Music

By Heidi Sutton

Written almost 300 years ago, Beauty and the Beast is a tale as old as time. 

A classic story of love and sacrifice, a girl by the name of Belle searches to find her place among the townspeople in her village, all while dodging the advances of a self-loving brute named Gaston. When her father is taken prisoner by a monstrous beast in an enchanted castle, Belle chooses to take his place. 

The Beast is really a young prince who is trapped under the spell of an enchantress. If he can learn to love and in return find someone who will love him before all the petals on an enchanted rose wither, the curse will end. But time is running out. If the Beast does not learn his lesson soon, he and his castle staff will be doomed for all eternity. Will Belle be the one to break the spell? 

Now the  enchanting fairy tale heads to the John W. Engeman Theater in Northport to bring joy to yet another young generation in the form of Disney’s Beauty and the Beast Jr. with book by Linda Woolverton. Although an abbreviated version of the original with a running time of one and a half hours, it features all of the wonderful songs we’ve come to love by Alan Menken, Howard Ashman and Tim Rice including “Belle,” “Gaston,” “Be Our Guest,” “The Mob Song,” and everyone’s favorite, “Beauty and the Beast” sung by Mrs. Potts.

Directed by Danny Meglio with musical direction by Gina Salvia, the 15-member cast transports the audience to a French provincial town full of action, adventure, singing and dancing and does a wonderful job with special mention to Nancy Rose Fallon as the beautiful Belle and Adam Brett as the Beast who can’t control his temper. Brett really gets into character all the way down to the snarl, but is never scary. The musical touches often on Belle’s love of books and, in one of the sweetest moments in the show, she reads the story of King Arthur to her captor during their duet “Something There.” 

Terrence Bryce Sheldon as the creep Gaston and Daniel Saulle as his sidekick Lefou have the most fun roles and pull them off with ease. Michael Fasciano gives a passionate performance as Belle’s father, Maurice. 

An audience favorite, the enchanted castle staff — Jae Hughes as the candelabra Lumiere in a perfect French accent; Daniel Bishop as Cogsworth the talking clock; Suzanne Mason as Mrs. Potts the teapot; Jillian Sharpe as Babette the feather duster; Lacey Cornell as Madame de la Grande Bouche the wardrobe; and the adorable teacup Chip (a dual role played by Sophie Achee and London Delvecchio) — are visually stunning thanks to costume designer Laura McGauley who also produces the iconic yellow gown for Belle.

As choreographer, Danielle Alliotta also deserves kudos for the big dance numbers including “Gaston” and “Be Our Guest.”

A screen in the back of the stage is used to depict the different scenes of the show including the different rooms in the Beast’s castle — a nice touch — and the actors walk through the aisles often, keeping the children at the edge of their seats.

The Engeman has gone all out on this production and it shows. Catch a performance before the last petal falls.

The John W. Engeman Theater, 250 Main St., Northport presents Disney’s Beauty and the Beast Jr. through Oct. 30. Light-up roses may be purchased before the show and during intermission and costumes are encouraged. All seats are $20. For more information or to order, call 631-261-2900 or visit www.engeman theater.com.

 

Photo by Aidan Johnson
By Aidan Johnson

Sea shanty singers from around the globe were called from the briny deep to perform at the 2nd annual Port Jefferson Sea Shanty & Maritime Music Festival on Saturday, Oct. 1. 

Performer Monti Babson of “Pirates at Large”

While the event was due to be held outside at Harborfront Park, it was moved to inside the Village Center due to inclement weather. Yet this was no issue for the singers, as they still gave delightful and entertaining performances.

Amy Tuttle, program director for the Greater Port Jefferson-Northern Brookhaven Arts Council and creator of the festival, wanted to give sea shanty singers a place to share their talent. 

“Last year, there were some sea shanty singers from Mystic Seaport [Connecticut], and Mystic had discontinued their sea shanty [festival], so those shanty singers were distressed and sad that they had no place to play,” Tuttle shared. “And I said Port Jefferson has a very rich and interesting shipbuilding history — come here.”

Over a matter of a couple of months, GPJAC was able to put together the inaugural Port Jeff sea shanty festival. After seeing that the event was successful, the arts council decided to hold it annually.

Performers Bob Conroy and Bill Grau of “Stout”

Shanty singers came from afar to participate in the festival, including Connecticut, New Jersey and England. “They’ve come from all over to perform in this festival,” Tuttle said.

The performers aren’t the only ones excited about sea shanties. TikTok has thrown the genre into the spotlight amongst the youth, especially with the song “The Wellerman.” 

“I know during the pandemic it was a thing on TikTok, and a lot of the kids were experimenting with different things and writing their own music, which was fabulous,” Tuttle said. “We thought, how fun would it be to get some of the [original] singers to come and do sea shanties here.”

Many of the performers have had several decades of experience with sea shanties under their belt. Maria Fairchild started off playing the piano as a child before moving on to the guitar and eventually the banjo. She also has performed in multiple bands for more than 30 years. Adam Becherer, with whom Fairchild performed, grew up with the bluegrass scene in South Street Seaport in Manhattan thanks to his father being in a bluegrass band. 

Performers Adam Becherer and Maria Fairchild

Both Fairchild and Becherer feel an attraction toward folk music. “I like the history of it,” Fairchild said. “I also like that the melodies are … different from modern music, and there’s something really ancient that I’m attracted to.” Becherer added, “I love the collaborative nature of it. I love getting together with people who you don’t necessarily know, but there’s like a common language of tunes that people can get together and play.”

Despite the weather, the music festival went off without a hitch. Tuttle, along with GPJAC, is planning on having a tavern setting next year, in which people can learn how to sing and play the songs. 

Currently, the arts council is presenting its Port Jefferson Documentary Series, with screenings taking place throughout the fall. For more information, visit www.gpjac.org.

— Photos by Aidan Johnson

Open Mic Night. Metro photo

The Cinema Arts Centre, 423 Park Avenue, Huntington, joins with the Folk Music Society of Huntington in presenting the NorthShore Original Open Mic (NOOM) three Wednesday nights each month, beginning October 12.  The open mic series, to be held in the Cinema’s Sky Room, is set for 7 p.m. with open mic sign-up beginning at 6:30 p.m. Although it is free to attend, donations will be sought and gratefully accepted.

“It’s our pleasure to continue the ever-deepening partnership between the Cinema Arts Centre and two pillars of Long Island music scene – the Folk Music Society of Huntington and NorthShore Original Open Mic (NOOM),” said Dylan Skolnick, co-director of the Cinema Arts Centre.

“The Folk Music Society of Huntington’s monthly Hard Luck Café series has been a mainstay of our programming for many years, bringing some of the country’s best folk music performers to dedicated folk fans here in Huntington. With the introduction of a weekly open mic night we are delighted to offer even more opportunities for music lovers and artists to come together, as well as a space where seasoned performers can try out their newest original pieces and where up-and-coming musicians can get used to performing for a crowd,” Skolnick added.

“NOOM is thrilled to partner with the Folk Music Society of Huntington and the Cinema Arts Centre and lay the groundwork for a weekly opportunity for original songwriters and performers to present their original songs in a welcoming and relaxed atmosphere,” said Toby Tobias, a Huntington-based singer-songwriter who launched the open mic series at a small coffee shop in Northport in the fall of 2013.

One of the longest running weekly original open mics on Long Island, NOOM has reincarnated itself at quite a few North Shore locations through the years — most recently at Finley’s in Huntington.  Although the COVID-19 pandemic precluded NOOM from taking place in-person since March 2020, songwriter Richard Parr has been livestreaming the open mic every week since then and will also be playing a major role when it resumes in-person.

“We invite singer-songwriters of varying skill levels and those who love live music, to gather at the Cinema Arts Centre to listen to songwriters, dedicated to the craft of writing and singing their songs, play and talk about their original music in an environment of goodwill and open-mindedness,” said Tobias. He noted that each NOOM will also include a featured 20-minute performance by a known/emerging local or touring songwriter starting at around 8 p.m. “I am very excited to be a part of this,” he said.

Michael Kornfeld, longtime president of the Folk Music Society of Huntington, shares their excitement. “FMSH is delighted to extend its partnerships with both NOOM and the Cinema Arts Centre and to help provide opportunities for local singer-songwriters to share their music with our community,” he said. “NOOM has been an Acoustic Ally of FMSH for a number of years. We’ve cross-promoted each other’s events and presented a couple of joint livestreams over the past two years.”

Affording local artists opportunities to share their talents with appreciative audiences in an intimate listening room atmosphere was the initial impetus behind the nonprofit presenting organization’s Hard Luck Café concert series many years ago, Kornfeld noted.  That series now features a mix of local, regional and national touring artists. The Cinema Arts Centre has partnered with the Folk Music Society of Huntington and hosted the monthly Hard Luck Café concerts in its Sky Room for more than a decade. That series resumes on October 19 with featured act No Fuss and Feathers and will take place on the third Wednesday of each month, from 7-9:30/10 p.m. An open mic also precedes most Hard Luck Café concerts.

Upcoming dates include:

October 12, 26

November 2, 9, 30

December 7, 14, 28

Sign up here.

For more information, visit www.cinemaartscentre.org.

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The Beo String Quartet at Sept. 24 concert. Photo from The Atelier at Flowerfield

On September 24  the Atelier at Flowerfield hosted a “Pop Up” concert featuring the Beo String Quartet. The quartet was presented by the Three Village Chamber Players.

By crafting original music and projects, engaging listeners through entertainment and thoughtful demonstration, collaborating with living composers, performing quartet masterpieces in a wide array of settings, and exploring technology’s capacity as a musical and social tool, Beo is expanding the role of chamber musicians in today’s global culture. Now in its seventh season, Beo has performed over 100 concert works in the US and Europe–including over 45 world premieres.

Music education outreach is essential to the quartet’s vision. Beo has earned a reputation for its thoughtfully-crafted educational shows. Although disguised as entertainment, each show is designed to teach real chamber music skills and a love for classical music to students ranging from complete beginners to pre-professionals. Through its educational tours of elementary, middle, and high schools, short-term residencies at colleges and universities, and its annual residency at Dakota Chamber Music, Beo has shared these unique, engaging experiences with more than 3,500 students to date.

The mission of The Atelier at Flowerfield is to stimulate and enhance appreciation of the arts on Long Island and the greater NY metro area. To learn more about The Atelier at Flowerfield, go to https://theatelieratflowerfield.org or call 631-250-9009.

By Barbara Anne Kirshner

It’s curtains up on another scintillating season of shows at the Engeman! How can they top last year’s caliber productions that offered one magnificent show after the other? Well, they have done it again with an effervescent Mystic Pizza.

The musical was adapted from the 1988 film classic starring Julia Roberts about three young coming of age waitresses working at a small-town pizzeria in Mystic, Connecticut, a town that is quiet all winter but bustling with tourists in the summer. The real pizza parlor was a popular place in Mystic since 1973 and became the inspiration for the film after being visited by screenwriter, Amy Jones.

The world premiere was at the Ogunquit Playhouse in Maine in 2021. Interesting to note that the concept for a Mystic Pizza musical was first visited in 2007 as part of the plot in season 2 of the NBC sitcom 30 Rock.

This juke box musical rocks with some of the best tunes from the 80’s and 90’s including those of Melissa Ethridge, John Mellencamp, Van Morrison, Phil Collins, Pat Benatar and Debbie Gibson. The songs compliment a substantial script that centers around the lives of three teenage Portuguese waitresses at this pizzeria who are on the threshold of making major decisions concerning lives, careers and romance. The plot highlights the contrast between the working class living in Mystic year-round and the affluent tourists who summer there. 

Igor Goldin in his Director’s Notes commented on how intriguing it was to work on a musical that had only one prior production. That allowed him to open the door for creating without any preconceived ideas. The result is a true feast of sight and sound starting with an ingenious set designed by Kyle Dixon that gives the feeling of a New England fishing village with a rustic backdrop and featuring a large A-frame structure, center stage on a turntable that revolves into various settings. Jose Santiago’s lighting design enhances each set change and establishes mood.

The show is energetic right from the start with John Mellencamp’s spirited Small Town that instantly immerses us in the lives of these townies. The songs are well chosen and placed in just the right spots to help drive the story line. Under the direction of Sarah Wussow, the band wraps itself around each of these pop tunes and is a driving force in delivering emotions. Ashley Marinelli’s choreography compliments the energy of the show with joyous, bouncy movement that embraces the rock tone. Costumes by Dustin Cross appropriately contrast the classes with tight fitting miniskirts for townies as opposed to collegiate styles for upper class.

The three waitresses are engaging as they navigate into adulthood. There is Jojo (Michelle Beth Herman), who faints at her wedding to Bill (Stephen Cerf) but is conflicted since she doesn’t want their relationship to end. She aspires to make something of herself and dreams of owning her own restaurant. Cerf, a consummate vocalist and dancer, punches out Addicted to Love with revved up passion telling us just how committed he is to Jojo. Their duet Take My Breath Away highlights their exquisite vocals and undeniable chemistry.

Sisters Kat (Brooke Sterling) and Daisy (Emily Rose Lyons) are complete opposites. Daisy longs to get out of this Connecticut town and thinks her only option is to attract a well-healed summer tourist. She meets Charles Gordon Windsor, Jr. (Jake Bentley Young), who comes from a wealthy family but is equally disenchanted with his life. His secret desire to be an artist is overshadowed by his father’s insistence that he become a lawyer. Charlie encourages Daisy to have faith in herself and go for what she really wants which is to become a lawyer. Lyons and Young turn in a sensual performance with I Think We’re Alone Now. But conflict erupts when Daisy realizes he invited her to a family dinner as a show of rebellion against his parents’ plans for his future. Young and Lyons’ Hit Me With Your Best Shot is electrifying.

Kat is the smart one, accepted into Yale and is an aspiring astronomer, but naïve in matters of the heart having fallen for Tim (Corbin Payne), an architect who is new in town working on restoration of an old historic residence. As Kat, Sterling embraces the emotion of first love with a poignant Lost in Your Eyes. Sterling and Payne share a sweet moment in When I See You Smile, but their characters’ relationship crumbles when Tim confesses to being in a loveless marriage. 

Leona (Kathryn Markey) is charming as the owner of the pizza shop who exudes concern for her teenage waitresses and mischievous in not revealing the secret ingredient to her specialty sauce until just the right moment.

Kent M. Lewis (The Fireside Gourmet) keeps us in suspense as the aloof critic who will either make or break the pizza shop with his review.

The company adds so much fun and animation to this polished production. and an enthusiastic standing ovation punctuated the sterling performance during last Saturday’s show. The Engeman has done it again with this delightful romp into its 15th season. Catch Mystic Pizza through Oct. 30.

The John W. Engeman Theater is located at 250 Main St., Northport. For tickets, call 631-261-2900 or visit www.engemantheater.com.

By Barbara Anne Kirshner

“Luck Be a Lady”

“If I Were a Bell”

“I’ve Never Been in Love Before”

“Take Back Your Mink”

These familiar songs are part of the rich tapestry that makes up American musical theatre history and all are in the classic, Guys and Dolls, the perfect choice to launch Theatre Three into its 52nd season of bringing fine entertainment to Long Island  audiences.

Frank Loesser’s stunning music combined with his compelling lyrics accompanied by Jo Swerling and Abe Burrows’ whimsical book resulted in a one-of-a-kind show that truly represents Broadway’s Golden Age.

Inspiration for this 1950’s musical came from early 20th Century short stories penned by Damon Runyan most notably “The Idyll of Miss Sarah Brown,” “Blood Pressure” and “Pick the Winner.” Runyan’s penchant toward gambling, especially craps and horse racing, played out in his short stories and in this musical. Likewise, Runyan’s connection to the underworld and best friend, mobster accountant, Otto Berman, is reflected in his works with Berman given the alias “Regret the horse player.” Runyan and his humorous works about gamblers, hustlers, and gangsters from Brooklyn or Midtown Manhattan with unusual names such as “Nathan Detroit,” “Big Julie” and “Harry the Horse” proved a perfect springboard for creating this delightfully entertaining musical. 

Guys and Dolls premiered on Broadway in 1950 winning the Tony Award for Best Musical. It was adapted for the movies in 1955 with a star-studded cast including Marlon Brando, Frank Sinatra, Jean Simmons and Vivian Blaine. Since then, this fan favorite has enjoyed numerous Broadway and London revivals before venturing into Port Jefferson.

This captivating Theatre Three production takes hold of the audience right from the start with a spirited overture under the musical direction of Jeffrey Hoffman that instantly immerses the audience in the light-hearted tone of the show. Then lights go up on the company of actors in mid-twentieth century period piece colorful dresses and dashing suits thanks to costume designers Jason Allyn and Ronald Green III.

Randall Parsons’ scenic design is abstract yet functional with a backdrop of towering city skyscrapers inside a frame outlined with tiny white lights then transforms into the Hot Box Club, this time with a backdrop of shimmering silver streamers before morphing into industrial pipes and smog representing the gambling garage. Stacey Boggs’ lighting design accentuates each scene from brilliant whites to smoldering greens and reds.

Director Jeffrey Sanzel has assembled a dynamic cast that dazzles and owns the flavor of 1950’s New York City. 

There are essentially four leads in this show. Rachel Greenblatt is engaging as puritanical missionary Sarah Brown, dedicated to saving sinners and surprised by her own vulnerability at falling for smooth talking gambler, Sky Masterson (Kevin Shaw). Greenblatt hits the stratosphere with her trilling soprano in such songs as “I’ll Know, If I Were a Bell” and “I’ve Never Been in Love Before.” Shaw’s Sky Masterson is suave, charismatic and oh so cool as a big-time gambler, but becomes equally surprised to realize he has fallen for this prudish do-gooder. There are two showstoppers in this musical and Shaw owns one of them with his rousing “Luck Be a Lady.”

The other two leads in the show are Nathan Detroit (Steven Uihlein), who is obsessed with gambling and not his fiancée, Adelaide (Sari Feldman), with whom he has been engaged for the past 14 years. Uihlein and Feldman are adorable together and their duet in “Sue Me” is humorous as Nathan tries to deflect Adelaide’s insistence that they marry. Feldman equally shines when belting out “Adelaide’s Lament” bemoaning that her one continuous cold is due to waiting so long for that band of gold. Feldman luxuriates in Adelaide’s affectations including her high-pitched New York City accent, rhythmic gait and innocence mixed with determination to finally marry that man.

Nathan is not only dealing with Adelaide’s pressures, but he is being pressured to rent the Biltmore garage for the big crap game. The only problem is he doesn’t have the money for the rent, hence he makes a bet on what he perceives is a sure thing. Nathan bets Sky $1,000 that he will not be able to get Sarah to go to dinner with him in Havana the following evening. 

But the smooth-talking Masterson convinces the sweet missionary to fly off to Havana for dinner. That leaves Nathan in a double mess. He doesn’t have the money for the garage and now he owes Sky $1,000 for losing their bet.

The adroit Company in this show takes on Ryan Nolin’s impressive choreography with gusto. In the Latin flavored Havana interlude the dancers — Rob Ferzola, Melissa Norman, Cassidy Rose O’Brien and Alex Yagud-Wolek — exude sensuality as they ease into Nolin’s gorgeous tableaus. Nolin keeps the party going with Adelaide’s animated Hot Box chorus girls and their effervescent dance routines. 

The second showstopper belongs to Finn MacDevitt’s animated Nicely-Nicely Johnson whose bouncy aerobic routines in “Sit Down, You’re Rockin the Boat,” received rousing applause on opening night.

Theatre Three’s Guys and Dolls is a jubilant celebration of Broadway’s Golden Age. Don’t miss this one. 

Theatre Three, 412 Main St., Port Jefferson presents ‘Guys and Dolls’ through Oct. 22. Tickets are $35, $28 seniors and students, $20 children ages 5 to 12. To order, call 631-928-9100 or visit www.theatrethree.com.

Photos by Brian Hoerger/Theatre Three Productions, Inc.

Event to feature elite line-up of jazz artists

The Jazz Loft, located along the charming Stony Brook waterfront and nearby historic village, presents the 7th annual Harbor Jazz Festival, four celebratory days of jazz featuring  internationally-known acts, including the Harry Allen Quartet, Rubens De La Corte Brazilian Ensemble, Ray Anderson Pocket Brass Band, Nicole Zuraitis and her All Star Band and more, from Sept. 21 to 24.

Much of the festival will take place outdoors overlooking Stony Brook Harbor, as well inside the Jazz Loft at 275 Christian Avenue in Stony Brook. The Loft, which operates as a non-profit organization, was established in 2016 by Dr. Thomas Manuel, its founder, curator, jazz historian and artistic director. Dr. Manuel is also the director of the Loft School of Jazz.

“The year’s Harbor Jazz Festival line-up promises to deliver an extraordinary experience and unique opportunity to hear performances from some of the finest jazz artists in the world,” said Manuel. “Many of the acts booked for this year’s festival perform at some of New York’s top venues and clubs. It’s amazing for our Long Island community that this years’ festival brings them all right here in our own backyard.”

The full schedule for the Harbor Jazz Festival:

Sept. 21 (Wednesday) 7 p.m.

Opening Reception & Jam Session with the Keenan Zach Trio

All tickets $10

Sept. 22 (Thursday) 7-9:30 p.m.

Interplay Jazz Orchestra, with special guest artist Glenn Drewes

The Interplay Jazz Orchestra has the distinction of being the only Long Island Big Band performing original compositions and arrangements written by members of the band.

Tickets $30, $25, $20

Sept. 23 (Friday)

Harry Allen Quartet, John DiMartino piano, Neal Miner, Bass, Aaron Kimmel, Drums.

7-9:30 p.m.

Tickets $30, $25, $20

Sept. 24 (Saturday) – All Saturday shows are OUTDOORS and FREE! In the event of inclement weather, the concerts will take place inside The Jazz Loft.

1 p.m. Rubens De La Corte Brazilian Ensemble, Corina Sabbas, voice; Rubens de La Corte, guitar; Mike LaValle, bass; Arcoiris Sandoval, piano; Dennis Bulhoes, drums; Elsa Nilsson, flute; Tom Manuel, cornet/flugelhorn.

4 p.m. Ray Anderson Pocket Brass Band, Ray Anderson Trombone, Tommy Campbell Drums, Steven Bernstein, slide trumpet and Jose Davila, sousaphone

7 p.m. Nicole Zuraitis and her All Star Band, Matt Wilson, Maya Kronfeld, Steve Cardenas, Tom Manuel, Sam Dillon, Caili Odoherty, organ.

Sponsors for the Harbor Jazz Festival include: Douglas Elliman; Huntington Arts Council; Realty Connect USA; Jovia Financial Credit Union; Team Ardolino; Branch Financial Services, Inc.; The Ward Melville Heritage Organization; Dan Oliveri and Suffolk County Economic Development and Planning; Olivia and Harlan Fischer; and Ivana Stolnik-Lourie and Robert Lourie.

All Saturday Events on the Stony Brook Village Green and are FREE to the general public.

For more information, call 631-751-1895 or visit www.thejazzloft.org.

TIME TO SHOP! The 56th annual Gallery North Outdoor Art & Musical Festival returns this weekend. Photo by Heidi Sutton/2021

Gallery North in Setauket will present its 56th Annual Outdoor Art Show and Music Festival on Saturday, Sept. 17 and Sunday, Sept, 18 from 10 a.m. to 5 p.m. The two-day event will feature over 100 exhibitors offering a diverse selection of affordable, exciting, original paintings, prints, photography, ceramics, pottery, woodwork, glassware, artisan created jewelry, handmade crafts, decorations, clothing, and so much more! The event will be free and open to the public.

The Outdoor Art Show and Music Festival hosted by Gallery North has featured some of the finest art and craft from regional artists and artisans over its long 57-year history, making it a vital part of the regional art community and a significant tradition for the public. Keeping with the event format of past years, the Outdoor Art Show and Music Festival will include art in a vast range of media, as well as delicious and exciting food vendors, St. James Brewery, raffle prizes, and an area devoted solely to kids’ activities. In addition, Gallery North is teaming up with WUSB 90.1 fm/107.3 fm Stony Brook this year to present live musical performances.

The WUSB Music Stage will feature four music groups each day of the festival, some of which will be featured on WUSB Radio in advance of the Outdoor Art Show and Music Festival. Art show awards and recognition will also be granted for Best in Show within several categories, including crafts, fiber art, glass art, jewelry, painting, photography, pottery, printmaking, and more. This year’s judges will include Marianne Della Croce, Executive Director of the Art League of Long Island; Lorena Salcedo-Watson, Lecturer and Director of Undergraduate Studies in the Department of Art at Stony Brook University; and contemporary artist, Tom Brydelsky. All award winners will be featured in Gallery North’s Winner’s Circle exhibition in 2023.

The Outdoor Art Show and Music Festival will be situated outside along North Country Road in Setauket, between 25A and Ridgeway Avenue, and on the grounds of Gallery North (90 N. Country Rd, Setauket). For more information, call 631-751-2676 or visit www.gallerynorth.org.

The Jazz Loft. Photo by Heidi Sutton
What is Jazz? tour takes visitors to seven jazz stops in museum

The Jazz Loft in Stony Brook will be presenting two opportunities to take a walk through jazz history with its What is JAZZ? interactive tour on Sept. 10 (starting at 6 p.m.) and Oct. 21 (starting at 7 p.m.) with guests arriving in 10-minute intervals.

The unique tour is comprised of seven stops within the Jazz Loft’s museum and performance space. Each stop in Jazz history is about four minutes, during which patrons will be treated to a brief performance and historical reflection. The entire live music, interactive experience will take about 30 minutes.

Guests begin in the main lobby and are welcomed to America by a lone pianist who introduces them to the BLUES. Each stop is limited to a brief historical reflection and a singular tune leaving guests hungry for more.

As they continue to the Seaman Gallery, inspired by Jazz photography, guests meet a singer who introduces them to the influence of GOSPEL music in Jazz and they hear a melody reminiscent of a tent revival meeting in the deep south.

The tour continues in the Milt Hinton Music Room as visitors are ushered into the birthplace of Jazz, New Orleans as they hear the sounds of EARLY JAZZ presented by a banjo/bass duo. Each time warp landing leaves no time for lingering and as the map leads from stop-to-stop, patrons head upstairs to the Teddy Charles Room. Transported to the windy city of Chicago and the heyday of the BIG BAND/SWING ERA this stop is fueled by the syncopated vibrations of a clarinet/vibraphone trio reminiscent of Benny Goodman’s unit (the vibraphone, a 1939 Deagan model actually performed with Goodman and is flanked by photos to prove it!).

Six steps up the elevation climbs further to the wow-room and the journey continues as patrons are in the main performance space of the Jazz Loft, an intimate supper club environment complete with a three-tier bandstand reconstructed from the Roseland Ballroom dance floor and the towering 1927 Irving Plaza Ballroom chandelier, fully restored. Bandstand aglow in the history and story of the city that never slept, New York is alive with the energy, pep, vim and verve of BEBOP heralded by a quintet who’s never ceasing and endless energy abounds.

Is there more? YES! Because the story of Jazz is still evolving as told by the singular Avant-guard trombonist in the Loft’s library who shouts and wails the sound of THINGS TO COME and of beyond the now. The tour may seem complete, but this journey of four-minute stops, scheduled so that every group of guests has their own private walk through of The Jazz Loft will certainly leave much to be discussed.

Guests can then proceed to the Basie Garden to enjoy some lingering sounds of LATIN JAZZ to debrief their experience. Patrons can choose from a select list of wines, craft beers, snacks and drinks available for purchase.

The Jazz Loft is located at 275 Christian Ave., Stony Brook. Tickets to the tour are $30, $25 seniors, $20 students, $15 children. To order, call 631-751-1895 or visit www.thejazzloft.org

The New Students return to the festival this year.

By Heidi Sutton

Featuring the best in traditional and contemporary folk music, the annual Fiddle & Folk Festival returns to Benner’s Farm in East Setauket this Sunday, Sept. 11 from 11 a.m. to 6 p.m. The musical event will feature local fan favorites from previous years along with some fresh new faces.

Ten years ago, the event was formed as a reincarnation of a previous festival in the area. “It was a revitalization of The Fiddle and Folk Fest that had been run for years through the Long Island Museum and the Long Island Traditional Music Association,” said Benner’s Farm’s co-owner Bob Benner. 

Returning acts include Buddy Merriam and Taylor Ackley, Fiddle & Folk Fest veterans who have teamed up to perform their signature mandolin duo pieces, featuring their museum-quality Monteleone mandolins; and Brooklyn-based The New Students will be bringing their three-part vocal harmonies and skilled acoustic instrumentation.

New acts this year include The Serpent and The Fiddle featuring Dee Harris on mandola and Lora Kendall on fiddle who will be kicking off the festivities on the Main Stage with their intriguing interpretations of historic and traditional instrumentals; the String Sisters — Annie Mark on guitar and Maria Fairchild on banjo, playing a mix of classic country blues, old time, and original song; CJ and the Say Hey Bluez Crew, a new feel-good group comprised of musicians who share a love of upbeat jazzy blues, fronted by Claudia Jacobs, whose brassy and bold presence gets the audience on their feet; and headliners The Haymakers, a high-energy trio of veterans of the Long Island roots music scene who bring a new punch to retro favorites with the classic rockabilly instrumentation of twangy guitar, upright slap bass, and drums.

Also new to the festival this year is the Pick of the Crop performer contest. According to Amy Tuttle, program director at the Greater Port Jefferson-North Brookhaven Arts Council who’s also on the festival committee, four Long Island singer-songwriters — Josie Bello, Steve Robinson, Hank Stone and Linda Sussman — “will be strutting their stuff in hopes of being selected for a spot on the Main Stage at next year’s F&FF. All four are talented in their own right, and have their own signature styles,” she said. There will be a panel of music professionals judging the contest, and the audience will be given ballots to vote for their choice. The lucky winner will be announced at the end of the festival.

Other activities include a fiddle workshop, an open mic on the back of a 1924 Model TT Ford, vendors and a Kids Korner with crafts, stories and music. Visitors are also encouraged to stroll around the 15-acre working organic farm, meet the resident farm animals, and feel like a kid again on the Big Swing. 

For Bob Benner, it is an event he looks forward to every fall.

“Every year I look out on the great lawn and see hundreds of people settled in and entranced with the musicians, the ambiance of the farm and the slower pace that seems to envelope the crowd. I’m glad our groups can bring that experience to our Long Island community,” he said.

Presented by Homestead Arts, the Greater Port Jefferson-Northern Brookhaven Arts Council, Benner’s Farm, TBR News Media and WUSB Radio, the music festival will be held rain or shine.

Benner’s Farm is located at 56 Gnarled Hollow Road in East Setauket. Advance tickets are $18 for adults, $15 seniors, and $10 for children at www.fiddleandfolk.com; $20 adults, $18 seniors and $10 for children at the door. Please bring seating. For more information, call 631-689-8172.