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100th anniversary

By Steven Zaitz

Townspeople know that crossing Main Street in historic Northport Village means stepping back and forth over history.

The trolley tracks tattooed into the pavement no longer serve to carry Northporters through town for a day of shopping or a night bounding between speakeasies. They are only a reminder of how things were – not much remains from that time.

But some things do.

As nouveau restaurants, tap rooms, art galleries and boutiques dot the path from Church Street to the water, one particular edifice has stood at 46 Main St. since 1924 – the Shipwreck Diner.

The luncheonette-style eatery, originally called the Northport Diner and carved out of an early 20th century trolley car, celebrated its 100th birthday last Thursday, Aug. 15, with a gala buffet dinner in the outdoor space behind the restaurant. About 200 of its regular customers along with past and present staff ate, drank, laughed and reminisced as new owner Denis Beyersdorf accepted the rare and prestigious Century Award from Northport Historical Society board member Teri Reid.

“On this spot tonight with family, friends and neighbors, we gather together just like the people of Northport did decades ago, feeling as comfortable as we do when we are at home,” said Reid, addressing the celebrants. “The Shipwreck is a special place and yes just like Cheers, when you’re here, everybody knows your name.”

Beyersdorf was choking back tears as he accepted the award.

“I’m so thankful for the Century Award and it will be in the diner forever,” said Beyersdorf, who like many of his guests and staff, sported a brightly colored 100th anniversary Shipwreck T-shirt. “I have to thank our customers and the town of Northport because without your love and support, none of this could ever happen.”

Beyersdorf, who was born in Huntington but has lived in Northport for close to two decades, worked in the financial services industry until 2021 and had no experience in the restaurant business until purchasing the diner with partners Ed McCallister and Jeffrey Wang from Tim Hess. Hess’s father Otto purchased it in 1972 and named the place Otto’s Shipwreck Diner. Tim took it over in 1996 and it became Tim’s Shipwreck Diner.

Beyersdorf, who exudes a neighborly humble charm especially for a guy who worked on Wall Street for decades, does not feel he has yet earned his stripes as a restaurateur to put his name in neon. Thus, the place is now simply called Shipwreck Diner.

“This place would not be the place it is today without the work of Timmy Hess,” Beyersdorf said. “He passed the torch and all I’m doing is following his lead and carrying that torch. I’m blessed because there’s a line at that door every Saturday and Sunday and the place is a staple. There is a group of people that really like this place and as long as I don’t mess that up and give them the Shipwreck experience they’ve come to expect, then I’ve done my job.”

As a boy, he dreamed of going to cooking school after high school but instead chose to pursue a degree in economics. After a long career in finance, he was laid off from his job in 2021. After a conversation – or three – with golfing buddies McCallister and Wang, they collectively decided to help Denis realize his dream.

Ever since the trio purchased the establishment from Hess on Dec. 20, 2022, Beyersdorf has gone all-in as the face of the operation. He has studied the time-honored techniques of the Shipwreck chefs so when it was time to tie on his own apron, he could replicate the dishes seamlessly. His longtime customers appreciate that.

“This place means so much to me and the town of Northport,” said Barbara Blair of East Northport who has been coming to the diner nearly every day for some 30 years. “Denis has done a great job making friends with the regular customers and keeping the atmosphere and the food the same.”

Blair has the same dish every time she comes in.

“Oatmeal with fresh fruit and two cups of coffee. I don’t even have to order it. They ask me if I’m ready, I say yes and it appears,” she said.

Virginia Sheehan, a lifelong Northporter, was a waitress at Shipwreck from the mid-’70s to 1999 when she had to retire due to health issues. She was sitting with Blair and playfully corrected her former client.

“You used to have the French toast occasionally,” Sheehan reminded her friend Blair, as the two ladies laughed and enjoyed a cocktail. Blair conceded that Sheehan was correct.

“And that French toast was the best I’ve ever had,” she said.

“I wanted to give the place back to Northport and I didn’t know anything about the food business so I didn’t feel right putting my name on it,” Beyersdorf said, as he flipped over a giant mound of home fries with his shovel-sized spatula. “For the past 22 months, I have lived and breathed this place, slept here and sacrificed time with my family trying to learn everything I could.”

The celebration on Thursday night was a metaphor for the support for Denis, the diner and the residents and customers who as Northporters fiercely protect and value their storied town’s history.

As the party rolled on into the evening, Beyersdorf was presented with yet another gift. Local artists Bob and Nancy Hendrick, who run the Trinity Community Art Center a few doors down from the Shipwreck, unveiled a 24-by-30 inch rendering of the interior of the former train car turned restaurant. The Edward Hopper-inspired painting depicted Denis cleaning the counter on one side, afternoon sun streaks peeking through the middle front windows and a lonely coffee-drinking patron dressed in early 20th century garb hunched over in a booth.

“We wanted to capture both eras in this painting and show that Denis represents the present and future of this very important place,” said Bob Hendrick. “Nancy and I, representing Trinity Community Art Center, warmly embrace our community and we celebrate the vibrant spirit Denis and the diner have kindled within us. It was destiny for this painting to be created and shared at that precise moment and it fills our hearts with humility and gratitude for both Denis and the community’s outpouring of appreciation toward it.”

As the evening wore on and shrimp cocktail and mussels became scarce, Beyersdorf along with his guests and staff posed for pictures, shook hands and embraced. They knew that Thursday’s party would eventually become Friday’s rush – a rush that would usher in the next 100 years of Shipwreck serving its customers, acting as their kitchen and dining room away from home and providing a living breathing part of their proud town’s history.

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The streets of St. James were filled with volunteer firefighters from across Suffolk and Nassau counties as they turned out to honor the St. James Fire Department’s 100th anniversary on Aug. 27.

Mid-afternoon, first responders from more than 20 departments and their emergency vehicles began lining up at Smithtown High School East and down streets along Woodlawn Avenue for the St. James FD’s 100th anniversary parade. The parade kicked off after 5 p.m., and spectators lined Woodlawn and Lake avenues to cheer the firefighters on.

At the end of the parade, participants and residents gathered at St. James Elementary School for a party that featured a battle of the bands, refreshments, activities and music. The night was capped off with Fireworks by Grucci.

Chief of Department Frank Sapienza said the committee had been working on the event for 10 years. Sapienza, who has been with SJFD for more than 20 years, added, “It was one of the best times I’ve had with the department.”

According to the St. James Fire District’s website, while a department was organized in the hamlet in 1909 as the Eagle Hook & Ladder Co. by T. Edward Ellis, interest in the company declined by the early 1920s.

After a Christmas holiday fire in 1921, residents formed a committee and initiated a drive to raise money for a new firehouse and equipment. The new department was formed on March 8, 1922. The first piece of equipment the committee purchased was a Model T combination pump and ladder. The cost was $1,500, and it was stored in a metal garage at the intersection of North Country Road and Lake Avenue where the firehouse sits today. The property belonged to Lawrence Butler, who donated an engine floor, when the firehouse was built in 1923. Volunteers built the second floor, and an additional wing was added to the building later.

According to the district’s website, in the department’s early days, volunteers would raise money by organizing annual carnivals that would kick off with a parade. The week-long events featured circus and vaudeville acts nightly until 1935 when the fire district was formed and volunteers were no longer responsible for raising money for new equipment.

By Tara Mae

It’s time to celebrate! In honor of the Heckscher Museum of Art’s 100th anniversary, the museum will present a centennial exhibit, The Heckscher Museum Celebrates 100: Tracing History, Inspiring the Future from June 5 to Jan. 10, 2022. 

The exhibit is both a retrospective and a promise of future endeavors. Grouped chronologically by year, it encompasses the entire museum and features art and artifacts, including paintings, sculptures, and mixed media, acquired as part of its collection over the years.

“The work in our collection belongs to us. Because of the size of the museum, our permanent collection includes 2300 objects and at any one time we can only show about 100 things. It fills the entire museum; one big show,” said curator Karli Wurzelbacher. “I looked at the museum’s 100 year history and identified four key moments that are important to who we are as an institution.”

These elements are the museum’s founding, its relationship with local artist George Grosz, the influence of Long Island artists Arthur Dove and Helen Torr, and the largest donation ever received by the museum ­— a 363 piece Baker/Pisano collection of American Modernism in multiple forms: sculpture, watercolor, paintings, and pastels.

Founded in 1920 by Anna Atkins Heckscher and August Heckscher, the museum’s original collection was donated by the couple, who built it from scratch and gathered artwork with the museum in mind, according to Wurzelbacher. 

Having emigrated from Germany to escape the Nazis’ rise to power in the 1930s, Grosz lived in Huntington from 1947 until his death in 1959 and became very involved in the work of the Heckscher. 

“He visited the museum, served as a juror for contemporary art shows, taught private art lessons for adults in the community, and then the museum started collecting his works. [Our] collection didn’t start growing until the 1960s when we started adding works, slowly … He is one of the first artists we started collecting,” said Wurzelbacher.

Grosz’ most famous painting, Eclipse of the Sun, is featured in the centennial exhibit and serves perhaps as a symbol for both the artist and museum’s ties to the local community. 

After Grosz painted Eclipse in 1926, it was shown once at a European exhibition. It was then lost to the public for the next 40 years, until a visitor to the museum disclosed that they were in possession of it. The Heckscher’s art director at the time, Eva Gatling, launched a campaign to acquire the painting.

“…Gatling was one of the first female [museum] art directors in the country. She saw the painting and mobilized the community to pitch in and buy the work. About 200 people donated money to purchase work,” Wurzelbacher said. “Students at Huntington High School took up a collection. It’s a fantastic story about the community coming together collectively to buy one of the most important works of the 20th century by a local artist.”

Like Grosz, Arthur Dove and Helen Torr made Long Island their adopted home. The museum, which has the largest collection of Torr’s work, will display archival materials such as paint brushes and paints used by the couple, as well as their artwork. 

Peers of Georgia O’Keefe and figures of American Modernism, they lived on a boat docked in Huntington Harbor during the 1920s to 1930s and purchased a cottage in Centerport that was acquired by the museum in 1998.

“Their artwork, while abstract, distills their experiences living on the Long Island Sound. They are so important in the history of American Modernism and the history of Long Island art. Dove is considered the first American artist to work with abstraction in the 1910s … In 1972, Eva Gatling [organized] the first ever museum exhibition of Helen Torr, whose work is now in the Metropolitan Museum of Art and the Museum of Fine Arts, Boston,” said Wurzelbacher. 

Unlike many other museums, the Heckscher owns its entire collection, built up over the years largely through acquisitions and donations. The Baker/Pisano collection, featuring work by O’Keefe and Florine Stettheimer, was donated in 2001. It also contains work by Long Island artists and reflects a connection to the area.  

“In doing this process, it has been remarkable in seeing these deep local ties. We show Long Island and local art, and are able to put it in a national and international context,” Wurzelbacher explained. 

The scope of the exhibit, however, embraces and extends beyond these motifs. “We also have outstanding acquisitions that don’t relate to these themes,” she added. 

“A lot of the show is masterworks of collections … things we exhibit rarely but that we wanted to get out for this occasion, as well as historical ephemera: old photos of previous exhibits and photos of the museum as it looked soon after it opened.”  

In September, about two dozen objects will go off-view and other art will go on-view. Originally intended for 2020, the museum’s centennial plans were postponed due to the pandemic. “I am happy to have the extra time; it allowed us to end the show with recent acquisitions. Had we done the show a year ago, we wouldn’t have been able to include them,” Wurzelbacher said. 

Tickets are available for purchase online at www.heckscher.org. Timed ticketing is required. The museum is open Thursday to Sunday, from noon to 5 p.m. For more information, call 631-380-3230.