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DJ Johnny 'Juice' Rosado

The Long Island Music and Entertainment Hall of Fame (LIMEHOF) in Stony Brook welcomes one of its inductees—legendary Hip-Hop artist DJ Johnny“Juice” Rosado —as an official member of its board of directors.

DJ Johnny ‘Juice’ Rosado

“The LIMEHOF is essential in archiving Long Island’s artistry,” Rosado said. “My decision to join the board was to provide diversity regarding the curating and presentation of artists who otherwise may have gone unnoticed. Hopefully, my voice, along with the other esteemed members of the board, will accurately reflect the full spectrum of innovative artists that Long Island has been known to produce.”

Throughout his life and career, Johnny “Juice” Rosado has been known and admired in many roles. These roles include Emmy and NAACP Image-nominated composer, award-winning producer, turntablist, sound and electronic engineer, musician, b-boy, educator, lecturer, and mentor. He was originally from the Bronx and grew up in Uniondale. With almost 40 years in the music industry, he has contributed to some of Hip-Hop’s greatest works. In addition to being in Public Enemy, over the years, he has lent his production, composition, engineering, and scratching skills to projects by other legendary artists such as the Mandrill, Mavis Staples, Ben Harper, Beastie Boys, Slick Rick, Leaders of the New School, KRS One, DMC, and C&C Music Factory.

“We are thrilled to bring someone of Johnny‘s musical stature to our board,” said LIMEHOF Chairman Ernie Canadeo. “We are looking forward to implementing his ideas and insights and assisting to make LIMEHOF one of the most important musical institutions in the country.”

Inducted to LIMEHOF in 2008 with Public Enemy, Johnny “Juice” has remained a longtime friend and strong supporter of the LIMEHOF organization and museum location in Stony Brook as far back as its first press conference announcement of the signing of the lease for the building in 2022. Before the doors even opened to the public, he DJed at the first museum press conference. Since then, he’s enthusiastically participated, spoken, emceed and lent his talents in several of the concerts and special events. These events included the 50th Anniversary of Hip-Hop celebration and Q&A panel, the induction of The Fat Boys, and the most recent inductions of DJ Hurricane, Davy DMX, and DJ Jazzy Jay. As a former educator himself, he also is a strong supporter of LIMEHOF’s education programs, and he’s even participated in one of Stevie Van Zandt’s TeachRock workshops held at LIMEHOF.

DJ Johny Juice Rosado is still very active in his music career and is currently on tour with Public Enemy as part of its 2025 Guns N’ Roses tour. For more information about LIMEHOF’s board of directors, visithttps://www.limusichalloffame.org/board-of-directors/

JOHNNY “JUICE” ROSADO Official Biography

DJ Johnny “Juice” Rosado is an Emmy and NAACP Image-nominated composer, award-winning producer, turntablist, sound and electronic engineer, musician, b-boy, educator, lecturer, and mentor. Originally from the Bronx, he witnessed the birth of Hip-Hop right on his doorstep. He is the Global Vice President of The Bronx Boys Rocking Crew, the 1st Latino rocking (breaking) crew and the founders of the original style of floor rocking, established in 1975.

Moving to Uniondale, Long Island in the early 80s, he immediately made an impact on Long Island’s budding Hip-Hop scene. His work, especially with Public Enemy, has been embedded into Hip-Hop history. With almost 40 years in the industry, he has contributed to some of Hip-Hop’s greatest works. Over the years, he has lent his production, composition, engineering, and scratching skills to projects by other legendary artists such as the Mandrill, Mavis Staples, Ben Harper, Beastie Boys, Slick Rick, Leaders of the New School, KRS One, DMC, and C&C Music Factory.

Juice also produces and composes music for TV and film scores and soundtracks. He was nominated for an Outstanding Music Composition Emmy for his work on ESPN’s “Ali Rap,” as well as being nominated for 3 NAACP Image Awards, including Best Album for the soundtrack to the movie “On the Shoulders of Giants.”

Juice is one half of the duo, The Odyssey. Their unique brand of music—blending jazz, soul, funk, pop, and Hip-Hop—won them Best Alternative Video and Video of the Year for their song “Bang Bang” at the International Independent Music Video Awards in 2020. He is also working with the Long Island alternative rock band My World. They are currently performing around the country as well as locally on Long Island. He also works with the youth as a mentor and instructor at Energetic Enterprise Youth Community Studio in Uniondale.

In 2008, he was inducted into the Long Island Music Hall of Fame as a member of Public Enemy, and in 2013 he took the stage and performed as Public Enemy were inducted into the Rock and Roll Hall of Fame. He is currently the Music Director and DJ for Public Enemy.

Outside of his music, he is a computer scientist, electronic engineer, a lifelong martial artist (becoming a Junior Olympic medalist in Tae Kwon Do), and a proud US military veteran.

About LIMEHOF

Founded in 2004, the Long Island Music and Entertainment Hall of Fame is a 501(c)(3) organization dedicated to the idea that Long Island’s musical and entertainment heritage is an important resource to be celebrated and preserved for future generations. The organization, which encompasses New York State’s Nassau, Suffolk, Queens, and Kings (Brooklyn) Counties, was created as a place of community that inspires and explores Long Island music and entertainment in all its forms. In 2022, LIMEHOF opened its first Hall of Fame building location in Stony Brook, New York. To date, the organization has inducted more than 130 musicians and music industry executives, and offers education programs, scholarships, and awards to Long Island students and educators.  ###

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The Long Island Music and Entertainment Hall of Fame (LIMEHOF) will induct legendary hip-hop artists Davy DMX (Run-DMC, Kurtis Blow, The Fat Boys), DJ Hurricane (The Beastie Boys) and DJ Jazzy Jay (Def Jam) on August 24 at 7:30 pm at their Stony Brook museum location, 97 Main Street, Stony Brook. The event is free but registration is required.

The three are planning to perform and will be joined by LIMEHOF inductee DJ Johnny Juice (Public Enemy) who will also be performing. Hip Hop Legend and LIMEHOF inductee Kurtis Blow will also be making a special appearance to induct Davy DMX.

“The induction of DJ Hurricane, Davy DMX, and DJ Jazzy Jay into the Long Island Music and Entertainment Hall of Fame highlights the importance of DJs in hip hop’s early days,” said LIMEHOF Vice Chairman Tom Needham. “These pioneers transformed the art of DJing, making it a central element of the genre and influencing countless artists. Their legacy is a vital part of hip hop’s story, and we are proud to honor them.”

LIMEHOF recognizes artists from geographic Long Island which includes Queens and Brooklyn, in addition to Nassau and Suffolk Counties. This induction ceremony and performance will celebrate the monumental contributions of these legendary artists to the genre of hip hop. They will join an impressive line-up of hip-hop performers already inducted including LL COOL J, Public Enemy, EPMD, Run-DMC, Kurtis Blow, Eric B. & Rakim, The Fat Boys, Salt-n-Pepa and Whodini.

To register,  please visit https://www.limusichalloffame.org/tickets-and-gift-cards/

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From left, Kool Rock-Ski accepts LIMEHOF’s induction of The Fat Boys from EPMD’s Erick Sermon and Public Enemy’s DJ Johnny Juice. Photo courtesy of LIMEHOF
Photo from LIMEHOF
Kurtis Blow, another LIMEHOF inductee, has a personal connection to The Fat Boys, as he produced their first two albums.
Photo from LIMEHOF
Photo from LIMEHOF

Hip-hop group The Fat Boys was recently inducted into the Long Island Music and Entertainment Hall of Fame (LIMEHOF) at its newly opened museum location in Stony Brook on Aug. 6. Kool Rock-Ski (Damon Wimbley), the last surviving member of The Fat Boys, accepted the induction in person from hip-hop legend and LIMEHOF inductee Erick Sermon of EPMD. Public Enemy’s DJ Johnny Juice (also a LIMEHOF inductee) was also on hand to show support and speak about the group. 

“It’s definitely an honor on behalf of the group, two members who are no longer here,” Kool Rock-Ski said. “To accept this on their behalf is huge, because they brought so much to the culture. Their legacy lives on with an award like this. We got to the pinnacle of our success—and we got there the hard way, by doing a lot of hard work.”

The Fat Boys rose to fame in the 1980s, where they pioneered their influential beatbox style of hip-hop music. The group was from East New York in Brooklyn and included “Prince Markie Dee” (Mark Morales), “Kool Rock-Ski” (Damon Wimbley), and “Buff Love” (Darin Robinson). They would heavily influence hip-hop culture through beatbox, comedic charisma, and rhymes. The trio released seven studio albums, four of which went gold by RIAA. In addition to their music, they went on to star in three feature films: Krush Groove, Knights of the City, and Disorderlies.  

The Fat Boys had several successful singles which included “Stick ‘Em,” “Can You Feel It,” “The Fat Boys Are Back,” “Wipe Out,” “Fat Boys,” and “Jail House Rap,” to name a few. Throughout their career, they participated in several tours, one of which was Fresh Fest. And despite having eventually broken up as a group, each of the three members maintained a strong brotherhood. The Fat Boys is credited as having had a strong influence on the development and growing popularity of hip-hop. 

“The Fat Boys introduced the beatbox, to the world and the song they made was funky to me,” said EPMD’s Erick Sermon, himself a LIMEHOF inductee, when he officially inducted The Fat Boys on stage. “I’m honored to do this because my memories of my kitchen on that ledge was playing The Fat Boys album.” 

Kurtis Blow, another LIMEHOF inductee, has a personal connection to The Fat Boys, as he produced their first two albums. 

“The Fat Boys being inducted into the Long Island Music and Entertainment Hall of Fame is so well deserved,” Blow said in a written statement which congratulated the group on this honor. “These young men were talented and passionate about their craft at a very young age. Producing The Fat Boys was one the highlights of my career. Rest in peace, Buffy (the Human Beatbox Master) and Prince Markie Dee (Mark Morales). I will never forget you, and you are greatly missed. Continue to carry the torch, Kool Rock-Ski!”

LIMEHOF has long recognized the unique talent and contributions that Long Island artists brought to the hip-hop genre. Notable hip-hop inductees include LL Cool J, Run-DMC, Public Enemy, Eric B. & Rakim, Big Daddy Kane, Kurtis Blow, Whodini, Salt-N-Pepa, and EPMD. Earlier this year, LIMEHOF held an event to honor the 50th anniversary of hip-hop which had a strong participation and turn out from Long Island artists.

“This historic induction—coupled with our recent 50th Anniversary of Hip-Hop Concert—cements Long Island’s legacy as one of the most important regions in the country for contributing to hip-hop’s long-term success,” said Ernie Canadeo, LIMEHOF Chairman.  

“Inducting The Fat Boys into the Long Island Music and Entertainment Hall of Fame is a tribute to their enduring influence—recognizing their role in shaping the genre and inspiring generations,” said Tom Needham, LIMEHOF Vice Chairman and longtime host of the “Sounds of Film” radio show, and who organized the induction event.

At the induction ceremony, Kool Rock-Ski announced that he is working on a documentary film about The Fat Boys and intends to hold the premiere at LIMEHOF when it’s released. 

For more information about events and future inductions, visit www.limusichalloffame.org/museum/. 

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Members of Son of Bazerk perform at the Long Island Music and Entertainment Hall of Fame on June 11. Photo by Rita J. Egan
Members of Son of Bazerk perform at the Long Island Music and Entertainment Hall of Fame on June 11. Photo by Rita J. Egan
MC Glamorous performs at the Long Island Music and Entertainment Hall of Fame on June 11. Photo by Rita J. Egan
DJ Johnny Juice and AJ Ron perform at the Long Island Music and Entertainment Hall of Fame on June 11. Photo by Rita J. Egan
Dinco D performs at the Long Island Music and Entertainment Hall of Fame on June 11. Photo by Rita J. Egan
DJ Johnny Juice and Dinco D perform at the Long Island Music and Entertainment Hall of Fame on June 11. Photo by Rita J. Egan
Dinco D performs at the Long Island Music and Entertainment Hall of Fame on June 11. Photo by Rita J. Egan
Keith Shocklee during the June 11 hip-hop Q&A at the Long Island Music and Entertainment Hall of Fame. Photo by Rita J. Egan
Long Island hip-hop artists at the Long Island Music and Entertainment Hall of Fame on June 11 celebrating 50 years of hip-hop. Photo by Rita J. Egan
Artist Sherwin Banfield explains the details on the statue honoring LL Cool J. Photo by Rita J. Egan
AJ Rok from JVC Force and DJ Wildman Steve talk about the early days of hip-hop. Photos by Rita J. Egan

Many who visited the Long Island Music and Entertainment Hall of Fame in Stony Brook Sunday, June 11, may have thought they stumbled upon a family reunion. In a way they did, as Long Island hip-hop artists were on hand to celebrate the 50th anniversary of the genre at an event hosted by the museum and venue.

The Sunday afternoon event started with a “knock out” presentation as the museum unveiled a statue of LL Cool J, born James Todd Smith in Bay Shore. The actor, rapper, songwriter and music producer’s successes include the hit “Mama Said Knock You Out” (1990) and his role on “NCIS: Los Angeles.”

The statue, known as The G.O.A.T. Monument, is officially titled “Going Back to The Meadows, A Tribute to LL COOL J and Performance at FMCP” and was created in 2021 by artist Sherwin Banfield. During the unveiling ceremony, Banfield pointed out different accents he included on the 8 1/2-feet tall, 600-pound statue, including a boom box with a cassette tape of the rapper’s debut album “Radio” (1985). Banfield also played homage on the piece to what he called “the determination pin.” The rapper’s right arm was paralyzed when he was younger, and his mother would pin his right sleeve to the mattress to inspire movement.

Composed of bronze, stainless steel, steel, winter stone, resin, cement and wood, the statue was displayed in Flushing Meadows-Corona Park for a year. It includes a solar panel that powers an audio system.

Blasts from the past

Visitors were treated to performances as well as a Q&A panel where the artists shared stories from the early days of their careers, many of them knowing each other since they were younger.

Before the performances featuring DJ Jazzy Jay (John Bayas), DJ Johnny Juice Rosado, AJ Rok (AJ Woodson) of JVC Force, MC Glamorous (Chaplain Jamillah), Dinco D (James Jackson) of Leaders of the New School and the group Son of Bazerk, the artists participated in the Q&A panel along with Keith Shocklee of the producing team The Bomb Squad and an original member of Public Enemy as well as video jockey and director Ralph McDaniels. The panel members were happy to share the history of hip-hop on Long Island stories with attendees.

Shocklee, who was born in Roosevelt, said he, along with his brother and friends, started DJing by playing in his family’s basement in the 1970s. They then began to play at local youth centers around the Island and throw parties in friends’ basements and backyards. Soon they were DJing at the local parks. While others would go to Centennial Park in Roosevelt to play basketball, other young people would go to play music, Shocklee said.

“It’s something we did to stay off the streets of Long Island,” he said. “It wasn’t as dangerous as the Bronx or Brooklyn, but you had your stick-up kids.”

MC Glamorous, originally from Freeport, said events such as Roosevelt Day, Freeport Day and Wyandanch Day gave the communities something to look forward to and the artists a chance to perform.

“It brought people together, and we got a day to shine also with those jams,” she said.

Shocklee said Long Island hip-hop artists in the 1970s were aware the Bronx was the epicenter of hip-hop, where he said the DJ technique scratch, MCs, hip-hop culture and breakdancing were born and developed.

McDaniels said the hip-hop culture on Long Island was different from what was happening in the Bronx, Queens, Brooklyn and parts of New Jersey. He said when he hosted “Video Music Box” he was able to compare music scenes.

“There was something going on in Long Island that was different,” he said. “When I heard Public Enemy, when I heard EPMD [from Brentwood], I was like, ‘This is different.’ This is not what the rest of the city or the rest of the country sounds like, and I think that’s what makes Long Island its own — or Strong Island — its own unique sound, because we weren’t as thirsty. We had homes. Some of us had parents. Some of us went to college. We were relaxed.”

McDaniels reference to “Strong Island” was a song recorded in 1988 by JVC Force sampling a phrase that Public Enemy’s Chuck D used while working as a DJ at Adelphi University’s radio station, WBAU.

Woodson, who spent several of his younger years in Central Islip, said the reason the group recorded the song “Strong Island” was because “you literally had to be from the five boroughs to get respect.”

Bayas, who was part of the development of Def Jam Recordings, remembered when he would come down from the Bronx to play in Amityville, and the first time he said, “We’re going out to the country.”

During those visits to the Island, he said he met hip-hop artists Biz Markie, Erick Sermon and Parrish Smith — the latter two from EPMD — when they were children. Bayas said before hip-hop, if someone didn’t know how to play an instrument, they weren’t considered a musician. For that reason, he learned to play the drums and, as a DJ, he said he and others were always searching for the rare group to play at the parties.

“Hip-hop allowed us to be musicians because we have something to offer, because we know what music to play,” Bayas said.

The LIMEHOF received a surprise visit toward the end of the event from rapper Keith Murray who grew up in Central Islip. The venue had to postpone its induction of The Fat Boys, from Brooklyn, as surviving member Kool Rock-Ski (Damon Wimbley) was unable to attend at the last minute.

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Dance students go through a routine together at the Huntington YMCA studio. Photo by Talia Amorosano

By Talia Amorosano

Walking into the dance studio at the Huntington YMCA feels like walking into a family gathering full of distant relatives you’ve never met before. But the vibe is one of comfort and inclusion, especially if you’ve got a penchant for impromptu group renditions of Taylor Swift songs.

Dance students go through a routine together at the Huntington YMCA studio. Photo by Talia Amorosano
Dance students go through a routine together at the Huntington YMCA studio. Photo by Talia Amorosano

The friendly atmosphere inside the studio is natural, according to dance instructor Pam Christy-Allen, after students, teachers and parents have worked together for as long as they have.

“I have the same kids every year, so I build relationships with them,” Christy-Allen said in a recent interview. “As their sweet sixteens have come we’ve been invited to them and they include you like their family. It’s very rewarding.”

Last month, the YMCA’s dance program turned two decades old, a milestone that staff there celebrated. But there’s no resting on laurels — program leaders say they plan to stay on their toes.

In a recent visit to the program, students showed appreciation for their instructors. Thirteen-year-old hip hop, acro and ballet student Samantha Sluka began taking YMCA dance classes at age 3 and said that Debbie Smith, her ballet teacher, has kept her interested in dancing through the years. Sluka said YMCA classes have improved her self-confidence in addition to technical dance skills, and that in the future she “would love to dance on Broadway”.

Mary Dejana, a 17-year-old tap and jazz student, said that she likes lyrical and contemporary dance styles best because they help her express her feelings. She said that the YMCA program has taught her teamwork.

“Under the tutelage of my ballet, modern and pointe teacher Jo-Ann Hertzman and with the many opportunities the YMCA provided, I have come to understand not only more about dance but more about myself and the world around me,” wrote former student Mariah Anton in a letter to the staff at the YMCA. With plans to continue dancing at University of North Carolina School of the Arts, Anton wrote that her “experiences at the YMCA have directed [her] to invest back into others through teaching, encouraging, and opening the world to the next generation in the same way that the YMCA invested in [her].”

Students practice using the bar at the YMCA studio. Photo by Talia Amorosano
Students practice using the bar at the YMCA studio. Photo by Talia Amorosano

Citing the Huntington YMCA as a “second home … during [her] childhood and early adulthood,” former student Melanie Carminati, now physical therapist and Pilates instructor in East Northport, called the dance program “a safe haven for artistic growth and creativity” in a written statement. She attributed the environment to the guidance of Edie Cafiero, cultural arts director.

Cafiero stressed the importance of allowing dancers to express their creativity from a young age. “We start with 3-year-olds,” he said. “We make it fun while still using terminology and introducing steps. We let them explore themselves at that age.” She said that classes become more serious as students age and advance, but that they have the option to either hone in on certain dance styles or further expand their horizons and learn new styles.

Among some of the less conventional dance classes offered at the YMCA are Irish step, hip hop, acro, lyrical, contemporary, modern and adult ballet.

When asked what factors have contributed most significantly to the success of the Huntington YMCA dance program, Cafiero pointed to the variety of classes offered and the welcome-all attitude of the staff.

She said she walked into a famous ballet school at age 15 “and they told me I was over the hill before seeing me dance. I never wanted a kid to feel like that. We don’t turn anyone away. If they have the passion to dance we want to nurture it.”

Anyone interested in the Huntington YMCA cultural and performing arts program is invited to contact Cafiero at 631-421-4242, ext. 132.

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