Complexions Contemporary Ballet returns to the Staller Center Feb. 5
Renowned New York City based dance company, Complexions Contemporary Ballet returns to Stony Brook University’s Staller Center for the Arts, 100 Nicolls Road, Stony Brook on Saturday, Feb. 5 for a spectacular evening on the Main Stage featuring their two newest full length pieces performed on the same program for the very first time, in celebration of Black History Month. The show starts at 8 p.m
Under the artistic direction of dance Icons Dwight Rhoden and Desmond Richardson, (both former principal dancers with ALVIN AILEY DANCE and star choreographers), COMPLEXIONS will perform two monumental pieces, “WOKE” and LOVE ROCKS”, born out of the current crisis’ we are facing in the world. Through dance, COMPLEXIONS confronts this moment in time and the question of what it means to exist in today’s society and how we connect in spite of it.
“WOKE” is a physical reaction to the daily news. A bold and dynamic socially conscious one act ballet featuring the full company that examines our humanity in conjunction with today’s political climate.
LOVE ROCKS, which also features the full company, is set to the powerful music of Grammy Award-winner Lenny Kravitz. It is a fun, thrilling and moving dance and a tremendous compliment to “WOKE”.
Dancing these two pieces together in the same program is a challenge for the company. Complexions Dance is working overtime through extreme pandemic conditions to create this unique program for the Staller Center as they present it to the University community and greater Long Island region.
Tickets range from $42 to $58. For more information or to order, visit www.stallercenter.com, call 631-632-ARTS or email [email protected].
Major Sponsors are News 12 – Campolo, Middleton & McCormick – Danfords Hotel & Marina – Friends of the Staller Center – Hilton Garden Inn – Island Federal – Jefferson’s Ferry – Renaissance – Stony Brook Medicine – Suffolk County – WLIW – Paul W. Zuccaire Foundation.
COVID GUIDELINES
The Staller Center prioritizes the safety of its patrons, staff and students, and will enforce strict Covid-19 protocols for the Fall 2021 season. At this time, visitors must show proof of full vaccination or proof of a negative Covid-19 test taken within 72 hours of the event (children ages 12 and under are exempt when accompanied by a parent or guardian who meets the requirements). Additionally, each audience and staff member must wear a mask while inside the venue. All audience members will be advised to not attend if they feel unwell, have symptoms of Covid-19 or have recently been exposed to someone with the disease.
With these guidelines, the Staller Center ticket policy for return or exchange of tickets will be liberalized to accommodate patrons who cannot attend due to the above.
ABOUT THE PERFORMER
Complexions Contemporary Ballet was founded in 1994 by Master Choreographer Dwight Rhoden and the legendary Desmond Richardson with a singular approach to reinventing dance through a groundbreaking mix of methods, styles and cultures. Today, Complexions represents one of the most recognized, diverse, inclusive and respected performing arts brands in the World. Having presented an entirely new and exciting vision of human movement on 5-continents, over 20-countries, to over 20-million television viewers and to well over 300,000 people in live audiences, Complexions is poised to continue its mission to bring unity to the world one dance at a time.
Complexions has received numerous awards including The New York Times Critics’ Choice Award. It has appeared throughout the US, including the The Joyce Theatre and Lincoln Center in NYC, The Brooklyn Academy of Music, The Paramount Theatre/Seattle, The Music Center/Los Angeles, Winspear Opera House/Dallas, The Cutler Majestic Theater/Boston, The Music Hall/Detroit, and has toured extensively around the world to venues including The Bolshoi Theater, The Kremlin, The Mikhailovsky Theater, and the Melbourne Arts Center.
The company’s foremost innovation is that dance should be about removing boundaries, not reinforcing them. Whether it be the limiting traditions of a single style, period, venue, or culture, Complexions transcends them all, creating an open, continually evolving form of dance that reflects the movement of our world—and all its constituent cultures—as an interrelated whole.
Together, Rhoden and Richardson have created in Complexions an institution that embodies its historical moment, a sanctuary where those passionate about dance can celebrate its past while simultaneously building its future. In the 27 years since its inception, the company has continued to awaken audiences to a new, exciting genre with their singular approach of reinventing dance and contemporary ballet. Their work has borne witness to a world that is becoming more fluid, more changeable, and more culturally interconnected than ever before—in other words, a world that is becoming more and more like Complexions itself.
With stunning gifted dancers and powerful choreography, Complexions has been hailed as a “matchless American dance company” by the Philadelphia Inquirer. “Companies like Complexions are game-changing: they’re forging a path for what ballet can be instead of what it historically has been.”- The Guardian
