The Ballet Education and Scholarship Fund, Inc. (BESFI) has announced that its 38th annual benefit performances will be held Friday, May 26, at 7 p.m. and Saturday, May 27 at 2 p.m. at Stony Brook University’s Staller Center for the Arts, 100 Nicolls Road, Stony Brook.
The program will feature three noted guest artists: Boyko Dossev formerly with Boston Ballet, Darren McIntyre formerly with Milwaukee Ballet and Alan Alberto with the Festival Ballet. They will be paired with Seiskaya Ballet principal dancers Jenna Lee, Diana Atoian and Brianna Jimenez and join 1st soloists Amber Donnelly, Jamie Bergold, Graciela Carrero-Sagona and Ava Aubé in a series of exciting pas de deux. Among the pas are Paquita, Talisman, Le Corsaire, Harlequinade and Diana & Acteon, plus, the Swan Lake Pas de Trois.
The Benefit Program’s centerpiece will be the one-act ballet, Walpurgis Night featuring Seiskaya Ballet’s Diana Atoian and 1st soloist Max Lippman. Set to the vibrant music of Charles Gounod and drawn from the opera Faust, Walpurgis Night loosely depicts the celebration of Bacchus (the god of wine and revelry), the Bacchantes (his priestesses), and Satyrs (his demigod attendants), on the eve of May Day. Three rousing character ballets are intertwined in the program. Featuring the tantalizing Gypsy Dance led by Jenna Lee, the jaunty Gypsy Pas pairing Max Lippman and Seiskaya 1st soloist Lara Caraiani, and the robust ethnic dance Siberian round out the program.
Noted for the consistent high quality of its presentations, the BESFI Benefit is always a highlight of the dance season. Brilliant sets and costumes, noted professional guest artists and riveting choreography make for exciting performances. Tickets are on sale now through the BESFI Box Office at 631-584-0192 or at the door with adults, $30, children and seniors, $24 and groups of 20 or more, $20.
Auditions for children’s roles in New York Dance Theatre’s 2017 production of “The Nutcracker” (four performances presented at Hofstra University) will be held on Sunday, June 4 at 1 p.m. at the Frank Ohman School of Ballet, 60 Calvert Ave., Commack. Children ages 6 through 15 may attend ($20 audition fee).
There will be a second audition for advanced dancers on pointe on Sunday, June 11 from 1 to 3:30 p.m. at the same location. The $20 audition fee for advanced dancers includes a full ballet technique class followed by an audition on pointe. Proper ballet attire is required for all ages. Call 631-462-6266 or visit www.ohmanballet.org for important information.
There are projects underway to test the feasibility of sequencing every species on Earth (including extinct species where their DNA is still available). The largest of these programs is in China, which is hoping to sequence the 1.5 million known named species of animals, plants and microbes.
Elof Axel Carlson
Phase one will sequence one species from each of 9,000 families (the taxonomic unit above the genus level). The second phase will sample one each of the 200,000 forms of life described as belonging to a genus. Phase three will look at all the species remaining.
It is a daunting amount of work. Think of it this way. There are 6.8 billion telephones on Earth. If you entered every telephone book into one computer site, you would have access to more than 90 percent of all living people.
Looking up a phone number would also give you information on the person’s name, country that person lives in and the home or business address. For perhaps one billion of them who are listed in Yellow Books, it would tell you what they do for a living.
But DNA sequences will do more than identify a species. The sequence of genes and their functions will classify the organism and tell us if it is a plant, animal or microbe, and what it does as a particular species. We would know its anatomy, physiology, metabolism, life cycle, mean life expectancy, where to find it on Earth, what it eats and how it lives.
For humans it would show how we are related to the 7 billion other humans on Earth. It would provide abundant information on how all of us are related in an evolutionary pathway of immense size. The Chinese company, BGI, located in Shenzhen, estimates it will take 10 years and cost about $5 billion to complete the project.
There are six other projects underway around the world. One is seeking to sequence all vertebrates, a second wants to do that for arthropods (mostly insects, spiders and crustaceans), a third is looking at marine invertebrates, a fourth is interested in the world’s ants, a fifth prefers to sequence the world’s birds, and the sixth is seeking to identify all African food crops.
As far as I know, no one is trying to do a genome sequencing of all human beings. The closest to doing that is the country of Iceland, which has asked its citizens to volunteer and give a sample of saliva for DNA sequencing. Half of Iceland’s people have done so. They are mostly descendants of Viking settlers and their DNA studies are immensely helpful for looking at genes involved in human disease risks (such as birth defects, Alzheimer syndrome, cancer, hypertension, risk of late-onset diabetes, heart disease and strokes).
The implications of this effort to gain knowledge of the world’s genomes are numerous. For evolutionary studies they are a remarkable resource. For medical diagnosis they are equally valuable. They will be a gold mine of rich ores for the pharmaceutical industry. Think of all the antibiotics that will be mined from the microbial genome data. Just as there are tens of thousands of projects engineers do for buildings, electronics, infrastructure and transportation so, in the coming decades, will thousands of projects emerge and new fields of science from applications of this immense resource of the all Earth genome project.
Will this also involve bad outcomes of new knowledge? Certainly. We did not abolish engineering because engineers have designed most of the weapons used in war. We did not abolish chemical industries because some of them gave us environmentally toxic or harmful agents like DDT, Agent Orange, gas in World War I or thalidomide. We do not condemn X-ray diagnosis because radiation can induce gene mutations. What we do is regulate our technological innovations.
Think of regulation in industry as something like criminal law in society. We punish those who break laws (embezzlement, theft, assault, rape, slander, robbery, kidnapping, extortion, bribery). Regulation addresses many issues only one of which is misconduct. Similarly, law addresses wrongs, not all of which are criminal (we call that noncriminal law civil law). Some politicians want to do away with regulation of industries.
Is not dumping wastes into rivers a criminal act? Is not choking a city with industrial gases a criminal act? Laws can be changed or even abolished, but loss of human life, damaged health, destruction of ecosystems and putting the brunt of waste disposal on those most vulnerable (the poor) should be regulated.
I am an optimist, not a Pollyanna, about the future of the all Earth genome projects. We need both new knowledge and new regulation.
Elof Axel Carlson is a distinguished teaching professor emeritus in the Department of Biochemistry and Cell Biology at Stony Brook University.
Pictured from left, Councilwoman Valerie M. Cartright (D-Port Jefferson Station); Councilwoman Jane Bonner (C-Rocky Point); Councilman Kevin LaValle (R-Selden); Supervisor Ed Romaine (R); Macy’s employees Christine Trent, Kelly Christou and Michelle Young; Town Clerk Donna Lent (R); Councilman Dan Panico (R-Manorville); Councilman Neil Foley (R-Blue Point); Town INTERFACE Coordinator Josephine Lunde; Councilman Michael Loguercio (R-Ridge); and Youth Bureau Executive Assistant Frank Petrignani. Photo from Town of Brookhaven
At the May 11 Town of Brookhaven Board meeting, Councilman Kevin LaValle honored Macy’s at Smith Haven Mall in Lake Grove as the Business of the Month for May in Council District 3. The award is given each month to a business deserving special recognition for the positive impact it has on the community.
Recently, Macy’s donated $1,000 in gift cards to the Town of Brookhaven’s Youth Bureau to purchase cosmetics for its Prom Program. In addition to its donation to the town, Macy’s frequently participates in community outreach programs including the Smithtown Food Pantry, Adopt a Family, the American Heart Association, Make-A-Wish Foundation and more. Macy’s also decorates nursing homes for the holidays and provides shopping sprees and makeovers for sick children. Macy’s employs more than 250 local residents at the Lake Grove store.
“We often think of Macy’s as a big national company, but the people who work there are local residents who really care about our community,” said LaValle. “I thank Christine, Kelly and Michelle for their support of our Prom Program and for all they do to make life better for so many people in need.”
Rachel Greenblatt and Bobby Peterson in a scene from 'Saturday Night Fever.' Photo by Peter Lanscombe, Theatre Three Productions Inc.
By Susan Risoli
Theatre Three’s upcoming musical production of “Saturday Night Fever” has all the irresistible energy of the 1977 film, while it turns up the story and character development. Actor Bobby Peterson of Hampton Bays will tackle the role of Tony Manero, a Brooklyn kid who knows we should be dancin’ — and reaching for a dream. Sitting in the theater’s intimate Griswold’s Café during off-hours, 29-year-old Peterson talked about the show and its lasting appeal.
Why should people come to this show?
This production has so much to offer. It has dance. It’s going to be fun and uplifting. It has enticing and entertaining characters. And people will witness a very beautiful story. In the movie, I think, the story gets lost.
Bobby Peterson will star in Theatre Three’s upcoming musical, ‘Saturday Night Fever.’ Photo by Peter Lanscombe, Theatre Three Productions Inc.
How does this version handle the differences between ‘Saturday Night Fever’ as a movie versus the musical?
How do people deal with it when they read the Lord of The Rings books, versus when they see the movies? A book can do things differently than what a movie can do or what a stage play can do. I just try to look at a story that I’m trying to convey. The first thing I look for is, is this version complete, and continuous, and succinct? Does it have well-written dialogue? Does it have good compositions? A lot of that comes from Jeff [Sanzel, Theatre Three executive artistic director], as the director of the show. As an actor and performer, my job is to convey a director’s vision and an author’s vision, to the best of my ability. I think all actors should be humble in that concept. You’re here to act as an instrument to convey the thoughts and concepts of another person, as best you can. I try to put my own work in technique, in the type of voice and the different inflections I’m going to use, in the dancing and singing.
Is it intimidating to play a role that people are so familiar with?
It is an iconic role. I want to put my own spin on it, but I think a lot of people are going to come to the musical having their own ideas about what John Travolta brought to this role. When I talk to people about it, they talk about the impact of Travolta on the dance floor.
What’s the most fun thing for you, about being in the show?
This is one of those classic triple-threat roles and it’s a challenge to me because every step of the way, there is every facet of what musical theatre is. There’s a lot of dancing. And the script is 130 pages long. It’s a huge memory challenge because there are so many little moments that weave in and out of the dancing. The cast is amazing too. I must say, everyone who Jeff has cast is really great for their roles.
What’s the least fun thing?
Probably the drive here from [home in] Hampton Bays!
Tony Manero has so much swagger. How do you convey the vulnerable part of his personality?
An actor can only be as good as the writer. I feel very supported by the writers, and by the piece itself. It has set up and designed scenes for the actors to convey deeper parts, and different sides, of the characters. This rendition has a scene where after Tony wins a dance contest, he has a whole two pages speaking to Stephanie about how it’s not right that he won, because there’s a couple who danced better than him. That’s his epiphany.
Will the audience have fun?
Yes, there’s plenty of that. When numbers like “Stayin’ Alive” and “Disco Inferno” come on, it is full-cast dancing. The choreographer Whitney Stone has done an amazing job making use of the space that we have. She’s designed her choreography very well. And she’s included some of those dance moves that people are going to want to see.
How did you prepare for this role?
For a role this size, I’ll really micromanage myself. I get home as early as I can, and spend the whole next day focusing on making sure that I’ll be good for the next show. Sometimes after rehearsals, I’ll go to the gym because it is a physically taxing role. There’s a lot of lifts with partners. There’s a strong incentive to really muscle-build, to make sure one is strong enough and fit enough to perform. Mentally, I’m always thinking about the script. I’m always reading through lines in my head. And I grew up as a pianist, so I play the accompaniments myself and sing along with them.
Promotional materials for this production say that it features Tony as ‘humble paint store clerk by day, dance king by night.’ Do you think everyone has that duality inside of them?
No, I don’t. Sometimes what people yearn for is a simple life. I don’t think it’s necessarily everybody’s struggle. I don’t think it can be, for the same reason that there can’t be too many cooks in the kitchen. Sometimes we need people to be comfortable in what they do and what they are, to bring balance to everything.
In the sequel to the film, Tony finds success as a professional dancer. But not everyone can succeed so completely, or on that level. Should we still try?
People can find contentment that they did try. But never trying can eat away at your soul forever. If people feel a calling within them, they’re going to be much better off doing something about that.
What else would you like our readers to know about this show?
I’m very excited for people to come and see it, and then to see what their reaction will be. I don’t think people are going to get completely what they’re expecting and I’m very excited to see how people are going to handle that and how they’re going to react.
“Saturday Night Fever” will run from May 20 through June 24 on the Main Stage at Theatre Three, 412 E. Main St., Port Jefferson. Tickets for adults $35; seniors and students $28; children ages 5 to 12 $20. For more information or to purchase tickets, visit www.theatrethree.com or call 631-928-9100.
Back row, from left, Councilwoman Tracey Edwards (D) and Councilman Mark Cuthbertson (D) pose for a photo with student art contest winners at the Heckscher Museum on May 5. Photo from Town of Huntington
The Town of Huntington, Astoria Bank, the Huntington Arts Council and the Heckscher Museum of Art recognized the winners of the 17th annual Tulip Festival Student Art Contest on Friday, May 5. For the contest, art students were asked to express their views on spring in Huntington and the Annual Tulip Festival using artistic interpretation.
The contest was open to students in grades 3 through 8 in schools within Huntington township. Three winners from each grade level were honored at the event, with the first-prize winner receiving a $50 gift card courtesy of Astoria Bank.
Art teachers also received $50 for each student whose art was chosen as the best of the grade for use in purchasing art supplies, also courtesy of Astoria Bank.
Jennifer Zhu won the Carolyn Fostel Best in Show award, given in honor of the late Carolyn Fostel of Astoria Bank who was instrumental in joining Astoria Bank and the Town of Huntington together as co-sponsors of the Huntington Tulip Festival since its inception in 2001.
The Kennedys will return for their ninth Dylan birthday celebration on May 21. Photo by Jeremy Lebled
By Kevin Redding
The times may be a changin’ but the songs of Bob Dylan continue to be sung. On Sunday, May 21, in celebration of the Nobel Laureate’s 76th birthday, The Long Island Museum, in partnership with WUSB-FM’s Sunday Street Concert Series and the Greater Port Jefferson-Northern Brookhaven Arts Council, will host the 12th annual Dylan tribute concert in the Carriage Museum’s Gillespie Room at 7 p.m.
Several local and outside musicians — including concert staples Pete and Maura Kennedy, whose covers include guitars, sitars and ukuleles, Rod MacDonald of the revered tribute band Big Brass Bed, and Russ Seeger of Levon Helm’s Last Hombres, who will perform Dylan deep tracks like “Foot of Pride” — will strum and sing through decades of material, from 1965’s “Mr. Tambourine Man” to 1997’s “Love Sick.”
Much of the setlist will feature songs from two touchstone albums celebrating anniversaries this year — 1967’s “John Wesley Harding,” Dylan’s return to his acoustic roots after three albums of going electric, turns 50, and 1997’s “Time Out of Mind,” his Grammy-Award-winning comeback album, turns 20.
“Every year the show takes on a different dimension … it’s always different and never stale,” said Charlie Backfish, host of the long-running, weekly Stony Brook University radio program “Sunday Street” from which the series stemmed. “We have unique interpretations of Dylan’s songs and we don’t just do the greatest hits; we really go through the catalog and try to play songs you don’t hear often, making it very different than the usual Dylan tribute show.”
Speaking of deep tracks, Seeger is expected to perform “Foot of Pride,” a song Dylan wrote and recorded in 1983 but never released on an album.
Backfish said he chose Dylan as the focus of the tribute concert because of the singer-songwriter’s incredibly prolific career. “He has been at home in a variety of different musical settings over the years, starting out in a folk direction and moving toward rock and then into a country sound and then in a gospel direction later in his career — he’s moved in fascinating ways, his songs are incredible and it [really] opens up the possibilities of using the lyrics and melodies and taking them in different directions and there’s a lot of room to move with Dylan songs. It’s terribly interesting and it’s quite a rich catalog we have to go with,” he said.
The Sunday Street Series started in 2004 at the University Cafe at Stony Brook University when Backfish put on concerts featuring the singer-songwriters he’d interviewed and played on his radio program. In 2014, he was in need of a different venue to host the concerts and turned to The Long Island Museum, which took it over a year later.
“We were wanting to do a singer-songwriter concert series at the museum when Charlie approached us,” Neil Watson, the museum’s executive director, said. Since Backfish came aboard, the museum has hosted more than 20 concerts featuring an ever-changing roster of artists. “It’s activated our performance space on a regular basis like nothing can. People who would never have come to the museum are now being introduced to it in a different way.”
Watson, who noted “Knockin’ on Heaven’s Door” as his favorite Dylan song, said he was thrilled to be hosting this particular event.
“This concert series sells out very fast and I think it’s because Dylan’s music has touched so many people for different reasons,” Watson said. “What these musicians do with the material is critical and when you hear their interpretations of his songs, they take on a new life. The [concert] captures the spirit of Bob Dylan. It will be a rollicking good time.”
The Long Island Museum is located at 1200 Route 25A, Stony Brook. Tickets may be purchased in advance at www.sundaystreet.org through Friday, May 19 for $30. If available, tickets may be purchased at the door for $35 (cash only). Please call the museum at 631-751-0066 the day of the show to confirm ticket availability.
Just look at those sad eyes … Ollie has no idea what happened. One minute he was living in a home and the next he finds himself abandoned outside of Kent Animal Shelter. How could someone do this to such a loving and sweet boy? Ollie is about 2 years old and is just dreaming of the day when he will once again have a place to call home. Could that be with you? Ollie is neutered, microchipped and up to date on all his vaccines. Kent Animal Shelter is located at 2259 River Road in Calverton. For more information on Ollie and other adoptable pets at Kent, please call 631-727-5731 or visit www.kentanimalshelter.com.
Chris Brand and Brianne Kennedy in a scene from 'Oklahoma!'. Photo by Michael DeCristofaro
By Katherine Espinoza
Calling all cowboys and farm girls yearning to see turn of the century Oklahoma Territory! The John W. Engeman Theater is the place for you! The Northport playhouse kicked off its seven-week run of Rodgers and Hammerstein’s first collaboration, “Oklahoma!,” this past weekend to a full house. The musical, based on Lynn Riggs’ 1931 play, “Green Grow the Lilacs,” tells the story of cowboy Curly McLain and his romance with farm girl Laurey Willliams.
The original Broadway production opened on March 31, 1943, and was nominated for seven Tony Awards, along with a Pulitzer Prize for Rodgers and Hammerstein the following year.
Jane Blass as Aunt Eller. Photo by Michael DeCristofaro
Directed by Igor Goldin (“1776,” “Memphis”) the Engeman’s production is warm, funny and full of high-energy performances. The show opens in a barn, with Laurey’s wise and witty Aunt Eller (Jane Blass) churning butter while doling out advice. It quickly becomes clear that Eller’s steady hand and calm mind is needed to keep the town afloat. We encounter our lead cowboy Curly, played by a commanding Bryant Martin, soon after the opening scene. Belting out an incredible “Oh, What a Beautiful Mornin,’” he tries to woo the beautiful Laurey (Kaitlyn Davidson) to the box social — what we today know as a local dance.
Despite Curly’s attempts at charming her, Laurey accepts an invitation from the hired hand Jud, played to perfection by Nathaniel Hackmann who returns to the Engeman stage fresh off of a powerful performance as the lead in “Jekyll & Hyde.”
A 15-minute “dream ballet” reflects Laurey’s struggle with her feelings about Curly and Jud. We see an actress who looks exactly like Davidson, and we see Davidson watching her, and eventually we understand what is unfolding before us …
Bryant Martin as Curly and Nathanial Hackmann as Jud. Photo by Michael DeCristofaro
Hackmann delivers once again, and makes you feel his loneliness and desire for Laurey with his rendition of “Lonely Room.” It’s hard not to feel for his character even as the rest of the town seems to shun him for being nothing more than the help.
One of Laurey’s friends, the very flirtatious Ado Annie (Brianne Kennedy) is causing heartache for her boyfriend Will Parker (Chris Brand) who has just returned from a rodeo in Kansas City where he has won the $50 needed to offer for her hand in marriage. Ado Annie has fallen for the town peddler Ali Hakim (Danny Gardner) who is a ladies man and doesn’t really want to marry her or any woman. Does she give the handsome Will her hand or does she run away with the peddler? Ali Hakim is very convincing as he tells her it’s “All er Nothin” and bares his heart.
The drama continues as the box social begins and the town gets ready for some dancing. Choreographed by Drew Humphrey (“Thoroughly Modern Millie”), the southern dance numbers are great fun, especially during “Kansas City,” where you get to see some fantastic cowboy moves.
Kaitlyn Davidson as Laurey and Bryant Martin as Curly in a scene from ‘Oklahoma!”. Photo by Michael DeCristofaro
As the show continues on, Curly makes the audience believe in the power of love and root for his relationship to succeed. But you can’t count out Jud, who is sure to leave his mark on the stage as his character brings trouble to the town — you’ll almost want him to bring trouble just for another chance to see Hackmann on the stage.
The set, designed by D.T. Willis, is very authentic looking and effectively transports you back in time to the life of the early pioneers. Lasso ropes hang from the wooden walls of the barn and the stage is covered in wood to give the setting a rustic feel. Wooden stools and chairs were also hung from the walls.
Matthew Solomon brings the fashion fun to life, designing the costumes for the show. At the box social, the women trotted across the stage in laced up boots with a heel, antique gowns with petticoats underneath and adorned with lace and bonnets. The cowboys are dressed with leather chaps over their denim, cowboy hats and down to the last detail the spurs on their cowboy boots. The wedding gown Laurey wears is especially beautiful, covered in delicate lace from head to toe, and topped off with a long veil and beautiful bouquet of flowers.
Musical director Jeff Theiss brings all the tunes of the original show to life again and has you tapping your feet as the cast superbly sings the beloved classic “Oklahoma!” The music and romance and comedy combined make for a fantastic show. Come on down and join the fun as you relive life on the prairie!
Cast includes: Jane Blass, Chris Brand, Sari Alexander, Charles Baran, Robert Budnick, Kaitlyn Davidson, Danny Gardner, Nathanial Hackmann, Zach Hawthorne, Tyler Huckstep, Brianne Kennedy, Bryant Martin, Kaitlyn Mayse, Kim McClay, Danny McHugh, Nick Miller, Katilin Nelson, Meghan Nicole Ross, Connor Schwantes, Kelly Sheehan and Michael J. Verre.
The John W. Engeman Theater, 250 Main St., Northport will present “Okalahoma The Musical” through June 25. Tickets range from $71 to $76 and valet parking is available. For more information, call 631-261-2900 or visit www.engemantheater.com.
Hecksher Park may be one of the first spots in Huntington to use zero-emission lawn care equipment. Photo by Victoria Espinoza
By Victoria Espinoza
After months of requests from residents that Huntington go greener, the town board took steps at the its last meeting to make Hecksher Park and Town Hall “green zones.”
At the May 9 meeting the board voted unanimously to approve a resolution establishing a research program to look into replacing gas fueled landscaping equipment with battery operated units at Heckscher Park and Town Hall to reduce emissions and noise.
A green zone is an area maintained with zero-emission lawn care equipment.
The resolution was co-sponsored by Supervisor Frank Petrone (D) and Councilwoman Susan Berland (D). The plan includes retaining the American Green Zone Alliance to conduct a study that will analyze the town’s existing landscaping practices, recommend the appropriate cost-effective, battery powered equipment and instruct town personnel on the use, care and maintenance of the devices.
Berland has been working for months to pass a resolution to limit gas powered leaf blowers due to the health and environmental concerns associated with them.
“This resolution is a great first step to protecting our environment and reducing air and noise pollution in our Town,” Berland said in a statement. “Many constituents have contacted me to restrict the use of gas powered leaf blowers to address their quality-of-life concerns.”
“It is in perfect alignment with our town’s clean energy community policy. Huntington is showing once again its commitment to sustainable initiatives.”
— Bonnie Sager
She encouraged residents to visit the town’s website to watch a public service video she created last year meant to inform community members about the drawbacks of leaf blowers and presents possible alternatives. The website also features a survey to gauge the public’s reliance or disapproval of using leaf blowers.
“I look forward to working together with Huntington CALM and the American Green Zone Alliance to create a ‘green zone’ at Heckscher Park and Town Hall,” she said. “Huntington has always been a beautiful place to live, work and raise a family. Let’s keep it that way.”
Groups like Huntington Citizens Appeal for Leafblower Moderation, and the American Green Zone Alliance have been vocal about the health issues, like asthma and hearing damage, that have been tied to use of gas powered blowers, according to the World Health Organization.
At the meeting, several residents applauded the efforts of the board to improve the situation.
Bonnie Sager, cofounder of Huntington CALM spoke at the meeting.
“The 2,000 plus Huntington CALM supporters and I would like to thank you for bringing forth this resolution,” she said at the meeting. “It is in perfect alignment with our town’s clean energy community policy. Huntington is showing once again its commitment to sustainable initiatives.”
Sager listed the many ways switching to electric equipment would save taxpayers money, as well as eliminate airborne pollutants.
“Hecksher Park is a crown jewel of Huntington serving our residents and guests with the museum, the duck pond, the concert venue and more,” she said. “By becoming a green zone our jewel will shine even brighter.”
The American Green Zone Alliance is based in California and is a leader in a nationwide effort to help communities address noise and air pollution issues. It provides certification and accreditation in zero-emission landscape maintenance strategies; educates individuals, property owners, and landscape maintenance professionals to reduce or eliminate the use of gasoline powered maintenance equipment in favor of cordless electric and manual equipment; and promotes those strategies through its green zone certification program that allows the owners of properties of any size to create, maintain, and promote their own zero-emission green zone. It is working with the Town of Southampton on a similar project.
Petrone said he was grateful for the community participation in this effort.
“I appreciate Huntington CALM’s efforts to raise our consciousness about the environmental effects and health dangers of gas powered landscaping equipment, including significant noise pollution,” Petrone said in a statement. “Heckscher Park and Town Hall are perfect locations for a demonstration program to test the feasibility and efficiency of battery powered equipment that reduces emissions and operates at significantly lower decibel levels than gas powered equivalents. I look forward to seeing, and not hearing, the results.”
Auditions for children’s roles in New York Dance Theatre’s 2017 production of “The Nutcracker” (four performances presented at Hofstra University) will be held on Sunday, June 4 at 1 p.m. at the Frank Ohman School of Ballet, 60 Calvert Ave., Commack. Children ages 6 through 15 may attend ($20 audition fee).
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