Tags Posts tagged with "Leo"

Leo

Heidi

Welcome to the 20th edition of Paw Prints, a monthly column for animal lovers dedicated to helping shelter pets find their furever home! 

Meet Starling

Starling

 

This sweet and stunning three-year-old dilute torti was adopted from the Smithtown Animal Shelter as a kitten and was recently returned due to allergies. Starling is as affectionate, vocal and sweet as they come. She was overindulged in her last home and was permitted to get extremely overweight. Other than a strict diet, her only needs are love and home that will never let her down. 631-360-7575

Meet Leah

Leah

The matriarch of the small dog kennel at Little Shelter, this thirteen-year-old Shih-tzu mix is Leah. Organizing games of mahjong and other fun activities for the rest of the gang, she likes to keep active and productive, knowing that staying involved is the key to longevity. Friendly with others (as long as she gets her own way!), she enjoys a nice gathering that includes appetizers and spirited conversation. Not letting anything slow her down, Leah is a little powerhouse looking forward to spending her golden years in a forever home with her favorite person by her side … and, if you play your cards just right, it could be you! 631-368-8770, ext. 21

Meet Heidi

Heidi

Heidi is a beautiful 2 1/2 year old Greman Shepherd mix who was rescued from a high kill shelter in Texas with her buddy Max and brought to the safety of Kent Animal Shelter. Max was recently adopted but Heidi is still waiting for her furever home. Will that be with you? 631-727-5731, ext. 1

Meet June

June

Look at those eyes! June has really come around since arriving at Little Shelter. She enjoys pets and cheek rubs and gets along with other cats. Now she is just waiting for her furever home. Come meet her today! 631-368-8770

Meet Shaggy

Shaggy

A dashing little girl at Little Shelter, Shaggy loves to be around her playmates and be cuddled in your arms. This senior Shih Tzu mix is a calm and chill girl; she just likes to hang out, whether that’s with you or another four-legged friend. *Shaggy is not housebroken. Call 631-368-8770, ext. 21 to meet her today!

Meet Leo & Milo

Leo & Milo

What’s better than a kitten? Two kittens! Leo and his brother Milo are an adorable bonded pair of kittens currently up for adoption at Kent Animal Shelter. They are looking for a forever home with a special family they can call their own! 631-727-5731, ext. 1

Check out the next Paw Prints in the issue of September 14.

Paw Prints is generously sponsored by Mark T. Freeley, Esq.

 

Update: Leo has been adopted! Happy life sweet boy!

MEET LEO!

This week’s shelter pet is Leo, an 11-month-old lab mix currently waiting for his furever home at the Smithtown Animal Shelter. This handsome man is as sweet as can be. He has lived with two smaller dogs and a cat and did well with all of them. He is timid, so he would do best with children over 12 years old. Leo has some issues with separation anxiety and will need a home that can help him manage that. He would be a perfect addition to any family.  

If you would like to meet Leo, please call ahead to schedule an hour to properly interact with him in a domestic setting.

The Smithtown Animal & Adoption Shelter is located at 410 Middle Country Road, Smithtown. Visitor hours are currently Monday to Saturday from 10 a.m. to 3 p.m. (Sundays and Wednesday evenings by appointment only). 

For more information, call 631-360-7575 or visit www.smithtownanimalshelter.com.

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Leonardo DiCaprio in a scene from ‘The Revenant.’ Photo courtesy of 20th Century Fox

By Zachary Hank

Leonardo DiCaprio has already received much critical acclaim for his performance in “The Revenant.” After  winning the Golden Globe for Best Performance by an Actor in a Motion Picture, his sights are set on the upcoming Academy Awards on Feb. 28 where he may take home his first Oscar for Best Actor in a Leading Role. The film itself has experienced an outstanding response, receiving 12 nominations for the 2016 Oscars, including best picture, best director, cinematography and visual effects.

Based on actual events, “The Revenant” tells the story of fur trapper Hugh Glass. Set in 1823 in the early American territories of Montana and South Dakota, the film recounts Glass’ recovery from a bear mauling and retribution against his companions who killed his son and left him for dead.

It is undeniable the amount of preparation put into this film by each of the actors, but what also stands out is the fantastic camera work, directing and special effects in the film as well. Simply put, the film is gorgeous, absolutely beautiful in almost every shot. The film is directed by Alejandro González Iñárritu, whose latest success was last year’s “Birdman.” As in that film, the camera work feels very clean and natural. There are also multiple times in both films when the shots of surroundings and setting occupy a few minutes of screen time, but in “The Revenant’s” case, these landscapes and scenery shots feel absolutely breathtaking.

The movie does a fantastic job at encasing the viewer within whatever setting is present. If it is a crowded, claustrophobic forest, then you’ll feel the same sense of paranoia and suspense as the characters do. Every shadow, every minimal sound and every minor detail is caught with remarkable precision. The bear mauling is very realistic and the special effects feel lifelike. Overall, “The Revenant” is hands down one of the most visually stunning films of the last few years. Now, with all these aesthetics praised, there comes a matter of addressing the film’s plot.

Although the film is based on actual events, it can’t be blamed for the screenwriters developing a weak plot. They did a lot with what they had, and that happens to be one of the film’s downfalls. Originally, there was a relatively simple story. However, it has been stretched to make an epic of two and a half hours; and the film really doesn’t have as much emotional depth or, truthfully, any real amount of depth to justify this amount of screen time.

While it may be more realistic to witness Glass’s recovery and journey in almost real time, it’s simply not worth watching the man struggle to learn to walk again for about half an hour.

Clearly, this is a very ambitious film of a story that did not warrant this scale of production, but that seemed to be the film Iñárritu wanted to  make. So while there’s not an overlying truth or revelation to be found within the actual story other than be careful not to be mauled by a bear, Iñárritu twists this plot to exploit the suffering and cruelty toward Native Americans by European settlers, especially the French.

Sure, Glass’ son was half Native American, but in reality the story does not have much to do with racial issues, and Iñárritu’s inclusion of multiple plot lines of the French and their interactions with local Native Americans doesn’t feel anything more than an attempt to make a statement on something that really didn’t have much relevance to the story’s plot. Yes, Glass does have these flashbacks to a Native American village being burned down and the death of his wife in the flames, but then again, the flashbacks themselves aren’t entirely necessary and sometimes just feel pointless. They’re overly sentimental and just feel forced.

Still, even needless flashbacks can have an impact if they’re brought on by dynamic performances. Everyone in this film does a pretty good job. Tom Hardy in the role of John Fitzgerald, an adversary of Glass, really delivers a fantastic performance and is probably the most deserving of being nominated for Best Supporting Actor this year.

Now for the lead. It’s impossible to critique DiCaprio’s preparation and dedication to this role. He’s clearly put the work in and it’s pretty much what you would expect. If you weren’t sold on him before, maybe you will be now, but in reality it still feels like DiCaprio up there — he has a personality that can’t be shaken and seems to follow him to each role.

Many people are rooting for DiCaprio to win an Academy Award for the first time, and chances are he’ll probably do so as “The Revenant,” which may be a bit overblown, is definitely one of the most stunning and well-acted films of the year. If you don’t mind sitting through stretches of time with nothing really happening, then chances are you’ll be rewarded by some fantastic elements.

“The Revenant” is rated R for strong frontier combat and violence including gory images, a sexual assault, language and brief nudity.

Tommy the chimp looks through his cage upstate. Photo from Nonhuman Rights Project

The two chimpanzees housed at Stony Brook University will not be granted the personhood necessary to allow them to challenge their captivity, a state Supreme Court judge ruled in an animal rights advocacy group’s lawsuit against the school.

Justice Barbara Jaffe ruled in her July 30 decision that Hercules and Leo, the two male chimps used for research at Stony Brook University’s Department of Anatomical Sciences, would not be granted a “writ of habeas corpus,” as petitioned for in the Nonhuman Rights Project’s suit against the university. The animal rights group had petitioned the judge with hopes of forcing the university to move the chimps to the Florida-based Save the Chimps animal sanctuary.

“The similarities between chimpanzees and humans inspire the empathy felt for a beloved pet,” Jaffe said in her decision. “Efforts to extend legal rights to chimpanzees are thus understandable; someday they may even succeed. For now, however, given the precedent to which I am bound it is hereby ordered that the petition for a writ of habeas corpus is denied.”

Jaffe cited previous suits the Nonhuman Rights Project had headed up, including one referencing a chimpanzee named Tommy who was being held through Circle L Trailers in Gloversville, NY. In that case, the Fulton County Supreme Court dismissed the Nonhuman Rights Project’s appeal to have the chimp released.

Steven Wise, president of the Nonhuman Rights Project, said his group was still looking forward to appealing Jaffe’s decision to the state Supreme Court’s Appellate Division’s first judicial department.

“Unlike Justice Jaffe, [the first judicial department] is not bound by the decision of the Third Department in Tommy’s case,” Wise said in a statement.

Despite the judge’s ruling, Susan Larson, an anatomical sciences professor at SBU, previously said both Hercules and Leo will retire from the facility’s research center and be gone by September. Larson did not return requests for comment.

The Nonhuman Rights Project, however, said it would work to ensure the chimps are released to a sanctuary nevertheless.

“We applaud Stony Brook for finally doing the right thing,” Lauren Choplin of the Nonhuman Rights Project wrote on the group’s website. “We have made it clear that we remain willing to assist Stony Brook in sending Hercules and Leo to Save the Chimps in Ft. Pierce, Florida, where we have arranged for them to be transferred, or to have an appropriate member sanctuary of the North American Primate Sanctuary Alliance, as we did in Tommy’s case. We have made it equally clear that, if Stony Brook attempts to move Hercules and Leo to any other place, we will immediately seek a preliminary injunction to prevent this move pending the outcome of all appeals, as we succeeded in doing in Tommy’s case last year.”

New Iberia Research Center in Louisiana owns the chimps, and their next destination was not clear.

The court first ordered the school to show cause and writ of habeas corpus — a command to produce the captive person and justify their detention — but struck out the latter on April 21, one day after releasing the initial order, making it a more administrative move simply prompting the university to defend why it detains the animals.

In an earlier press release from 2013, the Nonhuman Rights Project said the chimpanzee plaintiffs are “self-aware” and “autonomous” and therefore should have the same rights as humans. Hercules and Leo are currently being used in a locomotion research experiment in SBU’s Department of Anatomical Sciences.