Theater

By Julianne Mosher

The John W. Engeman Theater’s latest production of Frozen Jr. will give you chills.

Directed and choreographed by Keith Jones, costumes and wigs by Laura McGauley, and production/set design by Orion Forte, you’ll be taken into a winter wonderland as soon as you step into the Northport-based theater. With a solid cast of children doing Broadway-level work, the production showcases an extremely talented cast who clearly love what they do and are having a blast. 

The story follows two inseparable sisters who are princesses in the kingdom of Arendelle. The eldest, Elsa (Mia Ponticelli), was born with magical powers that allow her to create ice and snow. But as a young child, she doesn’t know how to control her powers and while playing and building a snowman with her sister, Anna (Gabby Blum), she accidentally hurts her. 

While Anna is healed by the mysterious Hidden Folk (spiritual forest people), their parents decide it would be best to protect Anna by keeping the two apart.

Anna has no memory of the accident and does not understand why her sister avoids her, locked away in her room wearing her silk gloves. A few years later, while the parents are lost at sea, Elsa continues to stay away, keeping her secret hidden from her sister and the outside world, afraid to harm another person again.

Ten years have passed and it is time for Elsa to become Queen, but on coronation day her magic unintentionally brings an eternal winter to the kingdom. Accused of sorcery by Anna’s fiancé, Hans (Liam Polani), she flees into the mountains to hide. Anna enlists the help of Kristoff (Quinn Oliver Lessing) the icemaker to help her find her sister and free Arendelle from the spell. This is a true story of love and acceptance that will thaw the coldest of hearts.

Blum and Ponticelli’s parts are not easy. Originally played in the movie by Kristen Bell and Broadway legend Idina Menzel, the songs require a lot of training and breathwork — both of which these young starlets have. 

But we can’t forget two supporting characters who bring a lot of laughs — Sven, (Brady Goldman and Liam Von Schmidt, interchangeably), and the lovable Olaf (Michael Deaner and Luca Silva) who loves warm hugs. 

In the sold-out audience during the Sunday, Jan. 28 performance, young ticket holders dressed head to toe in their favorite Frozen attire — many Elsa’s, Anna’s and even an Olaf. That being said, when Elsa does a quick change at the end of “Let It Go” into her signature sparkling blue gown, the audience gasped and applauded. 

The set is minimal, but is welcomed by animated projections on a screen towards the back of the stage depicting different locations in the Kingdom of Arendelle including the inside and outside of the castle, the snowy mountains and Elsa’s ice castle. You might even see some real-life snow fall. 

When the show is over, a great photo opportunity is available in the lobby with the entire cast of the show. The cast will even sign autographs.

Overall, this family-friendly production tells the tale of love, loss, friendship and family, with plenty of laughs in between. Don’t miss out. 

Frozen Jr. will run until March 3. Tickets are $20 and can be purchased by calling 631-261-2900, going online at www.engemantheater.com, or by visiting the Engeman Theater Box Office at 250 Main Street in Northport.

The most relatable comedy you will ever see

By Julianne Mosher

The John W. Engeman Theater’s latest produce is perfect… and it should definitely not change.

During Saturday, Jan. 20’s performance of I Love You, You’re Perfect, Now Change, the Northport-based theater was full of nonstop laughs thanks to the four-piece ensemble on stage. 

Starring Gina Naomi Baez and Lauren Weinberg as the two main women and Danny Bernardy and Jason SweetTooth Williams as the two men, this witty musical tackles modern love in all forms in separate vignettes per scene. 

Originally premiering off-Broadway in 1996, the show ran for 12 years, making it off-Broadway’s second longest running show. It has since premiered in a dozen countries and has been translated all over the world. 

Directed and choreographed by John Simpkins, the show starts off with the four playing your general everyday people looking for love. The unnamed people sing about the hopes and dreams of their upcoming date that they each get dressed and ready for, “Cantana For a First Date.” Immediately after, we see Baez and Bernardy chat it up after meeting in person for the first time after an online dating match.

The relatability of these songs and scenes is painful — in a good way. For those in long-term relationships, you’ll cringe being reminded what it was like on the dating scene. For those still single, you’ll nod along in agreement to everything they complain about. 

Matt DaSilva, who was Williams’ understudy during Saturday night’s performance, was stellar in his scenes, notably the third song about two awkward people on their first date. The fact that each actor was able to change characters per scene with ease was impressive — each having their own story to tell.

Other standout songs and performances came from “Men Who Talk and the Women Who Pretend They’re Listening,” “The Lasagna Incident,” (with a beautiful ballad sung by Weinberg that shows off her phenomenal range), and “And Now the Parents.” You can guess what each of those songs are about and how they relate to dating. 

But the musical isn’t only about looking for love. They capture the wedding day, a typical night for a married couple, childbearing and even death, too. 

One number, that was sweet and funny, was “Funerals Are For Dating,” featuring Baez and Bernardy who hysterically played two old timers meeting at an acquaintance’s funeral. Bernardy tries to pick the mourning woman up and laughter ensues. However, it will leave you smiling because for such a funny moment mixed with sadness (talking about their deceased partners), you’ll smile at the sweet sentiment the end of the number provides. 

However, it’s not entirely sweet. This show is definitely not recommended for someone who might be a prude. Other topics tackled are unhappy sex lives and why men send women pictures of their penis. Adult language and content are prevalent. 

With a beautifully designed set, you will surely be impressed the moment you sit down. A setting described as “a city near you,” the backdrop includes impressive buildings with windows to apartments, and throughout the stage, different living rooms and bedrooms are set up for the appropriate skits.

From the looks of the rooms to the costumes and experiences, this show is going to make you say, “too true” in relation to your life. I can guarantee at least one of the scenes will relate to you and your partner in any stage of your relationship.

Tip? Bring someone on a first date! Remind them what they’re in for…

The John W. Engeman Theater, 250 Main St., Northport will present I Love You, You’re Perfect, Now Change through March 3. Tickets are $80 for Wednesday and Sunday evenings; $85 for Thursdays; $90 for Friday evenings, Saturday and Sunday matinees; and $95 for Saturday evenings. Tickets may be purchased by calling 631-261-2900, going online at www.engemantheater.com, or visiting the Engeman Theater Box Office at 250 Main Street, Northport.

By Heidi Sutton

The temperature outside was a bone-chilling 22 degrees as I drove into Theatre Three’s parking lot in Port Jefferson last Sunday morning. Once inside, however, the atmosphere was warm and inviting as families with young children settled in their seats to watch a most excellent performance of Jack and the Beanstalk or The Boy Who Cried Giant!

Written by Jeffrey Hoffman, Douglas J. Quattrock and Jeffrey Sanzel the original musical combines the well known fairytale with the classic fable The Boy Who Cried Wolf and tells the story of a nice boy named Jack (played by Sean Amato) who lives in a small village with his mother (Josie McSwane) and his best friend in the entire world, Filpail the Cow (Julia Albino).

But Jack has a problem — he tends to exaggerate and has told so many tall tales (“I can even wash a cat!,” “My cow can speak in seven different languages!”) that no one believes him anymore. “Someday your stories are going to get you in trouble,” his mother warns. Jack also receives a visit from the Fairy Mary Goodwing (Cassidy Rose O’Brien) who tries to convince him to “always tell the truth and you will be true to yourself.”

One day his mother tells him that they have no other choice than to sell Filpail to Butcher Blackstone (Ryan Worrell). On the way to the market, Jack and his cow meet two pirate gypsies, Marco and Margot (Liam Marsigliano and Kaitlyn Jehle), who claim they want to buy Filpail for “cowpanionship” (they really want to sell her to Butcher Blackstone) and trick Jack into trading her for some magic beans.

Jack’s mother is furious when she finds out what happened and throws the beans away. A giant beanstalk suddenly appears, signaling the start of a wonderful adventure.

In Act Two, Jack climbs the beanstalk and discovers a castle in the sky occupied by a cranky (and whiny!) giant (Ryan Worrell), the giant’s wife (Gina Lardi), a golden harp (Liam Marsigliano) and a hen that lays golden eggs (Kaitlyn Jehle). 

When Jack returns home and tells his mother and the villagers what he has seen no one believes him. He decides to return to the giant’s castle with Filpail to bring something back as evidence. The giant’s wife gives Jack a pair of her husband’s enormous pants. But as they are about to leave, the giant gets a whiff of the boy and his cow (“Fee Fi Fo Fum!”). Will they escape in time?

Under the direction of Steven Uihlein, a talented cast of eight adult actors play multiple roles during this action adventure. The songs, accompanied on piano by Douglas J. Quattrock, are catchy and fun and there’s even a tap dance number choreographed by Sari Feldman.

Costume designer Jason Allyn deserves “giant” accolades for the beautiful outfits and props, including a three-foot-long sneaker and a beanstalk that magically grows all the way to the ceiling. 

With the important message that one should always tell the truth, Jack and the Beanstalk will warm your heart. Don’t miss this one. Meet the cast in the lobby after the show for photos. 

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Theatre Three, 412 Main St., Port Jefferson presents Jack and the Beanstalk through Feb. 3. Children’s theater continues with Dorothy’s Adventures in Oz from Feb. 21 to March 16; The Adventures of Peter Rabbit from April 13 to 27; and a brand new show, The Mystery of the Missing Ever After, from May 25 to June 15. All seats are $12. To order, call 631-928-9100 or visit www.theatrethree.com.

Theatre three, 412 Main St., Port Jefferson will hold ensemble auditions for its upcoming production of The Producers on Sunday, Feb. 18 at 10 a.m. and Monday, Feb. 26 at 7 p.m. Seeking strong singers/dancers to play usherettes, show girls, storm troopers, street characters and more. Prepare 16 bars from the song of your choice; bring sheet music in the proper key; accompanist provided. You may sing from the score. Be prepared to dance. Tap a plus (bring tap shoes if available). Bring headshot/resume if available. Callbacks TBD. Rehearsals begin in March and performances will be held from May 18 to June 22. For more information, visit www.theatrethree.com/auditions.html.

By Rita J. Egan

Bradlee and Marci Bing show the hands they’ve been dealt in the acting world in Theatre Three’s The Gin Game, and they are winning ones. The tragicomedy opened at the theater on Saturday, Jan. 13.

In the Pulitzer Prize-winning play by D.L. Coburn, Weller Martin (Bradlee Bing) and Fonsia Dorsey (Marci Bing) meet at the Bentley Nursing Home. As the only two residents with no family and friends coming to see them on visitors’ day, they find solace on the home’s unused sun porch. Weller invites Fonsia to play gin rummy with him. Even though it’s supposedly her first time playing, he quickly learns that luck is on her side.

Playing the game a few times over a couple of weeks, the two reveal their life stories. While a bond seems to form between the two, the figurative walls they have erected in life also appear. As the play progresses, the audience discovers how both play the cards they are dealt in gin rummy and in life.

The Gin Game opened in Los Angeles in 1976, and a little more than a year later it debuted on Broadway with husband and wife Hume Cronyn and Jessica Tandy. In addition to being awarded a Pulitzer Prize for Drama in 1978, Tandy won the Tony Award for her portrayal of Fonsia. After more than 500 performances on Broadway, Cronyn and Tandy toured with the production.

Revivals in the past have included E. G. Marshall, Maureen Stapleton, Charles Durning, Julie Harris, James Earl Jones and Cicely Tyson. In 2003, PBS presented a televised version starring Dick Van Dyke and Mary Tyler Moore.

In Theatre Three’s production, Bradlee Bing convincingly delivers the belligerent and sarcastic Weller. His rage over losing game after game is frightening, especially when he curses or forcibly uses his cane. Yet, in the more humorous moments, he portrays the character with a bit of charm that makes you feel sorry for him.

Marci Bing is also convincing as the prim and proper Fonsia, who reveals more of her true nature as the two get to know each other. The actress seamlessly transitions from a sweet woman to one whose stories reveal that in her attempt to control her circumstances in life, she can become rigid and vindictive.

The actors easily deliver the humorous lines, and a short dance sequence demonstrates the chemistry between the two married actors. The real measure of their immense talents is seen during the play’s more serious and darker moments. It’s apparent that the actors realize the depth of the multi-layered piece as Bradlee Bing powerfully delivers the lines, “God gave you that card, didn’t he? Didn’t God give you that card?” Marci Bing strongly responds, “Yes, Weller, God gave me the card.”

The Bings, along with director Colleen Britt, have masterfully developed characters that many can relate to and all can learn from. Audience members should arrive at the show and settle in their seats a few minutes early for an extra touch added to the Theatre Three production, which enhances the theatrical experience.

Lending a subtle sense of just how run down the nursing home is, set director Randall Parsons has created a stage that is believable as a barely used back porch with a collection of books, crutches and other items.

In a Jan. 11 interview with TBR News Media, the Bings said they hoped audience members would leave the theater thinking about aging, not only about how difficult it can be for some but also how wallowing in the past doesn’t do anyone any good. The two successfully drive that point home on stage as Weller and Fonsia.

Theatre Three, 412 Main Street, Port Jefferson, presents The Gin Game through Feb. 3. Tickets are $40 for adults, $32 for seniors 65 and over and students and $25 for children. Wednesday matinees are $25. To order, call 631-928-9100 or visit www.theatrethree.com.

Bradlee and Marci Bing will star in Theatre Three's 'The Gin Game' from Jan. 13 to Feb. 3. Photo by Steve Ayle / Showbizshots.com
Theatre Three actors run through lines and card game

By Rita J. Egan

A husband and wife are about to take on a 90-minute game of gin rummy in front of a live audience.

Theatre Three veterans Bradlee and Marci Bing, who have been married for nearly 40 years, will star in the Port Jefferson theater’s production of The Gin Game. The Pulitzer Prize-winning play opens Saturday, Jan. 13.

Bradlee Bing, as Weller Martin, and Marci Bing, as Fonsia Dorsey, will transform from a happily married couple to two nursing home residents who strike up an acquaintance over a game of gin rummy.

Through the decades, on stage and television, the characters have been portrayed by iconic actors, such as husband and wife Hume Cronyn and Jessica Tandy, Cicely Tyson and James Earl Jones, and Dick Van Dyke and Mary Tyler Moore.

Bradlee and Marci Bing will star in Theatre Three’s ‘The Gin Game’ from Jan. 13 to Feb. 3.
Photo by Steven Uihlein/Theatre Three

The production is not the first time the Bings have acted together as they starred in the theater’s production of Past Tense in 1986.

In a recent interview with the couple, Bradlee Bing described The Gin Game as multi-layered and intricate, where the characters need each other. “But they have so many personal obstacles that they personally have to overcome that they can’t really connect,” he said.

The actors said it’s not difficult playing people meeting for the first time as they understand they are the characters while on stage. However, they said their relationship helps.

“We have natural chemistry,” said Bradlee. “So, we can connect with each other in a way that is comfortable. Even though there are many uncomfortable moments in the play, we’re those characters, and we’re not ourselves.”

The actors said their personalities are opposite of Weller Martin and Fonsia Dorsey.

“He’s patient and kind, and I’m the one who curses and gets fired up,” said Marci.

Bradlee added, “It’s the exact opposite of who we are, but we can laugh about it because we kind of changed roles that we have in real life.”

It’s because of Theatre Three that the two met. Bradlee Bing has been with the company since 1970, guiding the actors from a traveling troop who once performed in storefronts, libraries and church basements to its permanent stage in Port Jefferson. The couple met when Marci joined the acting troop, going on to become part of the theater’s 1979 inaugural theater season as one of six contracted summer company members.

Marci also worked in the theater’s office and assisted her now husband on many projects. When Bradlee was battling cancer and going through a divorce, he needed someone to talk to and asked Marci to go for coffee as he knew she had gone through a divorce years before. They struck up a friendship but still weren’t thinking about romance. However, one night, some theater members went out for drinks and dancing after a show. Someone suggested Bradlee dance with Marci. As he danced with her, he said to himself, “Wait a minute. It’s exactly how you see it in movies. Wow, I never knew that was around.”

While the two said they never argue, the characters they play in The Gin Game do. The Bings added they have plenty of time to master the tense interactions between Weller and Fonsia.

Marci, who is the only one of the pair who has played gin rummy before, said, “It’s a two-character, so it’s an intense amount of practicing of just all the lines. But what’s even more intricate is you have to play the game while you’re thinking of the lines and remembering all the segments. So, our advantage is we live together. It’s 10 o’clock. ‘You want to run scene to see how we’re doing?’”

While Bradlee saw the play performed before at Theatre Three when he was the artistic director, to prepare, the couple have not watched videos of other productions or the 2003 PBS movie, where Dick Van Dyke and Mary Tyler Moore took on the roles.

“I have to make my own character so I don’t want to watch someone else doing it,” Marci said, adding it was different when she played movie star Betty Davis in Me and Jezebel,  where she had to master the icon’s physicalities.

“We bring our own personal experiences that will help us connect with the character and that is much more honest than trying to imitate anyone,” Bradlee said.

Colleen Britt is directing Theatre Three’s The Gin Game. Bradlee said Britt expresses “tremendous energy” and has helped in the development of the characters. 

The actors said while the play contains a lot of humor, it also includes a message about growing old and how some may feel that life is passing them by. The acting duo hopes that audience members will leave The Gin Game thinking about aging and possibly having a more positive attitude toward getting older. Marci added that, for some, getting old can be devastating. 

“It’s sad because you can’t do as much as you want to do,” she said.

Her advice is to “be current.”

“Don’t wallow in what didn’t happen,” she said. “Be glad that you’re still here.”

Bradlee said, often, it can be difficult for people as they look back at their lives, ambitions and goals.

“You reach a point where you realize that there’s no more time to achieve those kinds of goals,” he said. “So, if you live in the past, and see where you are, it’s going to be unfortunate. It’s a good example in the play that you need to move forward.”

Theatre Three, 412 Main Street, Port Jefferson, presents The Gin Game from Jan. 13 to Feb. 3. Tickets are $40 for adults, $32 for seniors 65 and over and students and $25 for children. Wednesday matinees are $25. For more information, call the box office at 631-928-9100 or visit www.theatrethree.com.

The popular holiday show has been extended to Jan. 7.

By Julianne Mosher

Frosty the snowman is a fairytale, they say. He was made of snow but the children know how he came to life one day. This long-time holiday favorite is now playing at the Engeman Theater in Northport and it’s certainly one you need to bring the kids to.

This modern take on the classic tale brings the holiday musical to life with catchy sing-a-longs and plenty of audience participation. Directed by Andrew McCluskey with stage manager and choreographer Jillian Sharpe, Frosty is not only wholesome, but shares important messages of friendship.

The show starts off with narrator Candy Kane Carolyn (Caroline Meyers) who gives the lay of the land in Chillsville — a little town with a population of about 500 that’s always covered in snow. It’s the townspeople’s favorite thing. She introduces us to Jenny (Natalie Seus), the mayor’s daughter, who loves to play outside, but usually by herself. She doesn’t have many friends. 

With the help of her father (Terrence Bryce Sheldon), they build a snowman in the park and name him Frosty. The mayor gives Jenny his scarf that she eventually puts onto the snowman, and because there was so much love in that piece of fabric, Frosty (played by Patrick McCowen) comes to life. 

We’re introduced to Ebenezer Pierpot (played last weekend by swing actor Christina Cotignola, but typically Jae Hughes), the president of Pierpot Enterprises — a manufacturer of snow shovels, snowblowers, and ice scrapers — who want to build a bigger factory in the park but can’t do that with all the snow. During a meeting at town hall, Pierpot tricks the mayor into signing a contract to build a machine that will melt all the snow in the town, putting Frosty’s life in jeopardy. They describe it as a giant outdoor dehumidifier. 

As the weather gets warmer, Jenny must come up with a plan to save the town and make sure her new friend Frosty doesn’t melt away.

Frosty is full of fun surprises, but the best part of all is seeing the enthusiasm on the children in the audience’s faces. What is so special is that as soon as you sit down, the actors on stage start to interact with the kids, asking them questions, making them sing along and even asking for advice. They call on them to tell the rest of the audience what ideas they have throughout the show which could help Frosty and his friend.

Being included in the conversations on stage definitely make the children sitting in the seats below feel validated and important, like they are part of the show as well.

Meet the cast in the lobby after the show for pictures and autographs. An autograph page is conveniently located at the back of the program. 

The John W. Engeman Theater, 250 Main St., Northport presents Frosty, which has been extended through Jan. 7. Running time is 90 minutes with a 15-minute intermission. 

Children’s theater continues with Disney’s Frozen Jr. from Jan. 27 to March 3, and Alice in Wonderland will follow on March 26 to April 28. All seats are $20. For more information or to order, call 631-261-2900 or visit www.engemantheater.com.

By Julianne Mosher

Do you want to build a snowman? Well, if not now, then you definitely will after watching the latest production of Frozen Jr. at the Smithtown Center for the Performing Arts. 

Based on the popular Disney film, Frozen, this show takes shape as a junior version of the hit 2018 Broadway musical performed by local kids with very big talents.  

Directed and choreographed by Katy Snair with musical direction by Vincent Donnadio, the show will have viewers smiling from start to finish. Ranging in age from 8 to 17, the 17-member cast is extremely talented and clearly love what they are doing. 

But first, a synopsis. The story follows two inseparable sisters who are princesses in the kingdom of Arendelle. The eldest, Elsa, was born with magical powers that allow her to create ice and snow. But as a young child, Elsa doesn’t know how to control her powers and while building a snowman wither her sister Anna, she accidentally harms her. While Anna is healed by the mysterious Hidden Folk (spiritual forest people), their parents decide it would be best to protect Anna by keeping the two apart. 

Anna has no memory of the accident and does not understand why her sister avoids her, locked away in her room wearing her silk blue gloves. When the parents are lost at sea, Elsa continues to stay away, quietly keeping her secret hidden from her sister and the outside world.

Ten years have passed and it is time for Elsa to become Queen, but on coronation day her magic unintentionally brings an eternal winter to the kingdom. Accused of sorcery, she flees into the mountains to hide. Anna enlists the help of Kristoff the icemaker to help her find her sister and free Arendelle from the spell. This is a true story of love and acceptance that will thaw the coldest of hearts.

The show starts with young Elsa (Jillian Cerrato) and young Anna (Erin Risolo) playing and spending time with each other, quickly growing into pre-teen Elsa (Anabelle Koelmel) and Anna (Bailey DeLauter). While these four may play the littler versions of the main characters, they shine just as bright with their charisma and talent. Then, right before our eyes, we meet adult Elsa (Amanda Sidman) and Anna (Alexa Oliveto) who are true stars of the show.

For performers just starting off their careers, they are in for really great futures in whatever they choose to do. Both Sidman and Oliveto are able to hold their notes in a very music-heavy production while dancing in floor-length gowns with ease.

During the coronation, we meet Kristoff (Jacob Donlon), Anna’s love interest. Without giving too much away, he’s going to be your least favorite character, but one of your favorite performers on the stage. 

Other standout performances came from Derek Hough (Hans) and his trusty reindeer sidekick, Sven (Michael Krebo). One favorite moment from the viewing was the first time Krebo came out dressed as the friendly reindeer, which was used as a talking puppet head that looked like the character. Emily Weaver’s rendition of the lovable snowman, Olaf (who likes warm hugs), was fantastic, too, making the audience laugh constantly.

Other costumes, designed by Kelly Mucciolo and Tim Conway, look straight out of the movie. Not only is Anna’s signature green dress on point, but Elsa’s costume change during “Let It Go” into her famous blue shimmering dress made the audience gasp, cheer and clap.

The set is minimal, but is welcomed by animated projections on a screen towards the back of the stage depicting different locations in the Kingdom of Arendelle, including the inside and outside of the castle, the snowy mountains and Elsa’s ice castle. During certain songs, you might expect to see some snow fall from the ceiling of the theater.

And one last nice addition to the day out is your chance to meet Elsa and Anna in the lobby for a photo. Don’t miss this adorable, wintery event perfect for pre and post-holiday fun.

The Smithtown Center for the Performing Arts, 2 E. Main St., Smithtown presents Frozen Jr. through Jan. 21. All seats are $25. To order, visit www.smithtownpac.org.

 

High school drama production draws a crowd to two performances

Photo courtesy MPSD

The Miller Place Panther Troupe recently captivated audiences with two performances of their fall drama production “The Curious Savage,” written by John Patrick.

“I’d like to commend the actors, set designers, musicians and everyone involved in the incredible production of ‘The Curious Savage,’” said Superintendent of Schools Seth Lipshie. “Our students put on two engaging performances that moved their audience with scenes that were both poignant and comedic. Congratulations to everyone involved.”

Over the course of this fall, cast members developed their characters and honed their acting skills while crew members sharpened their technical theater skills and helped curate the set. Director Jenna Ely and assistant director Colleen Annicelli led a talented cast that had their audiences laughing, crying and thoroughly enjoying the show.

The Miller Place Panther Troupe captivates audiences with two performances of ‘The Curious Savage,’ written by John Patrick. Photos courtesy MPSD

“The Curious Savage” follows the story of an elderly widow named Ethel Savage who was left $10 million from her late husband. She seeks to donate the fortune, but her stepchildren seek to thwart her plan and have her committed to a sanatorium.

She bonds with the kind residents there and discovers the meaning of love and family. The dramatic comedy opened on Broadway in 1950 and starred Lillian Gish as Ethel Savage.

For their work on “The Curious Savage,” the Miller Place Panther Troupe is eligible for the East End Arts’ 22nd annual Teeny Awards. The annual high school theater awards show, given its name as a reference to the Tony Awards, will take place this June.

For more information about the Miller Place school district, please visit the district’s website at www.millerplace.k12.ny.us. To read more about the great things happening in Miller Place schools, visit www.millerplaceinthemedia.com.

Rocky Point Middle School students present the school musical, ‘The Wizard of Oz: Youth Edition.’ Photo courtesy RPSD

Rocky Point Middle School followed the yellow brick road and presented its successful school musical, “The Wizard of Oz: Youth Edition,” on Nov. 17 and 18.

The annual production brought together 112 students, 13 teachers and countless family and community members for a successful and joyful collaboration of theater and joyful music making.

“The students and staff involved in this production worked incredibly hard this year,” said Amy Schecher, Rocky Point’s secondary music department chairperson. “We are fortunate to have such talented students and dedicated faculty here in Rocky Point. A production of this magnitude also could not be possible without the continual encouragement of the parents of the cast and crew.”