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Broadway

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Rocky Point dedicated the square at the corner of Broadway and Route 25A, formerly the blighted Oxygen Bar property, to a Veterans Memorial Square. Photo by Desirée Keegan

Once an eyesore to the community, Rocky Point’s corner of Broadway and Route 25A is now a place that honors those who fight for our freedom.

On Oct. 17, Brookhaven Town Councilwoman Jane Bonner (C-Rocky Point) along with other members of local government, dedicated the former Oxygen Bar property as a new veterans memorial square, with a flag-raising ceremony.

Brookhaven Town Councilwoman Jane Bonner helps members of Rocky Point VFW Post 6249 in the flag raising ceremony Oct. 17. Photo by Desirée Keegan
Brookhaven Town Councilwoman Jane Bonner helps members of Rocky Point VFW Post 6249 in the flag raising ceremony Oct. 17. Photo by Desirée Keegan

“The members of the community have been so supportive of this project and have a vision for a greater, better downtown,” Bonner said at the event. “We all appreciate the sacrifices every veteran has made and honor them today as we dedicate this veterans memorial square by raising the flags of our armed forces. This beautiful green space will also serve as the gateway to a revitalized downtown Rocky Point for years to come.”

Bonner visited the formerly blighted property back in March, and said it excites her now to see how it’s transformed in seven short months.

“A source of problems is gone, and a source of pride has taken its place,” she said.

The square wouldn’t have been made possible if it wasn’t for the help of VFW Post 6249 Commander Joe Cognitore.

“This piece of property will be here much, much longer than I will, and that’s where the return on this investment is going to come,” Cognitore said of the square. “We should do this to all counties and municipalities throughout our area. We must make sure that our younger generations know about our military, what they go through and what they do for our country.”

Bonner helped to formally present the colors to the playing of the National Anthem. All of the flags raised were donated by Rocky Point resident Roland Jackson.

“Roland Jackson is one of those people who never says ‘if you need anything, let me know,’” Bonner said. “He just does it. He called me up and said he was getting the flags and he’d like to donate them.”

Joe Cognitore, commander of Rocky Point VFW Post 6249, speaks during the dedication ceremony Oct. 17. Photo by Desirée Keegan
Joe Cognitore, commander of Rocky Point VFW Post 6249, speaks during the dedication ceremony Oct. 17. Photo by Desirée Keegan

U.S. Rep. Lee Zeldin (R-Shirley) was also at the ceremony, and told a story of how he visited troops in Iraq last Christmas, meeting a Command Sgt. Major on his 11th deployment, and a young teenager on his first.

“Eleven deployments later he was still serving and loving ever minute of it,” Zeldin said of the Major. “When that Command Sgt. Major signed up for the military there was no Sept. 11 on his radar. But when that teenager signed up, that’s all that he had ever known. He knew exactly what he was signing up for. But he loved the flag, he loved our country and he cherished our freedoms and liberties, and he’s willing to lay down his life in defense of it.”

Zeldin said the new parcel in Rocky Point proudly displays its support for its veterans like the ones he’s met.

“For that teenager who signs up, it’s not just about the flag, it’s not just about his freedoms and liberties, but it’s out of deep admiration and respect for those who have come before him or her,” he said. “We get to live in the greatest nation of the world, and for those veterans, we salute you and we thank you for your service.”

State Sen. Ken LaValle (R-Port Jefferson) said the memorial square is not just a wonderful thing for the Rocky Point community, but for all members of the nation.

“Our freedoms that this nation was based on are always under assault, and always will be, and that’s why we’re the greatest nation in the world,” he said. “Today, we are saying to the world we are alive, we are America and we are proud to be Americans.”

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If you have had enough of politics and pundits this week, come with me for a nostalgic trip through the golden age of Broadway musicals. I was carried back to those heady days of the 1950s by a recent New York Times article about the lost art of sneaking in for the second act, impossible today due to post-9/11 security. Now I don’t know if you have ever indulged in this type of larcenous activity, so I will explain how it worked — at least for me and my merry little band.

I attended junior high and high school at 68th Street and Lexington Avenue in Manhattan. The subway was right at the corner of our Gothic-style building. This is important information for you to know in order to follow our exploits. The other bit of vital info is that our school day officially ended each afternoon at 2 p.m., rather than the usual 3 p.m. for the rest of the schools under the New York City Board of Education’s auspices.

Shortly after I started in seventh grade, I fell in with a happy group of kids who lived across town, on the Upper West Side. While that was decades away from what we know today as the highly cultured and worldly UWS, nonetheless these kids were a lot more culturally savvy than I was. Every Wednesday, which is of course matinee day, they would slip out of our last class some 15 minutes early, slither quietly through the side door of the school and make a beeline for the subway stairs 20 feet away.

Somehow I came to be included in this precocious group. We would ride the local to 59th Street, descend to the lowest level of the station, which in those days housed the BMT line, ride it through Midtown to 49th Street and Broadway and arrive at the predetermined show of our choice just as intermission was ending and the smokers were returning to their seats for the second act.

No one ever checked the tickets for the second act in those days. And there were always empty seats sprinkled throughout the theater that we claimed for our own. If the real seat owner arrived, most often the usher would help us find another seat since it was fairly common practice for young people to move closer to the stage in those days if there was opportunity. I doubt the ushers realized they were helping scofflaws.

In this way, I saw some of the most famous plays with their original casts during what turned out to be the most memorable period of American musical theater. Of course I didn’t know that then, I just knew I was having a fine old time and we didn’t even have to pay the subway fare because we had student passes.

Of course I never told my parents what we were doing every Wednesday afternoon, and somehow we never got caught leaving school early. Perhaps the faculty understood where we were going and thought it more important than the last 15 minutes of classes.

But my parents may have wondered from time to time because I seemed too knowledgeable about the current musicals, their actors and composers. There were the Rodgers and Hammerstein classics: “Oklahoma!,” “Carousel,” “The King and I,” “South Pacific” and “The Sound of Music” (the latter two with Mary Martin); Frank Loesser and his “Guys and Dolls,” “The Music Man,” “West Side Story” and Chita Rivera; Ethel Merman, Gertrude Lawrence, Yul Brynner, Gene Kelly and Gwen Verdon; Irving Berlin and Cole Porter — they were all in my world.

And then there was the best of the best, its eloquence, melody, intelligence and heart standing at the head of those magnificent musicals, Lerner and Loewe’s “My Fair Lady.” I can still hear the music, with its clever lyrics, playing in my head. Led by Rex Harrison and Julie Andrews, it was the longest running show on Broadway for years thereafter. And we saw them all — at least by half.

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File photo

A young man was getting out of his car on Saturday morning when he was hit in the head by a man with a gun in what police are calling a robbery.

The Suffolk County Police Department is looking for three male assailants after the incident outside the 7-Eleven on Broadway in Greenlawn, shortly after midnight.

It began when the 21-year-old victim was getting out of his car in the convenience store parking lot, police said. Three men approached him, one displaying a handgun. That gun-wielding suspect struck the 21-year-old in the head, but he fled without handing over any of his belongings and called 911.

Police did not give further details on the exchange between the victim and the attackers, but called the incident a robbery.

All three assailants were wearing dark clothing, police said. One was described as a thin, dark-skinned black man in his late teens, standing about 5 feet 7 inches. Another was described as being about 5 feet 10 inches tall, weighing about 150 pounds and wearing a mask.

Detectives from the SCPD’s 2nd Squad are investigating the incident. Anyone with information i asked to call them at 631-854-8252 or to call Crime Stoppers anonymously at 800-220-TIPS.

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From left, Franklyn P. Butler, Phyllis March, Brian Gill, Robbie Torres, Katie Ferretti, Edward Breese and Jess Ader-Ferretti star in ‘Cabaret.’ Photo by Samantha Cuomo

By Melissa Arnold

The Smithtown Performing Arts Center took its audience on an emotional roller coaster ride Saturday night during its gripping opening performance of “Cabaret.”

Ronald R. Green III serves as both director and costume designer for the show, which is set in early 1930s Germany, just prior to World War II. Written by Joe Masteroff, “Cabaret” is based on a play by John Van Druten and stories by Christopher Isherwood, with music by John Kander and lyrics by Frank Ebb. It is among the most enduring musicals on Broadway, with its first show in November 1966 leading to multiple revivals here and abroad.

“Cabaret” follows wandering novelist Cliff Bradshaw as he travels to Berlin in search of his next great idea. And boy, does he find it! He is quickly drawn into the raunchy, circus-like Kit Kat Klub and becomes entangled with its regulars, particularly the seductive performer Sally Bowles.

Sally Bowles is a woman who knows how to get what she wants, and she quickly wriggles her way into Cliff’s life,  first by moving in with him and then by slowly winning his heart. And they’re not the only ones falling in love. Cliff’s landlady, Fräulein Schneider, is charmed by the perfect gentleman, widower Herr Schultz.

Unfortunately, what begins as a shockingly funny love story grows dark as Adolf Hitler and the Nazis gain momentum in Germany. The characters eventually find themselves torn apart by politics, and the show’s ending is so gut-wrenching that you can almost feel the air leave the theater.

Sally and Cliff are played by Katie Ferretti and Brian Gill, who are both newcomers to the SCPA stage. Ferretti’s portrayal of Sally is full of moxie, and Gill’s effort is totally believable as Cliff falls helplessly in love.

The audience is directly addressed throughout the show by a flamboyant and hypnotizing emcee played by Robbie Torres. If “Cabaret” is a circus, then Torres is its wild ringleader. As crude as his character can be, he’ll capture your heart and hold on long after the show ends. Be warned, the emcee quickly transitions between several languages, and his thick accent may be hard to understand for some.

Worth particular mention in the talented supporting cast are Fräulein Schneider and Herr Schultz, who are portrayed with great tenderness by Phyllis March and Edward Breese. The duets featuring the couple, “Married” and “It Couldn’t Please Me More,” are the sweetest of them all.

Choreographer Danielle Coutieri ensured that the many dance numbers in “Cabaret” were full of all the shock value and sex appeal audiences would expect from a questionable nightclub. The kick-line at the beginning of the second act was particularly fun to watch.

The orchestra is located on the set’s upper level for this show, where they are regularly visible to the audience and even become a part of the story as the Kit Kat Klub’s house band. Led by music director Melissa Coyle, the music is more than just a sound track — they are a driving force for the club and show as a whole. They play powerfully, at times almost overwhelmingly so.

While this is not a show for children, adults are bound to be thoroughly entertained and delighted by “Cabaret.” Just be prepared to leave the theater in stunned silence. This classic will strike you in the heart.

Smithtown Performing Arts Center, 2 East Main St., Smithtown, will present “Cabaret” through May 22. Show includes strong language, intense sexuality and brief violence, alcohol and drug use. Running time is approximately 2.5 hours with one 15-minute intermission.

The season continues with “Hairspray the Broadway Musical” from July 9 to Aug. 28, “Rent” from Sept. 10 to Oct. 2 and “Urinetown the Musical” from Oct. 15 to Nov. 6. All tickets are $35 and may be purchased by calling 631-724-3700 or visiting www.smithtownpac.org.

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Brandon Niederauer plays during a show. Photo from Gary Niederauer.

This young boy from Dix Hills sure knows how to rock.

Brandon Niederauer, 12, has only been playing the guitar for four short years, but he has already had more career milestones than most kids his age.

Brandon has already played on The Ellen DeGeneres Show, with the Allman Brothers Band, and at The New Orleans Jazz and Heritage Festival. But his most recent accomplishment is perhaps his most impressive.

Brandon Niederauer plays during a show. Photo from Gary Niederauer
Brandon Niederauer plays during a show. Photo from Gary Niederauer

This December, he will be in Andrew Lloyd Webber’s newest musical on Broadway: “School of Rock-The Musical.” Brandon said he first became interested in playing the guitar after seeing the original movie, “School of Rock.”

After competing against more than 50 musicians to get the part and going through an eight-week workshop, Brandon said he got the call that he had gotten the role while he was playing basketball with his brother.

“All the kids and adults in the cast get along really well,” Brandon said in an email. “We have a lot of fun playing pranks and joking around. We are like a family.”

As for working with legendary composer Webber, Brandon said he has already taught him a lot.

“School of Rock — The Musical” officially opens on Dec. 6 at the Winter Garden Theatre.

This month, Brandon performed on The Late Show with Stephen Colbert to promote the musical.

According to Brandon, when Webber was asked to be a guest on the show, the producers thought it would be a good idea to have him on the show as well.

“I was very honored to play the whole set with such an amazing band,” Brandon said. “I was one of the band. There is something special about that. They showed me the music and set list right before the show and I had so much fun playing and fitting it.”

Brandon Niederauer in "School of Rock — The Musical." Photo from Gary Niederauer.
Brandon Niederauer in “School of Rock — The Musical.” Photo from Gary Niederauer.

Brandon will also be performing with his cast in The Macy’s Thanksgiving Day Parade this year on the Gibson guitar float.

“Being on the Gibson float is a dream come true,” Brandon said. “I saw that float a year ago and said, ‘I want to do that.’”

Brandon’s father, Gary Niederauer, said he knew right away that his son had special talents.

“I knew after the first lesson,” Niederauer said in an email. “Everything was easy and natural for him. He knew where all the scales were after only being taught one.”

As for seeing his son up on stage, Niederauer said he delivers every single time.

“It is thrilling to be able to watch your son create amazing sound from nothing with other amazing advanced musicians,” he said. “I really can’t believe it. He has no fear and loves to perform for an audience.”

When asked about any plans for the future, Brandon said there’s nothing concrete.

“I have been a guitar player, singer, writer — now I’m acting on Broadway,” he said. “I really have no plan. Things have been happening on their own, so whatever it is, I just want it to be fun!”

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