One employee at the Suffolk County Vanderbilt Museum was a fan of the spot long before she started working there and improving many of the exhibits.
Stephanie Gress, director of the curatorial department, frequented the Vanderbilt as a kid growing up in St. James, and even went there on her second date with her future husband to see the Pink Floyd laser show at the museum’s planetarium.
“A lot of people have a fond memory from here,” Gress said in a phone interview. “My niece actually had her wedding here as well.”
Gress has been upgrading exhibits at the Vanderbilt for nearly 15 years. She said some of the collections in the museum were more than 100 years old when she stepped in and needed refurbishing, and she was able to find funding to make the renovations possible.
The first exhibit Gress focused on, the Habitat Gallery, had been closed to the public since 1996, but she reopened it in 2001. She received a Save America’s Treasures grant — through the National Park Service — to make the renovations possible, including cleaning and restoring taxidermied animals displayed inside the dioramas.
“There was a whole generation of people on Long Island who hadn’t seen the exhibit,” Gress said.
For two years, Gress has also been working on a project at the Hall of Fishes that involves working with dry and wet fish specimens. She said some of the fish are a century old, and they have to be treated with extreme care because they are so fragile.
William K. Vanderbilt II, the museum’s founder, caught all of the fish himself, according to Gress, and some were the first of their kind ever caught, so “he had the fun task of naming them.”
She said she feels lucky to have found the money to finance these projects because that can be difficult, but is crucial to keep the displays in the museum in their best shape.
Gress likes many aspects of her job.
“I enjoy seeing the reactions of the kids and parents that come here,” Gress said. “There is nothing else like this on Long Island. You can’t see another polar bear or whale shark around here.”
She said aims to continue Vanderbilt’s intention when he created the museum, — to bring pieces of other countries and cultures to Long Island.
“You can choose to visit the planetarium, see the museum or even just take a picnic on the grounds.”
Gress wrote a book this year, “Eagle’s Nest: The William K. Vanderbilt II Estate,” which has details about why the museum founder built his estate in Centerport and “how the place changed over the years, based on changes in his life, and how we use it today,” she said when the book was being released over the summer.
In terms of future projects, Gress said in an interview this week that there is always something to work on, and she expects to soon digitize the collections online to bring them to people who can’t make the trip to the museum.
The Seiskaya Ballet School is always on point, especially around the holidays. For the past 21 years the company has performed its rendition of “The Nutcracker” at Stony Brook University’s Staller Center and this year is no different.
“Christmas is [The] Nutcracker,” said Valia Seiskaya. Russian-born Seiskaya has choreographed the school’s “Nutcracker” since 1995 when they started performing the production at the Staller Center. While “The Nutcracker” is popular around the holiday season, the ballet school took a theatrical approach to the performance. Dimitri Papadakos, the ballet school’s administrator and Seiskaya’s husband, said the performance will include a flying sleigh, a dragon that blows smoke and other elements that will bring the performance to life.
“If you’re going to do something you might as well try to do it better than anybody else,” Papadakos said. “So we got creative in our sets.”
The backdrops for the school’s annual production are tailored specifically to the Staller Center stage. Viewers can get a hint of scenes to come by looking at the backdrops during the performance. While the production is designed for a full theatrical experience that will keep even the youngest audience members glued to their seats, the dramatic setting isn’t the only captivating aspect of Seiskaya’s “Nutcracker” — it’s also about the acting and dancing of the production’s 90- to 100-member cast.
Soloist Diana Atoian is returning for another shot at “The Nutcracker.” Like many “Nutcracker” performers, 14-year-old Diana has several roles including Clara. She said what makes Seiskaya’s rendition of “The Nutcracker” so unique is the dancers dedication to their craft.
“It’s just the passion that gets us going,” Diana said. “Valia is a very good teacher. She helps us feel it and she makes us want to keep pushing and keep moving forward.”
Her fellow soloists, 13-year-old Madison Mursch, 12-year-old Brianna Jimenez and 14-year-old Jenna Lee agreed that Papadakos and Seiskaya push their dancers to execute the choreography and acting correctly. Being strict is part of Seiskaya’s method and it has been since the school was established in 1974.
“My wife does not believe in dumbing down based on who’s available,” Papadakos said. “You’ve got to rise to the occasion.”
Last year the school lost a handful of its older dancers who went on to college. The change left youngsters like Diana, Madison, Jenna and Brianna to take the lead on bigger roles like Clara, the Snow Queen, Sugar Plum and the Chocolate Soldier, respectively. Twyla Tharp Troupe dancer Nick Coppula will be returning to reclaim his role as the Cavalier this year.
Viewers can see these young dancers and get the full theatrical experience on Friday, Dec. 18, at 7 p.m., Saturday, Dec. 19, at 2 and 7 p.m., Sunday, Dec. 20, at 1 and 6 p.m. and Monday, Dec. 21,at 7 p.m. at the Staller Center for the Arts at Stony Brook University. Tickets are $40 for adults, $34 for children and seniors and $30 for groups of 20 or more. For more information call 631-632-ARTS or visit www.nutcrackerballet.com.
That’s what audiences will figure out in writer and director Candice Cain’s film “What Happened Last Night,” an independent film that puts a spin on and takes a comedic approach to breakups, new flames, friends and college life. The film retraces the steps of a group of college students after a fraternity party and opens with main characters Sarah and Danny, played by Alix Kermes and Clayton Snyder.
Brookhaven resident Cain brought her cast and crew to Long Island on Nov. 28 and started filming a bar scene at the Long Island Pour House in Port Jefferson Station. Although the film focuses on college students, actress Rebecca Boughton said there’s something for everyone, whether in high school, college or adulthood.
“It’s just very relatable because it’s a story about relationships,” Boughton said. “It’s about coming of age and figuring out who you are and what you want to do with your life.”
Boughton plays Laila, a pretentious advisor for the Alpha Delta Pi sorority. While Boughton is a member of the sorority in real life, that’s not the only thing that attracted her to the film. She and the cast agree that Cain’s script has natural dialogue, making the interaction between characters realistic.
“You know she comes from a theater background,” actor Jake Thomas said. “It’s a very long script, but it does flow very quickly because the dialogue just jumps from one thing to another.”
Like many of the cast, Thomas is no stranger to the stage. As a kid, he played alongside Hilary Duff as Lizzie McGuire’s little brother Matt on the 2001 Disney television series of the same name. Thomas is making an appearance in Cain’s film as Dave, the main character’s ex-boyfriend. Snyder, who played Ethan Craft on the same Disney Channel show, recommended the production to Thomas.
Cain wrote the story in three days, when she was a 19-year-old George Washington University student. The idea came about after she woke up at a friend’s place after attending a party the night before. Cain was sick during the party and took Nyquil before attending, and her friend allowed her to stay overnight after alcohol spilled on Cain and soaked her clothing. She woke up to the smell of bacon but couldn’t immediately remember where she was.
“I started thinking to myself, ‘What if there was someone in bed with me and I woke up? How would I have reacted?’” Cain recalled.
The writer and director performed her story at her university’s theater, acting as Sarah. Two decades later, this past April, Cain found the script in her basement.
“Everyone who’s been in a relationship knows that breakups suck,” Kermes said. “They’re hard especially in college when you start thinking about your future.”
Big name stars like Amber Rose and WWE wrestler David Otunga, who’s engaged to singer Jennifer Hudson, will also appear in the film, which hits theaters next year. Otunga heard about the film through his agent and took on the role of Tiny, a large bartender who comes to the rescue of Sarah’s friend Mindy, played by Diana Durango.
“I’m really happy to be able to support independent films,” Otunga said. “I feel like these are so much fun because it’s truly about the art. It’s not super-huge budgets and everything, but we make it work and make such an awesome looking project and it’s really cool to be a part of that.”
The holidays are upon us and that means it’s time for “Frosty” to come to life at the John W. Engeman Theater in Northport. Under the direction of Richard T. Dolce, the annual production, with a spirited cast of five adult actors, presents a lively show with song and dance that is perfect for its target audience.
Uber-talented Kate Keating reprises her role as Jenny, a young girl living in the town of Chillsville who loves the snow and loves winter. With the help of her mother, lovingly played by Courtney Fekete, Jenny builds a snowman who magically comes alive, and the duo are quickly best pals. Making his Engeman debut, Austin Morgan is a terrific Frosty and quickly connects with the audience, especially after he dances to “It’s Your Birthday.”
Jen Casey is the villain Ethel Pierpot, who wants to make Chillsville warm and snow-free so she can build a new factory. Her weather machine starts to make everything melt, including Frosty. With the help of the audience, Ethel Pierpot’s plan is foiled and, after a thrilling chase scene through the theater and an intense snowball fight, the machine is turned off.
From the very beginning the theatergoers become part of the show, thanks to the efforts of the narrator, Michael Verre, who guides the audience through the story with comedic genius. Verre draws the most laughs as he goes from being bundled up for winter to wearing less and less each time he makes an appearance on stage to demonstrate how warm Chillsville is getting.
Asking a full house last Sunday how to stop Ethel Pierpot from turning Frosty into a puddle of water, Verre received some creative suggestions, including have Frosty “go to a new town where there’s plenty of snow,” “put Frosty in an ice cream truck” and “reverse the machine to cold.” At the end of the show, all the children are asked to wish for snow to keep Frosty from melting and are rewarded for their efforts.
There was magic in the air at the Engeman Theater that morning — yes, a snowman came to life and, yes, it snowed inside the theater. But even more magical than that were the priceless expressions of joy, excitement and wonderment on the faces of the children in the audience.
Meet the cast after the show for pictures and autographs. An autograph page is conveniently located at the back of the program.
Take your child or grandchild to see “Frosty” and let them experience the magic of live theater. They will love you for it.
The John W. Engeman Theater, 250 Main St., Northport, will present “Frosty” through Jan. 3. Tickets are $15 each. For more information, call 631-261-2900 or visit www.engemantheater.com.
The University Cafe at Stony Brook University will be closing early in 2016 due to renovations of the Student Union, but that doesn’t mean that the wonderful series of Sunday Street Concerts, which have been held there for more than a decade, will be ending.
First, going out with a really special performance, the Sunday Street Concert series will present its final show at the University Cafe on Saturday, Dec. 12, which will include Butchers Blind, Chris Connolly and Bryan Gallo, beginning at 7:30 p.m. Tickets are $10.
“For our last hurrah at the cafe, we’re presenting some of Long Island’s finest young musicians in a very special evening to benefit WUSB-FM and the Sunday Street Series as it moves to its new venue,” said Sunday Street Concert series producer Charlie Backfish.
Then, changes will take place. One is that the venue itself will change, effective 2016. Future concerts will be held down the road in the Gillespie Room of the Carriage Museum at the Long Island Museum, in Stony Brook. Wine, beer and cider will be available there.
A second change is that the concerts will be open to all ages. “That’s particularly good news because we have had parents wanting to bring their children to shows but had to say ‘no’ due to the university policy for the cafe,” said Backfish.
A third change is sponsorship. “This new direction for us is an interesting partnership between the Sunday Street Series, WUSB Radio (90.1 FM, the university’s own radio station), the Greater Port Jefferson Arts Council and the Long Island Museum,” said Backfish. “LIM has been expanding their programming to include music (the North Shore Pro Musica is already holding their concerts there), the GPJAC supports live performances in our area, and the Sunday Street Series of WUSB was seeking a new venue in order to continue. This all was a perfect match.”
Backfish, who is the director of field experience and student teaching in the Department of History at SBU, also hosts the radio station’s Sunday Street morning program, from 9 a.m. to noon. featuring acoustic, folk and singer-songwriter music.
“I’ve had a lot of performers joining me on air during my radio program, Sunday Street, on Sunday mornings on WUSB. Norm Prusslin, the former general manager of WUSB, suggested thinking about having some of these artists follow up a radio appearance with a show at the University Cafe, at that time a new venue,” he said. “It seemed like a very good idea and the result has been this series, which has now had 175 shows during its existence.”
What will not change is the great lineup of musicians who will be performing. The first concert of the new year is scheduled for Sunday, Jan. 17, at 3 p.m. when Sloan Wainwright, known for a variety of American music styles including pop, folk, jazz and blues, will be performing. Tickets are $22 in advance, $27 at the door (cash only), if available. “Sloan Wainwright is a great singer whose amazing alto voice powers songs of others as well as her own songs. No surprise since she is part of a well-known musical family, with her brother Loudon Wainwright, and her nephew Rufus and nieces Martha and Lucy,” added Backfish.
The second scheduled 2016 performance will be on Sunday, Jan. 31, at 3 p.m. when Willie Nile will be performing. Advance sales are $25, $30 at the door (cash only), if available. “Willie Nile is a legendary figure on the rock music scene who came to prominence with a debut album hailed by critics. He writes powerfully and always delivers high-energy performances … Since his most recent album is a collection of his songs played on a grand piano, we’re looking forward to Willie making use of the grand piano in the Gillespie room at LIM,” said Backfish.
Another thing that won’t change includes the annual Dylan show. “Our annual celebration of Bob Dylan’s birthday in May has always been special since we assemble a group of musicians who are devotees of Dylan’s work … We’ll continue this tradition at the LIM on Saturday, May 21, at 7 p.m.,” said Backfish. “Coincidentally, the museum at the time will be presenting a traveling exhibition from the Rock and Roll Museum and Hall of Fame,” he added.
The future schedule includes the Scottish band, The Paul McKenna Band in March, Ian Matthews and Plainsong in a tribute to Richard Farina in April and John Gorka, also in April. For details and tickets for the 2016 performances go to www.sundaystreet.org or www.gpjac.org.
The museum, which curates a large number of Setauket artist William Sidney Mount’s paintings, is a very appropriate venue for concerts. Mount not only had many musical themes in his paintings but also played the violin himself as well as designing a violin. “You can almost hear echoes of” him at the museum, noted Backfish.
The Sunday Street Concerts received a warm “reception from the folks at the Long Island Museum,” he added. “I’m really happy we were able to do this. The people at the LIM … want to expand their music — it’s very timely.” Backfish noted that the movement to the Long Island Museum really “expands what the museum does since they already are the venue for North Shore Pro Musica’s concerts.”
The move to the LIM “parallels some of the things they will be doing. For example, an exhibit on traveling music festivals … It couldn’t be better timing,” noted Backfish, adding, “We’re delighted that the LIM has been so supportive in enabling us to continue this series in a great new venue.”
“We are very fortunate to be involved in this,” said Neil Watson, executive director of the LIM. “This is our second season of North Shore Pro Musica. The museum is a cultural hub. We are trying to engage as many people as we can, create as many experiences as possible. I was interested in creating a singer/songwriter series after Pro Musica. When Charlie came to us about losing their space, the collaboration with him grew — a great marriage. We have a wonderful space and sound system and Charlie has the experience booking the talent. I’d like to do a jazz series in the future. We are beyond thrilled, so happy about it. People can experience the museum not only through their eyes but their ears.”
Regarding the future LIM music exhibit beginning in May, Watson noted, “It’s an opportunity to look at culture … All festivals were a lightning rod for more than just music.” He added that during the exhibit there will be talks, panel discussions and additional music.
Backfish will welcome Watson and Joshua Ruff, director of collections and interpretation of the museum, as his guests on Sunday morning, Dec. 13, on his show on WUSB (90.1 FM and wusb.fm) to discuss the partnership of the Sunday Street Series with the Long Island Museum.
The Long Island Museum of American Art, History and Carriages is located at 1200 Route 25A in Stony Brook. It is a Smithsonian affiliate. For further information on the museum, visit www.longislandmuseum.org or call 631-751-0066.
Madison Square Garden’s “A Christmas Carol-The Musical” opened on Saturday, Nov. 21, at Oakdale’s CMPAC. That massive venue unveiled an equally massive cast with electronically fed music, and came up with a tightly executed rendition of that theatrical classic.
Your scribe takes pleasure in discussing Ronald Green III’s costumes. It may appear odd that costume design would appear first in a review, but your scribe was so impressed with Green’s effort, producing as it did a totally authentic representation of Dickensian, mid-Victorian dress.
Green’s attention to detail was seen even in a short vignette of a properly bewigged judge and a uniformed London bobby in Act II. All the cast members were costumed in varying versions of mid-19th century attire; some painstaking research was done here. Authenticity was called for and Green delivered.
The leading role of the penurious, miserly, arrogant opinionated, skinflint Ebenezer Scrooge was played stingingly by Brodie Centuro, no stranger to CMPAC. He accurately depicted the penny-pinching, negative nature of Scrooge, and with skillful “range-ability” revealed the lurking charity in the old codger with notable skill. This is what the craft of acting is all about: to exhibit sincere, believable change.
The principal ghost is that of Scrooge’s old partner Jacob Marley, laden with chains, each link made of bills from his accounting desk, and had Don Dowdell torturing the soul of Scrooge very effectively.
He was followed by three ghosts: Christmas Past-Steve Cottonaro, Present-Kyle Petty and Yet-To-Be-Alison Carella. Cottonaro and Petty were outstanding with Cottonaro all over the boards and Petty in royal garb working with dancers. Carella had the somber, deadly part of pointing to gravestones with guess-who’s name on one of them. Carella did it forcefully and with impact.
Mark Slomowitz played Mr. Fezziwig, the contra-Scrooge. Along with his wife, played by Kaylyn Lewis, he held an annual ball full of merry music and dancing. Theirs was the life-affirming attitude. Slomowitz was his usual adaptable self, as when he played Luther Bilis in South Pacific. Lewis is possessed of a powerful singing voice that reached all the way to Sayille … at least.
The loyal, hard-working Cratchit family had its head, Bob, played by Bobby Peterson, Katie Hoffman as his wife and Skylar Greene, Daniel Belyansky and Jack Dowdell (the lovable Tiny Tim) as his children. This grouping was the very opposite of Scrooge. They even toast him at Christmas dinner.
Fred, Scrooge’s nephew, is handled neatly by Joseph Bebry. He was the link between Scrooge’s loneliness and the family. And he brought it off with palpable accuracy.
The ghosts parade Scrooge through his life. At 8, he’s played by Jack Dowdell; at 12 by Daniel Belyansky and at by 18 Matthew W. Surico. This trio managed to sort out just the right tempo to reveal the evolution of Scrooge from promising young businessman to scolding curmudgeon … not an easy acting-directing task. A lot of children and bit players, with many doubling, rounded out the cast.
Notable was Dana Abruzzo as “Blind Hag,” who delivered a Teresias-like prophecy to Scrooge, biting in its impact.
Choreography was done by Kristen Digilio. She moved the characters around the crowded boards with precision and grace. Set design was by the unstoppable Patrick Grossman, who brought out the 19th Century outdoor setting with the same accuracy that showed his talents with non-naturalistic interiors. Overall direction was by Terry Brennan. Her directorial challenge here was with the enormous size of the cast, yet Brennan surmounted it handily.
Outstanding musical numbers included “Link By Link” by Marly, Scrooge and Ghosts. It was a moral, cautionary tale delivered eerily by the two with ethereal accompaniment. Bob Cratchit and Tiny Tim’s duo, “You Mean More to Me,” was a tender ballad with understated pathos. “A Place Called Home” by Scrooge at 18 and in old age with Emily, played by Ashley Beard, was a sort of hymn to unrequited love. The lively, merry Mr. Fezziwig’s Annual Ball was a welcome merry romp.
This production was far from an “annual” seasonal show. It represented the essence of technical and aesthetic prowess only to be expected from the folks at CMPAC.
CM Performing Arts Center, 931 Montauk Highway, Oakdale, will present Madison Square Garden’s “A Christmas Carol” through Dec. 29. Tickets range from $20 to $29. For more information, call 631-218-2810 or visit www.cmpac.com.
When I was growing up, Hanukkah was literally a “festival of many lights!” As the oldest of six children, my parents gave each one of us our own chanukiyah. (Note: A menorah is any multibranched candelabra. A chanukiyah is a menorah specifically designated for Hanukkah. It has nine candle holders: one for each of the eight nights of Hanukkah, plus one for the “shammash” — the helper candle that is used to light the other candles.)
Every morning during Hanukkah, each of us would carefully choose which color candles we were going to light that night. My mother placed a table in front of one of our living room windows with all of the chanukiyot (plural form of chanukiyah) circled strategically around. The mitzvah — the commandment — of Hanukkah is to publicize the miracle. Hence the directive to light the candles in a window. My siblings and I loved watching all those candles burn and glow!
I have a collection of many beautiful and unique chanukiyot now. But the one I still use every year on Hanukkah is the one I used growing up, the one I inherited from my mother. It is not beautiful, but it takes me back to my childhood, it reminds me of my mother and helps make me feel as if she is part of my Hanukkah celebration, even though she is no longer alive. That feeling helps the flame of my candles glow even more brightly.
It is no accident that Hanukkah, our festival of lights, occurs during December. These are some of the darkest days/nights of the year: We are approaching the winter solstice. Once again, Hanukkah reminds us that during the darkest time of the year, we human beings have the power to kindle lights against the darkness. We have the power to brighten the lives of others.
For those who celebrate Hanukkah, let me suggest that we can make the flames of our own Hanukkah candles burn even more brightly by dedicating at least one of the nights of our own Hanukkah celebration to a family tzedakah (social justice/charity) project instead of giving gifts to each other. The word tzedakah comes from the root tzedek — which means “justice” and “righteousness.” We don’t simply give tzedakah because it makes us feel good, but rather out of our sense of responsibility to God and to taking care of others in the world around us.
There are a number of different provisions for tzedakah outlined in the Jewish tradition. They all center around one basic principle: No matter what form our tzedakah takes, we must make sure that we never compromise anyone’s dignity, honor or self-respect. In fact, the highest form of tzedakah is when we can help someone to help themselves, so that they will no longer be dependent upon the help of others.
This year, may the light of the Hanukkah candles ignite the spark of justice, passion for human rights and freedom for all.
Chag Urim Sameach! May you have a Happy Festival of Lights!
Rabbi Sharon L. Sobel is the Rabbi at Temple Isaiah in Stony Brook.
The Greater Port Jefferson-Northern Brookhaven Arts Council, in conjunction with the Village of Port Jefferson, will host the 20th Annual Charles Dickens Festival this weekend, Dec. 5 and 6, throughout the Village of Port Jefferson. The Village will magically transform into the Dickensian era, with streets filled with roaming characters such as Father Christmas, the Dickens Mayor, Scrooge, the Town Crier and the beloved chimney sweeps.
All events are open to the public and most attractions are free of charge. Begin your Dickens adventure with a Grand Opening Celebration Parade on East Main Street, Saturday morning at 11 a.m.
The festivities will feature many returning favorites, including ice skating at the Village Center, a cappella performances by choirs and harmony groups, Nutcracker performances, magic shows by The Great Wizard of the North, and many fine musical performances by area musicians. In addition, this year’s festival will feature Theatre Three’s 32nd annual production of “A Christmas Carol.”
Returning for its second year is the Festival of Trees, located on the second floor of the Port Jefferson Village Center. The festival was the brainchild of Jill Russell, who handles public relations for the Village. “I first saw it years ago in Oklahoma City, where I grew up. They [also] had something called Festival of Trees. It was almost like an international festival of trees. Different countries were represented,” said Russell in a recent phone interview.
Eighteen beautifully decorated trees will grace the second floor, decorated in various themes. New entries this year include the First United Methodist Church, Ace Hardware, the Fox and the Owl Inn, The Greater Port Jefferson Chamber of Commerce, Antique Costumes and Prop Rentals by Nan, Theatre Three and Olde Town Gardens, whose tree will feature a train.
Returning favorites include, among others, Jolie Powell Realty, Port Jefferson Rotary, Stony Brook Confucius Institute, Pediatric and Adolescent Medicine, Bridgehampton National Bank, Danfords Hotel and Marina, Friends of the Port Jefferson Free Library, the Greater Port Jefferson-Northern Brookhaven Arts Council and Red Sled. In addition, top sponsors Empire National Bank and Maia Salon Spa and Wellness will also showcase a tree in the festival.
The trees were set up last weekend and the designers came in on Sunday and Monday to decorate. The event has really taken off. “We still get people asking ‘How do you get a tree?’ It is wildly popular,” said Russell. “It goes through the month of December, and it is so beautiful and people enjoy it so much because they come to ice skate, they come to see the trees — both things feed off of one other; they go look at the gallery exhibit. It just breathes a whole new life to the Village Center. With the ice rink and the Festival of Trees, it has been really incredible.”
“Already, in year two, it has become competitive — with not what you do to your tree but how you embellish the tree and the surrounding area and how you create a theme,” she laughed. “It’s been fun.”
New to the Dickens Festival this year will be an event titled Let There Be Light, a dazzling light show projected on Village Hall. Animated characters will appear in the front windows surrounded by swirling Christmas decorations, giant snowflakes and sparkly stars. The presentation will be available for viewing during the weekend from 6 to 7:30 p.m., on the half hour, for 15 minutes of dazzling fun and will be shown each weekend leading up to Christmas — weather permitting. The Harbormaster building will be transformed into Cookieland, where children can decorate their own holiday-oriented cookies and houses.
As in past years, East Main Street will become Dickens Alley, and Fezziwig’s Ball, featuring live music on traditional instruments led by a dance caller, will take place at the Masonic Lodge. An impressive model train display will be featured on the corner of East Main and Main on Dec. 5, from noon to 5 p.m. and Dec. 6, from noon to 4 p.m., while the Port Jefferson Free Library will feature new programming and the fabulous Dickens Cottage next to the main building.
Horse and carriage rides will thrill the young and young-at-heart, and the trolley will help transport visitors to various venues throughout the Village for the entire weekend. The Port Jeff Jitney bus will transport visitors to and from downtown, from the free parking areas found outside the Village.
This year’s honoree is Pat Darling Kiriluk, the creator of a holiday tradition and highlight of the festival — Santa’s Workshop, located at the corner of W. Broadway and Barnum Avenue. Join Santa and his elves and wind through three whimsically decorated rooms. Twinkling white lights, elaborate confection displays, and giant nutcrackers are just a few of the signature elements that bring the magic of Christmas to life. The workshop will be open weekends from 1 to 5 p.m. through Dec. 14.
The 20th Annual Dickens Festival will conclude with a Parade of Puppets and a ceremony at Village Hall on Sunday evening. For a complete schedule of events, visit www.pjdickens.com.
For a child with special needs, the world can be overwhelming.
The things many of us take for granted — a trip to the mall, stopping for a coffee or going to a show — can be frightening and confusing to children with sensory processing issues.
A sensory processing disorder affects how someone experiences their surroundings. Their senses might be too dull, or heightened to the point of discomfort. The disorder, which impacts at least 1 in 20 children, according to the SPD Foundation, can vary widely from person to person. The foundation also reported that 80 percent of people with autism experience symptoms of SPD, though not all people with SPD are autistic.
One thing is shared among them, however: SPD can make life’s little pleasures nearly impossible, not just for those with the disorder, but for their families and caregivers as well.
This year, the Noel S. Ruiz Theatre at the CM Performing Arts Center in Oakdale has been hard at work adapting their children’s theater program for audiences with sensory difficulties.
Office manager Terry Brennan was inspired to bring sensory-friendly shows to the theater after reading about it in a magazine. Broadway theaters occasionally offer an adapted show, but CM is the only theater to do so regularly on Long Island.
Brennan, the former owner of the now-closed Airport Playhouse in Bohemia, is sympathetic to families and children with SPD. “It’s hard when you see a child in the theater who is extra vocal or likes to move around. It can be challenging for their families,” she explained. “We don’t want them to feel embarrassed. I thought, ‘Why don’t we do something, even if it’s just one performance per production?’”
Using brief instructional videos as a guide, Brennan educated the actors and theater staff on what makes sensory-friendly theater work.
“First, as people come in the door, there are sensory-friendly toys in the lobby, like Koosh balls and blocks, that the kids can play with while waiting for the show to start. They can bring the toys into the theater with them,” she said. “Families may also use cellphones or tablets with children who need distraction throughout the show, as long as the volume is turned off.
The key to an adapted production is to tone down elements of a show that may be disturbing to viewers with SPD. The house lights, which are normally off during a show, are kept on to prevent sudden darkness. Strobe lights, fog machines and most other special effects are not used. In addition, there is typically no intermission, as it can disrupt focus and peace for people with SPD. Most shows will run about one hour straight through.
The volume for sensory-friendly shows is lowered, and actors tend to avoid physical interaction with audience members unless directly approached first.
Beyond that, audience members are welcome to sing, dance, yell and move around to their hearts’ content. They can also meet cast members after the show if they’d like.
The theater held its first sensory-friendly performance, “Pinocchio Jr.,” in the summer of last year. At the time, there were just three families in the audience. But Brennan wasn’t measuring success by audience size, she said.
“To me, success is when a parent comes up to me and says, ‘Thank you, I didn’t feel like I had to leave or feel embarrassed at all.’ She could let her son stay and enjoy. It was wonderful.”
Today, sensory-friendly shows at the theater can bring in audiences of more than 100 people.
Kristen Digilio, director of the children’s shows and an occasional cast member, was working in the light booth during “Pinocchio.”
“Getting to see the kids waving, clapping and getting vocally involved was really exciting,” she recalled. “It was easy for them to get up and dance. We encourage audience participation in all of our shows, and this was special.”
She added that learning the basics of sensory-friendly theater was a breeze for the actors.
“It was really cool to learn about, because as a junior production, we were working with young actors,” she said. “There was even an actor in that show (‘Pinocchio’) with autism, so he was pumped for the changes and was really able to share why it made a difference.”
The theater is currently celebrating 38 years of children’s productions, and they plan to hold one sensory-friendly show per production from now on.
There are two upcoming sensory-friendly shows this season, including “My Christmas Elf” on Dec. 5 at 11 a.m. and “The Musical Adventures of Flat Stanley” on Feb. 27, 2016, at 11 a.m.
Sensory-friendly shows for “Schoolhouse Rock,” “Willy Wonka and the Chocolate Factory,” and “James and the Giant Peach,” in the spring and summer of 2016, will also be held. Dates for those shows will be announced soon.
The CM Performing Arts Center is located at 931 Montauk Highway in Oakdale. Admission for all children’s performances is $12. To learn more about the theater and its sensory-friendly productions, call 631-218-2810 or visit www.cmpac.com.