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Film Festival

The festival opens with 'The Blond Boy from the Casbah.'

Stony Brook University’s Staller Center  for the Arts turns into a movie lover’s mecca when new independent films screen at the Stony Brook Film Festival on evenings from Thursday, July 18 to Saturday, July 27. The popular festival, now in its 29th year, will become a hub for some of the best filmmakers working today, a meeting ground for favorite actors and rising stars, and a showcase of new masterpieces as it pairs memorable short films with an array of features you won’t see anywhere else.

Presented by Island Federal, this year’s lineup boasts 36 films from 19 countries and kicks off with the U.S. Premiere of The Blond Boy from the Casbah, Alexandre Arcady’s semi-autobiographical dramedy about growing up in Algeria before emigrating to France as a teen. Festival Programmer Kent Marks describes the film as a “thought-provoking, unique journey through the past on the surprising path to self-discovery.”

Closing the festival is the U.S. Premiere of the German epic One Million Minutes, an inspiring true story that follows an over-worked family trying to find balance in their lives, starring festival-favorite Karoline Herfurth.

The festival will close with a screening of ‘One Million Minutes.’

While the films are never chosen with an overall theme in mind, oftentimes, a theme seems to emerge, and 2024 is no exception. “While our goal is to always program the best films we can find, this year, we gave ourselves the added goal of keeping an eye out for films that appeared to be on the lighter side so we could give our audience some extra laughs in their lives — something that we felt many people could use,” says SBFF & Staller Center Director, Alan Inkles. 

As festival-goers have come to expect, the 2024 schedule is still peppered with hard-hitting films, compelling dramas, and some very unique science-fiction.

This year’s festival features nine films from Stony Brook Film Fest Alumni. “Filmmakers depend on these festivals to help them get their films distributed so as many people can see them as possible and to gauge how a live audience is responding to their work – Our alumni love returning because we have a large, engaged audience and ensure they get the best showing and hospitality possible,” says Marks. “One of the most exciting parts for me is seeing these films up on the big screen and watching how the audience reacts,” says Outreach Director Paul Newland, “after spending so much time previewing these films, it’s truly exciting to see them have their big premiere in the festival, and our filmmakers love it too.”

One of the key features of the Stony Brook Film Festival is that there is absolutely no other way to see these films. 

“Netflix and streaming services are easy and comfortable, and we get that, but these films are not offered on streaming services. They’re films looking to get picked up for distribution in order to stream or play in theaters – a lot of people don’t get that – so this is the prime opportunity to be the first to know and to see some truly incredible films that you cannot see anywhere else,” says Inkles. This year’s festival boasts 17 world, U.S., East Coast, and U.S. premieres of features and shorts throughout the festival.

This year’s festival has a secret film—one that you will only know about if you come in person on July 21. The film—a major motion picture starring well-known Hollywood faces—was produced by a native Long Island filmmaker whose films have previously played the festival. It tells an inspirational true story with an amazing local hook. As with almost all films in the festival, a question-and-answer session between the filmmakers and the audience will follow the preview.

“We are very excited to have filmmakers from all over the world join us for their premiere screenings. Our audiences can gather in a huge theater with Long Island’s largest screen, to see movies the way they were meant to be seen,” said Inkles. 

Additional sponsors for the Stony Brook Film Festival include Campolo, Middleton & McCormick, LLP; Suffolk County; Altice Media; and WLIW21.

FILM SCHEDULE

For a complete description of all of the films, visit stonybrookfilmfestival.com.

OPENING NIGHT
Thursday, July 18 at 7 p.m.

Short: Chauncey

Feature: The Blond Boy from the Casbah

Friday, July 19 at 7 p.m.

Short: Iron Lung

Feature: The Queen of My Dreams

Friday, July 19 at 9:30 p.m.

Short: Detox

Feature: Humanist Vampire Seeking Consenting Suicidal Person

Saturday, July 20 at 7 p.m.

Short: The Hope Chest Has a Secret Drawer

Feature: The Strangers’ Case

Saturday, July 20 at 9:30 p.m.

Short: Two Cents & A Footlong

Feature: Take A Chance on Me

Sunday, July 21 at 7 p.m.

Short: The Grievance

Feature: SPECIAL SNEAK PREVIEW of a major motion picture produced by a SBFF alumni and Long Island resident

Sunday, July 21 at 9:30 p.m.

Short: Revived

Feature: Month to Month

Monday, July 22 at 7 p.m.

Short: Where We Belong

Feature: Marguerite’s Theorem

Monday, July 22 at 9:30 p.m.

Short: In the Night

Feature: Excursion

Tuesday, July 23 at 7 p.m.

Short: Split Ends

Feature: Free Money

Tuesday, July 23 at 9:30 p.m.

Short: Where Do Ants Sleep At Night

Feature: A Fantastic Relationship

Wednesday, July 24 at 7 p.m.

Short: exuvia

Feature: Mediha

Wednesday, July 24 at 9:30 p.m.

Short: [subtext]

Feature: Running on Sand

Thursday, July 25 at 7 p.m.

Short: Mimesis

Feature: Mastergame

Thursday, July 25 at 9:30 p.m.

Short: Bible Camp

Feature: Daughter of the Sun

Friday, July 26 at 7 p.m.

Short: The Overlook

Feature: After the Fire

Friday, July 26 at 9:30 p.m.

Short: On the paths awakened

Feature: A Real Job

CLOSING NIGHT
Saturday, July 27 at 7 p.m.

Short: If

Feature: One Million Minutes

CLOSING NIGHT AWARDS

9:30 p.m. Presented on stage.

Ticket information 

All screenings are held at Stony Brook University’s Staller Center for the Arts, 100 Nicolls Road, Stony Brook in the 1,000-seat Main Stage theater. Cinephiles will want to see all 36 films. There’s passes for that. For those who can’t, there are passes for that, too. All festival pass types come with guaranteed priority seating, Q&As with filmmakers, discounts, and other perks at partner locations, including local eateries and breweries, as well as a festival gift.

The Flex Pass is intended for those who aren’t sure about purchasing a 10-day pass. For $75, pass holders also receive entry to any five nights of the festival except for closing night.

A Regular Pass – $100 – also includes entry to all films and the closing night awards ceremony.

The Gold Pass VIP – $250 – also includes entry to all films, VIP First Priority reserved seating, and invitations to the Opening Night and Closing Night parties at St. Georges Golf Club in Setauket and on the rooftop at Curry Club at SaGhar in Port Jefferson, respectively.

Individual tickets  of $15 per person, $13.50 for seniors will be available after July 5. Tickets may be purchased at stonybrookfilmfestival.com/pass.

To learn more about the different membership levels and their benefits, call the box office at 631-632-2787 or visit www.stonybrookfilmfestival.com.

This article originally appeared in TBR News Media’s Summer Times supplement on June 20.

'I Like It Here'

This April, the 1st Annual Long Island Jewish Film Festival will make its debut at Huntington’s Cinema Arts Centre, 423 Park Ave., Huntington, from April 14 to 16 and will include screenings of films at the forefront of Jewish cultural storytelling. 

The festival will feature films that include powerful documentaries, riveting dramas, and rarely seen pieces of film history, all curated by David Schwartz, Manager of Theatrical Programming at Netflix.

The Long Island Jewish Film Festival was organized to help celebrate the rich cultural traditions and history of the Jewish community in America, as well as abroad.  The featured films embody the vanguard of modern Jewish cinema, and will introduce Long Island audiences to the artists creating work most representative of leading Jewish filmmaking in the 21st century.

The Long Island Jewish Film Festival will begin on Friday, April 14 with a screening of the touching documentary I Like it Here, which features a Q&A with filmmaker Ralph Arlyck, and will run throughout the weekend, concluding with on Sunday, April 16 with a screening of the rarely seen 1924 silent film City Without Jews which features a live score performed by acclaimed musicians Alicia Svigals & Donald Sosin, as well as a screening of the Yiddish language Ukrainian film, Shttl, which will include a discussion with the film’s star, Moshe Lobel. 

Other films featured in the festival include My Neighbor Adolf, starring veteran German actor Udo Kier, America from award winning Israeli filmmaker, Ofir Raul Graizer, and the award-winning film, Farewell, Mr. Haffmann.

The Films:

Still from ‘I Like it Here’. 2022. Timed Exposures. Courtesy of Argot Pictures.

I Like It Here
Friday, April 14th at 7 PM

With Director Ralph Arlyck In Person

$15 Public | $10 Members
A meditation on aging, survival, memory, and the connections we build with family, friends, neighbors, and strangers, Ralph Arlyck’s utterly charming personal film asks, “How do we make the most of the precious time we have?” What started as a movie about his neighbor, a reclusive Hungarian immigrant, ended up as something universal, capturing the moments in daily life that reveal the pitfalls and pleasures of getting old. While always aware of mortality, it is a movie whose ultimate message is “L’chaim.” (2022, 88 mins)

Promotional Image from ‘My Neighbor Adolf.’ 2022. Courtesy of 2-Team Productions & Film Produkcja.

My Neighbor Adolf
Saturday, April 15th at 1 PM
$15 Public | $10 Members

In 1960s Colombia, a cantankerous Holocaust survivor passes his time tending to his garden and studying chess. His routine is interrupted by the arrival of a German man who he gradually becomes convinced is none other than Adolf Hitler. A surprisingly touching tale of loneliness and misunderstanding, it is also a master class in acting, with nuanced ‘performances by the Scottish actor David Hayman and veteran German actor Udo Kier, who has worked extensively with top directors including Werner Herzog, Rainer Werner Fassbinder, and Gus Van Sant. (2022, 96 mins)

A scene from ‘America’. Photo courtesy of Beta Cinema

America
Saturday, April 15th at 3:30 PM
$15 Public | $10 Members

When an Israeli man returns home after ten years in America, an emotional encounter with a childhood friend and his future-wife will change everyone’s lives. An engrossing drama that unfolds in lush landscape, America absorbs its characters, and the audience, in matters of life, death, and love. After the success of The Cakemaker, writer/director Ofir Raul Graizer returns with a film full of emotion and moral complexity, and beauty that is held together by three indelible performances by its young stars. (2022, 127 mins)

A scene from ‘Farewell, Mr. Haffmann’ Photo from YouTube

Farewell, Mr. Haffmann
Saturday, April 15th at 7 PM
$15 Public | $10 Members

Occupied Paris,1941: as members of the Jewish community are instructed to identify themselves to authorities, a jewelry shop owner (Daniel Auteuil) arranges for his family to flee the city and offers his employee (Gilles Lellouche) the chance to take over his store until the conflict subsides. Adapted from an acclaimed play, Farewell, Mr. Hoffmannpresents a world where lives are irrevocably shaped by the occupation. Rich in moral complexity and empathy, with several twists too good to spoil, this is grand, big-screen adult entertainment at its finest. (2021,115 mins)

Still from ‘City Without Jews’. 1924. Walterskirchen und Bittner. Public Domain.

City Without Jews
Sunday, April 16th at 2:00 PM
With live accompaniment by Alicia Svigals & Donald Sosin
$17 Public | $12 Members

Directed by H. K. Breslauer, and based on the novel by Hugo Bettauer. City Without Jews predicted the rise of anti-Semitism in Europe. Set in the fictional Austrian city of Utopia, the story depicts the consequences of an anti-Semitic law forcing all Jews to leave the country. Shortly after the film’s premiere, Bettauer was murdered by the Nazis. Shown in public for the last time in 1933 as a protest against Hitler’s rise to power, the film contains ominous and eerily realistic sequences, such as shots of freight trains transporting Jews out of the city. (1924, 80 mins)

Still from ‘Shttl’. 2022. Forecast Pictures, UP Hub & Wild Tribe Films. Courtesy of Bron Releasing.

Shttl
Sunday, April 16th at 5 PM
With star Moshe Lobel in-person

$15 Public | $10 Members

A Jewish village in Ukraine is on the verge of being invaded by Nazis. Evocative and visually compelling, Shttl draws from the vibrant canvas of a community with many differing reactions to the impending tragedy. Filmed in Ukraine, and edited to appear as one continuous shot, the camera never stops as it explores the rich world that it creates, and the vitality of lives about to be destroyed. Featuring a remarkable cast including Moshe Lobel (Broadway’s YiddishFiddler on the Roof revival) and Yiddish-fluent actor Saul Rubinek. (2022, 114 mins)

Tickets are $15 per screening with the exception of the film “City Without Jews,” which costs $17. A full festival pass is also available for $60, granting access to every film in the festival. To order tickets, visit www.cinemaartscentre.org. For more info, call 631-423-7610.

The award-winning documentayr A House Made of Splinters will be screened at John F. Kennedy Middle School on March 20.

By Tara Mae 

Documentaries are artistic passion put into practice. They require the fervor and drive not only of subjects and crew but also of those who seek to share their stories. 

The Port Jefferson Documentary Series (PJDS) has been honoring and matching such moxie since 2005 and advances the plot this season with the seven films on its spring roster. Held at 7 p.m. on every Monday in March, from the 6th to 27th; April 10 and 17; and May 22, each showing is followed by a Q&A session featuring either the director or producer of the project. 

Emceed by Tom Needham, executive producer and host of “Sounds of Film” on WUSB, the Series is a labor of love for all involved, giving both filmmakers and festival organizers the opportunity to revisit what initially drew them to these stories and share it with an attentive public.  

“I like seeing the films again. With most of these films, we have been working on arranging the screenings for at least 3 months. I really do enjoy being in the audience, seeing the films again, thinking about them for the Q&A, and noticing what the audience reacts to. And then, meeting the documentarians and hearing their stories is one of the most exciting parts of the whole process,” said PJDS co-director Lyn Boland. 

This season starts with Dr. Tony Fauci, which explores the professional and private life of a man striving not to be blinded by the spotlight as he does his job. 

Immediate Family highlights the harmonies of five star session musicians whose notes, if not their names, are famous.

A House Made of Splinters chronicles the efforts of intrepid social workers on the front lines of the war in Eastern Ukraine as they endeavor to create an orphanage oasis for children displaced by war and woe.

I Am Not  follows the journey of Oren Levy, a young adopted Israeli man who travels back to Guatemala in search of his identity. 

Lift illuminates the invisible story of homelessness in America through the experiences of a group of young homeless and home-insecure ballet dancers who are selected to study their craft at the New York Theater Ballet.

Bobi Wine: The People’s President traces the career evolution of a man from musician to politician as he heralds the opposition to Uganda’s 35-year regime. 

Lastly, Unfinished Business offers an inside look at the creation and legacy of the WNBA, as exemplified through the champion New York Liberty’s dramatic 2021 season.

“We try to balance it between serious and entertaining documentaries,” explained PJDS co-director Wendy Feinberg.

Screenings, held either at Theatre Three in Port Jefferson or John F. Kennedy Middle School in Port Jefferson Station, are arranged and organized by PJDS’s co-directors: Boland, Feinberg, and Barbara Sverd. Known as the “Film Ladies,” they are dedicated both to spotlighting the art form of documentary filmmaking and the often lesser-known stories that they champion.  

“When I choose a film to be reviewed by the film board, I feel it must tell a story, have an emotional connection and appeal to a general audience. When I view a documentary for the first time, regardless of its subject matter, I want to feel like I am taking a class and learning something new,” Sverd said. “The greatest pleasure is sharing this experience with our audience and having the director, producer or someone from the film there for the Q&A to enhance the learning experience.” 

Such an opportunity for more informed dialogue is part of the appeal for the documentarians as well; it acts as an avenue for deeper understanding between audience and artist.  

“A smaller series or festival offers a unique and intimate connection with those who come to a theater and watch your film. It’s not about the publicity, or agents, or distributors. It brings us, as filmmakers, back to the fundamental reason we made this work: to listen for an answer back,” said David Peterson, director of Lift. 

In addition to personal, there are also practical reasons that the PJDS and other such events are vital to the endurance of documentaries, a genre that generally has far less star power and thus less funding than its cinema siblings. 

“These films would never have a chance if it was not for festivals and documentary series…to get distribution is really hard. That is where PJDS and other festivals can help.  You have to show distributors that you have an audience,” said Denny Tedesco, director and executive producer of Immediate Family.

After each viewing, audience members are given the opportunity to rate the documentary: Excellent, Very Good, Good, or Poor. At the end of the season, the votes are tallied and the Audience Award winner is announced. 

The members of the Film Board, which in addition to Boland, Feinberg, and Sverd, includes Honey Katz, Lynn, and Lorie Rothstein, then chip in money to donate to an organization of the winning director’s choosing. 

Sponsored the Greater Port Jefferson-Northern Brookhaven Arts Council, Maggio Environmental, Port Jeff Storage, Inc., and Covati and Janhsen, CPAs, with funding from Suffolk County, PJDS is seeking volunteers to assist with screenings, marketing, and social media. 

Theatre Three is located at 412 Main Street, Port Jefferson. John F. Kennedy Middle School is located at 200 Jayne Blvd, Port Jefferson Station.

A season pass for all seven documentaries is $56; single tickets are $10 online or at the door. To purchase passes, tickets, or for more information, visit www.portjeffdocumentaryseries.com.

A scene from ‘Lift.’ Photo courtesy of PJDS
Film Schedule:

■ The season begins with a screening of Dr. Tony Fauci at Theatre Three on March 6. This intimate film chronicles Fauci at home, in his office and in the corridors of power as he battles the ongoing COVID-19 pandemic and the political onslaught that upends his life and calls into question his 50-year career as the United States of America’s leading advocate for public health. Guest speaker is Director Mark Mannucci. Sponsored by Danfords Hotel & Marina and The Waterview at Port Jefferson Country Club.

Immediate Family will be screened at Theatre Three on March 13. If you listen to 1970s pop music, you’ve undoubtedly heard these guys play, but do you know their names? The documentary highlights five talented men—Danny “Kootch” Kortchmar, Leland Sklar, Russ Kunkel, Waddy Wachtel and Steve Postell—who shunned the spotlight for themselves, yet enjoyed decades of success as session musicians on iconic tracks. Guest speaker is Director Denny Tedesco. Sponsored by Danfords Hotel & Marina and The Waterview at Port Jefferson Country Club and the Long Island Music and Entertainment Hall of Fame in Stony Brook.

Next up is A House Made of Splinters at JFK Middle School on March 20. As the war in Eastern Ukraine takes a heavy toll on poor families living near the frontlines, a small group of strong-willed social workers works tirelessly in a special kind of orphanage to create an almost magical safe space for kids to live in while the state decides the fate of the child and family. The film is nominated for a 2023 Oscar in the documentary film category. Guest speaker is Director Simon Lereng Wilmont via pre-recorded Zoom.

I Am Not will be screened at JFK Middle School on March 27. Oren Levy, a young Israeli man, who is an adopted child with Asperger’s, faces challenges adapting. Suddenly, his life changes with the help of the camera, which becomes an extraordinary therapy tool assisting him on a long journey which takes Oren and his family to Guatemala in search of his identity. Guest speaker via Live Zoom will be Ehud Levy, Oren’s father and subject in film. Sponsored by North Shore Jewish Center in Port Jefferson Station and Temple Isaiah in Stony Brook.

The season continues on April 10 at Theatre Three with Lift which shines a spotlight on the invisible story of homelessness in America through the eyes of a group of young homeless and home-insecure ballet dancers in New York City. The story centers around ballet dancer and mentor Steven Melendez, who was a seven-year-old boy living in a Bronx homeless shelter who had his life turned around when he was the recipient of the New York Theater Ballet (NYTB) Project LIFT’s generosity. Guest speakers will be Director David Petersen and Steven Melendez, Principal Dancer & Artistic Director at the New York Theatre Ballet and subject in the film.

Bobi Wine: The People’s President heads to JFK Middle School on April 17. First-time co-directors Christopher Sharp and journalist Moses Bwayo tell the story of Bobi Wine, the musician-turned-politician leading the opposition to the 35-year regime in Uganda. Withstanding arrests, torture, and violence from the government, Bobi Wine and his wife Barbie risk their own lives and the lives of their children to lead their country towards freedom. Bobi Wine: The People’s President is a brave exposition of an authoritarian government that highlights the power of documentary journalism. The film won the Hamptons Film Festival 2022 Best Documentary Audience Award. Guest speakers via Zoom will be Co-Directors Christopher Sharp and Moses Bwayo. 

Unfinished Business, the final film of the season, heads to Theatre Three on May 22. An intimate look at the formation and legacy of the WNBA, and its flagship team, the New York Liberty’s, dramatic 2021 season, as they play for acceptance, respect, and the future of basketball. The film is named for a song “Unfinished Business” written for the New York Liberty basketball team in 2001 by Joan Jett, a Liberty super-fan who appears in the film. Guest speaker is Director Alison Klayman.

Catherine Deneuve and Benoît Magimel in a scene from Peaceful. Photo courtesy of Staller Center

Stony Brook University’s Staller Center  for the Arts turns into a movie lover’s mecca when new independent films screen at the Stony Brook Film Festival on evenings and weekends from Thursday, July 21 to Saturday, July 30. The popular festival, now in its 27th year, pairs memorable short films with an array of features you won’t see anywhere else, making it a favorite of moviegoers and filmmakers alike.

Presented by Island Federal, the 2022 Festival lineup offers 38 films from over 28 countries. The Festival kicks off with the North American premiere of Peaceful, starring Catherine Deneuve, Benoît Magimel, and Gabriel A. Sara. A life-affirming drama about acceptance and resilience, Peaceful follows Benjamin, an acting teacher with a terminal illness as he navigates his final months and days. The beating heart of the film comes from Gabriel Sara — a cancer specialist from Mount Sinai Hospital in Manhattan in real-life — who portrays Benjamin’s very humane specialist Dr. Eddé. Catherine Deneuve’s powerful performance as Benjamin’s mother is unforgettable.

“This year’s Festival is somewhat of a family affair, with several real-life family members making films, and members of our Stony Brook family returning,” says Festival co-programmer Kent Marks. “Our Sunday night independent feature, the very touching This is a Film About My Mother, which was shot in Ithaca, New York, stars real-life siblings Tess and Will Harrison and was written and directed by Tess.”

The theme of family continues with the mesmerizing Korean independent film, Seokkarae. Written and directed by Mike Beech, and starring his wife, Jiwon Lee, the character-driven film depicts a quiet twenty-something attempting to keep the family business going despite tough odds. Jungle is another such collaboration, written by real life partners Claudia Verena Hruschka and Kieran Wheeler, with Wheeler directing and Hruschka giving a gut-wrenching performance in this hard-hitting short from Australia. 

From Australia to Stony Brook, The Switcheroo is co-directed by Stony Brook brothers Ryan and Anthony Famulari. Made for next to nothing during COVID, this hilarious comedy has the brothers serving as the entire crew, with Anthony cast in the very funny role of a man and his clone. Two more co-directors are sisters Austin and Westin Ray with their UK-based quiet thriller Before Seven. The Ray’s, Festival alums from 2014, served as directors, writer (Westin) and composer and cinematographer (Austin). Another SBFF festival alum is John Gray, who won the audience choice award for his 2020 film Extra Innings, and is back this year with the intriguing family drama The Little Drummer Boy.

Women will take center stage at this year’s SBFF, both in front of and behind the camera. SBFF’s opening and closing night features and shorts were all helmed by female directors. In all, 17 of the Festival’s 38 films were directed by women. Two films, Kitchen Tales and Before Seven, were made with nearly all-female crews. 

The Jackie Stiles Story and Nasima are two completely different documentaries about female athletes from the middle of nowhere — a small Kansas town and a small seaside village in Bangladesh — who both beat the odds and made a huge impact in their respective sports of basketball and surfing. 

There are heroines from all walks of life, whether in the New Zealand drama The Justice of Bunny King, the Israeli epic Image of Victory, the Albanian thriller Vera Dream of the Sea, or the American indie Peace in the Valley, all of which feature knock-out performances by their lead actresses.

Reflecting on current issues, two films in the Festival, Olga and Berenshtein both take place in and around Ukraine, and both are from times when the Ukrainian people faced down an oppressive regime — whether it be from the Nazis or their own government.

Mila, a must-see short film on SBFF’s closing night, is a debut effort by writer/director Cinzia Angelini and made by 350 animators from 35 countries, who volunteered their services to help Angelini get her story made after all major studios turned it down. Inspired by events of the 1943 Trento bombing in Italy, this heart-warming story depicts a young girl who has lost everything but still clings to hope. 

The closing night feature, Lost Transport, is a powerful and deeply moving film set during the final days of World War II, uniquely told from a female perspective. When German soldiers abandon a deportation train, leaving the fate of its occupants in the hands of advancing Russian troops, three women from vastly different backgrounds, set aside their differences, working together to survive.

“The diversity of filmmakers is a hallmark of Stony Brook Film Festival, with student filmmakers, seasoned pros, and nine first-time directors represented this year,” says Festival Director Alan Inkles. “We are very excited to have filmmakers from all over the world join us in-person this year for their premiere screenings. Our audience can gather in a huge theater with Long Island’s largest screen, to see movies the way they were meant to be seen. Not only are these films not available on any streaming format, but you also get to hear directly from the filmmakers themselves, ask them a question at our live Q&A, and even vote for your favorite.”

For 27 years, the Stony Brook Film Festival has hosted 549 filmmakers from 78 different countries, featured nearly 55 World Premieres and over 75 U.S. premieres. In total, the Festival has screened almost 1100 independent films from all over the world. The Festival kicks-off with an Opening Night Party and closes with an Awards Ceremony and Closing Night Party.

FILM SCHEDULE

OPENING NIGHT

Thursday, July 21 at 8 p.m.

Feature: Peaceful, France

Short: Lentini, United States

 

Friday, July 22 at 7 p.m.

Feature: Olga, Switzerland, Ukraine,  France

Short: Kitchen Tales, United Kingdom

 

Friday, July 22 at 9:30 p.m.

Feature: Glob Lessons, United States

Short: Before Seven, United States

 

Saturday, July 23 at 4:30 p.m.

Doc Feature: The Jackie Stiles Story, U.S.

 

Saturday, July 23 at 7 p.m.

Feature: Contra, Germany

Short: The Little Drummer Boy, U.S.

 

Saturday, July 23 at 9:30 p.m.

Feature: Peace in the Valley, U.S.

Short: Elevate, United States

 

Sunday, July 24 at 4:30 p.m.

Documentary Feature: Nasima, U.S.

 

Sunday, July 24 at 7 p.m.

Feature: Berenshtein, Israel & Ukraine

Short: The Switcheroo, United States

 

Sunday, July 24 at 9:30 p.m.

Feature: This is a Film About My Mother, U.S.

Short: North Star, United States

 

Monday, July 25 at 7 p.m.

Feature: Hit the Road, Iran

Short: Summer of Bees, Finland

 

Monday, July 25 at 9:30 p.m.

Feature: Seokkarae, Korea

Short: Saving Elodie, United Kingdom

 

Tuesday, July 26 at 7 p.m.

Feature: Hard Shell, Soft Shell, France

Short: Almost Winter, United States

 

Tuesday, July 26 at 9:30 p.m.

Feature: The Justice of Bunny King, NZ

Short: The Dress, United States

 

Wednesday, July 27 at 7 p.m.

Feature: Image of Victory, Israel

Short: Milk, United Kingdom

 

Wednesday, July 27 at 9:30 p.m.

Feature: The Test, France

Short: Free Fall, France

 

Thursday, July 28 at 7 p.m.

Feature: Haute Couture, France

Short: Jungle, Australia

 

Thursday, July 28 at 9:30 p.m.

Feature: Sons of the Sea, South Africa

Short: Ousmane, Canada

 

Friday, July 29 at 7 p.m.

Feature: Vera Dream of the Sea, Kosovo & Albania & Republic of Macedonia

Short: All that Glitters, United Kingdom

 

Friday, July 29 at 9:30 p.m.

Feature: Black Box, France & Belgium

Short: Aysha, Germany

 

CLOSING NIGHT

Saturday, July 30 at 8 p.m.

Feature: Lost Transport, Netherlands & Luxemborg & Germany

Short: Mila, United States

 

CLOSING NIGHT AWARDS

10:30 p.m.

Ticket information

All screenings are held at Stony Brook University’s Staller Center for the Arts, 100 Nicolls Road, Stony Brook in the 1,000-seat Main Stage theater. Festival goers can choose from a Gold Pass, Festival Pass, or Individual Pass. Passes start at $20. All passholders will hear from filmmakers throughout the Festival and have the opportunity to rate and vote on favorite films to help choose the winners of this year’s Festival. 

Gold Passholders receive entry to all films, VIP reserved seating, a Stony Brook Film Festival swag bag, discounts at local restaurants and businesses, access to Opening and Closing Night After Parties, filmmaker Q&A’s, and the Closing Night Awards Ceremony. Festival Passholders receive entry to all films and guaranteed seating for sold-out films, filmmaker Q&A’s, access to the Closing Night Awards Ceremony, discounts at local restaurants and businesses, voting for Audience Choice Award, and a Stony Brook Film Festival Passholder gift. For more information or to order, call 631-632-2787 or visit stonybrookfilmfestival.com.

*This article originally appeared in TBR News Media’s Summer Times supplement on June 24.

‘The Judge’ offers a unique portrait of Kholoud Al-Faquih, above, the first woman judge to be appointed to the Middle East’s Sharia’a courts.
Popular film festival gives voice to stories that need to be told

By Heidi Sutton

Islamic law, autism, the stock market — these diverse subject matters and more will be explored at length as the Port Jefferson Documentary Series (PJDS) kicks off its spring 2018 season Monday evening, March 19.

Sponsored by the Greater Port Jefferson-Northern Brookhaven Arts Council, the Suffolk County Office of Film and Cultural Affairs and the New York State Council on the Arts, the PJDS will present seven award-winning documentaries on Monday nights through April 30, alternating between two venues — Theatre Three in Port Jefferson and The Long Island Museum in Stony Brook. Each screening will be followed by a Q&A with guest speakers.

The documentaries were handpicked by a seven-member film board that includes co-directors Lyn Boland, Barbara Sverd and Wendy Feinberg along with Honey Katz, Phyllis Ross, Lorie Rothstein and Lynn Rein. The “film ladies,” as they are affectionately known, each choose one film to present and then a seventh film is chosen unanimously by the group.

It is a system that has worked well since 2005. “I have learned that almost everybody [on the board] has their fingers on the pulse of some segment of our audience,” said Boland in a recent phone interview. “I think that we all have slightly different ways of judging the films that we are attracted to,” which the co-director says is a good thing. “You really want a balanced season that appeals to a lot of people.”

According to Boland, the goal of the festival has always been the same. “What we want most is to give our community the kind of access to important well-done documentaries that are fresh, shown the way they were created to be shown, on a big screen with a good sound system at an affordable price. A guest speaker will amplify the experience.”

This spring’s exciting lineup was selected after the members attended screenings at DOC NYC and the Hamptons Film Festival. When choosing the selections, Boland said she looks for a story “that really grabs me, that I think is dramatic, important, … a must see film,” adding “It is our hope that [the film selection] is really adding to the public discourse — that this is something people will talk about and think about.”

Kicking off the festival is the Long Island premiere of “The China Hustle.” “[This film] is one of those cool movies that is like a slow reveal — a financial mystery that you just start putting the pieces together as the film goes on and you really see what a ‘hustle’ the whole situation is with these fake Chinese companies that grabbed American investors,” Boland divulged. “It is absolutely fascinating.”

The co-director is most excited about sharing “The Judge” with festivalgoers. The documentary follows Kholoud Al-Faqih and her journey to be the first female judge in a Shari’a court in Palestine. “I think it is particularly appropriate to be screened now during Women’s History Month. [Al-Faqih] is a very mesmerizing figure — practical, smart, stubborn and just totally dedicated. That appealed to me,” said Boland. “[The film shows] how family disputes were negotiated in a Muslim religious court. As a former matrimonial attorney I was amazed how similar the issues were [to the United States] and how similarly they were handled.”

She is also enamored by “This Is Congo.” Skillfully directed by Daniel McCabe, Boland describes it as “an incredibly risky showing about what’s going on in Congo that nobody’s talking about, nobody’s writing about. This is a story that needs to be told and we have to do our part to get some of these things out.” Boland’s favorite part of the evening is the Q&A, which this year will feature for the first time six directors and one screenwriter.

The documentary series wouldn’t be possible without the support of numerous volunteers. Every season, help is needed for each part of the process, from distributing flyers and running the ticket booths to tracking down directors and even recommending new films. “We need volunteers not only to help the evenings go more smoothly but we would really love to have more people on the board,” said Boland. If you love documentary films and would like to volunteer, please call 631-473-5220.

The board was recently notified that the PJDS was chosen by Bethpage Federal Credit Union’s Best of Long Island survey as the Best Film Festival on Long Island, beating out the Stony Brook Film Festival, the Hamptons International Film Festival and the Gold Coast Film Festival for the second year in a row for “its devotion to documentaries — which are evocative, thought provoking, and shed light on often-unrepresented segments of our population.” To Boland, it is affirmation that the group’s tireless work is paying off. “I am just thrilled,” she gushed. “Every time we have our first meeting to start work on the next series … I am just amazed at how everybody hangs in there … just because they really love films and love to bring them to the community. That’s the bottom line.”

The Port Jefferson Documentary Series will be held at 7 p.m. every Monday night from March 19 to April 30 at Theatre Three, 412 Main St., Port Jefferson or The Long Island Museum, 1200 Route 25A, Stony Brook. Tickets, sold at the door, are $7 per person. (No credit cards please.) New this year at the Long Island Museum’s screenings is the Cinema and Chardonnay program. For $5, participants can purchase a glass of chardonnay and/or a $1 bag of pretzels and then enjoy the wine and snack while watching the film. For more information, visit www.portjeffdocumentaryseries.com.

Film schedule

▶ The spring season will kick off with a special screening of “The China Hustle” at Theatre Three on March 19. The documentary exposes a new financial crime perpetrated by Wall Street where investors dumped their money into Chinese businesses that turned out to be fraudulent. The hook of the story is that everyone involved is guilty, including the investor who called out the fraud in the first place. Guest speakers will be Director Jed Rothstein by Skype and Juan Carlos Conesa, chair of Dept. of Economics, Stony Brook University.

▶ “Sammy Davis, Jr: I’ve Gotta Be Me,” to be screened at the Long Island Museum on March 26, is the first major documentary to examine Davis’ vast talent and his journey for identity through the shifting tides of civil rights and racial progress in 20th century America. With interviews from Billy Crystal, Norman Lear, Jerry Lewis, Whoopi Goldberg and Kim Novak along with photographs, television, film and concert. Moderated by Tom Needham, host of “Sounds of Film” on WUSB, guest speaker will be screenwriter and co-producer Laurence Maslon.

▶ The series continues with “The Judge” on April 2 at the Long Island Museum. The Muslim Shari’a courts in the Middle East have excluded women for centuries, and the influential religious legal system has never appointed a woman as a judge — until Kholoud Al-Faqih came along. The documentary follows the Palestine judge’s brave journey as a lawyer, her tireless fight for justice for women and her drop-in visits with clients, friends and family. Guest speaker will be Director Erika Cohn.

▶ “This Is Congo,” to be screened at Theatre Three on April 9, is a riveting, unfiltered immersion into the world’s longest continuing conflict and those who are surviving within it. Following four compelling characters: a whistleblower, a patriotic military commander, a mineral dealer and a displaced tailor — the film offers viewers a truly Congolese perspective on the problems that plague this lushly beautiful nation. Moderated by Shimelis Gulema, professor of Africana studies and history, SBU, the guest speaker for the evening will be Director Daniel McCabe.

▶ The series continues on April 16 at Theatre Three with an impressionist, fly-on-the-wall portrait of the life and glorious music of Israeli-born Itzhak Perlman, widely considered the greatest living violinist. Titled “Itzhak,” the documentary follows the virtuoso around the world for a year, portraying his huge passion and spirit. Wheelchair-bound from childhood polio, Perlman recounts overcoming obstacles with humor and talent. Featuring archival materials and performance clips, the guest speaker will be Director Alison Chernick.

▶ “Love, Cecil,” which will be screened at the Long Island Museum on April 23, brings to life the glamorous world of fashion/celebrity photographer and stage set designer, Cecil Beaton (1904-1980) through the use of archival footage, interviews and readings from his diaries by actor Rupert Everett. Guest speaker for the evening will be Director Lisa Immordino Vreeland.

▶ The final film for the spring 2018 season, “Mole Man” will be screened at the Long Island Museum on April 30 and follows Ron Heist, a 66-year-old autistic man who built a 50-room structure, consisting solely of scrap materials, on the land behind his parent’s home in Western Pennsylvania. His creation was built without the use of nails or mortar and keeps expanding, as he collects, classifies and displays objects from a deserted cluster of homes in the woods. This is the story of an extraordinary life, a family and the beauty of thinking differently. Director Guy Fiorita will be the guest speaker.

All photos courtesy of the PJDS

Jenn McNary and her children, above, are featured in the movie ‘To the Edge of the Sky.’ Photo from Brian Ariotti

By Jenna Lennon

Duchenne muscular dystrophy is the number one genetic killer of boys in the world.

In “To the Edge of the Sky,” Emmy and Oscar Award winning producers, and Old Field natives, Jedd and Todd Wider tell the story of four mothers in their fight against the U.S. Food & Drug Administration for the approval of a potentially life-saving drug for this fatal disease.

The world premiere of the 118-minute documentary at the 22nd annual Stony Brook Film Festival was met with a standing ovation July 23. Continued feedback from the audience, during and after the Q&A period, has been nothing but positive for the brothers and for raising awareness for treatment of this disease.

“As a documentarian, there’s no greater reward than hearing audience members come up afterwards and ask how we can help, what we can do, how can we bring further attention or shine further light on these issues and help the families that are suffering so deeply,” Jedd said.

‘To the Edge of the Sky’ is produced by Jedd and Todd Wider brothers who grew up in Old Field. Photo from Brian Ariotti

“We spoke to so many people after the film who wanted to get involved and that’s incredibly rewarding to us as filmmakers,” he continued. “We invest years of our lives into these topics to help bring attention to these issues to help these families and for us there’s just nothing greater than that, than hearing that response.”

With such a large audience, Todd couldn’t help but be emotional as he took the stage with his brother for the Q&A session.

“It was a weird thing — I’m not normally that emotional during a screening,” he said. “I got to say it …. was a little surreal. It’s not like I hadn’t seen it before. I’ve probably watched it about a thousand times now, but I found that screening was extremely, unbelievably, emotionally powerful.”

Jenn McNary, one of the mothers in the film, brought her sons Max and Austin to the July 23 premiere.

“Jenn and her family have been incredibly supportive of the film from the very beginning, as has all of the other families as well,” Jedd said. “They’ve all been strongly behind the film and hoping that this film could bring more attention to these issues and bring more attention to the potential companies out there and the foundations that are working to help fund further research.”

Filming took place periodically over almost four years and “was a significant emotional investment,” Jedd said.

“At any given point, the story line would change on the drop of a dime,” he continued. “We became very attached to these boys and very attached to these families.”

Duchenne is the most common type of muscular dystrophy and occurs from a mutation in the gene for the protein dystrophin. Symptoms begin appearing around the age of three or four. At first, young boys start having trouble walking. By their early 20s, they’re essentially paralyzed from the neck down.

“To the Edge of the Sky” examines the fight for FDA approval of the drug eteplirsen, produced by Sarepta Therapeutics, that is meant to help produce the missing protein. In 2016, and at the end of the film, the FDA granted an accelerated approval for the drug, but Todd said the fight is far from over.

“We live in the United States of America where we’re in a functioning democracy, and we can move our political organizations and our political institutions with the power of our will if we choose to,” Todd said. “And in the case of this situation, it was really these four moms that really moved the needle, we feel, on how the FDA was sort of dealing with this … it was the power of their advocacy and the connection and their love for their kids that helped to sort of focus that attention on what was going on in terms of the drug approval process in this particular case.”

‘Speed Sisters.’ Photo from GPJAC

By Melissa Arnold

Movie buffs, rejoice! After a long and dreary winter, it’s time to explore politics, health care, pop culture and more with a new season of the Port Jeff Documentary Series.

This month will mark the beginning of the 23rd season for the PJDS, which has brought compelling and award-winning documentaries of all kinds to our area in the spring and fall since 2005. The festival is sponsored by the Greater Port Jefferson-Northern Brookhaven Arts Council, the Suffolk County Film Commission and the New York State Council on the Arts.

It’s a labor of love for the “film ladies,” the six board members who plan the festival from the ground up twice each year. They include co-directors Barbara Sverd and Lyn Boland, as well as Wendy Feinberg, Honey Katz, Phyllis Ross and Lorie Rothstein.

Each year, the film ladies travel to some of the biggest film festivals in the area, among them the Tribeca Film Festival in Lower Manhattan, the Stony Brook Film Festival and the Hamptons Film Festival. They also closely follow online buzz for film festivals they can’t attend.

‘Sweet Micky for President.’ Photo from GPJAC
‘Sweet Micky for President.’ Photo from GPJAC

“Everyone on the board searches for films independently and brings them back to the group. This way, we get a lot of variety because we all like different things,” said Boland.

While each board member has her own opinions, they’re all looking for those films that generate a lot of interest and offer wide appeal. All of them are fresh off the circuit, and you won’t be able to see them on TV or other outlets, Boland explained.

Boland has always loved documentaries, and the series was born out of the desire to see them closer to home. She said those first films were chosen sitting around a kitchen table with the help of her late friend and law partner, Sondra Brooks. “I would hear about these great documentaries nominated for Academy Awards, but there was absolutely nowhere around here to see them. We wanted to change that,” Boland said.

These days, documentary film is one of the most common entry-level styles, leaving more titles and themes to explore than ever.

Each film lady selects two of her personal favorite documentaries to bring back to the group for discussion. Then, they write letters to directors and production teams of their favorite films, asking them to consider sending the group a copy for screening. Once the films arrive, everyone gets a say; 5/6 of the group must love the film in order for it to make the festival’s short list. It also has to fit well with that season’s other selections and budget. The final list features seven films, one for each board member and a seventh unanimously chosen by all the ladies.

Boland admitted that her two favorites for this season are the films she chose, which she affectionately calls “her babies.” They are “The C Word,” an eye-opening expose into cancer treatment and its many flaws, and “Speed Sisters,” which follows the unexpected experiences of five female race car drivers in Palestine.

During the series, each film is followed by a Q-&-A session or discussion with someone on the film’s production team, usually the director. It is an opportunity for audiences to delve deeper into the film’s development and themes.

Boland said that putting the series together twice each year is a lot of work, but there’s never bad blood in the group when they make the final selections.

Director Amber Fares photo from GPJAC
Director Amber Fares photo from GPJAC

“[The board members] volunteer to do this and it’s really like a year-round job,” Boland said.  “I can’t even say how many films I see each year, but I watch several every week. All but one of us have been involved from the beginning and it’s such a respectful environment. We do this because we’re passionate about it.”

In addition to showing the films at Theatre Three, the festival has recently added the Long Island Museum in Stony Brook as a co-host. The film ladies approached the museum after its former co-host, Stony Brook University’s Wang Center, could no longer participate.

The museum works with the Greater Port Jefferson-Northern Brookhaven Arts Council on a regular basis, which made them a perfect fit. They’ve recently obtained a new projector and sound system, and Boland is looking forward to showing films there.

“Film is a vibrant artmaking medium, and the museum will be adding even more films to see as we move forward with our expanding public programming,” said Neil Watson, executive director of the Long Island Museum. “Partnering with the Port Jefferson Documentary Series is the perfect opportunity to extend both of our organizations into this rich and diverse community.”

The documentary series wouldn’t be possible without the support of numerous volunteers. Every season, help is needed for each part of the process, from distributing flyers and running the ticket booths to  tracking down directors and even recommending new films. A contact page for volunteers and board members can be found at the festival’s website, www.portjeffdocumentaryseries.com.

The film ladies encourage hesitant viewers to try even one of this season’s films. Boland said that documentaries offer an extra touch of magic you just won’t find in a fictional movie.

“When you see a moving documentary, it shakes you the way a feature film does, but you have that extra level of emotion in knowing it’s all real,” she said.

The Port Jefferson Documentary Series will be held at 7 p.m. every Monday from March 14 to April 25 at Theatre Three, 412 Main Street, Port Jefferson, and the Long Island Museum, 1200 Rt. 25A, Stony Brook. For the first time this year, moviegoers can purchase their tickets in advance. General admission for each film is $7. To learn more about the PJDS, this season’s films or to purchase advance tickets, call 631-473-5220.

Film schedule

A scene from ‘The C Word.’ Photo from GPJAC
A scene from ‘The C Word.’ Photo from GPJAC

■ The spring season will kick off with “Sweet Micky for President” at Theatre Three on March 14. Winner of the Grand Jury Award and Audience Award at the Slamdance Film Festival and Best International Director Award at the Documentary Edge Film Festival, the film recounts the story of Pras Michel, Grammy Award-winning rapper and founder of The Fugees, as he returns to his homeland of Haiti postearthquake and finds a corrupt government in paralysis. Wanting desperately to turn the tides there, he becomes the backbone of a presidential campaign for Michel Martelly, aka “Sweet Micky,” Haiti’s most popular and outlandish pop star. The film is presented in English, Creole and French with English subtitles. Guest speakers for the evening will be Director Ben Patterson and Pras Michel.

The second film in the series, “Janis: Little Girl Blue” by Amy Berg, will be screened at Theatre Three on March 21. It follows the life and career of renowned classic rock musician Janis Joplin prior to her sudden and tragic death in 1970 at the age of 27. The film explores the private side of Joplin’s life with new intimacy. Joplin’s own words tell much of the film’s story through a series of letters she wrote to her parents over the years, many of them made public here for the first time. The screening will be followed by a live performance of Joplin’s music by Amber Ferrari and a Q-&-A moderated by Norman Prusslin, director of the Media Arts Minor at Stony Brook University, co-founder of The Long Island Music Hall of Fame and founding general manager of WUSB 90.1 FM in Stony Brook.

On March 28, the Long Island Museum will host a screening of “The Anthropologist,” a film that tells the stories of anthropologists Margaret Mead and Susie Crate through their daughters’ perspectives. The film highlights how people all over the world, from Siberia to the Chesapeake, deal with changes in culture and the environment. The documentary won the Best Environmental Film award at the Nevada International Film Festival. The film is presented in six different languages. Director Daniel Miller will speak after the screening.

“Waiting,” to be screened on April 4 at the Long Island Museum, explores the cultural experiences and adjustment of three Italians from varied backgrounds immigrating to middle-class America. The film won the Big Apple Film Festival Cityscape Award and a 2015 Spotlight Documentary Film Award. Presented in English and Italian with English subtitles, guest speakers will include Director Cristian Piazza and one of the subjects followed in the film, actor-turned-opera-singer Paolo Buffagni.

■ On April 11, you’ll rethink your perspective on cancer treatment when Theatre Three screens “The C Word.” Narrated by Morgan Freeman, the film asks one pointed question: “With all of the resources and efforts in the war on cancer, why are we still losing?” It also exposes the multilevel, systematic problems in cancer care — the habits that predispose us to disease and a fixation on treatment instead of on the root causes of our ailments. The film is presented in English and French. “The C Word” was directed by one of its subjects, cancer survivor Meghan O’Hara, who will be on hand as the evening’s guest speaker.

“Karski and the Lords of Humanity” will take you back in time to World War II on April 18 at Theatre Three. This film tells the little-known and amazing story of Jan Karski, a highly intelligent and multilingual Polish man who was once a prisoner of war. He then goes undercover into Hitler’s concentration camps to bear witness to the Nazi atrocities and expose them worldwide. The film received the Best Polish Film award at the The Jewish Motifs International Film Festival in Warsaw, and Jan Karski was awarded a posthumous Presidential Medal of Freedom by President Barack Obama. The evening’s speaker will be Director Slawomir Grunberg.

The final film in the series, “Speed Sisters,” will be shown at Theatre Three on April 25. Set in Palestine, it follows five female standouts in a thriving car racing scene. Held at improvised tracks — a vegetable market, an old helicopter pad, a security academy — the races offer a release from the pressures and uncertainties of life on the West Bank.  These women are setting a precedent in a male-dominated sport in a male-dominated country, and people everywhere are taking notice. “Speed Sisters” was awarded Best Documentary at the Adelaide Film Festival and the Audience Award at the IFI Documentary Festival. It is presented in Arabic and English with English subtitles. Director Amber Fares will speak after the film.

‘E.T. the Extra Terrestrial’ will be screened on Dec. 26 at the Cinema Arts Centre. Photo from CAC

By Melissa Arnold

The holidays are all about spending time with the family and making memories, whether it’s by shopping, baking together or traveling. But when all the hustle and bustle wraps up next week, some families might be left wondering, “Now what?”

The Cinema Arts Centre in Huntington is offering a unique suggestion: Give your kids a taste of your childhood.

Beginning Dec. 26, the theater will celebrate Winter Holiday Week, where moviegoers can see some of the most beloved family classics on the big screen for the first time in decades.

The lineup includes “E.T. The Extra Terrestrial” on Dec. 26, a 25th anniversary celebration of “Home Alone” on Dec. 28, “Willy Wonka and the Chocolate Factory” on Dec. 29 and a special sing-along version of the musical “Grease” with onscreen lyrics on Dec. 30.

“These are shows that evoke memories for a lot of people, and getting to see it in the theater with their families or friends can be a lot like reliving the experience of seeing it for the first time,” said Raj Tawney, publicity director for the theater.

The CAC plays host to all kinds of artistic expression, not just film, including  concerts and lectures. The theater typically screens films with serious or intense themes that are best suited for adults, but they also offer events for all ages at least once a month with their Cinema for Kids and Families series.

“We’re looking for films that will interest a large audience and maintain our integrity as an art house cinema,” Tawney explained. And with kids off from school until the new year, there’s no better time for family films.

Also in the lineup for the week is Kid Flix Mix on Dec. 27, an hour-long collection of 11 live-action and animated shorts from the New York International Film Festival. The films come from all over the world, but all dialogue is in English.

“Kid Flix Mix has films from Australia, France, Russia, Norway, England and many other places throughout the world, which is a great opportunity for kids to learn something new,” Tawney said. “They can see more than just what’s a part of their culture. They’ll learn the importance of fantasy and that creativity comes in so many different forms.”

Many of the short films feature animals. One film, Torill Kove’s “Me and My Moulton,” was an Oscar nominee this year.

Before or after the show, Tawney recommends visiting the center’s Skyroom Café for a meal or snack, beverages and conversation. “People really love getting together at the cafe to talk and relax after a show,” he said. “The day doesn’t have to end just because the show is over.”

Winter Holiday Week will be held at noon every day from Dec. 26 through Dec. 30. The Cinema Arts Centre is located at 423 Park Ave., Huntington. Tickets are $12 for adults and free for children under 12.

To buy tickets or learn more, visit www.cinemaartscentre.org or call 631- 423-7611.

James Stewart, second from left, with participants at last weekend’s LI Gay & Lesbian Festival. Photo from Raj Tawney

A Greenlawn resident with a love for film has helped create a diverse and welcoming environment at the Long Island Gay and Lesbian Film Festival.

James Stewart, a retired Nassau County police officer who is gay, said he’s had a love for film ever since he was a young boy.

“My grandfather was a film usher,” Stewart said. The first film he ever saw with his grandfather was “Gone With the Wind.”

“To me, the Academy Awards are a holy night,” Stewart said. “Everyone who knows me knows not to call me that night.”

The festival celebrated its 18th year at Cinema Arts Centre in Huntington over the weekend, and it was Stewart’s third year as executive director. When he first got involved five years ago, he was the men’s feature program director and then the program director, before he became the executive director.

The executive director handles all of the programming for the festival, and the planning starts as early as March, he said. The festival was five days long and had more than 10 films, ranging from documentaries to feature films.

“My job is to balance everything out and make sure we have an equal amount of light movies, serious movies and documentaries and more, ” Stewart said.

There is also a balance of domestic versus international movies. Stewart said there were films from Australia, India and Mexico this year.

After almost every film, there is a food and cocktail reception, where Stewart said he hopes audience members will interact and help the festival become more of a social experience.

“It’s really about community,” Stewart said. “We hope to be starting new friendships.”

Stewart said he’s tried to get as many LGBT groups to sponsor the receptions as possible to encourage a communal feeling. At the receptions, there are also performers, including musical artists, comedy acts and more.

“I try to be as eclectic as possible,” Stewart said.

For the final night of the festival, Stewart said the entertainment included Broadway performers.

Everyone involved in this festival is a volunteer, and Stewart praised the staff he works with to make this festival possible. He also said Cinema Arts Centre is extremely generous and gracious with the flexibility they give the festival and describes it as “a match made in heaven.”

Stewart said he also likes the opportunity the film festival gives to independent movies that have a very little chance at getting shown on Long Island.

“A lot of these movies you wouldn’t normally get to see on Long Island,” Stewart said. “These are great films, but either they don’t have the proper distribution or enough money, so this is your chance to see them.”

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A scene from ‘The Killing Fields of Dr. Haing S. Ngor.’ Photo from PJDC

The arrival of cooler weather signals the start of a perennial favorite, the Port Jefferson Documentary Series.

Supported by the Greater Port Jefferson-Northern Brookhaven Arts Council and grants from the New York State Council on the Arts and the Suffolk County Film Commission, the PJDS begins its 22nd season on Monday, Sept. 21, at Theatre Three in Port Jefferson. The fall series, which will run through Oct. 27, marks the program’s 11th anniversary and the 22nd season of documentaries.

“We are very, very excited,” Lyn Boland, co-director of the film committee that has arranged the documentary series since 2005, said in a recent phone interview. Along with Boland, the committee — nicknamed the Film Ladies — includes co-director Barbara Sverd, Wendy Feinberg, Honey Katz, Phyllis Ross and Lorie Rothstein.

Seven award-winning documentaries will be featured this season, each complemented by a guest speaker who will answer questions at the end of the screening. This year’s selections will explore topics such as genocide, drug cartels, the online black market, art, tradition, cartoons and government cover-ups.

The process of choosing the documentaries is labor-intensive.“[The volunteer committee] gathers the movies from several different sources,” Boland explained. The members go to film festivals like the Hamptons International Film Festival and “try to personally grab one of the directors from one of those films. … We did that with ‘Meet the Patels,’ which was at the Hamptons last fall, and we showed it in the spring and it’s opening in theaters in September. So that’s like the dream sequence.”

‘Peggy Guggenheim: Art Addict,’ Photo from PJDC
‘Peggy Guggenheim: Art Addict,’ Photo from PJDC

Other festivals they regularly attend include the Tribeca Film Festival, the Stony Brook Film Festival and the American Film Institute’s festival in Washington, D.C. “So we try to go to festivals, we keep an eye on what’s going on in the news and we keep an eye long distance on the big festivals like Toronto, Sundance,” Boland added. “We also get a lot of emails from documentary organizations.”

The committee aims to screen films that people could not easily find elsewhere, so they avoid films that are streaming on services like Amazon or on television, for example.

When selecting the films, “We look for a great story that needs to be told,” Boland said. “We look for a film that’s well made because we really want to keep the standards up. We look for a subject that we haven’t shown too much of; something that’s new. We look for balance in the season. We also have to worry about our budget, being sure that we can afford the speaker and afford the distribution fee.”

Boland is most excited about the screening of the action-drama “Cartel Land.” She called the film — whose credits include executive producer Kathryn Bigelow, who directed “The Hurt Locker” and “Point Break”  — “an amazing story.”

“For a documentary to come out and be picked up by somebody who is as famous as she is and who is a feature director, it’s just an additional testament to how amazing this film is.”

The first five documentaries will be screened on Mondays at Theatre Three, 412 Main St., Port Jefferson, at 7 p.m. The last two will be screened at the Charles B. Wang Center on the Stony Brook University campus at 6 p.m., also on Mondays. Doors open one half-hour before showtime. Tickets for all films are $7 and will be sold at the door. Admission is free for undergraduate students at the Stony Brook screenings.

The group is always looking for volunteers of all ages to help out at the event.

“We want this to go on beyond us and it would be great to have enough volunteers to have a continuing staff that keeps renewing itself,” Boland said.

For more information or to volunteer, call 631-473-5220 or visit www.portjeffdocumentaryseries.com.

Film schedule
• The fall season will kick off at Theatre Three with “Deep Web” on Sept. 21 at 7 p.m. The documentary reveals the inside story of Ross William Ulbricht, the convicted 30-year-old entrepreneur accused of being the “Dread Pirate Roberts,” creator and operator of the online black market Silk Road. Winner of Best International Feature at the Global Visions Festival, the film explores “how the brightest minds and thought leaders behind the deep web are now caught in the crosshairs of the battle for control of a future inextricably linked to technology, with our digital rights hanging in the balance.” Narrated by Keanu Reeves, the guest speaker will be director Alex Winter, who played Bill S. Preston, Esq. alongside Reeves in “Bill and Ted’s Excellent Adventure.”

An image from ‘Love Marriage in Kabul.’ Photo from PJDC
An image from ‘Love Marriage in Kabul.’ Photo from PJDC

• The second film in the series, “Very Semi-Serious” by Leah Wolchock, to be screened on Sept. 28 at 7 p.m. at Theatre Three, delves into the history of The New Yorker magazine’s cartoons and gives a behind-the-scenes look at the cartoon department. Cartoon editor Bob Mankoff provides “revealing access to his weekly pitch meetings where aspiring and established cartoonists present their work, and where pride is left behind, as hundreds of submitted cartoons get rejected.” It is the winner of the best Bay Area documentary feature at the Golden Gate Awards following the San Francisco International Film Festival. Guest speaker will be New Yorker cartoonist and former Stony Brook resident George Booth, who is featured in the film.

“Cartel Land,” to be screened on Oct. 5 at 7 p.m. at Theatre Three, focues on the Mexican drug war, especially vigilante groups fighting Mexican drug cartels. The film focuses on Tim “Nailer” Foley, the leader of volunteer border patrol group Arizona Border Recon, and Dr. José Mireles, a Michoacán-based physician who leads the Autodefensas, one of the vigilante groups. Matthew Heineman won the Best Director Award and Special Jury Award for Cinematography for the film in the U.S. Documentary Competition at the 2015 Sundance Film Festival. The guest speaker will be producer Tom Yellin.

The fourth film, titled “The Russian Woodpecker,” will be screened at Theatre Three on Oct. 12 at 7 p.m. The documentary follows Ukranian artist Fedor Alexandrovich, who believes the catastrophic Chernobyl nuclear disaster of 1986 was an elaborate government cover-up designed to mask a failed 8-billion-ruble antenna, known as the “Russian Woodpecker,” intended to interfere with Western radio frequencies and located near the radioactive site. Rich with Soviet history and the stories of the area’s former residents, this documentary chronicles the history of one of the most chilling events of our time as well as Alexandrovich’s attempts to spread the word of his theory. Winner of the World Documentary Grand Prize at the Sundance Film Festival. Director Chad Gracia will be the guest speaker of the evening.

• The series continues on Oct. 19 with a screening of “Peggy Guggenheim: Art Addict” at Theatre Three at 7 p.m. Director Lisa Immordino Vreeland uses recently unearthed audio recordings from 1978-79 of the art collector’s last interviews and archival photos to create a portrait of one of the most powerful women in the history of the art world. The film premiered at the Tribeca Film Festival this spring. Guest speakers will be producers Dan Braun and David Koh. Gallery North in Setauket is co-sponsoring the event.

“The Killing Fields of  Dr. Haing S. Ngor,” to be screened at the Charles B. Wang Center at Stony Brook University on Oct. 26 at 6 p.m., is seen through the eyes of one of the most well-known survivors of the Cambodian genocide, Dr. Haing S. Ngor. The film recently won the Best Documentary Audience Award at the Los Angeles Asian Pacific Film Festival. The guest speaker will be Dr. Ngor’s niece, Sophia Ngor Demetri, who escaped from Cambodia with Dr. Ngor and appears in the film, and his nephew, Wayne Ngor, who narrates the film.

• The final film in the series, “Love Marriage in Kabul,” will be screened at the Charles B. Wang Center at Stony Brook University on Nov. 2 at 6 p.m. The film follows the quest of an Afghan-Australian woman, Mahboba Rawi, as she “passionately negotiates and challenges old traditions” to make a love marriage happen in Kabul. The film provides a rare glimpse into the courtship and marriage customs of Afghanistan. In English and Persian with English subtitles, this film was the winner of the Audience Choice Award at the Sydney Film Festival. The guest speaker, via Skype, will be producer Pat Fiske.