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Joe Reboli

Former New York State Assemblyman Steve Englebright begins his Aug. 18 talk on Joe Reboli’s paintings. Photo by Beverly C. Tyler

By Beverly C. Tyler

At the Reboli Center in Stony Brook on Friday evening, Aug. 18, former New York State Assemblyman Steve Englebright (D-Setauket) presented a love letter to Long Island and its people through the landscape paintings of Joe Reboli. 

Englebright, a geologist also running against Anthony Figliola (R-East Setauket) for Suffolk County’s 5th Legislative District, opened for each of us who attended a new, personal and intimate view of Reboli’s paintings.

In his opening comments, Englebright touched on the importance of Reboli’s work as a local artist. 

“Joe Reboli speaks directly to us through his paintings, through his art,” Englebright said. “Joe also speaks now and forever to all who would live here in our community. I believe that open space is the beginning of our story. It’s what attracted the first colonists here, and … I believe that Joe’s paintings suggest that open space should continuously be an important part of our story.”

Englebright noted that he was initially surprised and then intrigued by Reboli’s detail in painting the most ordinary features of nature, including rocks and mud, in how they form and react to the forces of wind and waves. 

The first and largest painting was described thus:

“It is likely the Montauk Till — I call it an ice contact deposit — which means that the upper third of the painting is the till that was dropped directly, melted directly, out of the ice, and it included all of the different grain sizes — everything from clay to silt to sand to pebbles to cobble to boulders — that range of that spectrum of different grain sizes is all contained inside of that pumpkin-colored fill,” the former state assemblyman elaborated. “But when the waves break on it, they take away the small stuff, and we have a lag deposit of the boulders and cobbles.”

Englebright also noted the simple beauty and the importance of what Reboli included in his works. “Joe’s paintings speak to us regarding our exquisite coastal heritage,” he said. “Each of his natural images is a journey into nature’s splendor.”

Describing the middle painting, Englebright added, “This is quite amazing. It is a remarkable painting. Avalon is lovingly cared for, and Joe painted this before Avalon was there. They are either red oak or chestnut oak.”

Englebright described the third painting as “the convergence of a manmade feature and a natural feature. The pushed-down fence invites you into the natural world.”

With a series of slides of Reboli’s paintings, Englebright noted how Reboli placed fences, gates, chairs and even old rusting gas pumps into his images of the natural world. Sometimes, they were items that we could imagine belonged in an area of human habitation. In others, such as the images of rusting gas pumps juxtaposed in the foreground of a beach scene, Englebright suggested Reboli illustrated the permanence of the natural world over manufactured objects.

Noting that “respect for this place is infused into Joe’s paintings,” a few of Englebright’s thoughts show Reboli’s love of Long Island. “With the body of his work, Joe Reboli’s Long Island is imaginative, inviting, and I ask the question: Is he not Long Island’s most imaginative storyteller through his paintings?”

Englebright concluded, “Many of Joe Reboli’s paintings have become iconic images representing our sense of place. Joe’s paintings have defined what it means to be a Long Islander. Joe Reboli’s paintings enable us to focus upon the beauty of our community’s natural wonders. Joe’s body of work is breathtaking in its expanse and its beauty,” adding, “Joe painted sites and landscapes that should be saved for all time.”

Beverly C. Tyler is a Three Village Historical Society historian and author of books available from the society at 93 North Country Road, Setauket. For more information, call 631-751-3730.

Above, a painting of Frank Melville Memorial Park in Setauket by artist John Koch at a previous Wet Paint Festival. Photo courtesy of Gallery North

By Melissa Arnold

It’s been a tough season for the plethora of local events that have either been canceled, postponed or restructured. Thankfully, technology like livestreaming and video chat have made it possible for some events to go on as scheduled, albeit a bit differently.

For the past 16 years, the Wet Paint Festival has given Three Village residents and visitors an up close look at the creative process of local artists as they work. The event was founded to honor the memory of beloved Long Island painter Joe Reboli, who died in 2004.

But inviting artists and community members to gather for creative fun and conversation doesn’t exactly fit in this quarantined, socially distant time. So what to do?

It’s been a baptism by fire of sorts for Ned Puchner of Gallery North in Setauket, which has sponsored the event from its beginnings. Puchner, who became the gallery’s executive director in December, was looking forward to his first Wet Paint Festival. Now, he’s been called upon to dream up an alternative.

“It’s been one of those unique experiences where you get to know people really fast,” Puchner joked. “But I’ve also learned very quickly how much support there is here for the arts and the art community, even despite the pandemic and its challenges. It’s been very encouraging for me to see that outpouring.”

Originally founded by former Gallery North director Colleen Hanson and the Reboli family, the Wet Paint Festival invites artists from Long Island and beyond for a relaxed weekend of plein air (outdoor) painting. The artists paint at the same location from vantage points of their choosing, allowing each put their own spin on well-known scenes and landmarks.

In the past, the festival has been held at West Meadow Beach and the adjoining Old Field Farm, Frank Melville Memorial Park, the Stony Brook railroad, the Thompson House, and Avalon Park & Preserve, among other places.

This year’s event will celebrate each artist’s originality as Wet Paint goes virtual. Painting sessions will be either livestreamed online or pre-recorded from a location the artist selects, whether it’s their own backyard or a public spot. During each session, the artist will talk about their creative process and take questions from viewers, just as they would in person.

To accommodate for the new format, the artists will paint for an entire week, from July 18 through July 25. The completed artwork will then be on display on the Gallery North website throughout the month of August.

The virtual festival is the latest in Gallery North’s ongoing effort to provide engaging online experiences during the pandemic.

“We had the Wet Paint Festival completely planned and were starting to gather sponsors and registrants when we had to close the gallery on March 14. When we closed, we decided to postpone the event, not realizing how long we would be unable to function and be outside,” Puchner explained.

“As time went on, we took it as an opportunity to get creative not only with Wet Paint, but with everything we do,” he said. The gallery began to share daily art activities, host “virtual open studio” events, film screenings, lectures, and opportunities to give and receive feedback on work in progress. As the staff grew more comfortable with video chat platforms such as Zoom, they knew they had to find a way to present the Wet Paint Festival, too.

Angela Stratton of Selden has enjoyed painting at the festival for the past 15 years, and while she’ll miss the connection and camaraderie of the typical event, she’s excited to see what comes of the online version.

“I’m the kind of person that likes to be outside anyway, so getting to paint at the same time is really a double treasure,” said Stratton, an oil painter. “Of course, there can be issues with painting outdoors ­— the sun goes in and out, it can be windy, it can rain — but it gives you the real depth of color you just can’t get from a photo.”

Stratton is still up in the air about where she’ll be painting, but she enjoys the challenge provided by the Old Field lighthouse.

Annette Napolitano, a realist painter who works in both watercolor and oil, would normally go out once a week to paint with a group of friends. She’s participated in Wet Paint for several years now.

“The first time I did the festival, I was so excited to be with the other artists, all of us working in the same place. The world is so big, and it can be a challenge to grab just a piece of it,” said Napolitano, of Rocky Point.

“I think bringing the festival online is a good solution because it’s like a pop-up event — people can come and go as they please. It’s also nice that we have a whole week to work, and it’s going to be fun to see people share their work from different parts of Long Island,” she said.

Puchner hopes that the event will inspire creativity not only in the participating artists, but people at home as well.

“At the center of the arts is expression. Everyone has had different experiences during the pandemic, but it has been significant for all of us,” he said. “There’s a fundamental need to discuss how we’re feeling, and the arts are a safe space for expression of all kinds.”

Livestreamed and recorded artist visits will be available for public viewing the week of July 27 at www.gallerynorth.org. Then, all completed works will be on the site for viewing and purchase throughout the month of August, with commissions split equally between the artist and the gallery. A virtual reception will be held from 3 to 5 p.m. Aug. 8 via Zoom; registration is free but required.

For further information, visit www.gallerynorth.org or call 631-751-2676.

*Article from TBR News Media’s Summer Times 2020, free on newstands today.

'Summer Cottage'

You’re invited to a special event! The Reboli Center for Art and History located at 64 Main St. in Stony Brook will hold its 7th Painting Party on Wednesday, June 5 from 7 to 9:30 p.m.  The painting parties are always a total sell out, so be sure to register early to insure that you are part of the fun!   For a registration fee of $45, each participant will complete a new painting in the style of Joseph Reboli!  The subject matter for this event will be Summer Cottage, a wonderful summer painting to hang this season!  All supplies are included, and no experience is necessary.

The instructor for the evening is Linda Davison Mathues, an award winning, professional artist with representation in many Long Island art galleries.  Recognizing that there is a real interest in picking up a brush and painting in a fun social atmosphere, Linda and Eileen Sanger formed The Winey Painters.   Their strategies bring something unique to the painting party experience. The projects always are carefully planned around a famous artist, at the Reboli Center that artist is Joseph Reboli. Linda delves into just what makes a particular artist paint in a unique style.  Artists, past and present, lived very interesting lives, and The Painting Party combines art history with the painting.  With Linda’s many years of teaching experience, everyone leaves happy and sometimes amazed at their own hidden talent.

A reminder, Painting Party Seven has a limited enrollment, so sign up early.  To register, come to the Reboli Center or call 631-751-7707 during business hours, Tuesday – Saturday from 11 – 5 or Sunday from 1 – 5.

Come join the Painting Party and have a great time making your own Reboli masterpiece!

 

 

 

The Reboli Center for Art and History is located in Stony Brook at the former site of the Capital One Bank. File photo

It’s much more than a place to go to appreciate the work of late artist and painter Joe Reboli.

Located at the former site of Capital One Bank across the street from where Reboli grew up in Stony Brook, the Reboli Center for Art and History, which opened a little more than a year ago, blends a collection of art from the prolific painter with works by other local artists, rotated every three months.

Housed in an A-frame white building with blue awnings, the center has showcased the work of artists including Ken Davies, who was Reboli’s teacher and mentor.

Reboli was born and raised on Main Street, not far from where his name is memorialized.

He and his family had a long history in the area. His grandfather ran a business across the street from where the center now stands, and decades later his aunt worked in the same building when it was a bank.

He died in 2004 at age 58 after being diagnosed with lung cancer. Since his death, his wife Lois Reboli had been attending makeshift meetings at coffee and kitchen tables across Three Village with a squad self-identified as The Rebolians, working to make sure Joe Reboli’s story lived on.

“[The center is] hopefully a gift back to the community my husband loved so much,” said Reboli, a former art teacher.

The Reboli Center is named in honer of late Stony Brook artist Joe Reboli. File photo

He was on the board of the Three Village Community Trust and Gallery North. When asked by his wife why he attended those gatherings, she said he told her he loved the community and wanted to support it in some way.

“I didn’t really understand it at that point,” she said. “I did after he got sick, and I just really wanted to give something to the community so they would remember Joe.”

As part of the center’s cultural contributions, free talks are given with local artists, and, after a successful musical debut, the center may be the site of future concerts.

Donna Crinnian, a photographer whose pictures of egrets were featured at the center in the fall, called the center a great addition to the community.

“Everybody in the community likes having it there,” she said. “They get a really nice crowd coming in for the speakers.”

Besides Reboli, the idea for the studio gallery came together with the help of Colleen Hanson, who worked as executive director of Gallery North from January 2000 until her retirement in September 2010. She worked alongside Lois Reboli after Joe passed and also helped launch the first Reboli Wet Paint Festival weekend at Gallery North in 2005.  Hanson also worked with B.J. Intini, a former Gallery North assistant and executive director who is the president of the Farmingville Historical Society.

“I made a vow that we would do something for [Reboli],” Hanson said. “If we were to find a space, it had to be in Three Village and it had to have a Joe-like feeling. Now, I pinch myself and think, ‘This is so cool.’ We love this community. We want it to be even better and richer for everybody, and I see this as a beautiful upbeat place where people want to be.”

State Assemblyman Steve Englebright (D-Setauket) is credited with helping to make the purchase a reality, Reboli said. He helped the three, self-dubbed the “tres amigas” create a not-for-profit called the Friends of Joseph Reboli, with a mission of collecting, preserving and exhibiting artwork and artifacts related to Joe Reboli. The group filed for federal 501(c)(3) status in 2012.

Reboli had been looking for a suitable place to share her late husband’s work with the public and had been demoralized by a few false starts when she wondered if she would be able to find the right spot.

“If we were to find a space, it had to be in Three Village and it had to have a Joe-like feeling. Now, I pinch myself and think, ‘This is so cool.’”

— Colleen Hanson

It wasn’t until March 2015 when Hanson said she heard of Capital One in Stony Brook potentially leaving the historic landmarked building at a price tag of $1.8 million. Englebright spearheaded securing a $1.3 million state grant that went toward the purchase of the building, and two anonymous $150,000 donations turned the dream into a reality.

“He went to bat to help us get as much funding as we could,” Reboli said of the lawmaker. “He was remarkable.”

She signed the contract Sept. 25, 2015 — her late husband’s 70th birthday.

“It’s everything I hoped for and more,” Englebright said of the center. “I have heard from dozens of people and they are absolutely thrilled that this is a new part of the cultural dimension in our community.”

Englebright said the late artist’s paintings open up a wide range of conversations about the interaction between nature and development. One of his favorites is of three gas pumps in front of a coastal scene on the North Shore.

“He put this scene together that clearly to me is an expression of concern regarding the impact of overdevelopment, on a way of life, and on the beauty of Long Island,”
Englebright said.

In its first full year of operation, the center, which is free for guests, has hosted a range of crowds and events. In May, it welcomed a visit from the Commack High School Art Honor Society. In late October, world-renowned cellist Colin Carr, who has appeared with the Royal Philharmonic, the BBC Symphony, the Los Angeles Philharmonic and the Montreal Symphony and is teaching at Stony Brook, performed at a benefit concert.

He said the way the sound worked its way through the building was an unexpected
surprise.

“When I went in there and played the cello briefly as a trial run, it was immediately apparent that this was perfect for the cello,” Carr said. “It’s always exciting to walk into a new place, whether it’s a room or concert hall or even a church, to sit down and start playing and feel that there’s an immediate rapport between me, the instrument and the space.”

Carr is the one who suggested that the center would be a “wonderful place for a small music series.”

Reboli said she is thrilled with the direction the center is taking and suggested the showcase is far beyond what she had imagined when she first discussed highlighting her late husband’s artwork.

On a Friday in late November, the building hit a high-water mark with about 180 guests in attendance, Reboli said.

“I would have been happy with a wall somewhere,” Reboli said. “This has morphed into something that would have been unimaginable before. Never did we expect to have a place like this. This is a miracle.”

'Peony' by Joseph Reboli

By Susan Risoli

The poet/artist William Blake wrote of seeing “a World in a Grain of Sand, and a Heaven in a Wild Flower” and holding “Infinity in the palm of your hand, and Eternity in an hour.” The Reboli Center for Art and History will consider the ways different artists see not only wildflowers but landscape in all its elements, through its latest exhibit In Bloom, which opens May 2.

‘Hydrangeas’ by Ty Stroudsburg

The show features paintings by Joseph Reboli and Ty Stroudsburg’s paintings and pastels. Although Reboli was known for classical realism and Stroudsburg works in a more abstract, less representational way, the artists knew and admired each other, said Lois Reboli in a recent interview. “The exhibit will be a riot of color,” she said, as her late husband’s work is presented side-by-side with Stroudsburg’s.

The Reboli Center opened this past fall to preserve the legacy left by Joe Reboli, a well-known painter and longtime Three Village resident who died in 2004. Every exhibit will show his paintings together with work done by someone he knew.

Stroudsburg will show 12 pieces in the In Bloom exhibit. Some are framed oil paintings on paper, others are oils on linen canvas and the rest are framed pastels. Although she and Reboli shared the same birth date (Sept. 25) and a love of landscape, they respond to their environments differently.

Lush abstraction

“The first thing I deal with is color,” Stroudsburg said in a recent interview. “I just love it.” Her slashing brushwork (“people have called it ‘Zorro-esque’”) grew from her abstract expressionist work done in the 1960s. “I love to experiment with what the paint can do,” Stroudsburg explained.

‘Vineyard’s Edge’ by Ty Stroudsburg

When it comes to interpreting light, “I don’t use it in terms of light and shadow. But obviously, without light there’s no color, so it’s there.” Areas of lush color lead the eye around her pieces, as one takes note of the forms and textures Stroudsburg uses to interpret what she called the “natural, unpopulated world.” The result, she said, is “an effort to record the pervasive qualities of places that excited my vision. In this way, hopefully, the viewers of my work will be able to share that vision.”

Stroudsburg is a self-taught artist who started her career as a teacher. “I lasted three weeks,” she said wryly. A 1962 trip to Long Island changed her life. Inspired by the Parrish Museum, Guild Hall and then-rural South Fork, “I got a part-time job in a dress shop, just continued to paint and that was it,” she recalled. Stroudsburg lives in Southold now, where the North Fork’s farm fields and changing seasons “are a big point of takeoff” for her art.

Yin versus Yang

Presenting Stroudsburg’s landscapes alongside Reboli’s demonstrates how artists can see the same subject with different vision, said Colleen Hanson, co-director of the Reboli Center with Lois Reboli and B.J. Intini. In Stroudsburg’s and Reboli’s interpretations of nature, “you have this kind of yin/yang painting of Long Island. Both are known for color and light, but Ty is abstract and Joe used classical realism.”

‘Hydrangea Cottage’ by Joe Reboli

Sunlit vegetables that almost seem to glow from within, spirited hydrangeas staking their claim against the wall of an old cottage, Stony Brook Village blanketed with snow — all are rendered with Reboli’s attention to light and shadow, and his devotion to interpreting the hallmarks of a season.

“In the 1960s, when Joe went to the Paier School of Art, there was a huge abstraction push” in the art world, Hanson said. “Many schools were deviating from a classical education component” but Reboli embraced and excelled in the tradition. In Stroudsburg’s painting, “Ty’s strokes are looser, the composition is looser. Her work has that color field and movement that just engages you.”

Showing Reboli’s art next to the work of other artists gives people “a way to understand how different origins make for different paintings,” Hanson said. “What we’re trying to do is explore Joe’s origins and his references. We show the contrast with painters who were in the same area at the same time, doing the same subject.”

Third Friday talks

The Reboli Center’s monthly Third Friday talks from 6 to 8 p.m. link the local community with its history, said Lois Reboli, while at the same time focusing on aspects of the exhibits.

On May 19, the center will welcome Christina Strassfield, museum director and chief curator of Guild Hall Museum in East Hampton, who will speak about “My Life in Museums,” a life and career shaped by art.

‘Peony’ by Joseph Reboli

On June 16, Deborah Johnson, deputy director and director of development at the Heckscher Museum of Art in Huntington and author of a book titled “Joseph Reboli,” will speak about Reboli’s work.

On July 21, Katharine Griffiths, director of Avalon Park and Preserve, will discuss the park’s use of native plants. Reboli’s mother Olga Jicinsky Reboli was born and raised in “a little tiny house” that eventually became the renovated building where Avalon Park staff are headquartered, Lois Reboli pointed out.

Third Fridays are a chance for people to gather for stimulating discussion and “a wonderful, fun evening,” Reboli said. “We’re pretty much packed every time we have one.” The talks are free and light refreshments will be served.

The Reboli Center for Art and History, 64 Main St., Stony Brook will present In Bloom from May 2 through July 30. An artist reception is yet to be scheduled. The center is open Tuesdays through Saturdays from 11 a.m. to 5 p.m., and Sundays from 1 to 5 p.m. For more information, call 631-751-7707 or visit www.rebolicenter.org