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children’s theater

By Heidi Sutton

Every five years or so, Theatre Three reaches deep into its vault of scripts and pulls out a gem. This time it’s Alice’s Most Decidedly Unusual Adventures in Wonderland, an original musical based on the colorful characters sprung from Lewis Carroll’s imagination for his 1865 much-loved children’s novel, Alice’s Adventures in Wonderland, and its sequel, Through the Looking Glass in 1871. The show opened on Aug. 4 to a packed house.

With the message to be true to yourself and to find your own voice, this year’s production, written by Jeffrey Sanzel, features a brand new score by Douglas J. Quattrock, exquisite costumes by Jason Allyn and a cast of over 35 actors who seamlessly play multiple roles.

Directed by Sanzel, the show opens on a rainy day at Camp Carroll Woods. The campers are bored and the camp counselor tries to keep them entertained indoors with a sing-along. A white rabbit suddenly appears but only one of the campers, Alice (Jillian Sharpe), can see him. In a curious pursuit, she tumbles down a rabbit hole and ends up in Wonderland where her “unusual adventure” begins.

With The Cheshire Cat (Kiernan Urso) always in the shadows, a strong-willed Alice must match wits with a list of bizarre characters as she takes part in a “What’s My Name?” contest with The Caterpillar (Heather Rose Kuhn); joins a tea party with The Mad Hatter (Steven Uihlein), The March Hare (Kaitlyn Jehle) and The Dormouse (Hazel Kamath); catches a ride with The White Knight (Liam Marsigliano); meets Tweedledee (Kaitlyn Jehle) and Tweedledum (Heather Rose Kuhn); and is invited to a game of croquet by The Queen of Hearts (Ginger Dalton), all while trying to catch up with The White Rabbit (Ava Garcia) and find her way home. When the kingdom’s tarts go missing, Alice is accused of stealing and must stand trial. Will she find her voice in time? 

Of course, a show like this would not be possible without the supporting cast — members of Theatre Three’s summer acting workshops play numerous roles including campers, contestants in a game show, flowers and a deck of playing cards.

The music and dance numbers, accompanied on piano by Douglas Quattrock, are terrific, especially “Here” with Alice and The Cheshire Cat; “Tea!” by the Mad Hatter, “Song of a Very Sad Knight” by The White Knight; “A Question of Belief” by Alice, and “Let the Good Times Roll” by The Queen of Hearts (“Nothing cheers me up like a good clean chop!”)

Full of whimsy and loaded with riddles, the play is a lot of nonsense, as Alice would say, but it sure is fun to watch as it gives a fresh feel to the story of the adventurous little girl following that dutifully late white rabbit through a maze of imaginative vignettes. Meet the cast in the lobby after the show for a keepsake photo.

Theatre Three, 412 Main St., Port Jefferson presents Alice’s Most Decidedly Unusual Adventures in Wonderland on Aug. 11 at 11 a.m. and Aug. 12 at 11 a.m and again at 2 p.m. Children’s theater continues with A Kooky Spooky Halloween from Oct. 7 to 21 and the holiday classic Barnaby Saves Christmas from Nov. 18 to Dec. 30. All seats are $12. To order, call 631-928-9100 or visit www.theatrethree.com. 

By Heidi Sutton

The John W. Engeman Theater closes its 2022-2023 children’s theater season with the timeless tale of Cinderella, much to the delight of all the little princesses that showed up to last Saturday morning’s performance. With music by Jeanne Bargy and Jim Eiler and book and lyrics by Eiler, the story closes follows the original with a few hilarious twists and turns along the way.

We first meet the fairy godmother who “with a wave of a wand can make all of your wishes come true.” Looking at a list of the neediest cases of the day she discovers Ella, an orphan who lives with her evil stepmother and two demanding stepsisters Henrietta and Gertrude. Ella is treated like a servant and has to sleep in the kitchen by the fire, giving her the nickname Cinderella.

The audience is then whisked away to the castle where King Darling III is making arrangements to throw a ball so that his son Prince Charming can find a girl to marry before his 21st birthday. Invitations are sent out and as always poor Cinderella must stay behind but her fairy godmother will make things right. With a little bit of magic she turns a pumpkin into a royal coach and a handful of cinders become a beautiful ball gown complete with glass slippers. At the ball the prince is immediately smitten with Cinderella as they waltz the night away. But the stroke of midnight changes everything.

Directed and choreographed by Danny Meglio, the fast-paced production is clever, funny and charming. 

Olivia Giorgio is perfectly cast as Cinderella. Her recurring solo, “What Will Become of Me?” is heartfelt. Her fairy godmother, played to the hilt by Lacey Cornell, comes down into the audience often to talk to the children, giving time for set changes, and is often “invisible” on stage, assessing the situation before taking action. 

Natalie Seus has much fun in her role as the evil stepmother as do Alyssa Infranco and Miranda Jo Demott as the stepsisters who invent a special dance at the ball, the Sneeze Polka, which the entire audience is invited to take part in. 

Michael Fasciano draws the most laughs in his role as the extremely near-sighted King Darling III who is always walking in the wrong direction or mistaking one person for another. If not for the assistance of the Royal Guards, played by Jae Hughes and Gabe Cruz, he would’ve walked right off the stage!

The handsome Ryan McInnes makes a fine Prince Charming who only wants to marry for love. A highlight of the show is when he and the Royal Guards come into the audience and give little girls a chance to try on the glass slipper before the stepsisters have a go at it. 

Special mention must also be made of the costumes and wigs designed by Laura McGauley. From Cinderella’s dress to the fairy godmother’s robe to the purple wigs on the stepsisters, everything was magical.

Light-up wands are sold before and during intermission, costumes are encouraged and booster seats are available. Meet, greet and get autographs from the entire cast in the lobby after the show. An autograph page is conveniently located at the back of the program.

The John W. Engeman Theater, 250 Main St., Northport presents Cinderella on Saturdays and Sundays through Aug. 27. The 2023-2024 season kicks off with The Wizard of Oz from Sept. 23 to Oct. 29 and Frosty from Nov. 25 to Dec. 31. All seats are $20. To order, call 631-261-2900 or visit www.engemantheater.com.

By Heidi Sutton

Theatre Three closes its 2022-2023 children’s theater season with a most fitting choice, an original musical retelling of the  timeless fairytale Cinderella.

With book by Douglas Quattrock with Jeffrey Sanzel and music and lyrics by Quattrock, the rags-to-riches story combines Charles Perrault’s classic story with Mark Twain’s The Prince & the Pauper with lots of hilarious twists and turns along the way.

Charles Perrault (Steven Uihlein) serves as narrator as well as “squire to the sire” and transports audiences to the palace of King Charming (Jason Furnari) who wishes for his son Prince Charming (Sean Amato) to get married and take over the kingdom so he can retire. He decides to host a royal ball and invites all eligible maidens.

The squire delivers the invitations to the home of Cinderella (Danielle Pafundi) who is forced to cook and clean for her stepmother Lady Jaclyn (Louisa Bikowski) and stepsisters Gwendolyn (Kaitlyn Jehle) and Madeline (Samantha Fierro) and be at their beck and call. When Cinderella asks if she can go to the ball, her stepmother tells her she has to do all her chores first, including washing the cat (do they even have a cat?), but we all know how that turns out. 

Left behind while the meanies go to the ball, Cinderella is visited by her fairy godmother (“I don’t mean to be rude but where have you been?!”), Angelica (Heather Van Velsor), who uses her magic to whip up a beautiful dress and carriage and sends Cinderella on her way.

Meanwhile, the prince hatches a plan to switch places with the squire in hopes of meeting a girl who “really likes me for me.” Things go haywire at the ball, thanks to the spoiled stepsisters, and it ends before Cinderella can get there. When she finally arrives, Cinderella is greeted by a squire (the prince) who asks her to dance because “the band is paid till 1 a.m.” Will she  accept his invitation and waltz the night away? Will they live happily ever after?

Directed by Jeffrey Sanzel, the lively show is perfectly executed with a clever script and all of the wonderful scenes we have come to love overflowing with singing, dancing and lots of magic.

Each actor has his/her chance to shine with solos and duets. Accompanied on piano by Douglas J. Quattrock with choreography by Sari Feldman, the songs are sweet and endearing theawith special mention to “Hey There, Charming,” “Please, Mother, Please!” and “If the Shoe Fits,” “A Girl Like Me (and a Boy Like You)” and “Here in Your Arms.”

The costumes, designed by the uber-talented Jason Allyn, are exquisite, especially Cinderella’s dress which received gasps from the audience when it was first seen, and the lighting and special effects are simply magical.

If you’re looking for something to do with the kids this weekend, Theatre Three’s Cinderella fits the “shoe” perfectly. Costumes are encouraged. Meet the cast in the lobby after the show for a keepsake photo.

Theatre Three, 412 Main St., Port Jefferson presents Cinderella through June 17 with a sensory sensitive performance on June 4 at 11 a.m. All seats are $10. For more information or to order, call the box office at 631-928-9100 or visit www.theatrethree.com.

‘Oh the thinks you can think … when you think about Seuss!’

By Heidi Sutton

Families with young children packed into the Engeman Theater last Saturday morning to witness a most beautiful tribute to the imaginative world of Theodor Seuss Geisel aka Dr. Seuss in Seussical the Musical. The children book author’s favorite characters come to life in this colorful and magical show, including Horton the Elephant, The Cat in the Hat, Gertrude McFuzz, Mayzie La Bird and JoJo, a little boy with a big imagination.

Written in 2000 by Tony winners Lynn Ahrens and Stephen Flaherty, the musical is now one of the most performed shows in the United States and it’s easy to see why. A trip down memory lane for many generations, it is based primarily on the Dr. Seuss children books, “Horton Hears a Who,” “Horton Hatches an Egg” and “Gertrude McFuzz,” but also incorporates references to other Dr. Seuss stories including “McElligot’s Pool” and “Oh the Thinks You Can Think!”

Directed by Andrew McCluskey with choreography by Jillian Sharpe, the colorful cast of characters transport the audience from the Jungle of Nool to the Circus McGurkus to the invisible world of the Whos. The Cat in the Hat (Jae Hughes) guides us through the magical journey with the help of Jojo the Mayor’s son (Finn Brown at last Saturday’s performance), who occasionally jumps into the scene when warranted.

The show opens as Horton the Elephant (Patrick McCowen) hears a cry for help and discovers a floating speck of dust containing the town of Whoville. After safely placing it on a clover flower, Horton is tricked into sitting on lazy Mayzie La Bird’s (Jillian Sharpe) egg for 51 weeks, is captured by hunters and eventually sold to the circus. When he is finally rescued by Gertrude McFuzz (Michaela Vivona), he is put on trial by Sour Kangaroo (Suzanne Mason) for “sitting on an egg and talking to a speck.” Will the faithful pachyderm be exonerated or will he be sentenced to a mental institution by Judge Yertle the Turtle?

The fast-paced show keeps the young audience wide-eyed and on the edge of their seats. One of the most exciting scenes is when the Wickersham Brothers (Justin Autz and Terrence Sheldon) steal the clover and are chased through the theater by Horton. The dance numbers are terrific with special props and audience participation is encouraged as Horton and Mayzie’s egg are auctioned off to the highest bidder. 

The incredible songs are the heart of the show, from the fun intro “Oh, The Thinks You Can Think!” to the sweet “Horton Hears a Who” (where a person’s a person no matter how small), the enduring “Notice Me Horton,” and a personal favorite, “It’s Possible.” Horton and Jojo’s duet, “Alone in the Universe,” will give you goosebumps and the group’s upbeat finale is a fitting rendition of “Green Eggs and Ham.” 

Costumes and wigs by Laura McGauley along with the cartoonish set mimic the original Seuss illustrations perfectly.

In the end, the show leaves us with the inspiring message that anything is possible when you let your imagination fly. Don’t miss this one.

Pick up a clover-shaped flashlight souvenir before the show and stay after for a meet and greet with the cast in the lobby for photos and autographs. An autograph page is conveniently located at the back of the program.

The John W. Engeman Theater, 250 Main St., Northport presents Seussical the Musical on Saturdays at 11 a.m. and Sundays at 10:30 a.m. through April 30 with a special sensory sensitive performance on April 15. Up next is The Musical Adventures of Flat Stanley from May 27 to July 2. All seats are $20. To order, call 631-261-2900 or visit www.engemantheater.com.

A scene from 'Finding Nemo' Jr. at SPAC. Photo by Jackie St. Louis

Just in time for spring break, the Smithtown Performing Arts Center, 2 E. Main St., Smithtown presents Finding Nemo Jr. through Saturday, April 8.

Marlin, an anxious and over-protective clownfish, lives in the Great Barrier Reef with his kid Nemo, who longs to explore the world beyond their anemone home. Featuring memorable songs such as “Just Keep Swimming,” “Fish Are Friends Not Food,” and “Go With the Flow,” Finding Nemo Jr. brings a vibrant underwater world to life on stage in a story full of family, friendship, and adventure.

Final performances are on April 6 and 7 at 1 p.m. and April 8 at 10:30 a.m. and again at 2 p.m. All seats are $25. To order, call 800-595-4849 or visit www.smithtownpac.org.

Photo courtesy of Theatre Three

Theatre Three, 412 Main St., Port Jefferson kicks off spring with The Adventures of Peter Rabbit from April 5 to 29 with a sensory sensitive performance on April 16 at 11 a.m. Join Peter, Flopsy, Mopsy, Cotton-Tail, Mrs. Rabbit, Benjamin Bunny and the McGregors in this delightful adaption suggested by the characters created by Beatrix Potter, a Theatre Three tradition for spring break. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

By Heidi Sutton

Fans of the classic movie The Wizard of Oz will fall in love with Theatre Three’s current children’s production, Dorothy’s Adventures in Oz. Adapted from the stories of L. Frank Baum, the show, written by Jeffrey Sanzel and Douglas J. Quattrock, features an original score, a clever script, and wonderful cast — Samantha Fierro, Danielle Pafundi, Steven Uihlein, Sean Amato, C.J. Russo, Louisa Bikowski, Stephanie Moreau, Liam Marsigliano and Kaitlyn Jehle with a special appearance by Shay Francis Feldman — who bring this magical story to life. 

Dorothy Gale, chief editor of her high school newspaper, the Baum Bugle, is busy putting the paper to bed when a fierce storm blows in and knocks her to the ground. When she wakes up, she finds herself in Munchkinland.  Her news stand has landed on the Wicked Witch of the East causing her demise, much to the delight of the Munchkins. 

When the scary Wicked Witch of the West shows up, Dorothy is protected by Glinda the Good Witch who gives her those famous ruby slippers and sends her down the Yellow Brick Road to the Emerald City to find the Wizard of Oz who can help her get home. Along her journey, Dorothy meets a Scarecrow who wants a brain, a Tinman who yearns for a heart, and a Lion who longs for courage. The three join her on her quest and the adventure begins.

Directed by Jeffrey Sanzel, all of the iconic scenes are here, from the talking apple trees, the enchanted poppies, to meeting the Wizard in the Emerald City, the flying monkeys, the Witch’s castle, the Winkies and the melting scene (what a world!). A nice touch is the flawless scene changes — each time Dorothy meets a new friend, they walk through the aisles of the theater (the yellow brick road) as the next scene is set up. The costumes by Jason Allyn are just perfect and the special effects are top notch. And did I mention there is a special surprise with four legs and a tail? 

In the end, the show reminds us to be true to our hearts and that there truly is no place like home. Don’t miss this one. Stop by the lobby on your way out for a group photo with the cast.

Theatre Three, 412 Main St., Port Jefferson presents Dorothy’s Adventures in Oz through March 18. Running time is 1 hour and 20 minutes with one intermission. Children’s theater continues with The Adventures of Peter Rabbit from April 5 to 29 and Cinderella from May 27 to June 17. All seats are $10. To order, call 631-928-9100 or visit www.theatrethree.com.

By Heidi Sutton

Each time I go to review a children’s show at Theatre Three I am amazed at what I witness; from the performance of an original musical, to the audience reaction, to the lessons that are learned, to meeting the cast at the end of the show. Last Saturday’s production of The House That Jack Built was no exception. 

Written by Jeffrey Sanzel and Douglas J. Quattrock, the play features seven stories inspired by the Brothers Grimm and Aesop’s Fables. It originally opened in 2007 but has been revamped with a brand new score and dazzling lighting design. The end result is pure entertainment. 

Directed by Jeffrey Sanzel, and starring Sean Amato, Samantha Fierro, Jason Furnari, Kaitlyn Jehle, Danielle Pafundi and Steven Uihlein, the show opens where six friends are hanging out in a beach cottage on a rainy day. Bored, they decide to have some fun and after reciting the timeless nursery rhyme, The House That Jack Built, they invite the audience to visit “some special places to see some special faces.” They proceed to act out The Lion and the Mouse That Returned a Favor, The Fisherman and His Wife, The Town Mouse and Country Mouse, Henny Penny, Stubborn as a Mule, The Tortoise and the Hare and The Bremen Town Musicians. 

While all of the stories are wonderful, one of the best is The Fisherman and His Wife where the fisherman (Jason Furnari) catches a magical fish (played to the hilt by Steven Uihlein) who agrees to grant him a wish if he is released back into the ocean. After wishing for a beautiful home, his wife (Danielle Pafundi) gets greedy and sends the fisherman back to ask for a castle, to be king and then to become the Lord of the Sun and the Moon. But it all ends with one too many wishes.

The Town Mouse and the Country Mouse is almost too adorable for words. The Town Mouse (Steven Uihlein with a Brooklyn accent) visits his cousin (Samantha Fierro in a Southern accent) in the country but finds it very boring. Before leaving, he invites her to visit him in the city. Shortly after arriving, the Country Mouse is bombarded with sensory overload and dangers lurking at every turn. Oh, did I mention this story is acted out entirely in rhyme? 

But the audience favorite hands down is the hilarious rendition of The Tortoise and the Hare. Bullied by the Hare (Sean Amato) “You have two speeds; slow and stop,” the Tortoise (Jason Furnari) challenges the Hare to a race. Sprinting through the theater, the Hare decides to take a nap in one of the seats. As much as they try, the audience cannot wake him and the tortoise, cheered on by the kids, meanders through the aisles and back on stage with a big grin to cross the finish line in slow motion. Great stuff.

The actors take turns narrating the stories while the remaining cast quickly changes costumes and act out the parts. A nice touch is the audience participation — helping to be waves in the ocean in A Fisherman and His Wife, and raising their index finger every time the actors say ‘I have an idea’ in The Bremen Town Musicians — which keep the young audience captivated at the edge of their seats.

Utilizing the mainstage set of The Sweet Delilah Swim Club, superb lighting design by Steven Uihlein, original rap songs arranged by Ryan Alvarado, expert piano accompaniment by Douglas J. Quattrock and the cute costumes by Jason Allyn tie everything together. 

Funny, clever , brilliant and beautifully executed, The House That Jack Built is not to be missed. Your children are guaranteed to love it.

Theatre Three, 412 Main St. Port Jefferson presents The House That Jack Built through Feb. 4. Running time is one hour and 20 minutes with one 15 minute intermission. Children’s theater continues with Dorothy’s Adventures in Oz from Feb. 22 to March 18, The Adventures of Peter Rabbit from April 5 to 29 and the classic fairytale Cinderella from May 27 to June 17. All seats are $10. To order, call 928-9100 or visit www.theatrethree.com.

By Heidi Sutton

It’s beginning to look a lot like Christmas, especially at Theatre Three in Port Jefferson. While Scrooge undergoes a transformation on the Main Stage with A Christmas Carol, Barnaby the Elf is busy making sure all the Christmas presents are delivered on time in the adorable children’s musical, Barnaby Saves Christmas. The show opened last Saturday and runs through Dec. 30. 

Written over 18 years ago by Douglas Quattrock and Jeffrey Sanzel with music and lyrics by Quattrock, it remains  as relevant as ever with the ultimate message that “every day is a golden opportunity to be better than you used to be.”

It’s Christmas Eve and Santa’s workshop at the North Pole is a flurry of activity. Head elf Sam (Josie McSwane) and fellow elves Blizzard (Michelle LaBozzetta) and Crystal (Kaitlyn Jehle) are busy putting the final touches on the Christmas presents and loading them on the sleigh. A fourth elf, Barnaby (Ryan Worrell), is the newest trainee and has been given one task by Santa (Sean Amato) — to make a little stuffed bear with dark blue pants, buckles on his shoes and a bright yellow vest. 

When it’s time to deliver the presents to all the good little girls and boys, Barnaby is left behind with Mrs. Claus (Danielle Pafundi). He soon realizes that Santa has left the stuffed bear behind and convinces Blizzard’s fawn Franklynne (Samantha Fierro) to find Santa and “save Christmas.”   

On their adventure they crash land on the roof of the house of Sarah (Danielle Pafundi) and her nephew Andrew (Sean Amato) and learn all about Hanukkah and the Festival of Lights. They also come across S.B. (spoiled brat) Dombulbury (Steven Uihlein), a Scrooge in his own right who has stuffed up all the chimneys with coal with his partner in crime Irving (Jason Furnari), in order to ruin Christmas and has hypnotized Crystal and Blizzard to help him. With the help of his friends, Barnaby will save the day but just wait until you see how!

Directed by Sanzel, the entire cast does an incredible job telling this heartwarming story. The wonderful songs, accompanied on piano by Quattrock, are just lovely, with special mention to Worrell’s solo “Still With a Ribbon on Top,” Pafundi’s solo “Miracles” and Amato’s solo “Within Our Hearts.”

Gorgeous costumes that sparkle and shine for the holidays by Jason Allyn, the incredible lighting by Steven Uihlein and the great choreography by Sari Feldman tie it all together with a beautiful holiday bow. I can think of 100 reasons to go see this show but I will only give the first — it is an unforgettable experience the entire family will love. Elf and reindeer souvenirs will be sold before the show and during intermission and the entire cast will be in the lobby after the show for photos.

Theatre Three, 412 Main St., Port Jefferson presents Barnaby Saves Christmas on Nov. 26, Dec. 3, 10, 17, 24, 28, 29 and 20 at 11 a.m. Children’s theater continues with The House That Jack Built from Jan. 21 to Feb. 4, 2023 and Dorothy’s Adventures in Oz from Feb. 22 to March 18, 2023. All seats are only $10. To order, call 631-928-9100 or visit www.theatrethree.com.

The cast, from left, Ari Spiegel, Derek Hough, Cassidy Gill and Alexa Oliveto. Photo by Heidi Sutton/TBR News Media

By Heidi Sutton

The children’s picture book Knuffle Bunny: A Cautionary Tale by Mo Willems was an instant success when it was released in 2004 and won the Caldecott Honor in 2005. The story, based on the author’s 3-year-old daughter Trixie and her favorite stuffed animal, was followed by two sequels, Knuffle Bunny Too: A Case of Mistaken Identity and Knuffle Bunny Free: An Unexpected Diversion as well as an animated short film.

The cast, from left, Ari Spiegel, Derek Hough, Cassidy Gill and Alexa Oliveto.
Photo by Heidi Sutton/TBR News Media

Now the Smithtown Performing Arts Center pays homage to the award-winning book with a children’s theater production of Knuffle Bunny: A Cautionary Musical. With script and lyrics by Mo Willems and music by Michael Silversher, it  begins as Dad suggests that Mom take a trip to the spa while he takes their rambunctious pre-verbal daughter Trixie to the neighborhood laundromat. While Mom is hesitant, Dad insists he is up to the job. “It’s just one load of laundry. What could go wrong?”

Mom reminds Dad to make sure Trixie takes along her favorite stuffed animal, Knuffle Bunny, and the adventure begins.

Dad and Trixie walk through their neighborhood, through the park and into the laundromat. Dad decides to go home to fix Trixie a snack but as they head back to the house things take a dramatic turn when Trixie realizes she has lost Knuffle Bunny. Can she make Dad understand what’s wrong? Will he be able to save the day?

Expertly directed by Evan Donnellan with musical direction by Robbie Torries, the four-member cast does a flawless job conveying the funny, silly, engaging and fast-paced story. 

Derek Hough, last seen on SPAC’s stage as Sebastian in The Little Mermaid, is incredible in the role of a clueless but well-meaning Dad and Alexa Oliveto shines in her role as the all-knowing Mom. Their duet “[Life Is] Tricky With Trixie” kicks off the show and sets the tone for a fun afternoon. 

Cassidy Gill is wonderful in the role of a frustrated Trixie and plays her character with infinite energy. While Trixie desperately attempts to communicate with her solo “Aggle Flaggle Klabble” and acts out by going “boneless,” she surprises everyone at the end with her first real word. Can you guess what it is? 

A versatile Ari Spiegel rounds out the cast and plays numerous supporting roles including a pigeon and a giant Knuffle Bunny.

A nice touch is the constantly changing screen in the background, from the exterior and interior of the family’s home to the laundromat and even a video of a fire truck driving by.

In the end, the show reminds us of the amazing lengths parents will go through for their children and that is worth the trip.

The Smithtown Performing Arts Center, 2 E. Main St., Smithtown presents Knuffle Bunny: A Cautionary Musical on Aug. 19 at 6 p.m., Aug. 20 at 2 p.m., Sept. 1 and 2 at 6 p.m. and Sept. 3 at 2 p.m. Running time is one hour with no intermission and snacks and drinks will be sold before the show. All seats are $18. To order, visit www.smithtownpac.org.