air letting them land where they may.

Truvy has given Annelle the task of styling the hair of M’Lynn, the mother of the bride. Linda May’s M’Lynn has her comedic moments like when describing Shelby’s choices for church décor declaring, “That sanctuary looks like it’s been hosed down with Pepto Bismol.” M’Lynn is the voice of reason but gets frustrated by her daughter’s reckless choices. May ultimately tears us apart with her motherly heartbreaking monologue.

Making a booming entrance is Ginger Dalton as Ouiser, the town curmudgeon. From the start, she is ranting, at first over Shelby’s father who has been shooting at birds and has stripped the blossoms from their shared magnolia tree. Dalton is hilarious with one liners like, “I’m not crazy! I’ve just been in a very bad mood for 40 years.”

These six indomitable magnolias show they have the steel that will get them through anything.

Jason Allyn’s costumes give definition to the characters from Truvy’s glitzy smocks to Shelby’s signature pinks to Ouiser’s practical denim. He illuminates the Christmas scene with outfits of reds, greens, whites and sparkles. Lindsay DeFranco’s wig design is reminiscent of 80’s big hair piled high and teased or waste length.

Randall Parsons conveys a nostalgic 1980’s feel to Truvy’s beauty salon with its mint green backdrop and thick white moldings. The three entrances make it easy for the actresses to maneuver effortlessly around the set and creates smooth transitions from one scene into the next. James Taffurelli’s properties compliment Parsons’ set with sheer curtains, beauty salon chairs strategically placed center stage and Truvy’s signature sparkles.

Powers confided that Steel Magnolias was originally set for the spring of 2020 but never opened when the world shut down due to COVID. Luckily, the original cast was able to reunite for this production. Maybe that’s why we believe the poignant friendships of these memorable women.

Theater Three, 412 Main St., Port Jefferson presents Steel Magnolias through May 7. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. To order, call 631-928-9100 or visit www.theatrethree.com.

By Barbara Anne Kirshner

Do you have close-knit forever friends applauding your successes as well as offering encouragement during challenging times? If your answer is yes, then you are truly lucky to have such treasures in your life. The Marvelous Wonderettes, a feel good musical romp back to the 50’s and 60’s now playing at Theatre Three, follows four such friends as they navigate life’s often unpredictable twists and turns together.

Playwright Roger Bean was approached by the Milwaukee Repertory Theatre to write a small-scale musical for their black box space. With constrictions such as little room backstage, Bean wrote the one-act version of The Marvelous Wonderettes produced in 1999. He got the inspiration for the musical from a conversation with his mother about when she was a high school song leader and part of a singing trio. Bean also credits his mother for instilling in him a love of 50’s and 60’s music. 

That Milwaukee production was so successful that the theatre revived it in 2001, this time as a full-scale two-act musical. Then came the Los Angeles production in 2006 followed by a smash Off-Broadway run in 2008 with an Off-Broadway revival in 2016.

It’s prom night, 1958, at Springfield High School and song leaders, Betty Jean (Cassidy Rose O’Brien), Cindy-Lou (Noelle McLeer), Missy (Kate Keating) and Suzy (Ashley Brooke) in frilly crinoline dresses, wrist corsages and teased up hair burst onstage delivering a bouncy rendition of “Mr. Sandman” followed by “Lollipop” and segue into “Sugartime.” When Cindy-Lou steals the microphone and belts out Betty Jean’s signature song “Alleghany Moon,” slapstick antics of trying to upstage each other ensue thus highlighting their competitive natures and the hilarious tone of the show.

The girls explain to the crowd that they are last minute stand-ins for the evening’s entertainment. It seems the boys’ glee club lost the gig after lead singer Billy Ray Patton was suspended for smoking behind the girls locker room. They go on to announce the theme for this year’s prom, “Marvelous Dreams,” and break into a rapturous “All I Have to Do Is Dream” followed by “Dream Lover.”

Each girl in this ensemble is as unique as the individual colors they wear with Betty Jean and her all-American looks in lime green, the bespectacled and comedic Missy in orange, ditzy gum chewer Suzy in blue and self-centered Cindy-Lou in pink.

A nice choice of playwright Bean was to set Act II ten years later reuniting the girls at their 1968 class reunion. This act is brimming with pop 60’s tunes. The crinoline has now been replaced by flowing robes trimmed with feathers, knee high white go-go boots and hoop earrings. A lot has changed for each girl, but they come together once more in harmony realizing they have a bond that stands the test of time.

All four of these actresses deliver powerhouse performances with dynamic acting, rich voices and lithe dancing. Keating’s Missy is passionate as she reveals her crush in “Secret Love” and then gives a standout version of “Mr. Lee” replete with impressive, sustained notes that receive spirited applause from the audience. 

Brooke’s Suzy punctuates Act I with an exuberant “Hold Me, Thrill Me, Kiss Me” and then delivers an intense “Maybe I Know” in Act Two. O’Brien’s Betty Jean explodes in a heart-wrenching “You Don’t Own Me” followed by “That’s When the Tears Start” and McLeer’s Cindy-Lou sends chills in “Son of a Preacher Man” into “Leader of the Pack.”

It must be noted there is some humorous audience participation that puts the crowd right in the center of all the action.

Linda May’s direction keeps the festivities lively. She has created an ensemble that holds on to the audience from their first effervescent entrance until their final bow. Sari Feldman’s stylized choreography is reminiscent of the best girl groups of that era. Costumes by Ronald Green III are a cornucopia of colors and fabrics. Green’s attention to detail accentuates the 50’s and 60’s flavor of the show.

The band under the musical direction of Cesar Flores is built into the backdrop so they are onstage for the entire show keeping the energy high. Tim Haggerty’s sound design infuses exhilaration to each number.

Scenic design by Randall Parsons offers a buoyancy even before the show begins with a pink backdrop and sparkling fringe bordering the band shell. Lighting design by Robert W. Henderson, Jr. generates vibrancy to songs like “Lollipop” and “Wedding Bell Blues” as well as mood lighting with “Hold Me, Thrill Me, Kiss Me” and “That’s When the Tears Start.” The disco ball swirling blue spots around the theater is a nice touch to close Act I. Heather Rose Kuhn’s properties joins in the fun with giant lollipops, a hanging crescent moon and bubbles.

Theatre Three’s The Marvelous Wonderettes is such a fast-paced delight that at the end you can’t believe it’s over already. See it with your best friends — you’ll be glad you did!

Theatre Three, 412 Main St., Port Jefferson presents The Marvelous Wonderettes through March 26. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 and up. For more information or to order, call 631-928-9100 or visit www.theatrethree.com. 

 

By Heidi Sutton

The holidays have arrived at Theatre Three in Port Jefferson with the 37th annual production of A Christmas Carol. In the lobby the garland is hung and the tree is trimmed and in the Mainstage theater the Victorian London set awaits the wonderful imagination of Charles Dickens and the beloved retelling of a classic tale of redemption.

Based on Dickens’ 1843 novella of the same name, A Christmas Carol introduces the audience to Ebenezer Scrooge, a bitter and miserly man who has chosen “the world of business” over love, friendships and community. We first meet Scrooge “of all the good days of the year” on Christmas Eve, exactly 7 years since his business partner Jacob Marley died, as he snaps at his clerk Bob Cratchit, dismisses his nephew Fred Halliwell and chases carolers away. We see Want in the corner, a specter who will haunt Scrooge the entire show.

Later that evening Scrooge is visited by Marley’s ghost who offers him a precious gift — one last chance at redemption. Draped in the heavy chains he has forged in life, Marley warns Scrooge he will be visited by three spirits — the ghosts of Christmas past, present and future – in an attempt to save his immortal soul.

In one of the most important parts of the show, the Ghost of Christmas Past shows Scrooge “the shadows of things that have been” — a series of events that led him to become the man he is today — from his mother dying at childbirth; his time at Wellington House, the boarding school where he spent many Christmases alone as a boy; his loving relationship with his sister Fan and his apprenticeship with the kind-hearted Fezziwig where he proposes to his first and only love, Belle.

The shadows also reveal the exact moment when he chooses to go into a business partnership with Marley (“and so it began”) and is overtaken by greed; when Belle walks out of his life; how he turns on Fezziwig; and the death of Fan.

The cheeky Ghost of Christmas Present arrives to teach Scrooge the joys of mankind. The first stop is Bob Cratchit’s home where he finds out about Tiny Tim’s failing health and that Cratchit’s oldest daughter works long hours in the workhouses to help the family pay their bills. Scrooge’s concern is evident. The mood lightens at a dinner party hosted by his nephew where the guests mock him in spirit during a game and compare him to a bear.

A daunting 14-foot Ghost of Christmas Yet to Come shows Scrooge the shadows of what is yet to come, including his own death and how it affects those he has wronged. The frightening notion is exactly what the miser needs to turn his life around. His transformation on Christmas Day, especially in his interaction with Want, is a joy to watch. In the end, Scrooge discovers that old Fezziwig was right all along and that love is the only thing in life worth having.

Adapted for the stage by Theatre Three’s Executive Artistic Director Jeffrey Sanzel, the show evolves and changes every year, keeping it fresh and exciting. This year the show features a revised underscoring created by musical director Brad Frey, slight changes to the opening and closing, a shivaree, and due to COVID regulations, Tiny Tim is a puppet, designed by gifted puppet designer Austin Michael Costello. 

The entire cast is excellent, with many playing multiple roles. Sanzel, who has played the role of Scrooge in over 1400 performances, is fascinating to watch. Slightly hunched over, his character walks slowly with a cane and eases into a chair with a groan. But when the Ghost of Christmas Past brings him to Fezziwig’s Christmas Party, he jumps out of the shadows with a straight back and becomes a young man again dancing the night away with Belle. 

Special mention must also be made of Douglas J. Quattrock in the role of Scrooge’s loyal clerk Bob Cratchitt (a role he has played over 750 times) whose love for his family and the holidays is unconditional. His character’s attempt to be strong for his family while his child is very sick tugs at the heartstrings.

The Victorian set, designed by Randall Parsons, is most impressive with fireplaces that glow, a four-poster bed that tucks away neatly into the wall when the set transforms to the London streets, a church with stained glass windows, and a living home decked out for the holidays. The period costumes, also designed by Parsons, are perfectly on point and the lighting and sound design by Robert W. Henderson Jr. is truly magical, a word that also best describes the entire production.

Sanzel says it best in his director’s notes.“A Christmas Carol is a beautiful reminder that we are members of a community and that our responsibilities go beyond ourselves. Scrooge’s pledge to Tiny Tim’s future shows his ability to help those in his life; his embrace of the specter of Want shows his commitment to the world entire. Dickens’ message is one not just for Christmas but for always.”

Don’t miss this beautiful show.

Arrive early and be treated to a selection of Christmas carols by the actors on the Second Stage on the lower level and stay after for a Polaroid photo with Scrooge for $5 to support the theater’s scholarship fund or take one with your cellphone at no charge. 

Theatre Three, 412 Main St., Port Jefferson presents A Christmas Carol through Dec. 26. A special abridged sensory-sensitive performance will be held on Nov. 28 at 11 a.m. Running time is 2 hours with one intermission. Tickets are $20 each in November; $35 adults, $28 seniors and students, $20 children ages 5 to 12 in December. For more information or to order tickets, call 631-928-9100 or visit www.theatrethree.com.

By Heidi Sutton

Excitement was in the air as Theatre Three celebrated its reopening on July 10 with The Adventures of Peter Rabbit. Addressing the audience, director Jeffrey Sanzel said, “This is our very first theater performance since March 15 of last year. This is also our favorite children’s show of all time and I know you’re going to like it.” 

Well, that was an understatement.

For the next hour and 20 minutes the young theatergoers were treated to the mischievous adventures of Peter Rabbit and his cousin Benjamin Bunny … and loved every minute of it. 

Written by Jeffrey Sanzel and the late Brent Erlanson, the original musical is loosely based on one of the best-selling books of all time, The Tale of Peter Rabbit by Beatrix Potter, and features all of the beloved characters in the story. The eight adult cast members know their target audience well and keep them well entertained. 

Cast:

Peter Rabbit: Eric J. Hughes

Benjamin Bunny: Steven Uihlein

Mrs. Rabbit: Elizabeth Ladd

Flopsy: Meg Bush

Mopsy: Alyssa Montes

Cotton-Tail: Heather Rose Kuhn

Mr. McGregor: Darren Clayton

Mrs. Mcgregor: Linda May

The audience is whisked away to the countryside home of Mrs. Rabbit and her four bunnies who live next to Mr. and Mrs. McGregor. While Flopsy, Mopsy and Cotton-Tail listen to their mother by staying inside and doing their chores, Peter and Benjamin spend the day sneaking into Mr. McGregor’s garden to satisfy their insatiable appetite for lettuce, tomatoes, cucumbers, parsley and string beans. The many trips to the garden patch eventually wear down the farmer’s patience, resulting in a great chase with a narrow escape.

The show is adorable on so many levels. Like two peas in a pod, Peter and Benjamin produce the most laughs with their antics and Flopsy, Mopsy and Cotton-Tail spend most of their time looking for their wayward brother. And for some strange reason, the audience will walk away with a craving for bread and milk and blackberries.

The show is also a lesson in ingenuity. Trapdoors on stage become rabbit holes used by Peter and Benjamin to hide. An attempt to reclaim Peter’s socks and shoes and jacket and hat from a scarecrow in the garden turns into a scene from Mission Impossible complete with perilous stunts and spotlights. And when Peter retells the great chase to his family, the entire scene is reenacted in slow motion — a most spectacular feat.

Audience interaction is a big part of the show as the actors spend as much time in the aisles of the theater as on stage. When searching for Peter and Benjamin, Flopsy, Mopsy and Cotton-Tail run around asking the children if they’ve seen them (“They’re right behind you!”).  When Benjamin Bunny tried to jump onto the stage over and over again during last Saturday’s performance, the children called out words of encouragement (“You can do it Benjamin!). He took the stairs. 

With excellent choreography by Nicole Bianco, the musical numbers, accompanied on piano by Doug Quattrock, are catchy and fun, with special mention to “One More Time Around,”  “Run, Peter, Run!” and the hip hop number, “Peter’s Socks.” The final number incorporates all of the songs in a super mega-mix extravaganza.

Best suited for ages 3 to 8, The Adventures of Peter Rabbit is the perfect choice to celebrate Theatre Three’s reopening and the return of live theater. Your kids will love it.

Souvenir bunnies in various colors will be sold before the show and during intermission for $5 (proceeds will help maintain the historic building) and the entire cast is in the lobby after the show for a meet-and-greet.

Theatre Three, 412 Main St., Port Jefferson presents The Adventures of Peter Rabbit on Saturdays at 11 a.m. through Aug. 14. Children’s theater continues with A Kooky Spooky Halloween from Oct. 9 to 30 and Barnaby Saves Christmas from Nov. 20 to Dec. 26. All seats are $10. To order, call the box office at 631-928-9100 or visit www.theatrethree.com.