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Beth Atkinson

TREES 

By Joyce Kilmer

I think that I shall never see

A poem lovely as a tree.

A tree whose hungry mouth is prest

Against the earth’s sweet flowing breast;

A tree that looks at God all day,

And lifts her leafy arms to pray;

A tree that may in Summer wear

A nest of robins in her hair;

Upon whose bosom snow has lain;

Who intimately lives with rain.

Poems are made by fools like me,

But only God can make a tree.

By Tara Mae

Art, nurtured and nourished by nature, is a sustenance that sustains the soul. The Firefly Artists’ newest exhibit, I Never Saw a Poem As Lovely As a Tree, is the harvest grown from a sort of artistic cross-pollination featuring works inspired by Joyce Kilmer’s poem “Trees.”

Through painting, sculpture, glasswork, pen and ink drawings, collage, and other mediums, the show, which opened at the Northport gallery on Oct. 18 and runs through Nov. 16, roots itself in the aspect of nature that is its muse. The juried exhibit features the works of approximately 32 visiting artists as well as 20 Firefly members. 

The theme serves as a creative catalyst and reverence for the surrounding environment. 

“An artist came in with a fire in her eyes about ‘Trees,’ and that became the prompt. It was a fantastic subject for so many folks…We get inspiration from everywhere; we are nothing if not creative,” said Firefly Artists Managing Partner Katheryn Laible.

Inspiration found in nature may actually be planted by memory or emotion. As a course of communication, art transcends both distance and time. Beth Atkinson, a  managing partner emeritus, who maintained her Firefly membership when she moved to North Carolina, thought of the poem during a Zoom brainstorming session with her colleagues. Her father, an art teacher and artist in his own right, would recite it when she as a child. 

“We have so many fabulous artists on Long Island, and we have quite a few artists who work with landscapes and nature…I started to think about many of our artists at Firefly — almost all of them have pieces that apply,” Atkinson said.

‘Trees’ is a verbal manifestation of the esteem so many local artists have for the natural world; the Firefly Artists put out an open call to any interested participants, and received an enthusiastic response. This resulting effort broadens the scope of the art and is also an opportunity to introduce new creators to the space.  

“We like to do juried art exhibitions; they are how we have gotten many new members for our gallery. ‘Trees’ felt universal enough that we would have plenty of interest and be able to choose best pieces for the show,” she added. 

Across many different mediums, an artistic arboretum grew from the chosen entries. Though they vary in style and genre, the creative copse they form immerses viewers in verdant vibrancy. 

“This is a beautiful exhibition. We are so blessed on Long Island to have such a robust and talented community of artists. Getting to showcase them is a privilege,” Laible said. 

By spotlighting the work of nonmembers, the gallery branches out into a larger artistic network and makes inroads establishing lasting relationships; many members began as guests artists. 

Current members, six of whom anonymously juried I Never…, did not submit their work for selection, but their art is present elsewhere in the gallery and excavates the essence of the poem.

“Trees are taken for granted,” Firefly member Carol Procopio said. “The tree that inspired my piece sits on my front lawn; I have known it since 1965. Every day when I take my dog out, I look at that tree and it amazes me.”

Instead of poetry in motion, the exhibited pieces employ the studied application of appreciation. Like “Trees,” they require the audience to recognize that beauty, even when familiar, is never banal. 

“Living on Long Island, near the water and near one of the cultural centers of the world gives me a huge ‘canvas’ to work with as an artist. There’s nothing like an historic tour of Northport or a stroll through lower Manhattan to fire up the imagination,” Firefly member Ann Fox said.  

Love for location, whether present or conjured from remembrance, is a shared attribute of the Firefly artists. The community they foster is not necessarily bound by proximity but rather attributed to shared artistic passion. 

Formed in 2011, originally all members lived on Long Island. But, as some of them moved away, they remained connected to the gallery. “Most of Firefly artists stay with us a very long time, even me, who now lives in North Carolina; I just ship my work to Firefly” Atkinson said. 

Comprised of current and retired art teachers, art enthusiasts, parents, and grandparents, members belong to the gallery as long as they pay their dues.

Membership fees go to practical matters such as rent — the gallery is located in the historic former residence of The Northport Hardware Company — and philanthropic pursuits such as scholarships. No one associated with the gallery takes a salary. Three managing partners, Laible, Drigo Morin, and Jennifer Lau, oversee and organize operations. 

“Firefly is one of those places that has been a savior for many of our artists; they needed a community and we gave them that. I think the best part is that we try to make money, not so much for the gallery but rather for our artists and our local artists,” Atkinson said. 

Art, at its core, is an intimate conversation conducted on a communal level. It is a language of emotion and consideration. A project of true passion, the Firefly Artists seeks to plant seeds of understanding in order to cultivate wisdom through wonder. With I Never…, visitors are invited to partake in casual contemplation.  

“I love watching people come in and experience the art, especially when they bring their kids in. It really nice way to connect with all different people…” Laible said. 

A reception for the exhibit will be held on Saturday, November 4, from 3 to 5 p.m. Located at 90 Main Street, Northport, the gallery is open Monday to Wednesday from  11 a.m. to 6 p.m.; Thursday to Saturday from 11 a.m. to 9 p.m.; and Sunday from 11 a.m. to 5 p.m. Admission is free. For more information, call 631-651-5545 or visit https://thefireflyartists.com.

RIBBON CUTTING

The Northport Chamber of Commerce hosted a ribbon cutting to mark the official grand re-opening of The Firefly Artists art gallery at its new larger location at 162 Main St. in Northport on Oct. 17. 

The celebration was attended by chamber President Jim Izzo, Northport town trustees Mercy Smith and Tom Kehoe, Huntington Supervisor Chad Lupinacci, Firefly artists, members of the community, friends and family. The event also kicked off the gallery’s fall exhibit, Autumn Works, featuring the work of the Firefly artists, on view through Nov. 30. 

“Northport is a wonderful community, and it is a privilege to get to work with so many wonderful local artists and other businesses right here on Main Street,” said Katheryn Laible, a Firefly artist who recently became one of the group’s managing partners, in a press release. 

For more information, call 631-651-5545 or visit www.thefireflyartists.com.

'Untitled' by Bill Shillalies

By Heidi Sutton

“Conjoined” by Elizabeth Heaton of Amityville

The Long Island Biennial returns to The Heckscher Museum of Art with fervor this year as the fifth edition of the exhibition offers Long Island’s top artists the opportunity to share their artwork with the Huntington community and beyond. The juried exhibit opened on Aug. 4 and will run through Nov. 11. 

Contemporary artists who live in Suffolk and Nassau counties and who have specialized training in art were invited to submit artwork created within the past two years. The result is twofold: providing artists the opportunity to showcase their work to a broad audience in a unique and exciting space and allowing art lovers to see snapshots of what is happening artistically on Long Island.

The brainchild of former curator Kenneth Wayne, the first biennial opened in 2010 in conjunction with the museum’s 90th anniversary. Now, eight years later, the juried exhibit has grown in popularity, receiving a record 351 submissions this year, with 52 works representing communities from New Hyde Park to Montauk selected for the show. Of those selections, 38 of the artists were first-time exhibitors.

‘Wafting Bubinga; by John Dino

This year’s judges — Christine Berry of Berry Campbell Gallery in New York City; Robert Carter, professor of art at Nassau Community College in Garden City; and Bobbi Coller, an independent art historian and curator — were tasked with selecting six winners, which were announced on Aug. 8. 

“The art world needs as many venues as possible for new artists; this is so important and very much appreciated,” said Carter, who was impressed with this year’s submissions. “The artist entries were surprising in how they varied in media use and subject matter — touching on nature, social issues and more.”

Mediums included oil, acrylic, pastel, woodcut, watercolor, sculpture, mixed media, ceramic, bronze, embroidery, tempura, sculptures, photographs, prints and more.

“Buttermilk Falls,” woodcut on paper, by Beth Atkinson of Northport; “Abrasha in Port-au-Prince,” oil on canvas, by Peter Beston of East Quogue; “Wafting Bubinga #2,” carved wood, by John Cino of Patchogue; “Conjoined,” pastel and water on paper, by Elizabeth Heaton of Amityville; ‘Untitled,” ceramic/bronze, by Bill Shillalies of Massapequa; and “Slight Disturbance,” acrylic on clay surface, by Frank Wimberley of Sag Harbor rose above the competition to receive Awards of Merit.

According to museum’s curator, Lisa Chalif, the Long Island Biennial “is about the creativity that surrounds us on Long Island. The show is extremely diverse in terms of medium and subject and style. It is just very appealing — there is something for everyone here.”

‘Abrasha in Port au Prince’ by Peter Beston

The exhibit spans two of the four galleries at the museum. The adjoining exhibits include The Tile Club: Camaraderie and American Plein-Air Painting (through Nov. 4) and Surface Tension: Pictorial Space in 20th Century Art (through May 5, 2019).

“Long Island is teaming with talented artists and the museum is pleased to bring this fact to the public’s attention,” said Executive Director and CEO at The Heckscher Michael W. Schantz in a recent email, adding, “A high quality juried exhibition, such as the Heckscher Museum’s Biennial, remains one of the best ways of doing so.”

The Heckscher Museum of Art, located at 2 Prime Ave., Huntington is open Wednesday through Friday from 10 a.m. to 5 p.m. and Saturday and Sunday from 11 a.m. to 5 p.m. For more information, call 631-351-3250 or visit www.heckscher.org.

In conjunction with the Long Island Biennial, several related programs are scheduled at the museum:
‘Slight Disturbance’ by Frank Kimberly

Exploring Art … Making Memories

A guided tour and activity for those living with dementia and their care partners will be held on Monday, Aug. 20 from 1 to 2:30 p.m. Members pay $8; nonmembers $10; care partners are free.

Gallery Talk

Meet Long Island Biennial artists John Cino, Rachelle Krieger and Alisa Shea at a gallery talk on Sunday, Sept.16 from 1 to 3 p.m. Members are free, nonmembers pay $5.

DRAW OUT! With Biennial Artists

Join The Heckscher Museum and its 2018 Cultural Partners for this free Community Arts event on Sunday, Sept. 23 from noon to 4 p.m.  (rain date Sept. 30). See demonstrations and meet Biennial artists Mario Bakalov, E. Craig Marcin and Inna Pashina. Hear live music, sketch a model, paint en plein air and much more.  

The Heckscher Museum of Art was founded in 1920 by philanthropist August Heckscher and is listed on the National and New York State Register of Historic Places. The museum’s permanent collection comprises more than 2,500 works from the 16th to the 21st centuries. 

Beth Atkinson takes a shot for a future project. Photo from Beth Atkinson
Beth Atkinson takes a shot for a future project. Photo from Beth Atkinson
Beth Atkinson takes a shot for a future project. Photo from Beth Atkinson

By Victoria Espinoza

Northport resident Beth Atkinson reignited her love for creating art thanks to some help from a Northport gallery and since then has constantly found inspiration in the village she calls home.

Currently a permanent member of The Firefly Artists, a gallery in the heart of Northport, Atkinson said she has found ideas and support within her community.

Atkinson grew up on the North Shore and moved to the area after she married her husband Brian, a Northport native himself. An art teacher at Hicksville High School for the past 30 years, Atkinson said she went through a period when she lost herself as an artist because she was so focused on supporting her students’ artwork.

“Sometimes [art teachers] let our students’ needs take over our needs,” she said in a phone interview.

Once she got a home for her work at Firefly, she said it was just the push she needed to refocus.

“It’s kept me on it,” she said. “I’m always trying to change my wall. I now set aside time almost every night to carve blocks or work on a collage. Firefly is my year-long motivation.”

Atkinson creates in a variety of genres and media, including jewelry, paintings and sculptures. The Harvard Club of Long Island recently named Atkinson a Distinguished Teacher of 2016, and she was given honorable mention at the Art League of Long Island Member Exhibition in 2015.

A piece of Atkinson’s work inspired by the sunset at Eaton’s Neck. Photo from Beth Atkinson
A piece of Atkinson’s work inspired by the sunset at Eaton’s Neck. Photo from Beth Atkinson

The Northport resident said all the other artists at Firefly mesh well and present a wide range of talents.

Atkinson has taken her newfound energy and paid it forward with an adult summer program she co-chairs at Great Camp Sagamore in the Adirondacks, through the New York State Arts Teacher Association. That camp has a Long Island connection, as it was a former home of the prominent Vanderbilt family.

“It started out to help art educators renew themselves and come up with new ideas for the classroom,” she said. “It also helps art teachers find the artists they were before they were a teacher. You’d be surprised how many art teachers stop making their own art once they start teaching.”

As for the inspiration Atkinson finds in Northport, she said it’s endless.

“When you take the time to stop and look around you … the other day I had to drive to Eaton’s Neck and all of the sudden I see the most incredible sunset over the harbor,” she said. “We live in a great area for inspiration.”

And it is supportive of artists: “I think we’ve got a great opportunity in Northport — Main Street alone has several galleries. There are more art exhibitions on Long Island than you can possibly go to.”

Art runs in the family for much of the Atkinson clan, aside from a daughter Katie who is dancing to her own tune. Her daughter Lauren teaches art in Maryland, and her son Alex is currently taking photography classes at Northport High School. She said she and her son have traveled together to different spots in the area to take photos and find inspiration.