Theater

By Heidi Sutton

For the second year in a row, the Smithtown Center for the Performing Arts will present outdoor performances of Disney’s Moana Jr. on the grounds of the Smithtown Historical Society through Aug. 14. With a new performance space behind the Frank Brush Barn, a larger and more elaborate set, fresh choreography and the return of most of the original cast, the show launched last Thursday night and brought the house down.

The Cast:
Moana: Gabriella Fugon
Maui: Michael Gualtieri
Gramma Tala: Gianna Oppedisano
Sina: Adrienne Porti
Chief Tui: Logan O’Leary
Tamatoa: Alia Romanelli
Pua: Zachary Podair
Hei-Hei: Lorelai Mucciolo
Chief Ancestor I: Max Lamberg
Chief Ancestor I: Dylan O’Leary
Chief Ancestor II: Gabby Blum
Chief Ancestor III: Gabrielle Arroyo
Right Claw: Derek Hough
Left Claw: Justin Walsh Weiner
TeFiti/TeKa: Savannah Shaw
Ensemble/Claw Understudy: Ari Spiegel
Ensemble: Jonathan Setzer

The strong-willed daughter of Chief Tui and his wife Sina, Moana lives on the Polynesian island of Motunui, never straying beyond the safety of the lagoon. When the island’s coconuts turn black and the fish in the lagoon disappear, she follows the advice of her grandmother and sets sail on a journey across the Pacific Ocean to find the demigod Maui, so that he might help her restore the heart of Te Fiti, the Polynesian goddess of earth and life, and save her people from starvation.

Along the way, the pair stop at Lalotai, the Realm of Monsters, to retrieve Maui’s magical fishhook from Tamatoa, a giant coconut crab, and battle the volcanic demon Te Kā.

Directed by Courtney Braun and Jordan Hue, with musical direction by Melissa Coyle, the stage adaptation follows the 2016 animated film Moana closely and hits all the right notes with the wonderful songs by Lin Manuel-Miranda from the film including “Where You Are,” “How Far I’ll Go,” “Shiny,” “I Am Moana (Song of the Ancestors)” and “You’re Welcome.”

The young energetic cast does an excellent job in retelling the story.

Reprising her role as Moana, Gabriella Fugon is perfectly cast and tackles her solos with confidence and ease. Her rendition of “How Far I’ll Go” could easily match that of Auli’i Cravalho (the voice of Moana in the film). Her vocals are flawless.

Michael Gualtieri is equally matched as the self-centered and egotistical Maui. His rendition of “You’re Welcome” is magnificent. 

While the entire cast has strong voices, special mention must also be made for Logan O’Leary in “Where You Are,” and Alia Romanelli in “Shiny.”

The show itself is a visual feast for the eyes. Costumes by Ronald R. Green III are colorful and fun with Polynesian dresses, grass skirts, leis and flowers in the hair. The set, designed by Michael Mucciolo, is quite impressive. Everywhere you look the legends and traditions of the Polynesian people are evident with Moana’s traditional camakau (canoe) and oar as the centerpiece. Long flowing sheets in shades of blue are used to represent waves and a screen print depicts the beach and ocean. 

As with many children’s theater productions, there is a moral to the story, best described by co-director Courtney Braun. “Moana really provides a lesson for each individual audience member. A journey of self-love and passion for some, the importance of family for others, and most importantly — a strong message of perseverance and overcoming fears.”

Don’t miss this one.

While folding chairs are available, theatergoers are welcome to bring blankets or chairs for seating. Mats are available for smaller children who would like to sit up front. Bathrooms are available on the premises and merchandise and water will be sold before and after the event (debit or credit only).

The Smithtown Center for the Performing Arts presents Moana Jr. on the grounds of the Smithtown Historical Society, 239 E. Main St., Smithtown on various dates and times through Aug. 14. Running time is one hour with no intermission. Tickets are $18 per person. To order, call 631-724-3700 or visit www.smithtownpac.org.

By Barbara Anne Kirshner

Main Streets all across our great nation are home to local theatres with their sparkling neon lights inviting us in to enjoy the enchantment of musicals, comedies and dramas. However last March, due to an unprecedented pandemic that forced the entire world to shut down, theatres suddenly fell into darkness, becoming specters of their former selves. But recently one by one those extinguished lights were turned back on once more illuminating Main Streets as they proudly announce the resurrection of live theatre.

Theatre Three, housed in that distinguished 160-year-old historic building in Port Jefferson, reopened its Mainstage doors on July 16th with the heartwarming fan favorite, The Fantasticks.

Kudos to Jeff Sanzel for celebrating the comeback of live theatre with this much loved classic. We need to escape into an endearing romantic musical right now and Theatre Three delivers. The message of The Fantasticks, that we can all survive and grow, is especially meaningful as we rise once more from a world ravaged by.

This allegorical tale is loosely based on the 1894 play The Romancers (Les Romantiques) by Edmond Rostand. Tom Jones (libretto and lyrics) and Harvey Schmidt (music) created a show that holds the distinction of being the world’s longest running musical having premiered at the Sullivan Street Playhouse off-Broadway on May 3, 1960 accumulating 17,162 performances before it closed on January 13, 2002, after 42 years. A revival opened August 23, 2006 at The Theater Center off-Broadway where it ran through June 4, 2017. 

Simplicity accompanied by theatricality are key elements to The Fantasticks and are exquisitely displayed through the light romance of a girl and the boy next door against a backdrop of minimal set by Randall Parsons with a small platform, two benches, two trunks, streetlight and a piano. Lighting design by Robert Henderson, Jr. helps create the intimacy, the magical moonlight and the reality that comes with the sun. 

Director Jeffrey Sanzel has assembled a versatile cast with actors called upon to not only sing, dance and act but play musical instruments.

Steve McCoy is captivating as the swashbuckling narrator El Gallo who weaves an irresistible spell immersing us in this timeless tale. With the beautifully melodic and pivotal song “Try to Remember,” he entreats us to return to a time of innocence   “When life was slow and oh, so mellow” and if we remember then “follow, follow, follow.” He is the conjurer creating romance, then mischief.

The Mute portrayed by Michelle LaBozzetta provides the only concrete tones to this intentionally abstract show. She is the wall separating the houses; she gracefully throws confetti into the air representing the change of seasons and she passes out props.

Meg Bush as Luisa/The Girl with her operettic soprano in addition to her ability to play both the flute and guitar is unique. Her Luisa personifies innocence. She is the dreamer, the moonstruck girl who pleads, “I am special. Please, God, please, don’t let me be normal.” We can’t help but empathize. Matthew Hoffman as Matthew/The Boy with his resonant tenor adds a depth of emotion to Jone’s lyrics. His seductive saxophone embraces Schmidt’s jazzy score.

Kyle Imperatore as Bellamy/The Girl’s Father and Jeffrey Hoffman, Hucklebee/The Boy’s Father give delightfully comedic performances as their pretense of a feud tricks their children into falling in love. Hoffman is a multi-talented force who smoothly transforms from musical conductor and pianist to Hucklebee and back again. 

The fathers know all too well that the feud must appear to finally come to an end. They enlist El Gallo to “kidnap” Luisa so Matt can be her hero by rescuing her. To assist in staging this first class abduction, El Gallo calls upon The Old Actor (Henry) played by Jeffrey Sanzel and his sidekick, The Man Who Dies (Mortimer) played by Steven Uihlein. Their antics are so much fun the moment they climb out of their costume box.

It is interesting to note that Tom Jones played the role of The Old Actor in the original Off-Broadway production and in the 2006 revival Jones recreated the role in addition to directing as Sanzel is doing in this production.

Chakira Doherty’s costumes help to reinforce the mood from Luisa’s floating dress emphasizing the innocent, dream-like quality to El Gallo’s dashing long black coat. Sari Feldman’s choreography supplies the right touch of theatricality particularly in the frenzied “The Abduction Ballet” and the frenetic “Round and Round.”

Theatre Three’s production of The Fantasticks is charming and entertaining with catchy songs that you leave the theatre singing.

Theatre Three, 412 Main St., Port Jefferson presents The Fantasticks on Fridays and Saturdays at 7 p.m. and Sundays at 3 p.m. through Aug. 15. Tickets are $35 adults, $28 seniors and students, $20 children ages 5 to 12. For more information or to order, call 631-928-9100 or visit www.theatrethree.com.

Photo from East End Arts

East End Arts & Humanities Council, Inc. has announced the winners of the 2021 Teeny Awards. An award ceremony was broadcast live from the Westhampton Beach Performing Arts Center on July 11.

And the winners are:

LEAD MALE IN A PLAY, Kiernan Urso in the role of George Spelvin in “The Actor’s Nightmare” at Longwood

LEAD FEMALE IN A PLAY, Jessica Soledad in the role of Juror #8 in “12 Angry Jurors” at Hampton Bays

SUPPORTING MALE IN A PLAY, Isaiah Mraz in the role of Corey in “Our Place” at Southold

Photo from East End Arts

SUPPORTING FEMALE IN A PLAY, Emma Martinez in the role of Betty-Sue in “It’s Always the Butler” at Shelter Island

LEAD MALE IN A MUSICAL/MINI-MUSICAL, Kiernan Urso in the role of Dr. Jekyll/Mr. Hyde in “Jekyll & Hyde” at Longwood

LEAD FEMALE IN A MUSICAL/MINI-MUSICAL (TIE)

Angelina Milici in the role of Lucy Harris in “Jekyll & Hyde” at Longwood
Juliet Rand in the role of Lady of the Lake in “Spamalot: The Socially Distant Concert-ish Version” at Southold

SUPPORTING MALE IN A MUSICAL/MINI-MUSICAL, Quinn Bruer in the role of Taunter, Herbert, & Monk in “Spamalot: The Socially Distant Concert-ish Version” at Southold

SUPPORTING FEMALE IN A MUSICAL/MINI-MUSICAL, Zoe Richardson in the role of One-Eyed Pete in “Take Ten!” at Pierson

OUTSTANDING PERFORMER IN A PLAY, MUSICAL/MINI-MUSICAL, OR MUSICAL REVUE (TIE)

Silas Jones in the role of Dance Captain in “Anything Goes” in the Musical Revue: “Pandemic Pandemonium of 2021” at East Hampton
Brenna Kiernan in the Musical Revue: “A Broadway Revue” at Rocky Point

OUTSTANDING CHOREOGRAPHY

Elizabeth and Jacqueline Gluck for “I Feel Pretty” in the Musical Revue: “The Southampton Broadway Revue”

OUTSTANDING POSTER DESIGN (TIE)

Vanessa Aurigue for “Jekyll & Hyde” at Longwood Belle Penny for “Our Place” at Southold

JUDGES CHOICE

“Jekyll & Hyde” at Longwood “Les Misérables” at Miller Place

BEST SOLO PERFORMANCE IN A MUSICAL REVUE, Zoe Richardson for “Dream a Little of Me” in “Take Ten!” at Pierson

BEST DUET/TRIO PERFORMANCE IN A MUSICAL REVUE, Tessa Cunningham, Brenna Kiernan & Samantha Leversen for “Webber Love Trio” in the Musical Revue: “A Broadway Revue” at Rocky Point

BEST GROUP PERFORMANCE IN A MUSICAL REVUE, “Seize the Day” in the Musical Revue: “Hope Rising” at Riverhead

BEST MASTER OF CEREMONIES/HOST/NARRATOR IN A MUSICAL REVUE, Johan Arias as Master of Ceremonies in “The Southampton Broadway Revue” at Southampton

BEST MUSICAL PERFORMANCE IN A VIDEO, Camryn Trant for “Stupid with Love” at Mattituck

BEST MONOLOGUE PERFORMANCE IN A VIDEO, Michael Marziliano for “Trinculo (The Tempest)” at Bellport

For the full list of the nominees & winners, visit www.eastendarts.org

For more information or details about the ceremony please contact Teeny Awards Coordinator Kasia Klimiuk at 516-297- 4123 or email [email protected]

The Carriage House Players continue the 32nd annual Shakespeare Festival at the Suffolk County Vanderbilt Museum, 180 Little Neck Road, Centerport with As You Like It, the classic pastoral comedy of mismatched lovers and mistaken identity. The play runs through August 1.

Evan Donnellan, executive director of the CHP, said, “The Carriage House Players are so excited to return to the Vanderbilt Museum Courtyard for our annual Shakespeare Festival! We cannot wait to entertain you.”

The festival continues with:

Titus Andronicus: August 8-29 (excluding 8/27)

Shakespeare’s first tragedy, a tale of ambition and revenge, comes to the Vanderbilt stage with a modern spin on the classic material.

Performances are Wednesdays and Fridays at 8 pm, Sundays at 7 pm. Tickets: $20 for adults, $15 for seniors and children. Visitors must bring their own chairs. To order, visit www.vanderbiltmuseum.org.

Visit www.carriagehouseplayers.org for more information.

 

By Julianne Mosher

After more than a year of being shut down due to the COVID-19 pandemic, the Smithtown Center for the Performing Arts finally opened its doors and did so with a bang on Saturday, June 10 with its showing of the two-time Tony Award-winning hit musical Green Day’s American Idiot.

The rock opera, comprised mostly of songs from Green Day’s critically acclaimed 2004 album of the same name as well as several songs from its follow-up release, 21st Century Breakdown, is set in present time and centers around three friends; Johnny, Will and Tunny. The three dream of leaving their stifling, suburban lifestyle and plan to leave and head to the big city. 

In the nine-minute-long narrative, “Jesus of Suburbia,” the three are ready to board the bus, as Will’s girlfriend, Heather, tells him she is pregnant, so he stays. Johnny and Tunny head off, singing along to Green Day’s hit, “Holiday.”

The city is exciting, but eventually the duo realizes it’s not it’s all cracked up to be. Tunny quickly gives up on life in the fast lane, joins the military and is shipped off to war. Johnny turns to drugs and finds a part of himself that he grows to dislike, has a relationship and experiences lost love. Will, at home, drowns his sorrows in alcohol and marijuana. The audience sees Johnny’s addiction to heroin grow, with the help of St. Jimmy, his manifestation of a rebellious drug-dealing alter ego. 

At SPAC’s Saturday viewing, Mike Visconti’s St. Jimmy was full of energy and angst. The whole cast, in their best 90s punk-styled costumes, had the best chemistry as they head-banged the night away.

Standout performances were by Andrew Murano (Johnny) for his passion and depth of a character who was just trying to find his place in the world. Robbie Torres’s voice and range in “Before the Lobotomy” moved the audience nearly to tears. 

All of the cast members had individual talents that were spotted from the seats like Samantha Rosario’s range in “Extraordinary Girl” that could have been heard on Broadway.

For theater lovers who are fans of “Rent” or “Hair,” “American Idiot” is the lovechild of the two. 

The show contains content that might not be suitable for everyone, including adult language, themes and situations depicting sexual activity and simulated drug use, but its message is clear — life might not always turn out the way we think it will, and sometimes going home is perfectly okay when a plan doesn’t pan out. 

Don’t be an idiot — go see this groundbreaking musical.

The Smithtown Center for the Performing Arts, 2 E. Main St., Smithtown presents Green Day’s American Idiot on Fridays and Saturdays at 8 p.m. through July 31. Tickets are $45 per person, $40 for seniors 55+ and members. To order, call 631-724-3700 or visit www.smithtownpac.org.

By Heidi Sutton

Excitement was in the air as Theatre Three celebrated its reopening on July 10 with The Adventures of Peter Rabbit. Addressing the audience, director Jeffrey Sanzel said, “This is our very first theater performance since March 15 of last year. This is also our favorite children’s show of all time and I know you’re going to like it.” 

Well, that was an understatement.

For the next hour and 20 minutes the young theatergoers were treated to the mischievous adventures of Peter Rabbit and his cousin Benjamin Bunny … and loved every minute of it. 

Written by Jeffrey Sanzel and the late Brent Erlanson, the original musical is loosely based on one of the best-selling books of all time, The Tale of Peter Rabbit by Beatrix Potter, and features all of the beloved characters in the story. The eight adult cast members know their target audience well and keep them well entertained. 

Cast:

Peter Rabbit: Eric J. Hughes

Benjamin Bunny: Steven Uihlein

Mrs. Rabbit: Elizabeth Ladd

Flopsy: Meg Bush

Mopsy: Alyssa Montes

Cotton-Tail: Heather Rose Kuhn

Mr. McGregor: Darren Clayton

Mrs. Mcgregor: Linda May

The audience is whisked away to the countryside home of Mrs. Rabbit and her four bunnies who live next to Mr. and Mrs. McGregor. While Flopsy, Mopsy and Cotton-Tail listen to their mother by staying inside and doing their chores, Peter and Benjamin spend the day sneaking into Mr. McGregor’s garden to satisfy their insatiable appetite for lettuce, tomatoes, cucumbers, parsley and string beans. The many trips to the garden patch eventually wear down the farmer’s patience, resulting in a great chase with a narrow escape.

The show is adorable on so many levels. Like two peas in a pod, Peter and Benjamin produce the most laughs with their antics and Flopsy, Mopsy and Cotton-Tail spend most of their time looking for their wayward brother. And for some strange reason, the audience will walk away with a craving for bread and milk and blackberries.

The show is also a lesson in ingenuity. Trapdoors on stage become rabbit holes used by Peter and Benjamin to hide. An attempt to reclaim Peter’s socks and shoes and jacket and hat from a scarecrow in the garden turns into a scene from Mission Impossible complete with perilous stunts and spotlights. And when Peter retells the great chase to his family, the entire scene is reenacted in slow motion — a most spectacular feat.

Audience interaction is a big part of the show as the actors spend as much time in the aisles of the theater as on stage. When searching for Peter and Benjamin, Flopsy, Mopsy and Cotton-Tail run around asking the children if they’ve seen them (“They’re right behind you!”).  When Benjamin Bunny tried to jump onto the stage over and over again during last Saturday’s performance, the children called out words of encouragement (“You can do it Benjamin!). He took the stairs. 

With excellent choreography by Nicole Bianco, the musical numbers, accompanied on piano by Doug Quattrock, are catchy and fun, with special mention to “One More Time Around,”  “Run, Peter, Run!” and the hip hop number, “Peter’s Socks.” The final number incorporates all of the songs in a super mega-mix extravaganza.

Best suited for ages 3 to 8, The Adventures of Peter Rabbit is the perfect choice to celebrate Theatre Three’s reopening and the return of live theater. Your kids will love it.

Souvenir bunnies in various colors will be sold before the show and during intermission for $5 (proceeds will help maintain the historic building) and the entire cast is in the lobby after the show for a meet-and-greet.

Theatre Three, 412 Main St., Port Jefferson presents The Adventures of Peter Rabbit on Saturdays at 11 a.m. through Aug. 14. Children’s theater continues with A Kooky Spooky Halloween from Oct. 9 to 30 and Barnaby Saves Christmas from Nov. 20 to Dec. 26. All seats are $10. To order, call the box office at 631-928-9100 or visit www.theatrethree.com.

File photo by Heidi Sutton

By Tara Mae

“We closed on March 16, 2020 and started planning how we would reopen on March 17, 2020.” 

That is how co-founder and Artistic Director of the Smithtown Center for the Performing Arts Ken Washington described the process of arranging to reopen the theater after it had to close due to the pandemic. 

Located at 2 East Main Street in Smithtown, the theater offers plays, concerts, and educational services to the community.

“We’re scheduling a mix of fun new programs and rescheduling the shows that needed to be postponed, to fulfill those promises to the patrons who stood by us during this time,” said Associate Managing Director Kelly Mucciolo. 

Mainstage Theater

The cast of Green Day’s American Idiot in rehearsal at the Smithtown Center for the Performing Arts. Photo by Gabriella Fugon

Its first mainstage show since March of 2020, Green Day’s American Idiot, is scheduled to open July 9 and will run every Friday and Saturday night at 8 p.m. through July 31. “Throughout the next six months we will be adding to the schedule … as certain things become available, and audiences become more comfortable gathering in an indoor environment,” explained Washington.

American Idiot provides an opportunity to reunite individuals who share a passion for performance. The rock musical, based on the 2004 Green Day album of the same name, follows the stories of three disaffected young men in a post-9/11 world. 

“Rock music and musicals have always been my favorite part of working in theater.  American Idiot has very powerful music, and some very poignant lyrics that hit a little bit differently when you think about them in the context of the world today,” said resident Musical Director Melissa Coyle. 

The cast of Green Day’s American Idiot in rehearsal at the Smithtown Center for the Performing Arts. Photo by Gabriella Fugon

Scheduled to open the week the theater was forced to close, American Idiot was selected as the mainstage’s first post-lockdown production because of that fact. “We wanted to honor the ticket holders who have supported us during the pandemic,” Mucciolo said. Although the cast and crew are largely different from the planned 2020 production, most have had previous connections with the Smithtown theater.

“The talented cast has made it very easy to put together this really exciting show. It’s been a fun challenge to present this mostly sung-through show and pull out different story elements within the score and script,” said director Ronald Green III, who has acted in other plays at the theater and has been it’s resident costumer since 2011. 

Although not yet fully published, the new mainstage season strives to be a mix of the missed lost potential of 2020 and the hopeful possibility of 2021. In addition to American Idiot, the theater will offer I Love You, You’re Perfect, Now Change from Aug. 21 to Sept. 19, with the cast of 2012 largely reprising their roles. And Menopause the Musical touring group returns from Oct. 1 to Nov. 14.

Children’s Theater   

For the second summer in a row, children’s theater will be held on the grounds of the Smithtown Historical Society beginning with Moana Jr. from July 15 to Aug. 14, followed by Don’t Let the Pigeon Drive the Bus from Aug. 28 to Sept. 17; and Spookley the Square Pumpkin: The Musical from Sept. 25 to Oct. 31. Kids shows then move home to the Smithtown Performing Arts Center, with Frozen Jr. from Nov. 20 to Jan. 17. 

Moana Jr. was chosen to launch the children’s theater’s new season because it was so well-received in 2020. When surveyed, children’s theater patrons indicated that the show was one that they would most like to see again. 

From left, Zach Podair as Pua, Gabriella Fugon as Moana, and Lorelai Mucciolo as Hei-Hei in last year’s production of Moana Jr.  Photo by Courtney Braun

Jordan Hue and Courtney Braun co-directed both the upcoming production and last year’s run of Moana Jr., a 60-minute adaptation of the Disney film. The coming-of-age tale follows the adventures of Moana and her quest to return the heart of Te Fiti and save the world.

“I think Moana brought us together during a difficult time and gave us a sense of community. We are looking forward to bringing it back to show we made it through the storm and further celebrate,” said Hue. “It’s a fun, dynamic, energetic piece of theater that engages young people and celebrates a culture different from our own, which has great value.”

Similarly, Braun was drawn to the project because of its spirit of inclusivity and message of self-discovery. Additionally, she found solace in being with familiar faces when so much of life was uncertain and so many individuals felt isolated.  

“[It] was an experience that I will never forget — from the community support, actors, family and theater support we have really pushed through some of the most unimaginable times. Moana really provides a lesson for each individual audience member. A journey of self-love and passion for some, the importance of family for others, and most importantly — a strong message of perseverance and overcoming fears,” Braun said. 

Smithtown Performing Arts Center’s arrangement with the historical society permitted children’s theater performances to proceed last summer and run through fall, which in turn fostered an ongoing rapport with actors and audiences, according to Mucciolo. “We were extraordinarily lucky to be able to partner with the Smithtown Historical Society last summer to bring live theater to Smithtown in an outdoor setting with our Kids Performing For Kids productions. Being able to get back with our student performers and connect with our audiences again in an exciting new setting was very emotional,” she said. 

These performances, which fully adhered to social-distancing and mask mandates, enabled a feeling of relative familiarity for audience, actors, and staff.  

“At least once per show a patron would come up to us in tears because they were able to give their children a normal, fun experience in the middle of a scary, uncertain time, and that was a feeling we could all connect to. It’s been one of the most rewarding experiences,” Mucciolo added.

Summer camp

A step towards relative normalcy is a relief for patrons, students, and staff. The theater’s summer intensive theater education camp continues this trajectory, offering two sessions: “Historical Musicals” from July 5 to 23, and “Jukebox Musical” from July 26 to Aug. 14. The former addresses musicals that took place or were influenced by significant historical events, while the latter focuses on musicals that create stories around the songs of popular artists. 

Camp is a facet of the theater’s education program, which also has theater arts classes for children. They resumed this past September, with all participants adhering to the appropriate health guidelines.  

“The students were thrilled to return to the theater, and we were ecstatic to see each other again. We offered dance technique classes and musical theater performance classes,” Coyle said. “Despite the restricting CDC guidelines which were adhered to, where the students had to stay physically distant and masked at all times, they were still able to see their friends, work together on and off the stage, and find joy together during this very difficult period.” 

Sharing a purpose with the public was reportedly a primary motivation of Washington’s when he established the Smithtown Center for the Performing Arts with his wife, Laura, in 2002. The historic building, which was built in the early 1930s, was originally a single screen cinema house before being purchased by United Artists and transformed into a discount movie theater. By 1999, it was set for demolition. A petition to save it garnered more than 8,000 signatures. 

“We bought and renovated the theater to fulfill the lifelong dream of offering theater arts and entertainment to the community of Smithtown and the surrounding communities,” Washington said.

“This building has always held a lot of memories for the citizens of Smithtown, both for the people who knew it as a movie theatre and for the people who have loved it for eighteen years as a performing arts center,” said Mucciolo. “Bringing patrons back into this building is emotional and special.”

Tickets to mainstage productions are $45 for adults, $40 for seniors. Tickets to Menopause the Musical are $55, $50 seniors. Tickets for children’s theater is $18 per person. Visit www.smithtownpac.org or call 631-724-3700 to order. Box office phone hours are Tuesday to Thursday from 10 a.m. to 3 p.m., Friday and Saturday from 3 to 8 p.m. 

A scene from 'The Little Mermaid Jr.' at the Engeman in 2018. Photo by Jessie Eppelheimer

The John W. Engeman Theater, 250 Main St., Northport presents Disney’s The Little Mermaid Jr. from July 24 to Aug. 29. Follow the adventures of mermaid princess Ariel and her friends Flounder the Guppy, Scuttle the Seagull, and Sebastian the Crab in this musical under-the-sea classic.

THE LITTLE MERMAID JR. tells the “tail” of a mermaid who longs to be human and the prince who helps her achieve her dream. With popular sing-along songs such as “Under the Sea,” “Kiss the Girl,” “Part of Your World,” and “Poor Unfortunate Souls,” this abbreviated version of the well-known Disney fable runs under 90 minutes and is appropriate for families and children of all ages. Performed by a cast of semi-professional adult actors, expect lots of dancing in the aisles and audience interaction for this Children’s Theater performance.

All seats are $20. To order, call 261-2900 or visit www.engemantheater.com.

From left, Sari Feldman, Jeffrey Hoffman, Meg Bush, Steve McCoy during rehearsal for 'The Fantasticks'. Photo by Peter Lanscombe, Theatre Three Productions, Inc.
Summer lineup includes a mainstage production, comedy festival and children’s theater

By Tara Mae

In theaters all over Long Island, the house lights are dimming and seats are waiting to be filled. 

In Port Jefferson, Theatre Three is officially reopening with its children’s theater musical The Adventures of Peter Rabbit on Saturdays from July 10 to Aug. 14; the annual, albeit abbreviated, Long Island Comedy Festival on July 9 and 10, and a special production of The Fantasticks from July 16 to Aug. 15.

When the pandemic closed the theater’s doors last March, all programming moved online and plans for reopening began. “We spent pretty much every day for a year, talking about what we would do when we reopen: if this happens, we’ll do this, if that happens, we’ll do that. We were trying to wrap our heads around the guidelines,” said Jeffrey Sanzel, Executive Artistic Director. “The vaccine was the big first step, then the shifting capacity. It’s an ongoing process, still in progress.”

A perennial favorite, ‘The Adventures of Peter Rabbit’ returns July 10.

Through its virtual program “Off-Stage/On-Line,” Theatre Three produced theater throughout the lockdown with audiences attending via Zoom. After putting out a call for original short works to be produced as online plays, Sanzel received approximately 1600 submissions. The last play debuted on June 20. Still available through the theater’s YouTube page, the plays range from 5 to 22 minutes and feature 85 works, 76 playwrights, and 156 actors. 

As it invites the public back in, Theatre Three is invoking popular productions to engage its audiences. The Adventures of Peter Rabbit was chosen to relaunch the children’s theater because of its familiarity. 

“We do it every year,” said Sanzel. “We thought it would be a great show to reopen the children’s theater, it’s very popular and great for all ages.” All of the theater’s children’s plays are written in-house, according to Sanzel. “I write the book and frequently the lyrics. I also work with other composers.” 

Theatre Three’s first in-person special event will be the Long Island Comedy Festival, now in its 15th year. Comedian Paul Anthony, founder and director of the festival, started it at Theatre Three. It has since expanded across Long Island. 

“Theatre Three is one of the most iconic theaters on Long Island. We perform at pretty much every theater on Long Island, but Theatre Three, which was originally built as a vaudeville house, has an incredible history and all the elements you could ever want from the theater. Comedians always compliment the acoustics; there is something about the acoustics and feel of the theater, you feel like you’re in Manhattan. On top of that, I have never worked with a more supportive group of people,” said Anthony. 

Comedian Paul Anthony hosts the 15th annual Long Island Comedy Festival on July 9 and 10

This year, the theater is having a condensed version of the festival. “We normally present two weekends of the Festival —one at the beginning of the summer and one at the end,” said Sanzel. “We thought it would be a fun, upbeat way of welcoming people back to the theatre.”

For the theater’s first live mainstage production in approximately 16 months, Sanzel chose to present The Fantasticks. The longest running musical, it played for 42 years off-Broadway and is an allegorical tale about two fathers who trick their children into falling in love by pretending to feud. 

“We wanted to open with something that has name recognition and strong artistic value, but is incredibly entertaining. It has a beautiful message, it has a small cast, and it’s not tech-heavy. We selected it at a time when we did not know that we could open to full capacity,” Sanzel said. “We’re coming out of the pandemic, strong but bruised by the world. I thought that was part of the message of the show. It also has a glorious score … I knew that I could put together a very strong cast. I knew it was the right time. It’s manageable as we’re reopening.” 

Sanzel sought out actors with whom he had previously worked, reaching out to individuals with existing connections to Theatre Three. Meg Bush, of Stony Brook, found that returning to the theater was like coming home. While she was growing up, her mother acted in children’s theater and she took acting classes at before making her official stage debut in Theatre Three’s annual production of A Christmas Carol.

“I’ve been an actor since I was 18, when I did all the touring productions, some mainstage productions, and all of the children’s theater. Jeff breathes life and beauty and humor into each show he directs and moments in between too. He is the life and soul of theater; it’s impossible not to be drawn back. It’s a family,” she said. 

Steve McCcoy and Meg Bush star in The Fantasticks. Photo by Peter Lanscombe/Theatre Three Productions, Inc.

While Sanzel had artistic and practical reasons for choosing The Fantasticks, Bush,  who plays Luisa/The Girl, views this particular play as both an example and emblem of what makes live theater culturally and emotionally important. “Theater is such a beautifully organic way of producing compassion in everyone who is willing to experience it. We can step into another’s shoes, and open our eyes to the experiences of everyone around us,” she said. “It can be so enlightening and such a gift to see the world outside of our own minds and understand people at their core, without reading it on a page or seeing statistics.” 

Steve McCoy, who plays El Gallo/The Narrator, also has a long history with Theatre Three. Already working as a professional actor, he first appeared onstage in Kiss Me, Kate. Later, when he was exploring the production and administrative elements of creating theater, McCoy took a job as associate artistic director, a position he held for seven years before he returned to acting full-time. “I still consider Theatre Three to be my home away from home. I can’t think of a more appropriate and amazing place to get back on stage. It has literally saved my life at times,” he said. 

The reopening of Theatre Three is a chance for audiences and performers to reconnect with each other in a way the pandemic prevented. “Theater offers great adventure, which we have been lacking for at least the past year,” said Bush. “It’s such a gift.”

Theatre Three is located at 412 Main Street in Port Jefferson. All seats for The Adventures of Peter Rabbit are $10; Long Island Comedy Festival tickets are $35; and tickets to The Fantasticks are $35 adults, $28 seniors, and $20 students. To order, please call 631-928-9100 or visit www.theatrethree.com.

A scene from last year's 'Moana Jr.' Photo by Courtney Braun

The Smithtown Center for the Performing Arts will present outdoor performances of Disney’s Moana Jr. on the grounds of the Smithtown Historical Society, 239 E. Main St., Smithtown from July 15 to Aug. 14. Join Moana and the legendary demigod Maui as they embark on an epic journey of self discovery, as they both learn to harness the power that lies within. Featuring all the beloved songs from the film, the adventures of Moana come to life live on stage. Tickets are $18 per person. To order, visit www.smithtownpac.org.