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Irene Ruddock

Artist of the Month: Patricia Yantz

by Irene Ruddock - October 29, 2021

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By Irene Ruddock

Patricia Yantz, a Three Village resident, is known for her acrylic and pastel landscape paintings. A former secondary art teacher at Sachem School District, she is also involved in many community organizations such as the Three Village Historical Society where she was a former president.

Presently, she is a joint coordinator of the Candlelight House Tour, on the Steering Committee for the Long Island Museum, and member of the Three Village Garden Club. She belongs to art organizations such as the Setauket Artists, North Shore Art Guild, LIMarts, and Smithtown Township Art Council. She especially enjoys teaching acrylic and watercolor classes at Ward Melville High School’s Continuing Education Program.

W hen did you first become interested in art?

At an early age I used to watch my father draw wood boats and create his own designs of boats he wanted to build. As I sat next to him, he gave me some drawing paper and I started to draw boats too!

Who were your other role models?

Besides my father, Sister Lucy at Saint Mary’s High School in Manhasset inspired me to pursue art in college. Later in life, I was inspired by our local icon Joe Reboli. I watched as he took a common view, such as a road or mailbox, and transform it into a masterpiece! It was truly magical. Lastly, the person who helped me find my artistic niche was you! My involvement with the Setauket Artists along with your constant encouragement and faith in me has made all the difference.

It is kind of you to say that! Thank you. Why did you choose acrylics and pastels as your medium?

I switched from oil many years ago for health and safety reasons. Also, after my cat walked across my freshly painted oil painting and then walked all over my new rug, I decided it was time for a change!

What feelings do you want to evoke when people see your paintings?

The most important thing I want the people to come away with is a sense of peace. I think color changes the emotion and the feel of a painting, so I often work in warm colors to uplift the viewer.

Where do you like to paint and why?

Living in this beautiful area is a constant source of inspiration to me. Painting it is a natural outgrowth of my environment. I am truly in awe by the stunning sunsets, meandering waterways and lavish landscapes that invoke a sense of place as well as a sense of peace. I am especially drawn to the creek at West Meadow, Avalon Nature Preserve, and Stony Brook Harbor.

How would you describe your work?

I have learned so much about tonal aspects and value which I try to incorporate into my paintings. I try to harmonize or unify colors in terms of light and atmosphere. Yet, I do not use a limited palette, but instead look for atmosphere and temperature when creating.

You have won many awards. Tell us about an award that has meant a lot to you?

I was recently given the incredible award of the 2021 Honored Artist voted on by the Setauket Artists. The artists gave me encouragement, faith, and support over the years which has been a vital part in motivating me to continue this artistic journey.

Why is art important in the world?

I feel art is so important because imagination is the beginning of creating. This creativity engages the mind and enables alternative ways of thinking and seeing. With so much emphasis on critical thinking, creating art makes one think not only critically, but analytically which is often overlooked in today’s world. Art is a bridge where artists can, through their paintings, communicate universally to reach people around the world.

Where can we see your work?

I am currently showing my work at the 41st annual Setauket Artists Exhibition at the Setauket Neighborhood House until November 14th. I will be part of “Celebrate the Season” exhibit at the Reboli Center in Stony Brook, “Deck the Halls” at Gallery North in Setauket, and the “2021 Atelier Invitational” at The Atelier at Flowerfield in St. James. To get in touch with me, you may contact setauketartists.com.

41st annual Setauket Artists exhibition kicks off Oct. 24

by TBR Staff - October 21, 2021

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As autumn arrives on the North Shore, so does a perennial favorite, the Setauket Artists exhibition. Now in its 41st year, the beloved show returns to the Setauket Neighborhood House on Oct. 24 with a reception from 1 to 4 p.m. Over 40 local artists will be participating this year along with guest artist and nationally known oil painter David Peikon.

Peikon is showcasing his stunning painting of an east end farm which displays the naturalism of his landscapes. “Capturing nature in all its infinite beauty is a never-ending challenge. I endeavor to create paintings that pull the viewer into the space as if they were alongside me,” he said.

This year’s Honored Artist, Patricia Yantz, will exhibit five of her latest paintings. “The artists chose Patricia because of the superior quality of her acrylic and pastels paintings and years of dedication to the organization. She works tirelessly on various committees and has become our newly elected recording secretary,” said Irene Ruddock, President of the Setauket Artists.

The cover artist is John Mansueto, a Parsons School of Design graduate in Fine Arts, who exhibits in New York City, Connecticut, Rhode Island, and Massachusetts. “I love to explore Long Island and when I saw the sunflowers in the crates at Riverhead’s Briermere Farm, I knew I had to paint it,” he said.

The works of pastel artist Jane McGraw Teubner will be on view as well.

“The Setauket Artists are honored to include Jane McGraw Teubner, PSA, MA, Master’s Circle who has been accepted into the permanent collection of the Salmagundi Art Club, won the silver medal from Allied Artist of America, was accepted into the Pastel Journals best one hundred and will soon be award the title Eminent Pastelist from the International Pastel Society,” said Ms. Ruddock.

The only photographer in the show is the incomparable Marlene Weinstein who is exhibiting her hand-painted and mixed media pieces to the delight of her ardent followers. This year, the group is happy to welcome back Laurence Johnston, another fine artist who explains that he is “influenced by the light that living near the water brings and elevates the ordinary to the sublime.” Look for his beautifully painted oil Setauket Spring hanging over the fireplace in the entry hall.

For lovers of contemporary art, Shelia Breck will awe you with her Matisse-like painting of Katey and Paul Edelson’s soft and sensual colors will bring you into the peaceful world he endeavors to capture. Celeste Mauro will wow you with her creative impressionistic acrylic and collage paintings.

For nostalgia and history, you will enjoy Carol Link Scinta’s Rainy Day at the Setauket Neighborhood House and The Setauket Diner as well as William Graf’s luminous local watercolors of a Stony Brook sunset and Frank Melville Memorial Park.

Flo Kemp usually creates soft-ground etchings, but this time she offers a very large, softly hued oil painting aptly titled Purple Mountain Melody. Frederic Mendelsohn, who enjoys painting the bucolic waterways of Long Island, presents his oil piece titled Stony Brook Harbor and you are sure to be enchanted by Renee Caine’s oil painting Enchanted Evening.

Ruddock is excited for the opening. “As coordinator of the exhibit, I try to attract outstanding artists and I am thrilled with the quality of the paintings in this show. All of your favorite Setauket Artists will be there — Al Candia, Muriel Musarra, Rob Roehrig, Eleanor Meier, and so many more who will be showcasing their latest local paintings and looking forward to seeing you,” she said.

The reception is in-person, but a tent (with electric warmer) will be provided for viewers to wait until the number of people in the house matches the New York State guidelines. Refreshments will be served and raffles for paintings by Anthony Davis, Anne Katz, and Celeste Mauro offer a variety of styles and mediums: oil, watercolor and acrylic/collage paintings will draw you into the excitement of this annual autumn community event.

The artists deeply appreciate Fred Bryant of Bryant Funeral Home, who has been their generous sponsor for 16 years. Explains Ms. Ruddock, “Every single year, the art group uses the donation Fred gives us in a productive way that enhances our show, and, over time, has made it what it is. The artist are grateful indeed!”

Participating artists include:

Ross Barbera, Shain Bard, Ron Becker, Rina Betro, Kyle Blumenthal, Sheila Breck, Joyce Bressler, Renee Caine, Al Candia, Gail L. Chase, Anthony Davis, Julie Doczi, Paul J. Edelson, Marge Governale, William Graf, Laurence Johnston, Flo Kemp, Karen Kemp, Joanne Liff, John Mansueto, Celeste Mauro, Judith Mausner, Lorraine McCormick, Jane McGraw Teubner, Terry McManus, Eleanor Meier, Fred Mendelsohn, Muriel Musarra, David Peikon, Paula Pelletier, Cathy Rezin, Joan Rockwell, Robert Roehrig, Irene Ruddock, Oscar Santiago, Carole Link Scinta, Barbara Jeanne Siegel, Angela Stratton, Susan Trawick, Marie Lourdes Velez, Marlene Weinstein and Patricia Yantz.

The Setauket Neighborhood House, 95 Main St., Setauket presents the 41st annual Setauket Artists Exhibition from Oct. 24 to Nov. 14 daily from 10 a.m. to 5 p.m. (Open Halloween, closed Nov. 6 and 7). Face masks are required. For more information, visit www.setauketartists.com or email [email protected].

Artist of the Month: Robert Roehrig

by Irene Ruddock - May 13, 2021

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By Irene Ruddock

Robert Roehrig is a Setauket artist who has been active in the local art world for many years. He is primarily a landscape painter who has exhibited his oil paintings through his membership in several art organizations, winning awards and accolades along the way. The current vice president of the Setauket Artists, he enjoys spending time with his wife Joan, children and grandchildren, singing with the Harbormen Barbershop Chorus, and playing paddleball with his friends.

Were you interested in art as a child?

I always loved to draw. An important early influence was an artist named John Nagy, who had a TV show in the 1950’s that provided lessons on how to draw. I found it fascinating, so my parents bought his instruction book for me. In it, the artist showed you, step by step, how to complete a picture. I still remember the pictures: a railroad train with smoke billowing, a boy wearing a sombrero, etc. I happily finished every one.

Could you tell me about your journey as an artist?

I took art courses in high school and at Hofstra University, and throughout the years, I continued to draw and paint with watercolor. When I retired from teaching, I decided to try something I hadn’t done since high school – oil painting. I soon found the versatility and rich colors of the oil medium to my liking. I loved the process of creating an oil painting — choosing the scene, forming the composition, mixing the colors, applying the paint, making adjustments and viewing the final piece.

Where do you look for inspiration?

I enjoy painting Long Island landscapes and seascapes, as well as scenes from countries my wife and I visit while on vacation. In my paintings, I try to capture the beauty of the natural world. Interesting boats or buildings also attract my attention and I often choose subjects that highlight the contrast between sun and shadow. While traveling, I’m always on the lookout for a potential painting. The completed paintings help to rekindle some wonderful memories.

What techniques do you consider most important to obtaining your artistic vision?

As a realist painter of land and sea, it took years of practice to gain some competence. I found that brush control and the ability to blend colors is critical. For instance, to achieve the soft look of clouds or reflections in a lake, I lay in colors with a medium brush and then very gently, in even strokes, blend the colors with a large, very soft brush. If necessary, I can go back later and add a little more definition.

Are there present-day artists whom you admire and learn from?

I admire and learn from many of my fellow artists. The exciting thing about art is that every artist has a different technique so visiting an exhibition is a learning experience. In terms of the larger art world, I always loved the paintings of Edward Hopper, Andrew Wyeth and Winslow Homer, and, more recently, Joseph Reboli.

You have won many distinguished awards. Can you list some of them?

I was chosen as the Honored Artist in the 2016 Setauket Artist Exhibition where I won the Award of Distinction for my painting, “Late Afternoon, Brooklyn.” At the Mills Pond Gallery in 2018, I was selected to be part of the Winner’s Circle, winning first place for my painting, “Off Duty.”

I was especially honored to be “Artist of the Month” at Long Island Museum Arts in Stony Brook (LIMarts) in 2018 where I was asked to exhibit my works in their gallery. And finally, I was awarded first place in the juried North Shore Art Guild’s exhibition Perspectives of Long Island, for my painting, “Still Afloat.” Each award I have won has brought me much satisfaction.

What advice would you give to other artists?

I would advise them to improve their skills by continuing to paint since you learn by doing and experimenting. I would encourage them to stick with a painting since sometimes the unexpected happens and the painting that didn’t start out so well ends up being a nice surprise.

Where are you presently exhibiting?

From May 16 to June 6 I will be exhibiting with the Setauket Artists at the Deepwells Mansion in St. James. You may also see my painting of West Meadow Beach at the North Shore Art Guild Gallery in the lobby of the Holiday Inn Express in Centereach through June 13. Visit my website at rhroehrig.com.

Setauket Artists’ spring exhibit heads to Deepwells Mansion

by Heidi Sutton - May 13, 2021

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By Heidi Sutton

As the warmer weather finally arrives on the North Shore, the community is invited to enjoy a spring art exhibit by the Setauket Artists at the historic Deepwells Mansion in St. James. The show opens this Sunday, May 16 with a reception from 1 to 4 p.m.

“The Setauket Artists are thrilled to be invited back to Deepwells,” said the group’s president Irene Ruddock. “We are looking forward to taking a deep and grateful breath for the wonderful opportunity to exhibit our paintings.”

Participating artists include Ross Barbera, Shain Bard, Ron Becker, Joan Bloom, Kyle Blumenthal, Sheila Breck, Joyce Bressler, Renee Caine, Al Candia, Gail L. Chase, Anthony Davis, Bart DeCeglie, Julie Doczi, William A. Dodge, Paul J. Edelson, Marge Governale, William Graf, Melissa Imossi, Anne Katz, Flo Kemp, Karen Kemp, Joanne Liff, John Mansueto, Celeste Mauro, Judith Mausner, Lorraine McCormick, Jane McGraw Teubner, Eleanor Meier, Fred Mendelsohn, Muriel Musarra, Paula Pelletier, Russell Pulick, Jessica Randall, Cathy Rezin, Joan Rockwell, Robert Roehrig, Irene Ruddock, Oscar Santiago, Carole Link Scinta, Barbara Jeanne Siegel, Angela Stratton, Susan Trawick, Marie Lourdes Velez, Marlene Weinstein, Ellen Winter and Patricia Yantz.

According to Ms. Ruddock, the art group has planned several special events in conjunction with the exhibit.

“This year, we have some private artist studios upstairs which is exciting! Artists such as Al Candia, Fred Mendelsohn, and Rob Roehrig are exhibiting additional paintings as well as joining us in the show,” she said.

In addition there will be a gift shop featuring pottery by Russell Pulick and jewelry by Jessica Randall and Ross Barbera. Smaller works, cards, and books written by the artists will also be available and three paintings will be raffled off.

“We welcome the public to the opening reception on Sunday, May 16 to enjoy some light refreshments, view the paintings, meet the artists and to stroll the beautiful grounds of Deepwells Mansion,” added Ms. Ruddock.

The Setauket Artists’ Spring Art Exhibit will be held at Deepwells Mansion, 2 Taylor Lane, St. James from May 16 to June 6. Gallery hours are Wednesday to Sunday from 11 a.m. to 4 p.m., closed Monday and Tuesday. Visit www.setauketartists.com for additional exhibit events. COVID restrictions apply. For more information, call 631-365-1312 or email [email protected].

Setauket Artists Holiday Show on view at The Atelier at Flowerfield

by TBR Staff - December 16, 2020

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B0011P 0039 — 'Winter's Peace' by Irene Ruddock

The holiday season has long been called “the most wonderful time of the year,” and in many ways, that’s true. But it can also be a stressful time for many. This year, start the season by giving yourself a gift and visit the Setauket Artists Holiday Show, currently on view at The Atelier at Flowerfield in St. James.

‘Locked for the Winter’ by Robert Roehrig

The Setauket Artists is an association of Long Island artists that has just celebrated it’s 40th year here on the Island. Founded by the well-known local artist Flo Kemp, the group has been led these past 15 years by Irene Ruddock, president, talented artist and local columnist. Irene has acted as curator of the group and has mentored, encouraged and brought in many outstanding artists to the group.

The show, which opened on Dec. 4, features a selection of beautiful and affordable paintings by this popular association of artists at reasonable prices. There is also a selection of small paintings that will make wonderful gifts for the holidays.

This is truly “Art for a Lifetime.”

‘Sunken Meadow Marsh’ by Jane McGraw-Teubner

Participating artists include Joan Bloom, Renee Caine, Al Candia, Anthony Davis, Julie Doczi, William Dodge, Margaret Governale, William Graf, Melissa Imossi, Anne Katz, Flo Kemp, Karen Kemp, Celeste Mauro, Judith Mausner, Jane McGraw-Teubner, Terry McManus, Fred Mendelsohn, Muriel Musarra, Paula Pelletier, Joan Rockwell, Robert Roehrig, Irene Ruddock, Oscar Santiago, Barbara Jeanne Siegel, Angela Stratton, Marie Lourdes Velez, Marlene Weinstein and Patricia Yantz.

The exhibit will be on view at Atelier Hall, The Atelier at Flowerfield, Bldg #2 (in the Gyrodyne complex), St. James through Jan. 15. Visiting hours are Monday through Saturday from 9 a.m. to 5 p.m. For more information, please call 631-250-9009 or visit The Atelier’s website at www.atelierflowerfield.org.

Setauket Artists’ Exhibition celebrates 40th year

by TBR Staff - October 21, 2020

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Falling leaves and cooler weather signal the arrival of the Setauket Artists’ annual fine art exhibit at the Setauket Neighborhood House. Now in its 40th year, the event will be held from Oct. 25 to Nov. 17. What an exciting time for the organization where many of the artists have been together since the very beginning!

Exhibiting artists include Ross Barbera, Ron Becker, Eleanor Berger, Rina Betro, Joan Bloom, Kyle Blumenthal, Joyce Bressler, Renee Caine, Al Candia, Gail L. Chase, Anthony Davis, Julie Doczi, William Dodge, Marge Governale, William Graf, Melissa Imossi, Anne Katz, Flo Kemp, Karen Kemp, Celeste Mauro, Judith Mausner, Lorraine McCormick, Jane McGraw-Teubner, Terry McManus, Eleanor Meier, Fred Mendelsohn, Muriel Musarra, Iacopo Pasquinelli, Paula Pelletier, Joe Reboli, Dino Rinaldi, Joan Rockwell, Robert Roehrig, Irene Ruddock, Carole Link Scinta, Barbara Jeanne Siegel, Angela Stratton, Marie Lourdes Velez, Marlene Weinstein and Patricia Yantz.

Founded by Flo Kemp, the organization has been led by the group’s president Irene Ruddock for the last 15 years. “The health of our artists and community members are most important so we were not planning an in-person show. However, after learning that the New York State allowed art shows if all the guide lines were strictly followed, we decided to go ahead with our celebration,” said Ms. Ruddock. “Fellow artist, Dr. Frederick Mendelsohn is chairing the safety committee to ensure that all precautions are taken,” she added.

A grand opening reception is scheduled for Sunday, Oct. 25 from noon to 4 p.m. and the group will host two open house weekends, Nov. 7 and 8 and Nov. 14 and 15 from 10 a.m. to 5 p.m. Two oil paintings, “Eventide” by Margaret Governale and “Poquott Boats” by Al Candia, will be raffled off.

“We will be requiring social distancing of six feet, the wearing of masks, regular sanitizing, and allowing only a certain number of people in at a time as well as many other suggested NYS procedures,” said Dr. Mendelsohn.

Art lover Fred Bryant is honoring the organization again by being its sponsor which will pay for many of the organizations many expenses. This year, because of COVID, the organization needed an outdoor tent with heaters and pre-packaged snacks for people waiting to enter the show. “Fred’s generous contribution will certainly help defray those costs,” said Ms. Ruddock.

The outside tent with heaters will become the waiting area where smaller paintings and unframed paintings and prints will be exhibited. Light refreshments that are individually wrapped will be offered.

Every year, the artists choose an artist whom they honor. This year’s award goes to watercolorist Anne Katz. Ms. Katz is treasurer of the organization as well as being responsible for the brochure. “Anne is truly dedicated to this organization, a person who absolutely never says no to any request! We wonder how we would ever do without her. Her work in watercolor and oil is art at its best-luminous light with a joyous tone that speaks to her love of local Long Island scenes,” said Ms. Ruddock.

The Setauket Neighborhood House, 95 Main St., Setauket presents the 40th annual Setauket Artists’ Exhibition daily from 10 a.m. to 5 p.m. from Oct. 25 to Nov. 17 (closed Oct. 30 and 31). For more information, visit www.setauketartists.com.

Artist of the Month: W.A. Dodge

by Irene Ruddock - September 1, 2020

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‘I believe each painting has a story to tell and a connection to make. My paintings are an effort to share an experience, an emotion, or a memory of a place and time.’

By Irene Ruddock

William A. Dodge is an award-winning artist classically trained in the tradition of the old masters. He studied at the Stevenson Academy of Traditional Painting before beginning a career in illustration. He has created more than six hundred book covers for most of the major publishers in New York, as well as a wide variety of private commissions ranging from murals to portraits. He continues to paint and has been a faculty member of the Visual Communications Department at SUNY Farmingdale for more than twenty years.

As a lifelong Long Island resident, what do you enjoy about painting on the Island?

I have always enjoyed the open landscapes of the North Fork and the waterfront areas of the South Shore. We have an abundance of really diverse subjects to choose from throughout the Island. Paint what you know.

Do you have a favorite Long Island artist?

I would have to say William Merritt Chase for his paintings of Long Island. Although he probably wouldn’t qualify as an Islander, he did give us some of the finest depictions of late nineteenth century life on Long Island. His 1888 painting “Back of a Nude” is one of my all-time favorites.

Where else do you like to paint?

I like New York city street scenes, especially in the snow. I like that the muted tones help expose the composition somewhat like a black and white photo. Over the past few years, I have probably completed more paintings of Venice than any other city. People might say, “just what the world needs, another painting of Venice,” but I can’t help myself, so out they come.

What inspires you to begin a painting?

It always comes down to telling a story, capturing a moment or examining a concept.

Tell me about your common ancestor, the renowned artist William de Leftwich Dodge (1867-1935), who designed the classical Villa Francesca in Setauket.

Yes, we both share a common ancestry with Tristram Dodge (1607-1683) of New Shoreham (Block Island), Rhode Island.

How do you answer the age-old question: Are you born with extraordinary talent or is it developed?

Nature or nurture? I think it’s a little of both. Much like learning another language in a bilingual family, art and music are just different languages. I know that my skills as an artist were learned. Was I predisposed to pay attention to the specifics of painting rather than those of high finance? Probably. Is that talent? I don’t know. I do know Malcom Gladwell’s rule of Ten Thousand hours.

What is the best part of being an artist?

There is satisfaction from creating something from nothing; communicating in a purely visual sense and making a thought visible.

And the most difficult part?

Most times it’s just deciding what to paint!

What do you do if you hit a roadblock in a painting?

Most often I examine value first, then composition followed by color. I apply the rules I know to be true about each and just keep at it. Sometimes it’s a quick fix and others are happy accidents, but they are always a learning experience.

I have always let a painting progress as I go. You never know when one perfect brush stroke or the placement of the wrong color is going to change the entire direction of a painting. If painting was just a copy of a reference or a scene it would technically be easy, but that’s not art.

What did you like about your career in illustrations?

It was being able to put my interpretation of a great descriptive or pivotal moment in a book on the cover. I especially liked illustrating the classics and had to wonder what Charles Dickens would have thought of my choices.

What other artists inspire you?

I’ll start with my short list of those from the golden age of American illustration. Artists like Howard Pyle, N.C. Wyeth, Harvey Dunn, Norman Rockwell, Haddon Sundblom, and Dean Cornwell were my go to guys. I admire the English pre-Raphaelites, and I am truly inspired by the French Impressionists, especially the lesser known Henri Le Sidaner. I have always been drawn to works of Pieter Bruegel the Elder and Hieronymus Bosch.

Do you seek out opportunities to see these paintings in person?

Over the years my wife and I have traveled throughout Europe to see as many of their original works as possible. I’m fascinated by Bruegel’s sixteenth century genre paintings depicting the everyday lives and traditions of the common people. Again and again I find myself examining Bosch’s fifteenth and sixteenth century works for insights into the human psyche and the fear of those things that went bump in the night, before science explained them all away.

What advice would you give other artists?

Learn and practice the technical aspects associated with your chosen medium, but don’t mistake that for art. Art is the combination of imagination and skill. To work in a particular avenue like realism or impressionism, you need to know those rules. My advice is “Don’t allow your imagination to be hindered by a lack of technical proficiency.”

How did the Impressionists change the world of art?

Most of the late nineteenth century impressionists were classically trained artists who were able to take all of the same rules governing the traditional artistic standards such as light and shadow, values, color theory, composition and perspective and create a completely new form of art.

Being well versed in the technical aspects of their craft gave them the ability to bend the rules when needed and break the rules with authority.

There seems to be a bit of impressionism in your work. Do you feel an affinity with the artists who studied in Paris in the nineteenth century?

Affinity might not be the right word. Maybe thankful is a better choice for how I feel. Their ground breaking works gave all artists a view to a clearer path for self-expression.

I know that you have won many awards. Has there been one that has meant the most to you?

No. I think when you win an award you have to remember that you made a connection with just one person, the judge. Many of what I consider my finest works have never won anything. For myself and most artists, awards are not why we paint.

How do you wish to expand on your style?

I have gravitated towards a more impressionistic style, and I can’t think of any artist on any level that has gotten tighter as their career progressed. A quicker direct approach to “less is more” is the ultimate goal.

I see that you have three websites which point to three different aspects of your art career. Can you tell me about that?

I have www.billdodgestudios.com which is a showcase for my past illustration work.

I have www.wadodge.com which is a showcase for my current fine art.

I also have www.newthreshold.com for my woodworking and design work.

Are there future shows where we can see your work?

I will be part of the upcoming Mills Pond Gallery exhibit in St. James called Contemporary Realism which runs from September 12 through October 16. If all goes well in the world, I hope to show with the Setauket Artists in the Setauket Neighborhood House in October, the Atelier at Flowerfield in St. James in December, and Deepwells Mansion in St. James sometime in the spring.

Artist of the Month: Jan Guarino

by Irene Ruddock - July 29, 2020

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“Every image I choose to paint is an answer to the question ‘What drew me to this subject?’ As I begin painting, I let go and trust my instincts to guide me to discover the answer.”

By Irene Ruddock

Jan Guarino is a graduate of the Fashion Institute of Design which led to a forty-five-year career as award winning graphic designer. Her company, Guarino Graphics, combined her skill in graphic designs with her fine art background to build the brands of hundreds of Long Island companies. Today, the East Northport resident has evolved into a full-time watercolor artist/teacher, sharing her knowledge in classes and workshops, and exhibiting in various galleries.

When you were growing up, did you have any mentors that led you to pursue an art career?

I was fortunate that in my senior year in high school, I was able to major in art and received Artist of the Year award. When a previous graduate came back to show us her portfolio, it changed my focus and I immediately applied to FIT. Those two years I was totally in my element, surrounded by other students and teachers who were working artists. It was a major shift and set me in motion for my advertising, marketing and art career.

How did your years owning a graphic design company inform, and then, catapult your career in art?

While it was more about doing graphics for businesses, my clients trusted my design esthetic giving me tremendous freedom to create. Through helping these businesses grow, I knew exactly what to do for myself.

What is it about a subject that inspires you to pick up your brush and start to paint?

I don’t choose my subjects as much as they seem to choose me. It may be a place I visited during my travels … the way the light is hitting the landscape, people, the architecture that reveals some truth to me. But when I see it, there is a moment where something grabs me and causes me to pause. I am overcome by a stirring and a knowing that I must paint it.

What are the qualities of watercolor that especially intrigue you?

This is truly a magical medium. When you let it go, it paints itself. So I don’t work on controlling the paints as much as allowing the natural aspects of the paints to move for me. I embrace the blossoms, drips, and splatters of watercolors. My approach to painting is to encompass that looseness with details as much as possible.

Do you consider yourself a colorist?

Ha, yes well, when I see tonalists work and their colors or lack thereof, I’d have to say yes, I am a colorist. My process is more about letting the paints mix on the paper rather than on a palette. This amps up the unusual colors and helps to go beyond just describing a scene ~ lending a heightened importance even to everyday subjects.

What is it about your special style that you think draws people to your art?

I do feel a lot of it is my fearless attack of the paint to paper, the freshness … to depict the scene as an interpretation, not a literal translation.

How has your knowledge of social media helped to widen your audience?

I have a very strong understanding of basic marketing. It has to do with all the students, friends and colleagues that have referred me over the years. Social media is often still a mystery to me, but you can find me on Instagram, Facebook, LinkedIn, YouTube, and Pinterest. So it has literally grown to be international now as I have students as far as the UK and Australia. I am amazed how the world has gotten smaller using social media.

Tell me about your YouTube demos.

I do my best work when I am demoing in front of a class. It is exciting and I feel that the energy of my students is in the painting with me. So I started recording my classes as a way to make them accessible to my students beyond the classes.

There are also some classes that I made into videos I call “Fixer Uppers” where I show students how to correct, complete or revise their own paintings. I think it is a very fresh way to show everyone how close they are to being finished, and more importantly, happy with the results.

What are your favorite brands of watercolor paint, brushes and paper?

My favorite watercolor paints to use is Maimari Blu and Daniel Smith. I look for what the paints do, more than I look for the color. I ask “Does it move well in water, does it break into other colors or granulate?” —these are some of the many qualities I look for to aid me in my process. My favorite paper is Arches 300lb hot press paper and I’m very happy with synthetic brushes like Silver Black Velvet series or Escoda Prado. A complete list is on my website.

What advice do you give your students?

Relax and allow the paint to work for you. And practice. It doesn’t happen in one class a week. Take classes and workshops, even if you pick up one small thing from them … better to try and integrate it to make it your own. Thinking of it this way will help you to advance your art.

What is the most rewarding thing about being an artist for you?

Well, I’d have to say it has given my life a reason to show up every week for my students. Knowing they are there and so open to learning and growing is extremely meaningful for me. It has not only given me a second career, it has given me a profound new purpose.

Where do you exhibit?

I am in the FireFly Artists Gallery and the Nest on Main in the Village of Northport. My work has also been exhibited at the Huntington Arts Council, Mills Pond Gallery, Art League of Long Island, The Long Island Museum, The Heckscher Museum, and Islip Arts Council.

You are a very versatile artist who excels in so many genres including landscape, still life, people and animal portraits. Do you have a favorite?

I truly love it all. I just love the adventure of exploring something I haven’t painted before and testing out my skill on a new subject.

Where may people get in touch with you and learn about your classes and workshops?

I have a four-day workshop scheduled for October 14 to 17 in Vermont at the Landgrove Inn where you stay, dine, and paint all on the property. It’s heaven! And I am planning another artists’ trip to Italy next fall in the Cinque Terre area.

I also do a Jam-Cam with the Harborfield and South Huntington libraries where you can see me paint a portrait in under an hour. I currently teach virtual classes. You may sign up for weekly updates on my website for information at [email protected]. I look forward to welcoming you!

Artist of the Month: Gabriella Grama

by Irene Ruddock - June 21, 2020

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‘Mosaics are spellbinding; they bring forth a story by constructing together a thousand little pieces, just like life is created from thousands of moments, memories, and experiences.’

– Gabriella Grama

By Irene Ruddock

Gabriella Grama is an artist who specializes in fine art mosaics and whose artistic form of expression is a fusion of modern and traditional methods. Born in Romania, she has lived in Ronkonkoma for the past 25 years where she maintains her art studio. She has exhibited in many art galleries and shows on Long Island, mainly with the Women Sharing Art group, whose most recent exhibit was at the Islip Art Museum. Gabriella also enjoys commissions where she can do a special project for someone.

How did you begin your love of art?

As a young girl, I used to visit my grandfather who was a glassmaker in Transylvania, an area well-known for skilled craftsmanship in glass, wood, and pottery. The magical experience of seeing light filtered through colored glass ignited my life-long love for glass as an art form.

When did you begin your interest in mosaics?

I was a stained glass artist for ten years before I discovered mosaics. While remodeling my kitchen, I decided to try a mosaic backsplash, and, before it was completed, I was hooked with a new passion! To improve, to learn about the different types of materials, work methods, and tools, I started to study with mosaic masters both in the United States and Italy. Each year I take workshops in Venice, Ravenna, the Chicago School of Mosaics or continue my study with mosaic masters such as Carol Shelkin, Martin Cheek, Koko Mosaico, Carole Choucair Oueijan, etc.

How would you describe the art of mosaics?

Mosaics are assemblages composed of tesserae which are small pieces of glass, stone, or other nature-based materials. These pieces are typically cut into squares or shaped using special tools. The fragments are then arranged into patterns, pictures and other decorative designs held together by an adhesive and then grouted.

What is the history of mosaics?

Mosaics have a long history. First made out of ivory, seashells, and stones, they have been around since the third millennium B.C.E. Later on, mosaics with patterns, motifs, animal and human pictures were quite widespread in Ancient Greece and Rome.

What places have you visited that have inspired you to create mosaics?

When I travel, I not only enjoy the different places, people and culture, but also seek out the mosaic treasures that inspire and educate me. Mosaic artists usually take the beaten path to Italy to visit Pompeii and Ravenna or travel to Barcelona, Spain or Istanbul, Turkey. But one could also travel to Vietnam to visit the Imperial Tombs outside of the city of Hue or visit the outstanding modern subway mosaics in Pyongyang, North Korea which I saw while on a cultural exchange.

You mentioned that you were most inspired by your visit to Pompeii. What was it about this ancient city that pulled you into this art form?

Mosaic ornamentation was widely used in the decoration of the houses in Pompeii and the workmanship was very skilled. The Pompeii mosaics are technically brilliant, showing refinement in their composition, great taste in color and superb selection of the tesserae used.

“Cave Canem,” The Battle of Alexander,” or the maritime scene of fish swimming around an octopus wrestling with a lobster are just some of the mosaics that are constantly brought forward in time, ceaselessly reproduced, and instantly recognizable.

Can you tell me about the organization Women Sharing Art and why it is so important to you?

I am thrilled to be a part of this group of Long Island women artists who work in a variety of media: photography, watercolors, ceramics, pottery, etc. Since 2008, the organization has offered grants to its members, awarded scholarships to high school artists, while providing its members with numerous opportunities to participate in Long Island art exhibits. You may view my work and the work of all of our members at womensharingart.org.

What was the theme of your most recent exhibit with the group?

In February, we participated in the “I AM at the IAM” at the Islip Museum of Art in an exhibition celebrating the 100th anniversary of the passing of the 19th amendment to the Constitution guaranteeing the right of American woman to vote. A video of the exhibition can be viewed on You Tube: “I Am at the IAM.” Another way to see it is on a film posted on the Islip Art Museum Face Book page. (www.facebook.com/IslipArtMuseum/videos)

What was your experience working with Mercy Center Ministries?

This is an independent living shelter for runaway or homeless teens. Artists from Women Sharing Art, community members, staff and residents created Mercy Has a Thousand Hearts, a unique mosaic that was installed in the Sayville Shelter. Funded by a grant received from New York State Council on the Arts and the Huntington Arts Council, the mosaic was a true work of love that gave hundreds of people the opportunity to try this form of art to express their creativity.

Is there another memorable project that has brought you fulfillment?

I am most proud of collaborating in 2019 with a fellow Long Island mosaic artist on the concept and design of a mosaic sidewalk medallion in Patchogue. “Nautilus Flowing” celebrates the diversity of Patchogue, its people and communities.

Tell me about your favorite piece?

One of my favorite pieces is “Effervescence”, a mosaic of a woman submerged just below the water surface. I wanted to bring to the viewer a woman experiencing a moment of solitude, serenity, and sublimity.

What are you working on now?

While I usually work on mosaic portraits (pet and human) or kitchen backsplashes, I am also experimenting with a dynamic, less traditional take on mosaics: I want to incorporate the look of weaved texture, cloth, in my mosaics. The mosaic pillows I made for a recent show inspired me to venture into a new direction. I am having a lot of fun breaking all sorts of ancient rules used in traditional mosaics!

Are you interested in teaching? How may someone get in touch with you?

Mosasics can be for everyone so all levels are invited to try it out. I currently conduct small group workshops at my studio. My contact information is [email protected], GabriellaGramaMosaics.com, womensharingart.org or Facebook: Gabriella Grama Mosaic Art.

Artist of the Month: Ron Becker

by Irene Ruddock - May 9, 2020

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By Irene Ruddock

Ron Becker’s talent as a muralist was expressed at any early age where he designed and painted murals at his elementary, junior, and high school. Later, after he received a degree in art from Niagara County Community College (NCCC), he went on to be an art display director. His life took a dramatic turn when he successfully pursued a professional career in entertainment: modeling, acting, singing and dancing in summer stock, television and nightclubs.

Ron eventually began a 27-year career as Director of Therapeutic Recreation in hospitals and nursing homes, where he combined all of his skills in the arts. Today, he is immersed in the fine art world exhibiting leadership skills that have led him to become a former president of the Deer Park Arts Council, while currently serving on the Community Advisory Board of Suffolk County for the Arts, as well as board member on the Babylon Citizens Council of the Arts. Being a lover of the outdoors all his life, he started painting landscapes and nature scenes in oil and acrylic and, today, devotes much of his time to exhibiting in art shows and galleries on Long Island.

How did your art career evolve when you were young?

Raised in western New York, my talent was supported and nurtured by my parents and teachers. I was asked by my fourth and eighth grade teachers to make murals using pastels, and stayed after school to work on them. I attended a summer art camp in Niagara Falls in ninth grade and as a senior in high school I attended a summer camp for artists near Watertown, New York. These opportunities helped expand my confidence and artistic talent. Finally, I attended NCCC and received my Associate’s degree with a major in art, helping to solidify techniques in drawing and painting.

Your career as a muralist has spanned your entire life. What project was most rewarding?

Overseeing murals in Deer Park allowed me to work with the Long Island Railroad, Deer Park Community Association and eight other artists, to complete twelve large mural boards under the Long Island Railroad train trestle. It was very rewarding to help give artists a voice and give something lasting to the community. Painting murals in primary and elementary schools through the Eastern BOCES services gave me the opportunity to work with young artists and show them how a mural is done, start to finish. Their joy and ongoing interest was infectious. Painting murals in hospitals was a gift as well, seeing the therapeutic outcomes for the patients.

Are you working on anything right now?

I was recently involved with Splashes of Hope, an organization dedicated to creating art to transform spaces by painting murals in health care facilities, comforting patients during their healing process. I was asked to paint a ceiling tile of the Coindre Hall Boathouse, next to the home and art studio for Splashes of Hope, located on the grounds of West Neck Farm in Huntington. The finished tile will be installed in the ceiling above a bed on one of the units in Huntington Hospital. I encourage artists who want to paint, with a humanitarian purpose, to contact Splashes of Hope at www.splashesofhope.org.

I have learned that you work extensively for charities that supports the arts. Can you tell me about that?

I became president of the Deer Park Arts Council, a non-profit charity that advocates for and supports the visual and performing arts in the Deer Park School District. I worked with the board to spearhead a variety of fundraising events to offer summer workshops and programs for students to expand their training in the arts, as well as offering financial scholarships to outgoing seniors.

What is your most recent charitable contribution?

Since I spent twenty-seven years as Director of Therapeutic Recreation at nursing homes and hospital, I fully understand the therapeutic value art has for the disabled or sick. Therefore, when I was asked to donate a painting for Mather Hospital’s newly renovated oncology wing, I chose a painting of wild horses galloping on the shore titled Joyous Abandon.

Tell me about your years as Director of Therapeutic Recreation at nursing homes and hospitals.

While Director of Recreation at two city hospitals, outside of my managerial duties, I taught the residents drawing and painting. I was amazed at their progress, joy, and commitment, which inspired me to curate exhibits and work with galleries to exhibit the resident’s work. The facilities also had auditoriums with stages, so I would create backdrops and environments for concerts and special events.

How did you become interested in the impact of art as a tool of social change?

While on a retreat at Chapel House, I got a vision of doing an exhibit on social justice issues after listening to the song “God Weeps.” The first topic I selected was unjust incarceration. After completing my first three pieces, I was introduced to Bartholomew Crawford, a writer who is presently incarcerated at Sing Sing Correctional Facility, and reached out to collaborate.

How did the two of you proceed?

After sharing the exhibit’s intent, Mr. Crawford agreed to send me four written pieces about his prison experience. I integrated them into a collection of visual and narrative pieces to help tell the experience of life behind bars. Four years of working on this has resulted in an exhibit entitled “My Block.” The exhibition will be housed in the jail of Babylon Old Town Hall, which was in service from 1918 to 1958, and is on the National Historical Register. The show will be rescheduled later this year when guidelines are relaxed and allow for public exhibits.

Can you explain what iconography is and what drew you to work in this genre?

Iconography is the practice of creating icons in the ancient method used by monks centuries ago. Its main mediums are egg tempera and gold leaf on a board covered with linen and a plaster/gesso mix. I wanted to integrate my faith and spirituality into my art on some level and met Janine Manheim, an iconographer, at a local art gallery. She had an icon on display that intrigued me, so since that initial meeting, I have been attending her classes.

Could you explain a bit more about the process of egg tempera as a painting medium?

Egg tempera is a recipe of egg yolk and water mixed with mineral pigment color. It creates a translucent look that I strive to create as shown in my icon, Mother of Tenderness.

Why did you decide to devote your time to fine art creating landscapes in oil and acrylic?

I love to interpret the beauty all around us, hoping to motivate others to slow down and see and feel what I experience in nature. Painting is relaxing and allows me to express my inner self, visually. A year before retiring, I turned half my garage into a studio, experimenting with different techniques in both oil and acrylic to help find my voice. Taking photographs while on trips or here on Long Island, I began to interpret what visually excited me. Once I felt confident in sharing some of my work with the public, I began to show my work in outdoor art fairs and in member shows on Long Island.

What has been your best experience so far?

I had a one- man show, “An Artist’s Nature,” at the Bayard Cutting Arboretum in 2019, allowing me to exhibit 43 pieces I had created over the last several years. It was an amazing experience to see all of my work in one space, that could really present my artistic style. I also exhibited at the Roosevelt Island Visual Arts Association, an ethnically diverse group of artists dedicated to enhancing cultural developments through the arts. Due to the success of these shows, I have ventured into exhibiting at several galleries on the Island. I now sell my work through my website www.rbeckerart.com.

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Irene Ruddock

Artist of the Month: Patricia Yantz

41st annual Setauket Artists exhibition kicks off Oct. 24

Artist of the Month: Robert Roehrig

Setauket Artists’ spring exhibit heads to Deepwells Mansion

Setauket Artists Holiday Show on view at The Atelier at Flowerfield

Setauket Artists’ Exhibition celebrates 40th year

Artist of the Month: W.A. Dodge

Artist of the Month: Jan Guarino

Artist of the Month: Gabriella Grama

Artist of the Month: Ron Becker

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